After three well received 12” releases, The Love Supreme long player is finally here. The Love Supreme’s method of composition comes with a sonic laboratory ethos with equal measures of real instruments and vintage ‘electro-acoustic’ synthesizers. This can be seen on the pulsating opener "Elsewhere Once More", the arpegiated "Tiefferre" and the robo-tincan musings of "Alles Liebe". The early 1970s Krautrock pioneers Faust, Can and Amon Düül II, and the sounds of Tangerine Dream’s "Pink Years" period also weave their fabric through motorik tracks such as "Boy", "Rocquet" and "The Parrot". The production retains an Italian polish throughout, and the album’s peppier tracks hark back to early 1980s New York and all things CBGBs. "Gold Dust" and the highly accessible "Waiting For The Love" feature vocals from UK based Ben Smith (Fug, Nuphonic) and grooves and arrangements that wouldn’t be amiss on an early Blondie album. Single "Sugar" features a foot-stomping single note bass, underpinning Talking Heads rhythms and synthesizers, with Ben’s staccato, punchy, on-the-beat vocal just adding just enough flavour as to not interfere with the groove. Proceedings round off with a cover of the Bauhaus classic "Bela Lugosi’s Dead". NYC vocalist Lord does a fine job of capturing the spirit of Peter Murphy and of fronting The Love Supreme’s electro-ching backing.