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Pale Fountains

From Across The Kitchen Table - 2023 Reissue

    The Pale Fountains were formed in Liverpool in 1980 by Mick (as he was then known) Head with Chris McCaffery on bass, Thomas Whelan on drums, trumpeter Andy Diagram and guitarist Ken Moss.

    Signing with Virgin in late 1982, this was the first time the music world became aware of the work of singer-songwriter Michael Head.

    1985's . . . From Across The Kitchen Table was produced by Ian Broudie, soon to form and redefine sugar-pop with The Lightning Seeds. The album is more unified than its predecessor as it was recorded over a shorter period of time. Lead single Jean's Not Happening is one of the great lost indie gems of the 80s, complete with a powerful string arrangement. The closing song, September Sting, is a joyous slice of scouse-a-billy that points the way clearly to later groups such as The Las.

    Near four decades later, Michael Head is adored by his hardcore following and the wider world freshly discovers him as each of his new releases achieves widescale acclaim, whether it be his subsequent band, Shack, or his current outfit, the Red Elastic Band. But The Pale Fountains was where it all began.

    This re-issue faithfully replicates the original 1985 Virgin Records UK release with printed inner and is pressed onto high quality 180g vinyl.

    STAFF COMMENTS

    Andy says: Brilliant follow up to Pacific Street, this record had a harder sound than its voluptuous predecessor but in Shelter, These are the Things, It's Only Hard and the title track Mick's songwriting was still right up there. Did I miss one out? Jean's Not Happening: World Number One that never was!!!

    TRACK LISTING

    Shelter
    Stole The Love
    Jean's Not Happening
    Bicycle Thieves
    Limit
    27 Ways To Get Back Home
    Bruised Arcade
    These Are The Things
    It's Only Hard
    ... From Across The Kitchen Table
    Hey
    September Sting

    Bartees Strange

    Farm To Table

      Born in Ipswich, England to a military father and opera-singer mother Bartees had a peripatetic early childhood before eventually settling in Mustang, Oklahoma. Later, Bartees cut his teeth playing in hardcore bands in Washington D.C. and Brooklyn whilst working in the Barack Obama administration and (eventually) the environmental movement. Since charting a path as a solo artist, Bartees Strange has released two records in quick succession: an EP reimagining songs by The National (Say Goodbye To Pretty Boy, 2020) and his debut album proper Live Forever (2020).

      Farm to Table, which also includes recent single ‘Heavy Heart’, is the second album from Washington D.C. resident Bartees Leon Cox Jr.. Where his 2020 debut record Live Forever introduced the experiences and places that shaped Bartees (Flagey Brussels, Mustang Oklahoma), Farm to Table zeros in on the people – specifically his family – and those closest to him on his journey so far. With his career firmly on the ascent, Farm to Table examines Bartees’ constantly shapeshifting relationship with life post-Live Forever. It also speaks to a deeper lore that says, don’t forget where you came from, and this album is why. Always remembering where he came from, across 10 songs Bartees is celebrating the past, moving towards the future, and fully appreciating the present.

      An unapologetic and braggadocious indie-trap banger, new single ‘Cosigns’ celebrates Bartees’ peers, collaborators and friends; name-checking the likes of Bon Iver, Phoebe Bridgers, Courtney Barnett, Lucy Dacus, through a genre-defying outpouring somewhere between swaggering hip hop and euphoric alt rock. The song ends on a poem he wrote in his early 20s, “I don’t know how to be full, it’s the hardest to know, I keep consuming I can’t give it up, It’s never enough.” ‘Cosigns’ is also a moment for Bartees to acknowledge himself, giving himself credence and unashamedly basking in that glow. Its accompanying official video was directed by Pooneh Ghana.

      TRACK LISTING

      A1. Heavy Heart
      A2. Mulholland Dr.
      A3. Wretched
      A4. Cosigns
      A5. Tours
      B1. Hold The Line
      B2. We Were Only Close For Like Two Weeks
      B3. Escape This Circus
      B4. Daily News (Vinyl Only Track)
      B5. Black Gold
      B6. Hennessy

      Teen Suicide

      Honeybee Table At The Butterfly Feast

        Honeybee Table At The Butterfly Feast is the first album from the elusive Baltimore’s band Teen Suicide in years. For over a decade, guitarist, vocalist and project runner Sam Ray has been sometimes quietly and sometimes very noisily setting standards in the indie scene by changing genres, live lineups and even band names, but the one constant has been an undeniable gift for songwriting.

        Honeybee Table sits at an interesting point in the Teen Suicide timeline, following years of relative quiet following the releases a whole fucking lifetime of this (2018) and fucking bliss (2019), both released under the short-lived alias American Pleasure Club. Lockdown times saw a viral moment for the song “haunt me (x3)”, a cult-classic catalog track featured on the 2015 Run For Cover reissue of the band’s two beloved EPs dc snuff film and waste yrself. Now the band returns with what could be their next classic record, 16 songs that oscillate between noisy garage-rock, intimate acoustic songs and even blistering powerviolence in the vein of 2016’s ambitious double album it’s the big joyous celebration, let’s stir the honeypot. The album is as varied and captivating as the cover art of the record - a painting by Ray’s mother - and is held together by his unique artistic vision, captured not only in the genius of his songwriting but the power of lyrics that turn his lived experience of the past few years into harrowing poetry.

        TRACK LISTING

        Side A
        1. You Were My Star
        2. Death Wish
        3. Get High, Breathe Underwater (#3)
        4. Unwanted Houseguest
        5. Groceries
        6. I Will Always Be In Love With You (final)
        7. New Strategies For Telemarketing Through Precognitive Dreams
        8. Violence Violence
        9. Coyote (2015-2021)

        Side B
        10. Every Time I Hear Your Name Called
        11. You Cant Blame Me
        12. It Was Probably Nothing But For A Moment There I Lost All Sense Of Feeling
        13. All Of Us Steady Dying
        14. Complaining In Dreams
        15. How To Disappear In America Without A Trace
        16. Another Life (bootleg) 

        Amy Raphael

        A Seat At The Table : Interviews With Women On The Frontline Of Music

          Writer and critic Amy Raphael has interviewed some of the world's most iconic musicians, including Courtney Love, Patti Smith, Bjoerk, Kurt Cobain and Elton John. In 1995 she wrote the critically-acclaimed Never Mind the Bollocks: Women Rewrite Rock, which included a foreword by Debbie Harry. More than two decades on, the music business has changed, but the way women are regarded has not.

          In this new book, A Seat at the Table, Raphael interviews eighteen women who work in the music industry about learning to speak out, #MeToo, social media, queer politics and the subtleness of everyday misogyny. Featuring interviews with: CHRISTINE & THE QUEENS, IBEYI, KATE TEMPEST, ALISON MOYET, NADINE SHAH, JESSICA CURRY, MAGGIE ROGERS, EMMY THE GREAT, DREAM WIFE, NATALIE MERCHANT, LAUREN MAYBERRY, POPPY AJUDHA, KALIE SHORR, TRACEY THORN, MITSKI, CATHERINE MARKS, GEORGIA, CLARA AMFO

          Table Scraps

          Autonomy

            To turn away from a record deal with a large label in your teens takes guts - especially when the fight for opportunities of that kind are so far and few between for rising bands. But when you feel like you're being kept out of the loop of your own life and one two many false promises are made, something has to change. Drummer Poppy Twist of Poppy & The Jezebels (Mute) made her choice and hasn't glanced back since. Forming the Midlands three-piece, Table Scraps, was a natural antidote and as with anything that comes with a DIY-sense of raw honesty, has had huge levels of support. Joining forces with two souls in possession of similar stories, TJ on bass and Scott Vincent Abbott on guitar, the band have become a storming unit of energy and defiance.

            Their gripping new album 'Autonomy' is set for release on February 23rd 2018. The new single 'Sick Of Me' taken from it premiered at DIY and has since been spun by the likes of Steve Lamacq, Lauren Laverne, Tom Robinson, Tom Ravenscroft, and more on BBC 6 Music. Previous support has been found at Radio 1, Radio X, and from Idles' Joe Talbot, who recently declared on stage at a Birmingham gig, "if you don’t know Table Scraps, you’re a fucking idiot!". Live, the trio have more than held their own alongside the likes of Fat White Family, Black Lips, and Yak, as well as being hand-picked to open for bands such as The Buzzcocks and The Gories. 

            TRACK LISTING

            1.Sick Of Me (2.17)
            2. Always Right (2.14)
            3. I’m A Failure (3.04)
            4. Takin’ Out The Trash (3.20)
            5. Lyin’ Thru Yer Teeth (1.55)
            6. My Obsession (2.56)
            7. Frankenstein (1.54)
            8. Treat Me Like Shit (3.01)
            9. More Than You Need Me (4.39)
            10. Do It All Over Again (2.41)

            It’s been six years since Nosaj Thing, the producer born Jason Chung, appeared among the vanguard of Low End Theory-affiliated producers from Los Angeles. His debut LP "Drift", a sleek and futuristic record shot through with a sense of melancholy, was hailed as a landmark record for the “beat scene”, both embodying its aesthetic and transcending it with its focus on mood, texture on tone as much as on beats. Pitchfork called it “gorgeously haunted”, and Resident Advisor said it “exists in its own dimension.”

            If "Drift" was an impressive full-length debut, then "Home", its 2013 follow-up and Nosaj Thing’s first record for Innovative Leisure, consolidated that potential. Now, "Fated" is the sound of an artist whose sound has had time to mature. By stripping away anything he didn’t deem strictly necessary, Chung harnessed a sound notable for its directness and emotional potency. Guest appearances are rare, save for vocals from Chicago rap phenomenon Chance The Rapper on "Cold Stares", his unusually grave cadence deepening the paranoia of the already tense track, and Whoarei on "Don’t Mind Me".


            Manchester-based six-piece Table are led by songwriter David O'Dowda, who combs together different strands of modern folk music to create something new and wonderful on this, their first seven-inch titled "Songs You Can Sing". The two tracks on this single are sumptuous delights, airy and ornate while being oddly familiar. Marshalled by David, Table waltz through quietly elegant folk-pop with minimal guitar, stately piano and low-key vocals on what sounds like an endearingly sweet single, despite the deceptively barbed tale woven throughout. If "Songs You Can Sing" is beguilingly understated, then "Most" is multi-layered and bursting with ideas where electronic and organic sounds collide. It's a many hued delight which pulls together disparate elements and twists them into a myriad shapes, blurring excitedly before sweeping to a beautiful climax. Music that reaches into you and pulls out your soul, personal and frankly as dangerous as it is fragile. Imagine East River Pipe covering a Richard Hawley penned lullaby and you'll have a good idea of what to expect.

            STAFF COMMENTS

            Laura says: I can't really think what to say about this, other than I really like it! Two slices of cleverly constructed folkiness which despite the addition of electronics, maintains a real warmth and charm. Lovely stuff!

            Jon Mueller

            Strung

              Table of the Elements continues to celebrate its 15th anniversary with the third installment in its Guitar Series. Peripatetic composer, performer, improviser, and designer Jon Mueller is a busy guy, and both the rock and experimental music scenes are the richer for it. As a drummer he propels the ecstatic whorl of Collections of Colonies of Bees and the occasional guitar army of Rhys Chatham; alternately his solo project, Metals, is the most harrowingly intense percussive barrage you'll ever encounter. He also finds time to collaborate with artists ranging from Wilco's Glenn Kotche to Swans' Jarboe. Whether it's minimalist bombast, free-improv interplay, or electroacoustic finesse, Mueller's got it covered. But what can he do with a guitar? In "Strung", Mueller doesn't play the guitar; he scrambles its molecules. Laying down a photon-blast of sound, he initiates a relentless, rapid-pulse attack signal that summons wave upon wave of white noise. Think inexorable alien invasion – The Day the Earth Stood Still, with Lou Reed as Klaatu and "Metal Machine Music" as the message. Earth doesn't stand a chance.

              Big D And The Kids Table

              The Gipsy Hill LP

                Big D And The Kids Table are one of Boston's best new skacore acts. This second album "The Gipsy Hill LP" is their best work to date and will propel them to the same status as contemporaries like Reel Big Fish, Less Than Jake and the Mad Caddies.

                Big D And The Kid's Table / Five Knuckle

                Look What You've Done

                  Split six-track tour CD from Bristol's Five Knuckle and Boston's Big D And The Kid's Table. Featuring raging ska-punk from Big D while Five Knuckle are heavy hardcore punk a la Anti Flag. All put together it makes for an excellent low price ska / hardcore CDEP!


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