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THE GREEN CHILD

The Green Child

Looks Familiar

    The Green Child has grown into four people. Originally the recording project of Raven Mahon (furniture maker and member of Grass Widow, Rocky) and Mikey Young (recording engineer and band member of Total Control, Eddy Current Suppression Ring, Shutdown 66), The Green Child now boasts Shaun Gionis (of Boomgates) on drums and Alex Macfarlane (who runs the excellent label Hobbies Galore) on guitar and synths. 

    TRACK LISTING

    01. Wow Factor
    02. Into Gold
    03. Step Over Water
    04. Easy Window
    05. A Long Beautiful Flowing Cape
    06. Year Of The Books
    07. Look Familiar
    08. Feet Are Rebels
    09. Private Laugh
    10. Arrows And Microtones

    The Green Child

    Shimmering Basset

      THE GREEN CHILD is the once long-distance, now based in the same house recording project of Raven Mahon (furniture maker and former member of Grass Widow) and Mikey Young (recording engineer and band member of Total Control, Eddy Current Suppression Ring). The duo draw their spectral pop sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and vintage drum machines underpin most of The Green Child’s upbeat yet decidedly uncanny songs. Raven's calmly scenic and measured vocal flits like a will-o'-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie electronic concoctions. With the advent of Raven moving from California to live with Mikey in Australia, The Green Child was reborn in the basement studio of their beachy, house on stilts in the seaside town of Rye, just an hour south of Melbourne on the Mornington Peninsula. This change of circumstances for the duo resulted in the band’s new album ’Shimmering Basset’ sounding more assured and auspicious than their self-titled debut of 2018.

      With ideas permitted the time to grow and develop close at hand, the group were able to realise the whole record as a body of work, tying together themes, meeting challenges. Raven explains further, “it feels more cohesive because over the year or so in which we wrote these songs I started to feel a desire to take the lyric writing part more seriously… my head is rooted in this new place now and that’s settled into the songwriting.” The songs collected on ‘Shimmering Basset’ are concerned with life after relocation and deal with distance and staying connected. ‘Shimmering Basset’ also concerns itself with the subjects of transport, escape, the centering of home, humanity in the performative news arena and the idea of time being a beast, animate and hungry.

      TRACK LISTING

      01. Fashion Light
      02. Low Desk: High Shelf
      03. Dreamcom
      04. Tony Bandana
      05. Health Farm
      06. Witness
      07. Smart Clothes
      08. The Installation
      09. Resurrection
      10. Double Lines

      The Green Child

      The Green Child

        The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 in when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their selftitled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child.

        With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions.

        ‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

        The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?


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