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THE BAND

The Band In Heaven

The Boys Of Summer Of Sam

    Summer is gone, friends, and with the cold bleak months that lie ahead of us in the Midwest, we're excited to unleash another unsettling dose of the band in heaven, churning forth two more direct hits of skull-softening Middle-Eastern tinged space rock destined to drain the fluids from your ears, while seductively stealing your valuable organs for the black market. Since our last release with this West Palm Beach, Florida unit, they've kept true to their style, creating a sinister apparitional vibe out of an inanimate round grooved object, and devolving into a pit of repetition, begging the question, is it heaven or hell? Mastered by Spacemen 3's Sonic Boom, you can't help but feel the soiled sordid psychedelic residue sticking to the dark corners of both tracks here, pulling together even more blackness from this Florida sunshine than ever previously imagined, and settling the tone for the worst case scenario.

    From the fringes of it's echoing, searing riffs to the cold and unusually cruel rhythms eclipsed only by the penetrating repetition, the band in heaven is the answer to a question you still don't understand, and another reason to look past your outdated boundaries and dive head-first into the undulating abyss. Just as with their debut 7" EP, this new single traps you in a vertigo-inducing vortex of modern psychedelic reverberation, washing you over with waves of petrochemical pleasure, as it takes root deep in the farthest recesses of your mind. - VictimofTime.com

    Recommended for fans of A Place To Bury Strangers, Soft Moon, Jesus & Mary Chain, Black Tambourine, Warlocks, Teepee, The Kills, Slowdive, Black Angels, Brian Jonestown Massacre

    400 copies Black vinyl.

    "Clomeim" is an evolution, a vital document of change in The No-Neck Blues Band's 15 plus years of para-musical activity. This pivotal recording is a creative distillation of the collective at a new and startling saturation point. For three rainy days in March 2007, the seven-headed hydra that is NNCK holed up in Black Dirt Studios, their newly outfitted recording studio in the foothills of upstate New York. With a discipline and a clarity of vision they've rarely displayed before, the collective channeled all of their energies into hours of recording live, real-time improvisation. After months spent sculpting and recasting the raw material, "Clomeim" emerged - a distinct whole, recalling in its parts the communal howl of Algarnas Tradgard, the dead spirit channeling of Geino Yamashiro Gumi, the glacial shadowplay of "Heresie" era Univers Zero, and Krautrock zenith Faust at their finest hour. "Clomeim" is that rare hybrid - a rock exterior with a cryptic, experimental core; a dense groover and a burning, exploratory psychedelic grimoire for the new dark ages.

    FORMAT INFORMATION

    2xLtd LP Info: Double vinyl.

    Steve Earle & The Del McCoury Band

    The Mountain

      Originally released in 1999 and widely regarded as one of the best albums of that year, New West is proud to reissue one of Steve Earle's finest works. Released in 1999, The Mountain marks a radical departure from Steve Earle's previous works as it was his first wholly bluegrass album. He later revealed that he had made the album as a tribute to the founder of bluegrass music the legendary Bill Monroe, who had died in 1996. In order to help flesh out the songs he had written for the album, Steve Earle called upon the famous bluegrass band of Del McCoury; widely regarded as one of the finest bluegrass bands on the planet who at that point. The album was a critical success and yielded Earle's 7th Grammy nomination when it was nominated for 'Best Bluegrass Album' in 2000.

      FORMAT INFORMATION

      2xLP Info: Available for the first time ever on heavy duty 180g vinyl.

      Victoria Williams

      Victoria Williams And The Loose Band - Town Hall 1995

        CD release of the RSD vinyl LP. In 1995 Victoria Williams toured with the Loose band. Critics swooned and acclaimed her live shows as “beautiful” and “intimate”, set lists varied every night, special guests happened along. Finally they reached a town hall (somewhere) and this Record Store Day set was created. Seven of the 15 tracks are taken from ‘Loose’ but they are reduced Darwin-like, made even more personal.

        She harks back to the earlier Donnie Darko-like strangeness of ‘Crazy Mary’, sketches small town America on the ‘Summer Of Drugs’ and welcomes Lou Reed for a duet on ‘Sweet Jane’. No Depression at the time enthused about a live show where 50 people were in touching distance of greatness. It was the perfect platform they believed, trying hard to still keep Victoria their own personal secret. This live set, with its laissez faire feel and impromptu vibe is as close as it gets to a personal performance. Van Dyke’s veneer is rubbed off and every song positively tingles right through to a gorgeous version of ‘Over The Rainbow’. It’s a fairytale to believe in. 

        Scott Walker

        Til The Band Comes In

          Following on from a quartet of critically acclaimed solo LPs, ‘Scott’, ‘Scott 2’, Scott 3’ and ‘Scott 4’, and the compilation LP, ‘Scott Walker Sings Songs from His TV Series’, ‘ Til The Band Comes In’ was his sixth studio album. Originally released in 1970, the LP is a loose concept album about the inhabitants of a tenement building. Produced by Johnny Franz, it features the singles “Jean The Machine” and ‘Til The Band Comes In”. “Long About Now’ features the Israeli born singer Esther Ofarim of “Cinderella Rockefella” fame. 

          Girl Band

          The Talkies

            Recorded in November 2018 at Ballintubbert House, Ireland, “a few pay grades above what we're used to!”, the alien construction of Ballintubbert and its corridors help to navigate Girl Band’s cataclysmic sound within a world of its own.

            “In many ways the idea behind the album was to make an audio representation of the house.“ And this enigmatic manor becomes Girl Band’s sonic playground: to place yourself within a space, and to work with that space harmoniously. Dan continues, “We recorded all the drums twice: once on the landing and once in the cellar” -The Well of Souls- “and during production we could actually cut in between both these sounds”. The Talkies vacillates between being big, ambient, and atmospheric to suddenly terribly intimate and up close.

            The Talkies is living, breathing, in a continual state of metamorphosis. It encompasses everything there is to love about Girl Band while simultaneously causing an exciting level of discomfort. The moaning and sawing guitars, atonal blankets of sound, abstractive lyrical repetition, chugging snare and ascending/descending snakes and ladders noise-rock guitar deliver something that is so distinctively Girl Band.

            …Eregenis. Album closes to steady breathing. It drips with catharsis, slow and mindful and purging over the familiar key and darkly syncopated grooves which closes the door to Girl Band’s sonic universe and brings ‘The Talkies’ to its first and final silence.

            Dan And The Unlimited Stupidity Band

            Keep Me On Fire

            Bastedos is back with three rascal disco edits from Dan and The Unlimited Stupidity Band drenched in that dazzle of the early disco days - reworked, extended and primed for the modern dancefloor.

            ‘Keep Me On Fire’ is a funk-powered, strutting gem of infectious grooves, full frontal bass and rousing vocal refrains. Classy and considered, this re-beefed edit is straight up incendiary business destined to ignite any dancefloor it’s put before.

            Taking to the B side, ‘Tried To Help It’ is a mouth-watering mix of squelching melodies, sumptuous falsetto vocals and heavy low-end weight, tape delayed exquisitely to echo out across the ether.

            The peak time ‘Termination’ closes out the EP. Cosmic sirens lead the way for a tension amping build up, full of space echoed reverberations, divine synths and peppering guitar licks. By the time those swaggering vocals are laid to bare its fever pitch point with this astronomical edit.

            Dan Melchoir Band

            Negative Freedom

              Recorded in Philadelphia in late 2016, Negative Freedom encapsulates the moment when the horrible truth was just beginning to sink in. “Everything got broken while I was looking the other way” sings Dan Melchior on “Negative Freedom” and perhaps that’s a relatable sentiment. Elsewhere Melchior’s ever-withering gaze settles on prima donna self-googlers in “They Insulted Me In Mojo” and self-serving promoters get their own anthem in “A Nice Holiday”—”Be careful of enthusiasts who want you to play their island” sings Melchior, with a sense of weary experience that makes the song seem like it might just be autobiographical.

              The rhythm section on this recording consists of two former members of Taiwan Housing Project (Adam Charles Cooper on bass and Pat Ganley on drums). They manage to lay down a solid but decidedly streamlined groove that perfectly compliments the songs. “This Is One” utilizes a re-discovered drum track laid down by the legendary Letha Rodman Melchior to great effect

              The Tea Street Band

              BFYH / Only Love (Jimi Goodwin Remix)

                The Tea Street Band follow in the tradition of tunefully idiosyncratic Liverpool bands like The Coral, The Lightning Seeds, and Shack, though their blissful Electronica sounds like none of those bands. Rather, The Tea Street Band are closer to artists like Tunng and This Is The Kit, blending instrumentation with synths and beats. Like so many Liverpool artists, at the heart of The Tea Street Band is a keen ear for melody. Driven by propulsive hooks, their songs grab from the get-go, often building to a euphoric rush.


                The Balek Band

                Danse Primitive EP

                In case you haven't realised it yet, Beauty & The Beat trade only in the deepest musica. The Loft-inspired London crew have done a wonderful job of translating the acid-soul and world-influenced disco of their party to the platter on their first three releases, and numéro quatre keeps the quality refined, the sound sophisticated and the emotions...erm...totes. 
                For the fourth instalment, the label invite Nantes' experimental ensemble The Balek Band to work their magic and are rewarded with enchanted melodies and arcane rhythms. Opener "Tometsi" slips its worldly moorings and drifts into deep Balearic, heading for a horizon where squirming moog riffs rain on top of rippling pads and subtle percussion glitters just above the swell. Think Harvey in Moonshadows mode and you're perfectly on path with this Balearic beauty. Next up "Diconiels" delivers shuffling rhythms and square bass, delayed guitar and cosmic chug, finding their own personal island where voodoo incantations wait on the wind. On the B-side, "Bayoyo Sou" incorporates the shuffling rhythms and tropical jazz motifs of zouk into the Balek's psychedelic swirl, gently building into a gliding acid house hit for cultured club sets or fireside rituals. 

                STAFF COMMENTS

                Patrick says: I can't speak more highly of the Beauty & The Beat crew. Each release is distinct and diverse but falls within the deeply psychedelic space they've created. Here, Nantes' Balek Band join the dots between jazzy Balearic, cosmic zouk and diasporic house across three deep cuts - once again, it's a triumph.

                Chocolate Buttermilk Band

                Head Games (The Story Of Larry Akles & CBM Records)

                Founded by Larry Akles in 1971 in Fayetteville, North Carolina, The Chocolate Buttermilk Band, has been one of the busiest and most successful cover and backing bands in the Southern United States for the last 5 decades. While they’re little known outside the region, their handful of singles from the early 1980s are, for record collectors, among the best and most desirable in Modern Soul and Boogie Funk.

                Jerome Derradji & Past Due Records present “Head Games (The Story of Larry Akles & CBM Records)”. Released on a double LP with printed inner sleeves (or booklet) that include never seen before pictures of the band and a story written by Jacob Arnold. Artwork is by the mighty Al Kent. 

                This compilation includes every song released by the Chocolate Buttermilk Band, remastered and reissued for the first time. Needless to say, this is an essential release for fans of Boogie, Soul and Funk as the Chocolate Buttermilk Band releases are known to fetch thousands in the collectors market.

                In Larry Akles own words, “This girl in Atlanta told me one time, she said ‘Larry, I heard on the radio that Chocolate Buttermilk was going to be on the show, and I told my girlfriend, Oh, it’s gonna be onnnn if Chocolate Buttermilk on there, ’cause whoever come behind them, they got to go!’” He continues, “When we hit the stage, boy it’d be some fire. We wouldn’t have to get warmed up. We’d start off hot!”

                Lou Clarke and the All-Scars Band

                Lou Clarke spent most of the 70's not of this Earth, a greatly formative time for him and those around him. The intervening period was spent retrospectively constructing a back catalogue of music to rival even the most seasoned of 'straight to charity shop' vinyl ghosts.

                The All-Scars are a collection of well-trodden troubadours from a variety of Mancunian haunts who've generously come together to present these songs in something close to their original form as once might have been heard.

                The 'Greatest Hits' album is a preventative measure precluding necessary high standards for a second work. All of the tracks have been taken from the future back catalogue including the upcoming demand avoidant '4th Album'.

                Informed by New Orleans, built in Manchester, songs to drink dance or drown to.

                STAFF COMMENTS

                Barry says: Encompassing all the best gloomy moments of Nick Cave and the sozzled pub-rock of the Pogues, but drawing in perfectly measured elements of jazz, lounge and classic rock, Clarke et. al. perfectly soundtrack our austere political climate with wry, tipsy tongue-in-cheek commentary and damn good music to boot. Great stuff.

                Cramps

                Trash Is Neat #5: The Band That Time Forgot

                  Ultra limited repress of one of the rarest Cramps albums with 3 additional tracks including a second, little known version of 'The Band That Time Forgot' and revised artworks. This originally came out about 8-9 years ago on a pressing of 250 copies and features some of the rarest tracks that the Cramps performed. Original copies of this (when they appear) usually sell in the 75-100 euro range.

                  Ty Segall & The Freedom Band

                  Deforming Lobes - Live

                  In 2018, Ty Segall’s Freedom’s Goblin hit with a watershed feeling. A feeling like, how much longer will rock albums like this even exist? An epic epoch double-LP that took the heroic arc of Ty’s populist masterpiece Manipulator and wadded it up into a much more aerodynamic (and harder-hitting) ball (or 20-sided D&D die), FG was also the continued work of the Freedom Band, Ty’s crew of choice since 2016. Storming the world playing songs from throughout his catalog in a series of ecstatic setlists, they sought freedom for themselves and the audience, even it if was just one night of emancipation from world’s numbing chill. Then they went and did it again the next night!

                  An all analog production, recorded live on stage at Teragram Ballroom in Los Angeles by Steve Albini (via mobile unit onto two-inch tape!) and mixed with Steve in Chicago at Electrical Audio, Deforming Lobes witnesses the blunt-force traumpact of The Freedom Band in full effect, updating (and upending) numbers from Melted, Emotional Mugger, Twins, Manipulator, $ingle$ 2 and Self-Titled. From the start, the “Warm Hands” suite shows the growth of the group since recording the original version for the 2017 Self-Titled album—the jam has a new life all its own, and the band explores every song with similar unrestrained curiosity, never forgetting the collective experience they’re sharing. The feeling between audience and band at Los Angeles’ Teragram Ballroom on those January nights was its own special thing; here, the band is somehow even more front and center, making Deforming Lobes the first wholly original statement from The Freedom Band and bookending the Goblin experience with a fuck of an exclamation point.

                  A year-plus later, another rock album exists—but what’s to be done with the guitar? These guys did everything they could get away with to a certain degree of (well-focused) depravity. Maybe now it’s time for a transition, away from live band rawk into whatever, who knows? But before you grieve your speculative future loss too hard, you really oughta get Deforming Lobes.

                  STAFF COMMENTS

                  Barry says: By all accounts, Ty Segall are one of the most dominant forces in live music around today, and this perfectly captures the energy and visceral heft of this momentous experience. Grooves are stretched out and worked around, turning a simple riff into a multi-layered tapestry, rich with distortion and so huge you can almost feel the sweat dripping off the stage.

                  The Phantom Band

                  Checkmate Savage - 10th Anniversary Deluxe Vinyl Edition

                    Vault back to the dawn of 2009. Signed the previous year to Glasgow independent label Chemikal Underground are The Phantom Band, a six-piece group that melds folk, Krautrock, the blues, art-rock and anything else that comes to hand, lacing their idiosyncratic, intricate tapestries with effortless pop melodies delivered by the mahoganied baritone of singer Rick Anthony.

                    The group’s debut album, Checkmate Savage, immediately attracts widespread acclaim from critics in the national music press and newspapers.

                    “A record as auspicious and accomplished as it is unforeseen” – Keith Cameron, Mojo. 4/5 stars

                    “This kraut-folk groove-fest could have been bashed out by The Beta Band’s little brothers” – Camille Pia, NME. 8/10

                    “Were they from Brooklyn rather than Glasgow, Checkmate Savage would have been acclaimed as a benchmark album of 2009” – Michael Hann, The Guardian. 4/5 stars

                    “This debut is fearlessly ambitious and unexpectedly commercial” – Steve Jelbert, The Times. 4/5


                    Fans of the group’s heady brew swiftly snap up all vinyl copies of the album, the result being stratospheric prices for those searching for it on the secondhand vinyl market.

                    A decade on, Chemikal Underground is proud to announce the imminent rebirth of an album that remains as spectacularly imaginative as it was the first time round, presented in a package that does 100% justice to the original songs, which were deftly produced by Paul Savage – whose credits include Mogwai, Franz Ferdinand, King Creosote, Deacon Blue and many more – at the label’s affiliated recording studio Chem 19 in Lanarkshire and Franz Ferdinand’s studio in Glasgow.

                    Deserving of a place in every record collection worth its salt, the stylistically wide-open, moonstruck delights of Checkmate Savage are, for the first time, spread over four sides of heavyweight vinyl housed in a gatefold sleeve, with a download code for MP3 versions of the album’s nine songs. The record will be available exactly 10 years on from the release date of the original album.

                    This new edition – cut from the original masters – is an essential acquisition for those with an appetite for wildly creative, mischievous and aurally captivating music. A no-brainer, in other words.

                    The Phantom Band went on to release three more albums on Chemikal Underground – The Wants (2010), Strange Friend (2014) and Fears Trending (2015) – while Anthony, under the name Rick Redbeard, has released two solo records on the label, No Selfish Heart (2013) and Awake Unto (2016). The group has been on hiatus since the theft of their equipment while touring in Europe in October 2015.

                    STAFF COMMENTS

                    Laura says: Given the volume of records released these days, it's easy for things to disappear into your record collection after a few months, never to be unearthed again, but this is still one of my go-to albums, years after it's release.
                    The synthetic, metallic chill of the motorik rhythms and wooshing synths is balanced perfectly with heavy percussion and Rick's rich vocals adding more organic tones. It's just an amazing, inventive album that while hinting at a multitude of reference point, sounds like nothing else.

                    Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation.

                    “Heroes to Zeros” is the third and final studio album by The Beta Band released in 2004. It was mixed by famed producer Nigel Godrich and rose to number 18 in the UK charts.


                    FORMAT INFORMATION

                    Ltd LP Info: LP+CD edition with one black vinyl in gatefold sleeve with printed inner-sleeve. CD included.

                    CD Info: CD edition in 2-panel digipack.

                    Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation.

                    After a short hiatus the band gradually gravitated back into the studio and recruited noted UK producer Colin Emmanuel, aka C-Swing, to oversee the process of “Hot Shots II” which was released in mid 2001. Notoriously the band had intended to release "Squares", which featured a sample from the Günter Kallmann Choir's 1970 version of Wallace Collection's "Daydream", as the lead single. However after filming the music video and taking the single to radio it suddenly transpired that another single "Daydream in Blue" by I Monster featuring the sample from Günter Kallmann Choir recording was also to be released at the same time causing the band to release "Broke" instead. Touring extensively and supporting Radiohead in August 2002, they made No. 3 on Q magazine's list of "50 Bands to See Before You Die".


                    STAFF COMMENTS

                    Barry says: A killer second (full-length) outing from The Beta Band sees Mason & Co. straying away slightly from the longing indie of their debut (and first three EP's) into anthemic minimalist acousticry, dancefloor rhythms and throbbing background electronics, whilst still retaining their melodic thread.

                    The Beta Band

                    The Beta Band

                      Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation.

                      Released in 1999, the album “The Beta Band” followed the critically acclaimed compilation “The Three E.P.'s” (1998). With high anticipation for The Beta Band, the band originally planned to record the album in four separate continents, but financial constraints slimmed the recording locations down; however, the album was still recorded in a variety of locations and pulling inspiration from sources as diverse as Jamaican reggae, Disney's movie “The Black Hole” and Bonnie Tyler's "Total Eclipse of the Heart".

                      The band also originally intended the album to contain a bonus disc of two long form ambient pieces, ‘Happiness and Colour’ and ‘The Hut’, both of which lasted over 20 minutes and represented the band's desire to "make a record of sound as a description for something like happiness, where a distinct first part gives way to a distinct second part”. However, the band and label ultimately decided to remove these tracks from the album prior to release.


                      FORMAT INFORMATION

                      2xLtd LP Info: 2LP+CD edition with two black vinyl in gatefold sleeve with printed inner-sleeves. CD included.

                      2xCD Info: 2CD edition in 3-panel digisleeve with 24-page stapled booklet.

                      The Beta Band

                      The Three EPs (20th Anniversary Remaster)

                        Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries.

                        Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation. 


                        The Beta Band

                        The Three EPs - 20th Anniversary Remaster (Deluxe Edition)

                          Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation.

                          After acquiring the Beta Band’s catalogue last year, Because Music will reissue their releases, starting on September 14th with a deluxe vinyl edition gathering in a slipcase the EPs ‘Champion Versions’, ‘The Patty Patty Sound’ and ‘Los Amigos Del Beta Bandidos’ with remastered tracks and coloured vinyls, to celebrate the 20th anniversary of the 1998 compilation. Because Music will release at the same time a double CD Best-Of compiling all their best hits and a live show recorded at the Shepherd’s Bush Empire (London) in 2004. 


                          FORMAT INFORMATION

                          Ltd Box Set Info: 3x12” EP + CD.
                          NUMBERED SLIPCASE featuring ‘Champion Versions’ EP (red vinyl 12” in single sleeve), ‘The Patty Patty Sound’ EP (double yellow 12” vinyl ) and ‘Los Amigos Del Beta Bandidos’ EP (blue 12” vinyl in single sleeve).
                          CD included in clear plastic sleeve with flap (includes all tracks)

                          The Beta Band

                          The Best Of The Beta Band

                            2CD edition in 3-panel digipack with a 16-page poster booklet.

                            Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996.

                            Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation.

                            After acquiring the Beta Band’s catalogue last year, Because Music will reissue their releases, starting on September 14th with a double CD Best-Of compiling all their best hits and a live show recorded at the Shepherd’s Bush Empire (London) in 2004.

                            Because Music will also celebrate at the same time the 20th anniversary of their 1998 compilation ‘The Three EPs’ by releasing a deluxe vinyl edition gathering in a slipcase the EPs ‘Champion Versions’, ‘The Patty Patty Sound’ and ‘Los Amigos Del Beta Bandidos’ with remastered tracks and coloured vinyls. 


                            The Tom Hingley Band

                            I Love My Job

                              Perhaps not words we all find ourselves uttering on a daily basis, but then the esteemed singer is far from your average joe stuck in the day-to-day grind of an average job…

                              ‘I Love My Job’ is the first album release in 5 years from the former Inspiral Carpets and Lovers lynch-pin and his current outfit: The Tom Hingley Band.

                              Arriving as the follow-up to his remarkable double album ‘Sand’ & ’Paper’ (released in 2013, with Pledge Music), the THB’s latest effort is an equally ambitious outing of vision and voice. On ‘I Love My Job’, Hingley and co. seek to offer a snapshot of the political revolution, anger, and aggression that have formed the backdrop for him, and us all, over the last three years.

                              Using the freedom of expression and amplification to communicate with the masses that is gifted to those in the job that Hingley finds himself in (though is so often shied away from by many of his musical contemporaries), ‘I Love My Job’ sees the singer using his platform to both shout to the heavens and put the world to rights. Someone has to right?

                              Getting it all of his chest, the record is very much a rejection and reaction to the here and now, with Hingley providing a loquacious outpouring of his own pure emotion, as well as socio-political commentary of wider contemporary issues that grip the current world, all wrapped up in 11 tracks of unbridled rock’n’roll….

                              “Nasty People” is a short sharp snap at the cowardly trolling culture that has developed and dominates the online realm, whereas the recoil of ‘Bullet’ is a revenge song that sees Hingley take direct aim at the convicted paedophile and Lost Prophets frontman Ian Watkins along with those who would use their power for acts of such despicable evil. “Beggar’s Hand” decries the shameful homelessness that plagues the streets of Manchester under the current government, whereas “White Sheep” is a song for those who feel oppressed by the corporate world of ‘too big to fail banks’ and utility companies in which extortion and profit at the expense of innocent consumers are business of the day.

                              But on a more personal level, there’s an outpouring of emotions in tribute to the sounds and loved ones who have inspired Hingley throughout his life. “Introduction” glistens with the chimes with bells to honour the many lost souls that have departed over the past few years, not least his own mother and sister-in-law who he also pays homage to on “Black Light”:

                              Fuck

                              The Band

                                Presenting fuck’s first new record in over ten years, the band, on Vampire Blues! In the mid-’90s to the early aughts, fuck was releasing a new record every other year and touring constantly while jumping from label to label. Then, with nary a warning, they up and disappeared. No note, no nothing.

                                Skip forward a generation and it’s revealed that they’ve been spending all these years meticulously sculpting the most impressive album of their career. Recorded in fits and starts and all over the map, from basic tracks in San Francisco to overdubs in Italy and mixing in Memphis, the band comes through with a surprisingly cohesive sound; though, like their six previous studio albums, the genrebending and boundary-pushing song-writing continues. Any lesser band would have destroyed all sense of spontaneity going this route; not fuck. The casual off-thecuff attitude remains, but now with added depth and clarity. The highs got higher, the hard hits harder. And it only took ten years!

                                The Beatles

                                Sgt. Pepper's Lonely Hearts Club Band - 2017 Stereo Mix

                                  Produced by Giles Martin for this year’s universally heralded ‘Sgt. Pepper’ Anniversary Edition releases, the album’s new stereo mix was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by Giles’ father, George Martin. Praised by fans and music critics around the world, The Beatles’ ‘Sgt. Pepper’ Anniversary Edition is 2017’s most celebrated historical music release and an ideal gift for Beatle People here, there, and everywhere.

                                  FORMAT INFORMATION

                                  LP Info: 180 gram black vinyl edition.

                                  Bob Dylan & The Band

                                  Before The Flood

                                    Live album from Bob Dylan & The Band, originally released in 1974, documenting their American tour. A 21 song double album, pressed on black vinyl with download code insert. 

                                    • Reissue of first studio release from Segall with his touring band, now with bonus track
                                    • Upped the ante on past solo releases with a full-throttle, go-for-the-throat bombast
                                    • Once on double 10-inch, now expanded to double 12-inch

                                    A reissue of the 2012 debut release by the Ty Segall Band on In The Red, featuring a bonus song not on the original release! The Ty Segall Band is Ty Segall (obviously), Mikal Cronin, Charlie Moonheart and Emily Rose Epstein. While Segall has released many incredible solo releases, Slaughterhouse marks the first time he recorded with his touring band. For this mini-album (originally released as a double 10-inch, but now expanded to a double 12-inch) the band recorded with Chris Woodhouse at the Hangar, turned their amps all the way up, set their fuzz pedals on “obliterate” and commenced to kick ass and take names. Seriously, this record will melt your face. All of Segall’s usual psych-pop sensibilities are present but Slaughterhouse adds the fullthrottle, go-for-the-throat bombast that the band delivers in the live setting. The fuzz riffs, bratty howl and Cro-Magnon bashing culminate with a feedback freakout that’s clearly the only sensible way to end a workout of this magnitude in shit to announce the debut release by the Ty Segall Band.

                                    Michael Head & The Red Elastic Band

                                    Adiós Señor Pussycat

                                    Beautiful and evocative and recorded in his home-town of Liverpool between March 2016 and June 2017, the album is the culmination of four years of hard work. Equal to his finest moments, Adiós Señor Pussycat will undoubtedly only further cement his reputation as one of this generations greatest songwriters.

                                    Since a self-imposed hiatus in 2008, Michael Head has been working with a fluid concept of an ever-rotating band format to provide a flexible platform for the range of his new live and recorded works.

                                    ‘Under the guise of Michael Head & The Red Elastic Band in 2013, they released their sought-after debut EP, Artorius Revisited, and followed this with a double A sided 7”, Velvets In The Dark / Koala Bears in 2015.

                                    A soulful and poetic genius, fate, bad luck and circumstance and often conspired to deny him his rightful dues. Loved and lauded by fellow artists and critics alike, he started out in the early 1980s with The Pale Fountains, with whom he recorded a brace of acclaimed albums, Pacific Street (1984) and …From Across The Kitchen Table (1985). He subsequently formed Shack with his brother John and went on to record five albums over almost twenty years including the much loved and acclaimed Waterpistol and HMS Fable in 1999 which saw the band briefly flirt with chart success and hailed from the cover of the NME as “our greatest songwriter”

                                    He also released, what is often regarded as his classic album, The Magical World Of The Strands under the name of Michael Head & The Strands in 1997, and with Shack currently on hiatus he has been performing under the Red Elastic Band guise for the past few years.

                                    The album features the following musicians:
                                    Michael Head - Vocals & Acoustic Guitar
                                    Steve Powell - Electric & Acoustic Guitars
                                    Phil Murphy - Drums
                                    Tom Powell - Bass Guitar
                                    Nina - Piano
                                    Dan Rogers - Electric Guitar
                                    Rod Skipp - Cello
                                    Dewi Tudor Jones - Violin
                                    Helen Tonge - Viola
                                    Martin Smith - Trumpet
                                    Andy Diagram - Trumpet
                                    Simon James - Saxophone
                                    Steve Powell, Joanne Head, Phil Murphy, Mary McCombs - Backing Vocals
                                    Michael Head, Phil Murphy, Karina Townsend - Percussion


                                    STAFF COMMENTS

                                    Andy says: Good things come to those who wait! It's been 11 long years and here it is: a modern day singer-songwriter, folk pop classic! Sounding closer to his work as The Strands than Shack, this uses his love of The Byrds and late-60's folkies to create a modern masterpiece, timeless and true. Our "Greatest Living Songwriter" (thanks NME!) has delivered. It better hadn't be 11 years 'til the next one!

                                    Focused around the songwriting talents and production skills of Jo Dudderidge and Adam Gorman and the rhythmic driving force of enigmatic drummer Nick Vaal, The Travelling Band have been quietly honing what Marc Riley described as "Mancunian Americana".

                                    The resulting album mines a rich seam of influences, with key album track 'Last Night (I Dreamt of Killing You)' and the grungy 'Wasted Eyes' highlighting the band's love of American indie rock, but still with that Mancunian twist nodding to Elbow and I Am Kloot. 'Mopping Forwards' draws on their time spent in East Nashville and the almost Satie-like melancholic ballad 'Loser' belies the darker turn that Jo and Adam's lyrics have taken.

                                    Hayman Kupa Band

                                    The Hayman Kupa Band

                                      When Darren Hayman (Hefner) and Emma Kupa (Standard Fare/Mammoth Penguins) decided to make a duets record, we knew the results would be great, but we didn’t expect them to be THIS great. Gathering together a rhythm section consisting of Michael Wood (Whoa Melodic/Singing Adams) on bass and Cat Loye (Fever Dream) on drums, The Hayman Kupa Band create brash, bold and effortlessly melodic power pop. Sharing writing duties and sometimes singing each others words, lines are blurred and creativity explored in a wonderfully exuberant collection of songs.

                                      The album, recorded in 3 days, is an exploration of relationships and, at its heart, it’s the sound of a friendship being made. Darren explains further: It’s only happened a few times but just once or twice I have seen someone on stage and thought, “I want to be in a band with them.” But I thought it the first time I saw Emma playing with her magnificent and under-rated band Standard Fare. I met her properly a little later in Sheffield when we played together. Before the gig I said I was suspicious of bands that wore hats. She wore a hat on stage. They say imitation is a form of flattery and I was glad that I noticed when I wrote the song “Boy, Look at What you Can’t Have Now” that it sounded like the sort of thing Emma might write. I covered up my theft by asking her to sing on it. When we were recording the song I suggested that we should write a whole album of duets. Musicians suggest things like this all the time because they are stupid or drunk. A few months later Emma told me she had started writing the album. This is what Emma does; she says something then does it. I race to play catch up. The songs were written over 3 weekends at her house and mine. Co-writing is something I’m not used to. It’s very intimate and me and Emma became friends through the process. Emma’s lyrics are sharp and precise whereas mine are more metaphoric. We talked about relationships and that’s what the album is about. It’s about our fears and paranoias and the search for trust and love. We deliberately swapped lines and genders so the narrative is never truly that of traditional duets. We wanted a band to make the album and chose Michael Wood and Cat Loye. 

                                      London – April 5, 2017 – It was 50 years ago this June 1st when The Beatles’ John Lennon, Paul McCartney, George Harrison, and Ringo Starr astonished and delighted the world, ushering in the Summer of Love with Sgt. Pepper’s Lonely Hearts Club Band, a groundbreaking masterwork that became popular music’s most universally acclaimed album. To salute the occasion, The Beatles release a suite of lavishly presented ‘Sgt. Pepper’ Anniversary Edition packages. The album is newly mixed by Giles Martin and Sam Okell in stereo and 5.1 surround audio and expanded with early takes from the studio sessions, including no fewer than 34 previously unreleased recordings.

                                      “It’s crazy to think that 50 years later we are looking back on this project with such fondness and a little bit of amazement at how four guys, a great producer and his engineers could make such a lasting piece of art,” says Paul McCartney in his newly-penned introduction for the ‘Sgt. Pepper’ Anniversary Edition.

                                      “‘Sgt. Pepper’ seemed to capture the mood of that year, and it also allowed a lot of other people to kick off from there and to really go for it,” Ringo Starr recalls in the Anniversary Edition’s book.

                                      This is the first time Sgt. Pepper’s Lonely Hearts Club Band has been remixed and presented with additional session recordings, and it is the first Beatles album to be remixed and expanded since the 2003 release of Let It Be… Naked. To create the new stereo and 5.1 surround audio mixes for ‘Sgt. Pepper,’ producer Giles Martin and mix engineer Sam Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All of the Anniversary Edition releases include Martin’s new stereo mix of the album, which was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by his father, George Martin.


                                      FORMAT INFORMATION

                                      2xDeluxe CD Info: Expanded 2CD and digital package features the new stereo album mix on the first CD and adds a second CD of 18 tracks, including previously unreleased complete takes of the album’s 13 songs, newly mixed in stereo and sequenced in the same order as the album. The second CD also includes a new stereo mix and a previously unreleased instrumental take of “Penny Lane” and the 2015 stereo mix and two previously unreleased complete takes of “Strawberry Fields Forever.”

                                      CD Info: Standard CD featuring the new ‘Sgt. Pepper’ stereo mix, complete with the original U.K. album’s “Edit for LP End” run-out groove.

                                      ‘Band Of The Future’ is Ausmuteants’ fourth album and probably their best to date.

                                      The band’s previous albums have been released in the US on Goner Records and they last toured the US in support of their previous album ‘Order Of Operation’ in 2014.

                                      Ausmuteants are not the band of the future or the past. Ausmuteants are just a band. Not punk, new wave, hardcore, boogie, darkwave, oi, hyphenaterock or pet rock. Not drug users and not straight edge. Ausmuteants are regular dudes practising the sound of things falling apart.

                                      FORMAT INFORMATION

                                      LP includes MP3 Download Code.

                                      The Band

                                      The Band

                                        "The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in "King Harvest (Has Surely Come)" and the retired sailor in "Rockin' Chair" to, most famously, the Confederate Civil War observer Virgil Cane in "The Night They Drove Old Dixie Down." The album effectively mixed the kind of mournful songs that had dominated Music from Big Pink, here including "Whispering Pines" and "When You Awake" (both co-written by Richard Manuel), with rollicking uptempo numbers like "Rag Mama Rag" and "Up on Cripple Creek" (both sung by Levon Helm and released as singles, with "Up on Cripple Creek" making the Top 40). As had been true of the first album, it was The Band's sound that stood out the most, from Helm's (and occasionally Manuel's) propulsive drumming to Robertson's distinctive guitar fills and the endlessly inventive keyboard textures of Garth Hudson, all topped by the rough, expressive singing of Manuel, Helm, and Rick Danko that mixed leads with harmonies. The arrangements were simultaneously loose and assured, giving the songs a timeless appeal, while the lyrics continued to paint portraits of 19th century rural life (especially Southern life, as references to Tennessee and Virginia made clear), its sometimes less savory aspects treated with warmth and humor." - All Music.

                                        STAFF COMMENTS

                                        Andy says: Just as good as the first, maybe without the same impact. Includes the world-classic "The Night They Drove Old Whiskey Down".

                                        FORMAT INFORMATION

                                        LP Info: Back to black vinyl edition.

                                        LP includes MP3 Download Code.

                                        Tom McRae & The Standing Band

                                        Did I Sleep And Miss The Border?

                                        Recorded in Wales, Los Angeles, and Somerset this is Mercury and Brit nominated McRae's 7th studio album, and is the follow up to 2013's critically acclaimed "From The Lowlands".

                                        Featuring his international band, this new album of soulful alternative Folk/Americana has been garnering rave reviews.

                                        **** MOJO "A dark triumph"
                                        **** Q Magazine "finds real beauty in despair"
                                        8/10 UNCUT, "a thrilling air of doom...beautiful" 


                                        Josephine Foster And The Victor Herrero Band

                                        Anda Jaleo / Perlas

                                        Bringing together both of Josephine Foster and the Victor Herrero Band’s Spanish albums in one place, with a previously unreleased track. Anda Jaleo was originally released in 2010. Federico Garcia Lorca's popular folk song collection "Las Canciones Populares Espanolas" was banned under Franco's dictatorship and today the music survives but marginally within the Spanish sub-conscious.

                                        Taking their cue from Lorca and La Argentinita's infectious 1931 recording of the songs, Josephine Foster and her partner Spanish musician Victor Herrero arranged the poetically rich collection for their acoustic band, formed while living in the Grenadine Sierra. Anda Jaleo is the band's live recording of "Las Canciones"; a visceral celebration of the persistence of popular anonymous song.

                                        This new edition includes an additional track not featured on the original release, an interpretation of ‘Sones de Asturias’. La colección de "Canciones Populares Españolas" recopiladas y armonizadas por Federico García Lorca fue censurada en tiempos de Franco, y hoy en día la música sobrevive aunque de una manera vaga en el subconsciente del pueblo español. Inspirados por la contagiosa grabación de las canciones de Lorca y La Argentinita de 1931, Josephine Foster y su compañero el músico español Víctor Herrero han arreglado esta poética y rica colección para su banda acústica , formada mientras vivían en la sierra de Granada. Anda Jaleo es la grabación en directo de su versión de "Las Canciones"; una celebración visceral de la canción popular anónima y su persistencia. Following from Anda Jaleo, Josephine Foster and the Victor Herrero Band created a superb follow-up entitled Perlas (Pearls). It is a jewel of a collection, with songs and poems selected by Josephine herself, gathered from dusty old scores and brought vividly to the present with warm performances full of flesh-and-blood emotion. Made with a variety of stringed instruments and simple percussion, the songs were recorded live in the studio on to analogue tape by Paco Loco in Puerto de Santa Maria, Spain. Foster breathes new life into timeless traditional melodies, drawing from the Spanish-folk traditions of Castile, the Basque, Santander and the Costa Brava.

                                        If you’ve followed The Phantom Band throughout their career to-date then you’ll know two things of the Glaswegian six-piece: feast often follows famine, and you should never accept them merely at face value. Just as two wildly singular, diverse albums in Checkmate Savage and The Wants sprung up one after another between 2009 and 2010, before a period of quiet (solo projects notwithstanding), so the group’s more direct third record released in June 2014 - Strange Friend – more art-rock than rock-art – comes followed by seven tracks cut largely from the same recording sessions at Chem 19 in Blantyre, in the form of Fears Trending.

                                        Lauded last spring pretty much across the board, Strange Friend’s instant hit to the senses was the sound of a band pulling a thread tight through their naturally wandering creative tendencies and affecting a sense of positivity, even amidst quiet doubts over living in a world simultaneously hyper-connected and disconnected through the internet. For those who saw through the likes of ‘Clapshot’s’ irrepressible anti-anthem swell, though, Fears Trending is a resounding confirmation that the band’s recent recording sessions also bore out something of a darker hue.

                                        “Maybe it's the evil twin of Strange Friend,” comments guitarist Duncan Marquiss. “They're stranger friends, oddball vestiges and hybrids.” Chief vocalist Rick Anthony agrees, pointing out that although Fears Trending merely came about as an anagram of their third record’s title, its connotations ring true, with a greater focus on themes of online isolation that they pawed at previously. “The reference is obviously there,” Marquiss explains. “Maybe it reflects our wariness of communications technology just now – which paradoxically seem to alienate people from themselves. We're all swamped with information so I question whether the band would necessarily want to add to the clickstream.”

                                        Certainly the tone of the record matches this apprehension; the opening ‘Tender Castle’ – one of just two tracks, alongside ‘Spectrelegs’, that date back before the Strange Friend sessions – runs on in, imbued with the band’s recently heard gusto, yet quickly swivels on a tumbling floor of murmuring electronics and cautious intonations, setting the scene for some of the band’s weightiest music yet. There are familiar tropes here; the aforementioned ‘Spectrelegs’ introduces itself by way of a wavering electronic organ, Iain Stewart’s drumming is never less than forthright and punchy, stomping through ‘Local Zero’ with accustomed vigour. But then there are songs like the ominous slow-build tumult of ‘Black Tape’, and the poignant final track ‘Golden Olden’, which sees the band in some-part return to the Scottish folk routes that partly informed their first record (cult Scottish folk favourite Alasdair Roberts also appears on opening track ‘Tender Castles’.) “If Thomas Pynchon was asked to write the screenplay for Young Guns 3 I hope this song would be the soundtrack,” Marquiss reflects.

                                        ‘Denise Hopper’ differs again, taking on a melodic structure whipped up as though on an Estesian gust across Turkey, Anthony’s vocal rising and falling in its oscillating breeze. Delivered with steeliness beyond the usual dry wit that’s occasionally hinted at within the group’s usual off-kilter meanderings, the track cracks and breaks amidst a storm of guitar detritus. “That melt down at end could be one of my favourite Phantom Band moments on record to date,” Marquiss comments.

                                        It’d be too broad to call Fears Trending the dark side to Strange Friends’ light. The playful intricacies and deviations of The Phantom Band remain and, after all, the album was recorded at the same time as its sister. “I think it's more about the atmosphere than the writing process that splits the two albums” Anthony reflects. “I guess there was a desire with Strange Friends to come back with no baggage attached and release a record that seemed really straight to the point. This record is straight to the point too but it's just that it's making a different point.” So it goes with The Phantom Band, a group forever changing, each new evolution more often than not a prescient for what’s to come.

                                        FORMAT INFORMATION

                                        Ltd LP Info: Very limited edition 180g heavyweight vinyl.

                                        Ltd LP includes MP3 Download Code.

                                        The Free Fall Band

                                        The Münster Sights

                                          The Free Fall Band are five very young timeless pop creators bursting with melody and sublime choruses, hailing from Mataró, a village north Barcelona.

                                          ‘Elephants Never Forget’ was the band’s debut album, produced by Miqui Puig and released on LAV Records. The record sums up The Free Fall Band perfectly: echoes of The Beatles, Jonathan Richman, The Shins, The Zombies… fun and emotion in equal measure, carefully assembled arrangements and a youthful image.

                                          2013 put them at the forefront of Spanish pop, thanks to landmark moments such as their performance at the Primavera Sound Festival and supporting Rodriguez in Barcelona. They also released their first step on El Segell del Primavera, an EP with covers of The Strokes, Violent Femmes, New Order, Booker T. & The MGs and Jonathan Richman.

                                          And now their second album arrives. It’s called ‘The Münster Sights’ and shows the band in another level: the songs reflect a band that have been playing and growing as musicians. The album was produced by Darren Hayman (he used to play in Hefner and has a long and amazing solo career) and engineered by Giles Barrett (from London popsters Tigercats), a perfect choice for The Free Fall Band as they’ve long been fans of both musicians. As a result ‘The Münster Sights’ sounds richer and fatter than their previous efforts and contains such great numbers as ‘Fontana’ and ‘I Want To Know’.

                                          Musically Strange Friend is the most straight-up set of recordings the band have put to wax. Fans of their previous critically-acclaimed albums, fear not; those burbling, fluttering electronics that drag their sound through a wormhole and out into the 70’s alongside the soundtracks of John Carpenter and the kosmische of Kraftwerk and Neu! remain; the elements of folk; the woozy organ sounds. The difference is now it feels as though an imaginary thread’s been pulled tight through it all; take Strange Friend's driving opening track and first single, ‘The Wind That Cried The World'.

                                          Singer Rick Redbeard on the song "The verses have a kind of nursery rhyme musical naivety and we wanted the choruses to just sort of blast in. The lyrics were kind of stream of consciousness that alludes somewhat to the inherent meaninglessness and randomness of artistic creation. The whole track acts as a nice opener and first single; a sort of a statement of intent after being away for so long."

                                          Strange Friend, like their previous outings, is the sound of six clearly distinct personalities attempting to inflict their will on the rest of the group – it’s no surprise the phrase “love/hate” is brought up repeatedly by all its members in an attempt to describe their relationship with the band as an entity – but it’s that fission between each other’s contributions that provides the intangible individuality of their music. “Like all true utopias it can feel impossible to maintain,” admits guitarist Duncan Marquiss. “But we'd have fallen apart long ago if any one band member took the reins, and that friction between people throws up music that no single person in the band would have imagined otherwise. I still hope our utopia will turn into whisky fountains and flying sandwiches.” It’s something that you can’t help but feel would be fully deserved for these most strange but wonderful returning friends.

                                          STAFF COMMENTS

                                          Laura says: There’s always the danger that when six people with disparate influences come together to make music , the songs can get pulled in so many different directions that they come apart at the seams. The Phantoms have the knack of grabbing all these threads and weaving (tangling?) them into inventive near perfect pop songs. The band have already demonstrated this on their previous two albums, but now after a four year gap they’ve returned with possibly their most cohesive album so far. The metronomic bass and drums power through or drop down to suit the mood as guitars chime and riff in equal measure. Spacey analogue synth swirls add an other-worldy feel, and a whole cacophony of percussion embellish proceedings. At times this combination creates an almost euphoric feel while at others Rick’s rich folk-tinged vocals add a sense of gravity. It’s been a long time coming, but well worth the wait!

                                          The Memory Band

                                          Further Navigations

                                            THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                            The Further Navigations EP is a continuation of the themes which informed The Memory Band album On The Chalk (Our Navigation Of The Line Of The Downs) also released on Static Caravan. Featuring remixes from Belbury Poly and Grantby and a brand new Memory Band track the EP draws inspiration from the ancient "lost road" that is the Harrow Way. The choice of collaborators are two producers who have had a profound impact on The Memory Band sound in different ways, but both bring to the fore the cinematic elements of Stephen Cracknell's approach to traditional music. In the decade since The Memory Band began one of its greatest contemporary influences has been the fine collection of work released by the Ghost Box label, in particular the Belbury Poly aka label boss Jim Jupp. Spectral, haunting and yet vibrant and knowing his work has established Jupp as a truly English original, making some of the essential electronic music of the new century. For "Hobby Horse" Belbury Poly takes the blueprint from the Memory Band's version of the traditional funeral march "When I Was On Horseback" transforms it by speeding it up, flicking the swing setting and produces something that sounds like David Munrow making music for schools on analogue synthesisers. Grantby aka Dan Grigson has a mysterious history, famed for the Timber EP and tracks for labels such as Mo-Wax in the mid ‘90s, his work defined and exceeded trip-hop and garnered a loyal international underground following who spoke of him as an English version of DJ Shadow. Memory Band leader Stephen Cracknell worked alongside Grigson on a one or two of those early recordings and when Grigson withdrew from music after an ill-starred move to Creation Records, Cracknell moved to focus on his own projects which lead to The Memory Band. Recently Grigson returned to music, working on music for film and television music before returning to remixes and production. Here Grantby takes the traditional ballad "As I Walked over Salisbury Plain" leads it into the military zone and the result is "The Ballad Of Imber Down" named after the "lost village" of Imber upon Salisbury Plain, from which its inhabitants were evacuated by the Army during the Second World War only to learn that after the War that it had been decided the village would remain the property of the military and that they could never return again. Their ultimately doomed campaign to return has itself passed into legend.The Memory Band original "Walk Along It" is a hymn to majesty of walking in the open air. It borrows heavily from the anonymous and haunting version of the traditional English tune The Lincolnshire Poacher, broadcast from a shortwave numbers station and believed to be operated by the British secret services.

                                            Stanton Davis And The Ghetto Mysticism Band

                                            Isis Voyage: Unreleased Music & Alternative Mixes From The Brighter Days Sessions

                                            The original spacey jazz-funk sound of the Brighter Days album by Stanton Davis' Ghetto Mysticism Band has been championed by everyone from Gilles Peterson to Andrew Mason of Wax Poetics to hip hop producer and rapper Madlib. Isis Voyage is a collection of unreleased music and alternative mixes from the Brighter Days sessions. Many of the tracks on Brighter Days were shortened to be more accessible to the listening public. Isis Voyage contains the original, longer versions of many of these songs including "High Jazz" and "High Jazz Reprise." Back in October 2012 Stanton Davis and Cultures of Soul Records' label head, Deano Sounds, went into the studio to mix down tracks from the original multitrack reel to reel tapes. Two unreleased tracks, "Odwalla" and the title track "Isis Voyage," were among the material discovered while mixing down the music. Also included are extended instrumental versions of "Things Cannot Stop Forever" and "Funky Fried Tofu." Bonus tracks include remixes of "Things Cannot Stop Forever" and "High Jazz" by UK disco remix expert Al Kent.

                                            The Free Fall Band

                                            Songs Our Days Pass Along Vol. 1

                                              The Free Fall Band are five very young timeless pop creators bursting with melody and sublime choruses. They appeared out of nowhere three years ago from the Maresme. They quickly gained recognition: finalists of the Demoscópicas de Mondo Sonoro or at the Villa de Bilbao (where they were the winners of the Pop Rock category in 2011) azzaldia de Donosti, Faraday, popArb… a series of achievements that led them to record their debut album, produced by Miqui Puig and released on LAV Records (co-released with Buenritmo).

                                              The record sums up The Free Fall Band perfectly: echoes of The Beatles, Jonathan Richman, The Shins, The Zombies…fun and emotion in equal measure, carefully assembled arrangements and a youthful image.

                                              2013 has put them at the forefront of national pop, thanks to landmark moments such as their performance at the Primavera Sound Festival and supporting Rodriguez in Barcelona. Before the year is out they will play at BAM and will also take part in the Primavera Sound Touring Party that will take them all around Spain.

                                              This next step is a mini album of covers (their first record on El Segell Del Primavera) that includes covers of The Strokes, Violent Femmes, New Order, Booker T & The MGs and Jonathan Richman.

                                              Their second album is planned for the beginning of 2014.

                                              Me And My Kites, With Tony Durant Of Fuchsia.

                                              The Band

                                              OK, hands up who remembers the album, ‘Fuchsia’ from 1971? Hands-up who loves the mix of acid-folk, progressive rock, strings and songs? Yeah, me too.

                                              Me and My Kites are a new band, from Sweden.

                                              Why is that relevant? They are named after a song on Fuchsia's album, which must say something about their influences and, on their first-ever single, it’s all the more appropriate as Fuchsia's original lead singer Tony Durant wrote and now sings a new version of Fuchsia's song 'The Band' on the a-side (remember those?) of this new 7” on FdM’s Regal Crabomophone label.

                                              The b-side is dedicated to Kevin Ayers, and is an extended version of the Me And My Kites song, Isis’ Adventure, from the band’s new album, ‘Like A Dream Back Then’)

                                              I hope you like it.


                                              FORMAT INFORMATION

                                              7" Info: Limited coloured vinyl pressing.

                                              Vinyl comes with CD version of the album enclosed.

                                              Releases by Stephen Cracknell and his acclaimed project The Memory Band have always lent themselves to journeys and landscape: dream-like stumbles through stony megaliths, wintry climbs along snow-covered hills, drunken dashes through sun-splashed fields with a summer love. Their records have always been more pre-occupied with external narratives than internal emotions. But perhaps never before quite as literally as on adventurous new album On The Chalk (Our Navigation of the Line of the Downs), a beguiling musical tribute to a mythical ancient pathway crossing a Southern England shrouded in mystery and withered by time.

                                              Made of eleven songs spread across haunting horn noises, crackles, drones, blissed-out beats and tender piano melodies, this fourth studio album marks the tenth anniversary of one the most invigorating and much loved folk acts around, a group described by NME as “a disorientating, drugged-up soundtrack for the 21st Century… genuinely beautiful.” And speaking of monumental journeys, it’s been quite a road to this moment for Cracknell and his ever evolving cast of collaborators.“I’ve had a decade of marginal poverty, nice trips and the company of wonderful dreamers,” laughs the mercurial composer, formerly seen fronting much loved outfits The Accidental and Balearic Folk Orchestra. “The idea with this record was it to be sort of a road trip along a mythical track way, an irreverent and episodic journey across a landscape inundated with history and the marks of change and transformation, some striking and immediate, others slow and imperceptible.”

                                              He may as well be describing his own sounds to be found in On The Chalk… – for every jaw-dropping shimmer of harp or arresting moment of reed organ, there’s an avalanche of clever quiet detail to be unearthed, with cinematic overtones that recall his Wicker Man touring soundtrack that Cracknell has taken to fields everywhere from Glastonbury, Green Man to a castle in Jersey.Cracknell says: “There’s been a real revival of interest lately in old roads and green lanes, in literature, art and film. This has run parallel to so much of the renewed interest in folklore and folk music. One supposedly ancient trackway that I'd hear referenced again and again was the Harrow Way, which stretched from the Straits Of Dover all the way to the west country by an overland route on chalk ridgeways. I grew up in a place supposedly along its route.”What followed was a period of extensive research, digging deep into his own past and the World around him, listening to a strange combination of traditional folk-songs and seminal British landscape music such as Chill Out by acid house pranksters the KLF, tracing old roads and creating ambient recordings on site for use on the album. ”It was all a lot of fun, running round the country playing at psycho-geography,” recalls Cracknell. “Like the landscape that inspired it, it’s an album that at times is dark and imposing and at others more peaceful and serene.”Recorded in the songwriter’s home studio in East London (“an empty schoolroom overlooking a park… quite a peaceful place for London, really”), this is an album by a group who, like their subject matter, have changed and grown over time, but remain every bit as vital as ever.

                                              Stagecoach is a pop rock band from the south of England, with a smashing debut album and UK tour coming in May. Huw Stephens span their single 'Map To The Freezer' exhaustively on both his Radio 1 shows. He then invited the band to play the BBC Introducing stage at Reading & Leeds 2010, before naming Stagecoach one of his BBC Introducing acts of the year. In February 2011 the band recorded a live Radio One session at Maida Vale. You may have heard Stagecoach on BBC One's ‘Gavin and Stacey’ Christmas & New Year specials. Channel 4 also used them on season 2 of ‘Skins’. Two of the band’s tracks feature on the international trailer for this year’s breakout British comedy ‘Killing Bono’. The band recently toured with friends Johnny Foreigner, Glaswegian rockers Twin Atlantic and opened for Jimmy Eat World. With a handful of singles and ep's released through indie labels Alcopop! and This Is Fake DIY the first full length album (produced by Rory Attwell) is due early 2013.

                                              For fans of: Johnny Foreigner, Pavement, Fight Like Apes, Wilco, Los Campesinos, Prefab Sprout Big melodic gutsy slacker pop!

                                              FORMAT INFORMATION

                                              LP Info: 180 gram vinyl.

                                              The Hot 8 Brass Band

                                              The Life & Times Of...

                                              'The Life And Times Of… The Hot 8 Brass Band’ announces the emphatic return of New Orleans’ premier purveyors of roof raising, jazz infused, funk and hip hop fuelled marching band music, straight from the heart and fresh from the second line parades. This is Hot 8 Brass Band’s first new material since their acclaimed debut put them on the global stage.

                                              Hot 8 Brass Band boast a rare depth of vocal talent to illuminate their tales, and ‘The Life And Times Of…’ finds them exploring this further; switching from commanding, funky lead vocals, to rapped verses laid down with passion and skill, to melodic hooks and harmonies - that range from emotive, gravelly baritones through instinctively whooped falsettos - with abandon.
                                              ‘The Life And Times Of…’ is itself the first part of a two album project; showcasing the party side of the band, it is packed with joyful grooves to get feet moving. The next instalment - to follow in Spring 2013 accompanied by live dates in the UK and Europe - will be more reflective, an emotional tribute to fallen band members and the funeral parades which centre on this music.

                                              Includes current single, a cover version of the Specials' "Ghost Town".

                                              The Jimi Ben Band

                                              Royal Baboon / Monkeys In Da House

                                              Debut single from French 3-piece electronic garage band, The Jimi Ben Band. Based in Lille, France, they came to our attention having played with Thee Spivs. We strongly suggest you YouTube the video to experience the full majesty and psychedelic majesty of the band.

                                              Once upon a time, Jimi Ben found himself lost in the jungle. He had been wandering in South East Asia for years and could find no way out. One night he was cruising for dirt and love, he got struck by sexedelic visions emerging from the red lights of go-go bars. An inner baboon voice told him: “Jimi ! Bad is good for you. Why don’t you set up a Rock’N’Roll band ?”. That’s exactly what he did. Back in his hometown (Stockton, Northern France), he was taught by long time friend Ricky Love how to play power chords on a guitar and recorded a first LP demo on a 4 tracks tape recorder in his kitchen.In December 2009, Johnny Boom (drums) joined Ricky Love (bass, vocals) and Jimi Ben (vocals, guitars) for their first show and further DIY tape recordings (Monkeys In Da House EP – 2011). Mainly influenced by American Garage bands, 60’s British Beat groups, Surf Music, Punk Rock and New Wave, these slackers like it rather cheesy, danceable and fun. The Jimi Ben Band started as a lo-fi garage trio. Since then, they have performed about 40 shows in France and Belgium and developed a degenerate style based on energy, coconut vocals and great amounts of reverb. They have made it quite clear that they wanted nothing but having girls dancing at gigs.

                                              In The Red is happy as a pig in shit to announce the debut release by the Ty Segall Band. The Ty Segall Band is Ty Segall (obviously), Mikal Cronin, Charlie Moonheart and Emily Rose Epstein.

                                              While Segall has released many incredible solo releases, 'Slaughterhouse' marks the first that he recorded with his touring band. For this album (it’s only ten inches, but you get two!) the band recorded with Chris Woodhouse at the Hangar, turned their amps all the way up, set their fuzz pedals on obliterate and commenced to kick ass and take names. Seriously, this record will melt your face.

                                              All of Segall’s usual psych-pop sensibilities are present but 'Slaughterhouse' adds the full throttle, go-for-the-throat bombast that the band delivers in the live setting. The fuzz riffs, bratty howl and Cro-Magnon bashing culminate with a feedback freakout that’s clearly the only sensible way to end a workout of this magnitude.

                                              Willie King With The Ike Turner Band

                                              Peg Leg Woman / Mistreating Me

                                              As you'd expect from Ike Turner's band, the playing is top notch on this killer blues rocker featuring vox from Willie King, who's happy with a one legged woman on side A and less happy with the mistreating woman on the soulful blues B-side cut featuring much Tremelo vibrato on the guitar.


                                              FORMAT INFORMATION

                                              7" Info: Limited dinked reissue with replica US label artwork. 500 copies only.

                                              Gabby Young & Other Animals

                                              The Band Called Out For More

                                              With a list of accolades as long as a pair of stripy tights, Gabby Young And Other Animals, (otherwise known as the “World’s Finest Purveyors of Circus Swing” – Clive Anderson, Loose Ends on Radio 4) release their new highly anticipated album. Written by Gabby and Stephen Ellis, who also produces, this 13 track work represents a giant sonic step forward. Its colourful avant-garde sound, with lush orchestration, horns and quiet melodies, exudes the best bits of music hall, burlesque, 1920s flapper music, Nouvelle Vague cinema and torch songs. Indeed, Gabby comes across like Rufus Wainwright’s other younger sister – bred perhaps on a diet of Bjork, Imogen Heap, and Joanna Newsom – as she sets out winningly to reinvent her own genre, Circus Swing.

                                              ‘My sound’s matured,’ is all she’ll say. ‘I’ll admit that. I’ve honed my craft. I’m very happy and settled where I wasn’t before. ‘ Lead single ‘In Your Head’ allows fans to connect with the party tempo of the first album. Its witty animated interactive promo, in which you can ‘choose’ which animal to be saved from an evil ringmaster, was produced by Gabby’s friend Georgina Hurcombe (Lovelove Films). A metaphor for the music industry? ‘Perhaps,’ sighs Gabby, with a smile. The slower tracks stand out particularly: The Answer’s In The Question’s incessant analysis of a relationship; the contemplative trumpet-tinged ‘Honey,’ Gabby’s personal favourite and, most impressively, ‘Male Version Of Me’, a quiet accordion-tinged paean to finding a soulmate. But fear not, there are hoedown moments aplenty too: ‘Horatio’ is one such, and closing track ‘The Band Called Out For More’ sees Gabby morph into some crazed Edith Piaf. ‘Segment’ opens quietly before building into an almighty strings-charged Arcade Fire-style workout, whilst the album’s masterpiece is the serpentine ‘Neither Beginning Nor The End’, a spine-tingling mid-tempo classic, complete with operatic flourishes, before an abrupt finish leaves the listener needing more.

                                              Gabby Young’s twisting roots have carried her and that stunning voice from her native Wiltshire to land with a bang at the centre of London’s music scene. The youngest ever recruit to the National Youth Choir at the age of 12, Gabby was on track to become an opera singer until Jeff Buckley and the jazz greats inspired her to switch teams. In 2008 Gabby formed the 8-piece band who complete the magical musical fairground we know today, using a wide range of instruments, most notably trumpet, trombone, piano and clarinet – affectionately dubbed Circus Swing by those who realised there was no existing genre to encompass Young’s sound. It was crowd-funding her first album that really put her on the map. The Evening Standard ran a story on it, and the piece was picked up across the board – with an interview even on Sky News, and positive write-ups by many of the UK's major newspapers, including The Guardian, The Sunday Times and the London Evening Standard.

                                              A lot of folks will tell you that Robert Johnson was the King of the Delta Blues. But don‘t say it in front of Reverend Peyton. The guitar-wielding leader of The Reverend Peyton‘s Big Damn Band has no problem praising Johnson and his incredible body of work. “But there‘s only one King of the Delta Blues, and his name was Charley Patton,” Peyton said. “I‘ll go toe-totoe with anyone who says different”. ‘Peyton On Patton’ is a powerful tribute to The Rev’s hero.

                                              The 13-track album features songs written and recorded by Patton during his brief recording career, which came to an end upon his premature death in 1934.

                                              During his lifetime and for nearly a quarter of a century afterward, Charley Patton was regarded almost universally as the preeminent Delta bluesman. He spent his formative years at Dockery Plantation near Ruleville, Mississippi, where he influenced future blues and gospel stars including the aforementioned Robert Johnson, as well as Son House, Willie Brown, Pops Staples, John Lee Hooker and Howlin‘ Wolf. His flamboyant performance style was widely emulated and his songs frequently covered. During a fiveyear period, Patton recorded nearly 60 songs for Paramount Records.

                                              The release includes three radically different versions of ‘Some Of These Days I‘ll Be Gone’ featuring varying instrumentation and recorded in different keys and arrangements.

                                              Although Patton sometimes recorded with other musicians, Rev. Peyton regards his hero‘s solo recordings as his best. For that reason, ‘Peyton On Patton’ is a largely solo affair with Reverend Peyton‘s growling vocals and searing guitar work placed front and centre. But while the rest of the Big Damn Band are used sparingly, they make a number of crucial contributions to the record. Washboard Breezy - wife of Reverend Peyton - contributes washboard percussion, Aaron ‘Cuz’ Persinger, whose thundering drums are a mainstay of the band‘s live shows, here plays in a starkly different manner, drumming with just his hands on a century-old tobacco barrel.



                                              FORMAT INFORMATION

                                              2xLP Info: The LP format includes a two song 10” record that plays at 78RPM like an old Blues 78. The A side is ‘Mississippi Boweavil Blues’ and the B side is ‘Jesus Is A Dying Bed Maker’, recorded live at Dockery Farms where Charley Patton grew up.

                                              The West Coast Pop Art Experimental Band

                                              Where's My Daddy?

                                                This is the fifth album by psych legends The West Coast Pop Art Experimental Band. Recorded shortly after this legendary Californian psychedelic band had left Reprise (where they'd made three classics), this oddity is more pop-based than their previous efforts, though the eccentric influence of frontman Bob Markley is still strong. Released in the summer of 1969, it sold poorly and hasn't been widely heard since, making this reissue especially welcome.

                                                The Straw Bear Band is the main focus of attention for Dominic Cooper - member of the Owl Service collective and inhouse graphic designer for the Rif Mountain label (of which he is also a co-founder). The Straw Bear Band play a kind of 'garage-folk'; stripped down, raw, earthy, and concerned with the darker, more grim aspects of our aural heritage. During a break from recording their second album (a mammoth 26-track concept album which is an A-Z of songs about British eccentrics), the band cut these 2 sides in the studio of producer/multi-instrumentalist Gerry Diver (best known for his work with Lisa Knapp). The songs are both traditional re-workings, and both are elevated to new levels from any previous recorded versions. A Lyke Wake Dirge is performed as a driving, chorus-led stomp-fest, while Nottamun Town is presented in a stark, angular arrangement which suits the dream-like lyric perfectly - the portentous percussion and Diver's wild, bewitching violin used to stunning effect.

                                                The band are named after a folk festival which takes place in the town of Whittlesey where Dominic Cooper grew up. Each year since at least the mid-19th century, a man dressed as a straw bear visits all the ale-houses in the town to entertain the patrons before being torched in a breathtaking finale (sadly, this event has lost much of it's charm since the intervention of health and safety executives).

                                                For fans of Alasdair Roberts, The Owl Service, Cath & Phil Tyler.

                                                ‘No man is an island’ wrote John Donne, but what about bands? Well, they’re probably not islands either, but like most things in life, you need exceptions to prove the rule. That’s why it was so remarkable when The Phantom Band, with their legion of musical references, still managed to sound quite unlike anyone else when they released "Checkmate Savage" in 2009, a debut that earned mass critical applause and made them the cult success of the year. Twelve months later, they’re still in a movement of one, and their follow-up, "The Wants", looks set to cement their reputation as one of the most inventive and vital units at work today.

                                                If "Checkmate Savage" was the product of a band mulling over the human race’s inexorable slide into oblivion, then its follow-up found them turning feral and heading for the hills to ride out the storm. Holing up in Chem19 (Chemikal Underground’s studio in the wastelands of Blantyre), The Phantom Band immersed themselves in a primordial soup of influences before emerging six months later, emaciated and squinting in the pallid sunlight, cradling "The Wants": a nine-track musical folly and the soundtrack to their own personal apocalypse.

                                                Charged with creating a second album more or less from scratch and in situ - an album upon which their creative and material survival depended - they contracted a virulent strain of cabin fever and promptly set sail into the mouth of madness. Keyboardist Andy Wake elaborates: 'As you know, The Phantom Band was built on the site of an ancient Indian burial ground, so every time we record it's like an emotional exorcism. It's painful, prolonged, confusing; at times it's hard to tell what's happening outside of this other-world'. Guiding them through this tortuous birthing process was the chimerical figure of Mungo Bang, 'a spiritual adviser of sorts who came highly recommended. He also added vibes'.

                                                Their madness had method, because a lot came out in the mix: a forest of tuned percussion, poly-rhythmic group vocals, fuzz guitars and medieval electronics. Musical inspirations included David Lynch and John Carpenter soundtracks, German kosmische music of the 70’s, Tom Waits, digidub rhythms, R&B harmonies, doo-wop and rock'n'roll. Lyrical inspiration emerged from lycanthropy, vampires, doppelgangers and the Salem witch trials. That’s also Teenage Fanclub’s Wurlitzer organ you can hear on "Everybody Knows It’s True", alongside a host of other instruments, both homemade and hard-bought. Various bits of furniture, wood, a toy drum machine, some home-made drum triggers and FX pedals (aptly named the Phantosizer), shelvaphones, a dulcimer and the studio fire extinguisher - all had roles to play on the final recording. 'Sink [Greg Sinclair] appeared at rehearsal one day with what looked like a body bag containing at least one corpse. It turned out to be a full size vibrophone with all the trimmings', explains Wake. If any more evidence of creative initiative was required, the album opens with the sound of a baliphone being sawed into tune in preparation for a take.

                                                The end product represents a major leap forward for the band, a sound more of their own. Juxtapositions are more apparent – arcane folk melodies and gothic lyrical imagery straddle vintage analogue synths and primitive drum machines. 'Where Checkmate Savage was varied, we've intensified those elements, because we've got no reason to be subtle with them', says Wake. 'It's much more concentrated, more skilfully executed and with more decoration. It’s "Checkmate Savage" - On Ice'.

                                                The Phantom Band was pulled together from all four corners of Scotland, settling on Glasgow as PB HQ. Duncan Marquiss (guitar), Gerry Hart (bass), Andy Wake (keyboards), Rick Anthony (vocals) and Greg Sinclair (guitars) are a volatile cabal of creative contradictions: a disorientating amalgam of music, art and performance that defies categorisation and provides an object lesson in how to forge something distinct and unique from well-worn sources. "Checkmate Savage" won plaudits from the mainstream music press and the indie blogs alike, finding famous fans in Peter Buck and comic artist Frank Quitely, while the influential music emporium Piccadilly Records named it their album of the year. Their new album may be "The Wants", but what do The Phantom Band want for? 'Survival. For this album to lead to another after it, that's all. We think it's better than the last one, and if anyone agrees with us then brilliant, they can hop aboard. Those who disagree can hop aboard too, but they're sailing at the stern'.

                                                STAFF COMMENTS

                                                Laura says: The mighty Phantom Band return with a superb follow up to their debut album, which was our Album Of The Year in 2009. "The Wants" picks up where "Checkmate Savage" left off adding more and more layers to their already complex sound. It's less motorik than their debut, but still with their distinctive pulsing rhythms at the heart of it. There's more analogue synth action and knob twiddling going on this time around and on each listen, you're plunged deeper into their world.
                                                The first band to get a Piccadillly Album Of The Year in consecutive years? The competition is pretty stiff this year, but it's definitely in the running.....

                                                Mt. St. Helens Vietnam Band

                                                Where The Messengers Meet

                                                  While it has only been 18 months since Mt. St. Helens Vietnam Band's self-titled debut, they have traveled what feels like thousands of miles. "Where The Messengers Meet" is in real time, an expansion of the sound of the band's eponymous debut. They take the same frantic and skewed elements and stretch them out, giving them room to breathe and blossom.

                                                  Thematically, "Where The Messengers Meet" is an exercise in contrasts: the delicate and gentle, the dark and furious. Mt. St. Helens Vietnam Band collects powerful compositions into one cohesive whole held together with lush production and a haunting atmosphere. They are imperceptibly inching away from an angular style influenced by Modest Mouse and Wolf Parade, instead incorporating an epic sound recalling both the modern masters such as Arcade Fire, and classic pioneers, like Pink Floyd.



                                                  The Beatles

                                                  Sgt Pepper's Lonely Hearts Club Band - Enhanced Edition

                                                    After playing their last ever live concert in Candlestick Park, August 1966, The Beatles spent the next year in the studio (unheard of for a pop group), and came out with "Sgt Pepper's Lonely Hearts Club Band". What can you say about "Sgt. Pepper's" that hasn't already been said? It was the first ever sit down and listen CONCEPT ALBUM! A song-suite that beautifully flows. The first album where songwriters were to be considered alongside classical composers? 1967; and something most definitely was in the air. Everything went multicoloured and psychedelicized! And The Beatles made a gorgeous pop record that you could still play to your gran! It's easy to forget now, after 40 odd years of 'Best Album Ever' gongs and endless platitudes, just how groundbreaking this set was at the time - it's become a bit '"Sgt Pepper's" blah blah blah, yeah, know all about that'. But coming back to the album afresh, it still sounds amazing, especially final track "A Day In The Life", which is still totally astonishing. It's the perfect blend of John and Paul.

                                                    Tracklisting
                                                    1. Sgt Pepper's Lonely Hearts Club Band
                                                    2. With A Little Help From My Friends
                                                    3. Lucy In The Sky With Diamonds
                                                    4. Getting Better
                                                    5. Fixing A Hole
                                                    6. She's Leaving Home
                                                    7. Being For The Benefit Of Mr Kite!
                                                    8. Within You Without You
                                                    9. When I'm Sixty Four
                                                    10. Lovely Rita
                                                    11. Good Morning Good Morning
                                                    12. Sgt Pepper's Lonely Hearts Club Band (Reprise)
                                                    13. A Day In The Life
                                                    14. Sgt. Pepper's Lonely Hearts Club Band Documentary

                                                    FORMAT INFORMATION

                                                    CD Info: The biggest band in rock history sees their original catalogue digitally remastered for the first time with improved packaging, including extra rare photographs, expanded and new essays and all enhanced with a video mini-documentary on the making of each album in the Beatles own words.

                                                    The Hayley Faye Band

                                                    Babysleepmode

                                                    From their first gig in April 08, The Hayley Faye Band have garnered a loyal following. This debut single features two tracks: "Babysleepmode", which is driven by a propulsive snare drum beat and the upbeat stomp of "Kings And Queens", with both tracks being defined by Hayley's distinctive, charismatic vocals and perceptive lyrics.

                                                    FORMAT INFORMATION

                                                    Ltd 7" Info: Limited to 500 hand numbered copies, with artwork based on one of Hayley's original oil paintings.
                                                    Keep an eye on this trio, we're expecting big things of them!

                                                    Ltd CDS Info: Hand numbered edition of 200 copies in a metal box.

                                                    Creating your own genre of music is not for the faint hearted and this is exactly what this album uncompromisingly sets out to do. Despite strong influences from the Mediterranean and the Middle East, it admirably keeps its feet firmly on the ground of Manchester and British Indie. Following in the footsteps of British bands Asian Dub Foundation and Transglobal Underground, the album layers exotic sounds like darbuka, saz and bouzouki over a strong, driving back beat. From electric guitar to the haunting Turkish çümbüş, each song holds small surprises from the unusual array of instruments arranged with loving attention to detail.

                                                    A mixture of Darwish's songs in English and modern rearrangements of Turkish and Kurdish songs, this album successfully fuses lyrics in English, Turkish and two Kurdish languages. Anatolian folk songs, some thought to be over 300 years old, sit comfortably next to some of the most biting English lyrics to have been written in recent times. The whole album has a meaningful weight to it but never becomes trite or pompous like so many of its world music counterparts.

                                                    The country and eastern sound is both uplifting and adventurous, never more exemplified than in the stomping cover of Dolly Parton's classic song "Jolene". Every listen reveals a new detail from the many intricate layers that go together to set this album in a world of is own. With anthemic and poetical comments on immigration and the Iraq war it is firmly set in the 21st century but the breathtakingly original mixture of languages and sounds from east and west takes you to a world where the only borders really are in your mind.

                                                    THE PICCADILLY RECORDS ALBUM OF THE YEAR 2009

                                                    After years of changing their identity with every gig that they performed, this remarkable Glasgow based six piece finally settled on the name of The Phantom Band in 2006. Their debut album “Checkmate Savage” was born, under the expert guidance of producer Paul Savage from the Delgados, from lengthy jam sessions that highlighted not only the band’s experimental side, but also their unique grasp of melodic looseness. Riding on a near perfect motorik beat, the songs sway and swoon with a knowing art-rock style, underpinned throughout with an earthy, almost mystical, folky Scottish vocal delivery.

                                                    “Checkmate Savage” is otherworldly, and hard to pin down, with a freeform spaciousness that band’s only usually discover on their third or fourth albums, and in that respect The Phantom Band are most certainly way ahead of the game, one can only wonder what their next album will bring. They’ve been compared to the Beta Band, krautrock legends Neu! and Can, as well the likes of Nick Cave, Bonnie ‘Prince’ Billy, the Violent Femmes and Captain Beefheart, but The Phantom Band are truly out on their own. A quite fitting, and truly exceptional album of the year.

                                                    STAFF COMMENTS

                                                    Laura says: Given the volume of records released these days, it's easy for things to disappear into your record collection after a few months, never to be unearthed again, but this is still one of my go-to albums, years after it's release.
                                                    The synthetic, metallic chill of the motorik rhythms and wooshing synths is balanced perfectly with heavy percussion and Rick's rich vocals adding more organic tones. It's just an amazing, inventive album that while hinting at a multitude of reference point, sounds like nothing else.

                                                    Theredsunband

                                                    The Eagle / Like An Arrow

                                                    Limited 7" from this hot Sydney three piece, bursting on to the music scene with a fuzzed out guitar sound, the simplicity of a three piece format and the haunting vocals of Sarah Kelly. This is distorto dream pop, that reminds me of Juliana Hatfield and Lush a bit too. Sisters Sarah and Lizzie Kelly form the core of the band and record with the addition of a boy drummer / vocalist.

                                                    This is Anticon co-founder Sole's official follow up to 2005's "Live From Rome" LP, and first release with his new band, Skyrider. It's the label's finest hip hop album since Sage Francis' classic "Personal Journals" way back in 2002. In some ways, this is a record of return - a return to rhyming for one, particularly the complicated rhyme schemes that marked Sole's early work, a return driven by his seeming, but not actual, discordant love of both Lord Byron and Lil' Wayne. It's a record where the lovely analog of "Shipwreckers" (where Sole jacks the hook from the Guy Debord film Refutation Of All Judgements) comfortably co-habits with the grinding, anthemic opening track "A Sad Day For Investors".

                                                    Spiral Joy Band

                                                    Wake Of The Dying Sun King

                                                    "Wake Of The Dying Sun King" is the second full-length of epic meditative drone from this South Western Virginia collective. Like Pelt (with whom it shares several members), Spiral Joy Band uses mostly acoustic instruments to create slow, building pieces rich with human detail. The steady rolling of multiple Tibetan bowls, bowed and struck gongs, hypnotic fiddle, sruti box, and other instruments are recorded live in continuous performances that frequently stretch beyond an hour per piece. The performance aspect is key to Spiral Joy Band's aura - the variations in approach, force, etc. with which each tone is played, and the clear, open recording (mostly in Blacksburg's Glade baptist church) highlight the subtleties of the music.

                                                    The Bonzo Dog Band

                                                    The Doughnut In Granny's Greenhouse

                                                    Neil Innes and Vivien Stanshall, were the back bone of this band formed in the 60s by the art school students. They started life as The Bonzo Dog Dada Band, then becoming the Bonzo Dog Doo-Dah Band, and then finally just the Bonzo Dog Band. They were originally seen as a 20s revival act but quickly developed into one of the 60s most virulent satirical acts.

                                                    FORMAT INFORMATION

                                                    CD Info: This remastered and expanded edition includes five bonus tracks.

                                                    Neil Innes and Vivien Stanshall, were the back bone of this band formed in the 60s by the art school students. They started life as The Bonzo Dog Dada Band, then becoming the Bonzo Dog Doo-Dah Band, and then finally just the Bonzo Dog Band. They were originally seen as a 20s revival act but quickly developed into one of the 60s most virulent satirical acts.

                                                    FORMAT INFORMATION

                                                    CD Info: This expanded remastered edition includes five bonus tracks.

                                                    The Bonzo Dog Band

                                                    Let's Make Up And Be Friendly

                                                    Neil Innes and Vivien Stanshall, were the back bone of this band formed in the 60s by the art school students. They started life as The Bonzo Dog Dada Band, then becoming the Bonzo Dog Doo-Dah Band, and then finally just the Bonzo Dog Band. They were originally seen as a 20s revival act but quickly developed into one of the 60s most virulent satirical acts.

                                                    FORMAT INFORMATION

                                                    CD Info: This expanded remastered edition includes six bonus tracks.

                                                    No Neck Blues Band

                                                    Letters From The Earth

                                                    One of the most enigmatic, mysterious, and defiantly anti-commercial groups to emerge from the New York loft scene during the 90s, the No-Neck Blues Band formed in 1992 around a consistent core of multi-instrumentalists who have stubbornly and admirably insist on individual anonymity. Incorporating elements of folk, drone, psychedelia, free jazz, noise, and just about everything else, NNCK have nevertheless carved out a distinctive sound from complementary and disparate component elements. "Letters From The Earth" was NNCK's first digital output and is a document of their first ever outdoor Orthodox Easter concert in 1996. This double CD outputs 111 or so minutes worth of this group's dizzying array of sonic blattage, cable disruption, tribal tranceadelics and trip or drone aesthetic.

                                                    Band Of Horses

                                                    Everything All The Time

                                                      Folks, you don't need to buy any records by My Morning Jacket, Flaming Lips or Mercury Rev anymore, Seattle's Band Of Horses have combined all three and only gone and made one of the albums of the year! These are huge, emotive, yearning songs. The sound is reverb-drenched and lonesome: enormo guitars chime whilst Ben Bridewell whacks out his vocals like Perry Farrel's little, lost brother. OK, they sound very similar to M.M. Jacket, but there's a directness here that's exhilarating. The whole record flows, but there's some absolute anthems lurking amidst the drift and echo. It's a towering, beautiful thing.

                                                      The Incredible String Band

                                                      The Incredible String Band

                                                      The 1966 debut from the forward-thinking furry folkies. Recorded as a trio before their inspiring trips to Morocco and Afghanistan, it's a straight-ahead blend of traditional and original material, played in a mix of American and Celtic folk styles.

                                                      The Incredible String Band

                                                      The Hangman's Beautiful Daughter

                                                      Incredible String Band's third (1968) and most ambitious album - a truckload of exotic instruments and drugs come into play resulting in a bona fide acid-folk masterpiece! If you only get one ISB album, this is the one you need!

                                                      The Silver Mt. Zion Memorial Orchestra & Tra-La-La Band With Choir

                                                      This Is Our Punk Rock

                                                      This third album from Silver Mt. Zion, is by far the most melodic album released by any Godspeed You Black Emperor project. On this release, they expand on their core six piece line-up, to include guests on drums and a couple of dozen folk on choral duty! Dense layers of strings collide, blend and differentiate against a backdrop of ragged repeating guitar figures and noise treatments. Their long instrumental passages are there as ever, but there's a much stronger vocal presence than before.

                                                      FORMAT INFORMATION

                                                      2xLP Info: Double vinyl in Constellations trademark beautiful packaging and including a screen printed poster.

                                                      CD Info: Nicely packaged CD as you'd expect from Constellation.

                                                      No-Neck Blues Band

                                                      Letters From The Earth

                                                      One of the most enigmatic, mysterious, and defiantly anti-commercial groups to emerge from the New York loft scene during the 90s, the No-Neck Blues Band were formed in 1992 around multi-instrumentalist Keith Connelly and percussionist Dave Nuss. Sometimes operating more as an artists' collective or commune than a band, NNCK (as the group is often abbreviated) membership is in a state of near-constant flux. Determindly improvisational and experimental in nature their distinctive sound cascades with seemingly random elements. 1996's "Letters From Earth" was their defining recording with wildly abstract and formless meanderings that defy convention and commerciality.

                                                      Steve Miller Band

                                                      Children Of The Future

                                                      From the Floydian Mellotron ballad of "In My First Mind" to the seagulls and wavesounds on "The Beauty of Time Is That It's Snowing" the first Steve Miller Band album from 1968 is full of suprises, each track segues into the next and can be termed a concept album, there is a blues feel about it but there are also moments of psychedelia and progressive rock that make you really sit up. A minor classic.

                                                      The Souther Hillman Furay Band

                                                      The Souther Hillman Furay Band

                                                      The Souther, Hillman, Furay Band was one of those supergroup creations of the 70s. Chris Hillman was an original member of The Byrds and Flying Burrito Brothers, Richie Furay was one of the founders of Buffalo Springfield and Poco, and JD Souther worked with Glen Frey of The Eagles. In 1974 they formed this outfit and recorded this eponymous album of counrty tinged soft rock with Manassas style guitar and plenty of classy songwriting.

                                                      The Souther Hillman Furay Band

                                                      Trouble In Paradise

                                                      Souther-Hillman-Furay was the offspring of just about every notable country-rock band. Richie Furay was a founding member of both Buffalo Springfield and Poco, Chris Hillman had been with the Byrds, the Flying Burrito Brothers, and Stephen Stills' Manassas and JD Souther formed Longbranch Pennywhistle with Eagle Glenn Frey. Although the band received a great deal of promotion their career was short lived. Their debut sold reasonably well, but the aptly titled "Trouble in Paradise" never took off and the band split shortly after its release. It's an album of soft rock with the country embellishments that made them worth listening to.

                                                      Rollins Band

                                                      The Only Way To Know For Sure

                                                      A double CD edition of Henry Rollins and the Rollins Band, one enhanced including videos and stuff, and you know what to expect. Rollins is as confrontational as ever, age has not wearied him or blunted his polemical style.

                                                      The Love Letter Band

                                                      Even The Pretty Girls Take Medicine

                                                      Well orchestrated pop tunes from vocalist / multi instrumentalist Chris Adolf, incorporating a whole host of unusual instruments - marimbas, glockenspiel and even a musical saw!

                                                      The Fantomas Melvins Big Band

                                                      Millennium Monsterwork

                                                      A collaboration between The Melvins, and Mike Patton's Fantomas. Recorded live in San Francisco, December 2000.

                                                      John Fred And His Playboy Band

                                                      With Glasses: Absolutely The Best Of 1964-69

                                                      Remembered primarily for the 1968 smash #1 hit "Judy In Disguise." Seventeen tracks include "Judy In Disguise," "Leave Her Never," "Anges English and more. Pure psychedelic bubblegum.

                                                      The Edgar Broughton Band

                                                      Out Demons Out! The Best Of....

                                                      Live the Edgar Broughton Band brought their brand of Beefheartesque blues rock to heights they rarely acheived on record but this excellently compiled collection really does have some great songs and for once there are no real omissions this really is the only Broughton album you'll need.


                                                      Latest Pre-Sales

                                                      196 NEW ITEMS

                                                      Back to mine are back. @backtominemusic with @jungle4eva The first DJ mix compilation from world dominating indie… https://t.co/67tySrxuJZ
                                                      Fri 18th - 1:48
                                                      Great to be featured in @longlive_vinyl with a rather wonderful story from @Guy_Garvey from Elbow. This is the firs… https://t.co/vqrdYgg9T0
                                                      Fri 18th - 10:21
                                                      2/2 @marklanegan @BATTLES and Nils Frahm. All of these albums are out today too. Labels @heavenlyrecs @WarpRecordshttps://t.co/vSw4eCrL6x
                                                      Fri 18th - 9:58
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