Search Results for:

TEMPA

Dub War

Murderous Style

Repress of seminal 12” by Dub War: “Murderous Style / Generation” (TEMPA004), originally released in 2001. You can clearly see the development from UKG into dubstep here, with those skitty drums and two-step swagger coalescing with the dubwise influence: soundbwoy shout outs, wub'ing sub bass, neck snapping snares - the embryonic sound of dubstep coming to life through one of its earliest inceptions. A true piece of soundsystem history.

STAFF COMMENTS

Matt says: Hard to believe this record is 25 years old! One of the very early blueprints of the genre, criminally out of press for an eternity. Nice to see Tempa revisiting this foundational record.

TRACK LISTING

Side A
Murderous Style

Side B
Generation

D1

Tempa Archive, Vol 2: Enigma - EP

Second instalment of Tempa’s Archive series sees D1's "Enigma EP" repressed for maximum subwoofer damage. 8 tracks, originally produced between 2002-2006 that perfectly highlight dubstep and grime's embryonic beginnings. All cheap digital percussion and serious low end pressure. Though composed with basic software and primitive elements, the level of details and sound system dynamics on show is ultimately very impressive; and alongside producer's like Roska, El-B and Scuba; D1 has a very unique, very influential of the UK bass music scene, perfectly encapsulated here across this double disc Tempa release. Pressed two tracks per side for maximum fidelity and headroom. Highly recommended!

STAFF COMMENTS

Matt says: One of the early exponents of UK bass presents an archival dig full of embryonic experiments that would go on to inform the global movement. Much like El-B, Zed Bias and DMZ, Loefah etc; D1 is one of UK bass music's core foundations.

TRACK LISTING

Side A
1. Enigma
2. ET

Side B
1. Life Force
2. Earth

Side C
1. Snatch
2. Tabala

Side D
1. Cosmic
2. Verb

New 4 track EP from Carré, via Tempa. Some of the strongest stuff from the recently revived label and surely the release with the biggest crossover potential. "Spend It" sees Mercury drop a slick vocal delivery which is like Cardi B and Migos vibing on on a UK grime beat with elements of dubstep and US trap thrown in for good measure. Super!

"Sense of Place" is the most hyperactive, fusing ADHD synthesis and highly kinetic drum rhythms into an attention grabbing piece of high tech, new school breaks. Meanwhile, "Static" ups the distortion and aggression for a pummeling exercise in syncopated grime beats and low end pressure.

Concluding, "Enough" deploys piston drums and undulating wubs and atmosphere to devastating effect. Imparting a movement of half-tempo sway and swagger that should unite the dancefloor into a gently rocking Mexican wave. 


STAFF COMMENTS

Matt says: Amazing EP from Carre here. Detailed, expressive, boundary-pushing excellence that should find favour with more adventurous DJs across a variety of camps.

TRACK LISTING

A1. Spend It (Extended) feat. Mercury
A2. Sense Of Place
B1. Static
B2. Enough

4 brand new tracks from Coki, including the much anticipated collab with Durrty Goodz: “We Nah Business”. A grimy, tear-out, buzzsaw system wrecker with an incendiary vocal contribution from Durrty. The angular, low end square waves continue in earnest across "Fries Dumpling", that has a b-line and snare hits that'll slap you around the face harder than an giant salmon.   

Flip for the title track, "Red Rocks" another fierce execution of dubstep's aggressive swagger, with those eski-inspired basses ripped from the grime scene. Sounds like a swarm of angry bees. 

"Humanoidz" concludes with an advanced palette of bitcrunched leads, sound bwoy shout outs and the feeling that Coki is serious abusing his soundboards as he squeezes every last ounce of bass pressure from his circuits.

An incredible return from the dubstep pioneer! 

STAFF COMMENTS

Matt says: The master returns with four more tracks of precision subwoofer engineering coupled with some explosive grimy attitude. Absolute ruffage guaranteed.

TRACK LISTING

Side A
1. We Nah Business feat. Durrty Goodz
2. Fries Dumpling

Side B
1. Red Rocks
5. Humanoidz

Skream

Midnight Request Line / I

Much needed repress of THE dubstep anthem. Originally released in 2005 and an unshakable earworm for most bass heads since. Skream went on to become a household name and this early track keenly displays the poise, finesse and knowledge of sound system dynamics to devastating to effect. 'The Strings Of Life of dubstep' as one man said! 

Limited copies. 

TRACK LISTING

A. Midnight Request Line
B. I 

Where does dubstep find itself right now? It's a question that Tempa's scene-defining "Dubstep Allstars" mix CD series has always asked, right since the genre's inception and Hatcha's first instalment back in 2004. Each volume has returned new answers; capturing its own snapshot of a specific side of the sound. The truth, as the series so far has proved, is that dubstep has always been in a state of flux.

And so for "Dubstep Allstars Vol.9" Silkie and Quest waste no time in providing yet another fresh set of answers. Their sound is a hybrid vision: as core members of the Antisocial Entertainment collective, they have over the past few years honed a sound as soulful as it is sub-heavy, seeping grime, jazz, funk and electro into the equation. These aspects to Silkie's music 'came from a desire to emulate the music I loved - garage and 90s R&B,' he explains. 'I feel a compulsion to add the jazz and the soul to the music, and find it harder to leave it out.'

Like many of the series' earlier editions, the duo draw the music on "Dubstep Allstars Vol.09"'s tracks from a small pool of close-knit producers who share a similar attitude. As well as their own music, chief among their contributors is Swindle. It's his "If I Was A Superhero" that opens the CD, electrifying the mix to life. From there the energy swiftly ramps up, passing through Quest's bounding "The Seafront" and Swindle's electro-shocked beast "Belfast" before delving into deeper territory with Quest's slinky "Somewhere". Later, the dread ramps up to staggering intensity with Mala's "Eyez VIP" (a track exclusive to this mix) and the intense pressure of Quest's "Overcome". Throughout, the duo's mixing mirrors the swift responsiveness of their club sets - sometimes wild and unruly, sometimes softer and more languid.

All these threads culminate in the mix's closing 20 minutes in a devastating run of tracks, with Silkie's remixes of Skream and Katy B drawing finally into Quest's rootsy 'Stand', completing the circle and harking back to the genre's origins. It's an appropriate note to end on, remaining respectful of the travels of dubstep past, but always with an eye towards the next step.

STAFF COMMENTS

Philippa says: This Tempa compilation series brings us the choices of these two core members of the Antisocial Entertainment collective. Over the past few years they've honed a sound as soulful as it is sub-heavy, seeping grime, jazz, funk and electro into the equation. Here we get 24 tracks by them and their pals.

TRACK LISTING

01. Swindle - Superhero
02. Silkie - Lucky
03. Quest - The Seafront
04. Swindle - Belfast
05. Silkie - Get Up And Dance
06. Quest - Somewhere
07. Quest - Deep Inside
08. L Wiz - 4.42 Oz
09. Silkie - Selva Nova
10. Silkie Vs. Von D - Snowed In
11. Swindle - Do The Jazz
12. Mala - Eyez VIP
13. Mizz Beats & Jay Retro - Level O
14. Quest - Overcome
15. Quest - The Unknown
16. Silkie - Concrete Jungle
17. Swindle - Forest Funk
18. Silkie - Mellow Yellow
19. Silkie - Cyberdub
20. Skream - Filth (Silkie ReMiX)
21. Silkie Feat Truth - Feel
22. Katy B - Witches Brew (Silkie RMX)
24. Quest - Stand

Skream

Outside The Box

"Listenin' To The Records On My Wall", is the perfect introduction to why Skream's current level of success is just the beginning. It's a joyful, ragingly energetic celebration of the last quarter decade of British street music, inspired by the hardcore and jungle records used by his older brother Hijak who was part of Grooverider's Internatty Crew. It's also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s - and to those who didn't.

This, however, is not a revival record. A natural born modernist, Skream has selected 14 tracks that cover hip hop ("8-Bit Baby", with LA rapper Murs from Living Legends), bass-wobbling dubstep (the self-explanatory "Wibbler"), dreamy electronica ("Perferated"), a dark and tribal track with La Roux, and a strong dose of euphoric jungle on "The Epic Last Tune"; a track that is inadvisable to listen to whilst driving - unless you want another six points on your licence. "Outside The Box" is the sound of an artist who is ready to take his considerable talents to a wider audience without compromising any of the raw, hedonistic, emotional, lose-yourself madness that has made him literally legendary to the hundreds of thousands of people worldwide. There's the 8-bit computer game inspiration of "CPU"; the Daft Punk styled vocals of "How Real" featuring Freckles; the tuff but soothing heart-beat of "Fields Of Emotion" and the Jocelyn Brown-sampling "I Love The Way", which sees the first lady of disco pitched right down.

D1

V3

It was at DMZ that Soulja first heard "Ongie Bongie". Several months later the track becomes the the kick-off riddim for "D1 V3", D1's latest double-pack offering from Tempa. Sounding out the way ahead with the latest sonar technology, "Ongie Bongie" begins at a cautious speed whilst familiarising itself with this new territory and then picks up pace with a funky propulsion that saw it light-up underwater dance, DMZ. Following on from this peak-time dancefloor energy, "Joy" swells progressively, in waves of euphoric chords pieced together with steadily stuttering congas. The second plate is headed by "Cave", a deeply hollowed-out production, heavily sub-led and a current regular in Youngsta sets, whilst anchor track "BG" employs infectious, cascading bass-stabs, which envelop the accompanying trumpet to create the kind of skank out riddim which wouldn't be out of place on a Jammin' era Bingo Beats release.

Various Artists

Tempa Allstars Vol.4

Tempa come through with another cutting edge instalment of the pioneering "Tempa Allstars" series, combining established names with new talent. From Croydon originator Benga's dubplate smasher "Roller", to rising Bristol talent Komonazmuk's sharp as razor production, via the West London sounds of Orien's grimey halfstepper "New World" to Rusko's deep "Jah Love" featuring roots reggae vocal, this is a cutting edge representation of what is working on the floors of dubstep events worldwide. Rounding things off is a refreshing 2-step flavoured offering from Martyn, more known for his d&b productions but making waves in dubstep, and a deep dark Youngsta styled roller from The Others.


Latest Pre-Sales

211 NEW ITEMS

E-newsletter —
Sign up
Back to top