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THIRD MAN RECORDS

Oozelles

Every Night They Hack Off A Limb

    Los Angeles supergroup Oozelles play weirdo punk rock with delightful saxophone and bongo accents, reminiscent of the Birthday Party boiling in a Death Valley heat or the Flesh Eaters experimenting with DC go-go tunes. Their live show is droll and nervy and danceable, and an essential sight to see.

    The A-side of their debut single “Every Night They Hack Off A Limb” starts off like the opening overture theme to a forgotten spy film, then surges into the percussion and sax-led, wired up titular refrain. The B-side “Human Trafficking” is a keyboard-driven soul-punk number made especially delightful with bizarro gremlin backing vocals and contagious singalong post-chorus.

    Red Mass

    Kilrush Drive

      RED MASS is a gathering of artists, musicians and agent provocateurs from around the globe. Created by ROY VUCINO (CPC GANGBANGS, PyPy, BIRDS OF PARADISE, NIGHT SEEKER, LES SEXAREENOS) as part of the 'Free Creative Enterprise' TA DA arts collective, its goal is to create punk music and art, in various mediums while incorporating techniques of automatic creation, chaos magic and liberation through art. To do so the Mass forgoes any allegiance to a specific scene, genre or sound. This method of working outside of the classic band format allows the Mass to work with as many international collaborators as it likes regardless of their experience, style or background. The present core of 'Red Mass' is comprised of Roy Vucino and partner HANNAH LEWIS. Eager to explore new soundscapes and to collaborate with musicians all over the world, the band has amassed more than 100 participating artists and musicians in its ranks. Collaborations with some of our idols, our friends, our family members and with strangers who wanna create something subversive. The means are the end in order to create freely, nothing is sacred in the sweet blasphemy of our art. In a splintered world, the group sees art and music as a way to bring people closer. It has opened itself to all. As above, so below. We welcome you to the Red Mass. Kilrush Drive was recorded by MINGO L'INDIEN from LES GEORGES LENINGRAD, JACE LASEK from BESNARD LAKES, SEBASTIEN PERRY and producer/engineer MARTIN BISI (Sonic Youth, Iggy Pop, Herbie Hancock).

      "The record was made with producer Mingo L’indien (Les Georges Leningrad) with some help from Besnard Lakes’ Jace Lacek and Martin Bisi (who’s worked with everyone from Sonic Youth to Herbie Hancock), and Roy incorporates everything from dark postpunk to hip hop inspired beats and more into his vision. We’re premiering the album’s fiery opening cut, “God’s House,” which thunders ominously with pounding toms and big, gothy riffs. (Stooges/Damned/Misfits are still prime influences for the band.)" - Brooklyn Vegan.

      “Saturn” tumbles a driving post-punk pace into grizzled garage territory. The song is dingy and driven- streaked by night and looking for lust. The drums pound high, loud, and lethal, but like New Order or The Church before them, they don’t succumb to the tropes of paint-by-post-punk, giving the song a twist with an acoustic overlay and a weave of synths. The record picked up production credits from Mingo L’indien of Les Georges Leningrad and producer/engineer Martin Bisi (Sonic Youth, Iggy Pop) and they’re definitely pushing the band into crisper territory than Red Mass has explored before." - Raven Sings The Blues.

      Griot Galaxy

      Kins

        THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

        Griot Galaxy is a “secret” jewel of Detroit’s avant-garde jazz history – until now. That is to say, they will always be a jewel of Detroit’s avant-garde jazz history, their deeply passionate music a testament to experimentation, freedom, and blackness. But with the long-awaited reissue of their first album, the hard-to-find Kins, the secret is out. Griot Galaxy doesn’t strictly begin with Kins. It begins with visionary bandleader and saxophonist Faruq Z. Bey’s musical and political awakening in the late ‘60s, when the 1967 Detroit Rebellion was tearing Detroit apart and Coltrane’s untimely death was devastating the jazz community. Kins, recorded in 1981 and originally released in 1982, is a masterstroke of creative Detroit jazz. The freeness of the playing is anchored by a serious propensity for rhythm, evident in the way its members layered their collective backgrounds in bebop, funk, reggae, and other styles within the expansive possibility of sonic expression. And all but 200 or so copies of the original 2000 pressed were unintentionally trashed. Griot Galaxy’s willingness to push boundaries was as affectionate as it was fearless. Kins is Detroit's post-Coltrane, high-on-Sun-Ra bridge into the ‘80s. They certainly weren’t the first to experiment with polyrhythms, odd meters, and tonal scales beyond the traditional concepts, but it was in part the combination of Shahid and Tabbal’s previous experience with Sun Ra, as well as Tabbal’s experience with one-time Arkestra trumpeter Phil Cohran, that allowed the group to blossom. Donning silver face paint and spouting poetry on stage, the group gained notoriety for both impressive musicianship and theatrical proto-Afrofuturist flourishes as they played all over town, including Cobb’s Corner, a jazz bar in the Cass Corridor. We’re lucky that lead engineer Ron DeCorte saved the original master tapes, from which these recordings came. Although most of the wider world didn’t get a chance to experience the wonder of Griot Galaxy at the time, we will gloriously, happily, gratefully take what we can get now.  

        Wallows

        Live At Third Man Records

          Leading up to the release of their debut EP Spring, Wallows, the Los Angeles-based indie rock band, made a stop by the Third Man Blue Room in Nashville to play and record a set in front of a sold-out audience. Featuring Dylan Minnette and Braeden Lemasters on guitar and vocals and Cole Preston on drums, the group commands a sunny brand of indie rock reminiscent of the breezier side of The Strokes’ catalog.

          The recording kicks off with the enthusiastic screams and chants from the impassioned crowd as the band hits the stage, and the energy continues until the very last note is played. Notably, they cover material featured on their EP such as single “Pictures of Girls,” but also perform songs that were previously only available exclusively as digital singles like their debut track “Pleaser.” Thus, this 9-song live LP is the only way to enjoy these songs on your turntable, heard here with their absolutely requisite full-crowd enthusiasm.

          Teddy & The Rough Riders

          I Found Somethin'

            Luckily for us, Teddy and the Rough Riders have been burning up the Nashville underground over the past few years. With roots deep in psychedelia, the group stripped back all the trimmings to a Velvets rhythm section and steeped it in a Music Row dive bar for their own brand of country rock that is poppy, precise, well-educated and completely self-aware. What, then, would be the point of an exaggerated drawl or a convenient new interest in roping cattle? The Teddys' sound is country that, somewhat paradoxically, lives and breathes in the city.

            For fans of The Byrds, Link Wray and CCR. This one’s not to be missed. 

            The Stools

            When I Left

              Jesus Christ! The Stools! This is the kind of mangled barking terrifyingly manic garage that the Midwest pumps out better and more consistently than anybody and the Stools seem to be challenging every one of us to a frenetic fistfight for top spot.

              The title track When I Left is a modern garage punk banger a la Gun Club meets the Oblivians that tremors and nearly buckles under its own weight before it ends. American Convertible chugs almost entirely on the same infectious blues riff, which could be repetitive with another group at the helm, but here is just incredibly fun and vital. The B-side? You’ve got the desperate and evil blown-out blues of Black Fly Stew butted up with the gone-before-it-was-here urgency wrapped up in a Bo Shitley beat of Don’t Need Nothing.

              The Distillers

              Man Vs. Magnet / Blood In Gutters

                This vinyl 7”, pressed at Third Man Pressing in Detroit, is the first chance to own new music from The Distillers in over 15 years.

                To call The Distillers simply a punk band doesn't do justice to either the band or the word "punk”. Guitarist, lyricist, and vocalist Brody Dalle, uses her medium as a platform for a higher plane of visceral lyricism and independence. Few modern day punk icons have not only embodied the genre so truthfully but also transformed the depth of what it can mean so thoroughly. Originally formed in 1998 in Los Angeles, the energetic band, with Dalle at the helm, released a string of damaged and powerful albums, EPs and singles with California punk labels Epitaph and Hellcat, then released their third masterpiece of an album, Coral Fang, on Sire before going on an untimely hiatus and ultimately splitting in 2006. After breaking a 12-year silence on social media late last year, these two new tracks from the group are a triumphant return for their rabid and devoted fanbase.

                “Man vs. Magnet” kicks off with crashing drums, thumping bass and melodious guitar, before transforming into a rough-and-ready punk anthem. The b-side “Blood in Gutters” is full of a wistful, wild energy from start to finish, with Dalle’s raw vocals gleaming as the chorus hits. Third Man is honored to be a part of The Distillers' continuing legacy by releasing the physical version of this single.

                STAFF COMMENTS

                Barry says: Bringing me right back to the days when I could stand in the midst of a reasonably rowdy mosh-pit without worrying about spilling my tea, The Distillers return with the thrashing crunchy 7", Man Vs. Magnet / Blood In Gutters. As ferocious as Brody & co were back in the day, this is a confident and mindblowing return for one of the forerunners of 90's and early 00's pop / skate punk. Amazing.

                A-Moms

                Strawberry Cheese Cake / Modern Noise

                  This is THE single. 1979. Detroit, Michigan. A-Moms, a.k.a. Algebra Mothers, were one of the Midwest's early cutting-edge new wave punk groups, who would go on to play shows with like-minded artists Pere Ubu and Destroy All Monsters. And this is their only release ever, that is, up until Third Man released a compilation of unreleased and live material last summer. Now you have the chance to own a reissue of the single that sparked it all.

                  “Strawberry Cheesecake” is absolutely frantic and infinitely catchy, popping right off of the platter into your ears. Lightning bolt melodic synth punches, desperately human but then briefly robotic vocals and no shortage of freewheeling guitar solos make no secret why this track so beloved. On the flip side, “Modern Noise" is an alien punk keyboard-cram blaster with a decimating, canonical guitar freakout feedback ending that successfully melts minds.

                  Founded in 1951 by independent record store owner and radio show promoter Ernie Young, Nashville, TN’s Nashboro Records recorded some of the most potent and forceful gospel music of the time period. Although initially begun in response to overwhelming demand for gospel locally, Nashboro quickly became nationally applauded for its curatorial prowess (under the guidance of Rev. Dr. Morgan Babb of the gospel group, The Radio Four) and signature production style. The lightly-reverbed, clear sound of a Nashboro record is unmistakable. The Morning Echoes, led by Willie “Slim” Ayers, formed in the late ‘40s, released their first record in 1951 and moved to Detroit in 1952. They started regularly broadcasting over radio station WJLB and became a part of the Nashboro Records family several years later. Echoes Of The Gospel was originally released in 1967 and was the first Long Playing record from these Motor City favorites. The Morning Echoes remained active in and around Detroit throughout the 1960s, ‘70s and ‘80s. The project officially came to a close when leader Willie “Slim” Ayers passed on September 17, 2013. This Third Man re-issue came into our world when TMR artist and friend Kelley Stoltz sent a well loved copy of Echoes Of The Gospel in gratitude for having him play the Third Man Pressing Grand Opening Party. His note read “Thanks for the fantastic experience! This one is a spirit lifter, In The Garden Of Eden does it for me. XO Kelley”. Third Man is now proud to cast a broader light on the beautiful Echoes of the Gospel and the Detroit-Nashville connection that it embodies. It is transferred with reverence directly from the original 1967 stereo mixes and remastered by Warren Defever.



                  The Third Man Records Cass Corridor space in Detroit had the distinct pleasure of hosting and recording one of the most compelling new guitarists of the 21st century, Mdou Moctar. Mdou is a member of the Tuareg music community gestating in the remote desert city of Agadez, Niger, “where guitars are king.” His music fi rst came to the attention of Western music-lovers through the essential fi eld recording work being done by the good folks at Sahel Sounds, fi rst on their 2010 compilation Music From Saharan Cellphones. While much of Tuareg music has become more distorted, faster and bombastic as of late, Mdou’s soundscapes are more traditionally sparse, polyrhythmic and deeply psychedelic, with lyrics sung in the style of Tuareg nomadic poets.

                  His show on the Blue Stage at Third Man Records Cass Corridor was proof of how special all of this feels, especially in front of a Western audience, most of whom were seeing Mdou live for the fi rst time. When Mdou took the stage with guitarist Ahmoudou Madassane and drummer Mahmoud Ahmed Jabra — only their faces exposed in their tunics and turbans — and began to play, there was a meditative intrigue that loomed heavy and thick in the room. Though hard to see clearly Mdou’s precise and rapid-fi re fi ngerwork on his Fender, the audience was quickly and thoroughly transfi xed by his left-handed virtuosity. By the end of the psychedelic-guitar-rock-groove-explosion that was their set, it was clear that this was a show that would be talked about for a very long time.

                  Detroit Cobras

                  What More / I Can't Go Back

                    Hooray, Detroit Cobras are delivering "What More" b/w "I Can't Go Back," featuring two covers of soul rarities. The 7", their first release since the 2008 7" "Ya Ya Ya (Looking For My Baby)" b/w "As Long As I Have You,. Fresh off a tour with the MC50, the Cobras were inspired to judiciously cherry-pick two soul rarities to record and press 'em hot in Detroit! The familiar sounds of Rachel Nagy's sultry vocals and Mary Ramirez's garagey guitar backed by a solid crew of veteran Detroit players -- Dale Wilson, Eddie Baranek, and Kenny Tudrick -- help to retool these vintage jams. "What More" is an uptempo, rug-cutting gem penned by Z.Z. Hill that gets a newly realized guitar crunch intro. In classic Detroit Cobras flip-the-script style, Rachel begs the question, "What more can I do?," while "I Can't Go Back" is a soulful, smooth and haunting ballad about lost love.

                    Algebra Mothers

                    A-Moms + Algebra Mothers

                      The Algebra Mothers/A-Moms were formed by four like-minded misfits/artists/musicians/friends (Gerald Collins, Ralph Valdez, Diana Balton and Kirsten Rogoff) from Detroit’s Cass Tech High School. They made their professional debut in 1977 and in 1979 they released the weirdly incredible Strawberry Cheesecake b/w Modern Noise 7” on their own Aftertaste Records (TMR re-issue imminent). They played around Detroit and the country with everyone from Destroy All Monsters and Sonic’s Rendezvous Band to Pere Ubu until 1984.

                      Several decades later, Third Man Records contacted head Mothers Gerald Collins (Jeecy and The Jungle) and Ralph Valdez (former WDET Disc Jockey) and discovered they were sitting on at least an album’s worth of home studio demos and live recordings. Now we proudly present to you “A-Moms = Algebra Mothers” LP, 14 never before heard tracks recorded between 1977-1984 in various home studios and clubs. It will be their first release in nearly 40 years and only their second release ever.

                      Craig Brown Band

                      Big City Small Town

                        The Craig Brown Band is back with a dizzying new garage-country 7”, their first songs since the release of debut album The Lucky Ones Forget. Much has happened for the group since the album’s release, from touring with Dwight Yoakam (based solely on Dwight’s observance of the magnetism of their powerful live show) to opening for Jack White at the huge Little Caesars Arena concert in Detroit. And now, this new single will be accompanying Craig and the band on their first trip overseas to Europe, featuring new bassist and longtime Liquor Store co-conspirator Derek “Block” Warren.

                        “Big City Small Town” is a little country rock groover that depicts a very familiar scene for anyone who’s lived in a midsize city; word travels quickly, so own who you are and what you do 100%. “Tell Me” is a charmingly concise and heartfelt appeal for a little fulfillment, from answering life’s big questions to enjoying a good song with someone who cares.

                        Escape-ism

                        Live At Third Man Records

                          Ian F. Svenonius and the philosopher of fuzz, black-jacket beat-bopper, bandstand bolshevik, single note savant, tear-stained tape deck, last refuge of ineptitude, sin is in group ESCAPE-ISM stopped by our Detroit location one afternoon last spring and recorded this pan-sonic polymorphously perverse plastic platter live on the Blue Stage.

                          This Is The Kit

                          Live At Third Man Records

                            Kate Stables has been recording and releasing music as This Is The Kit since 2005. In May of 2018, Kate and her band took some time off from their busy tour schedule supporting The National and treated us to a very intimate and special performance. Stables' uniquely-textured voice possesses a tone that quietly reels you in, and -- following the tradition of exquisitely strange troubadours like Karen Dalton, Will Oldham, or Robert Wyatt -- is simply arresting. 

                            Tanzania Albinism Collective

                            White African Power (We Live In Danger) / Stigma Everywhere

                              Ukerewe is the largest inland island in Africa and can only be reached by an overpacked four-hour ferry ride on Lake Victoria. It is a place so remote that historically people often traveled there to abandon their albino children, based on the regional belief that they are in some way “demonic.”

                              Eighteen members of the Standing Voice community volunteered for their first ever songwriting workshop, ranging in age from 24 to 57. But even among the willing, singing-out proved difficult, considering the group routinely avoided eye contact, rarely spoke above a whisper, and were unaccustomed to dancing.

                              Produced by Grammy-winner Ian Brennan (Tinariwen, Zomba Prison Project, Ramblin’ Jack Elliott), the Tanzania Albinism Collective actively pushes the boundaries of what is considered Eastern African and “world music,” while continuing to attract greater awareness and confront the dangers that the collective face daily due to prejudice and persecution at home.
                              For fans of: Francis Bebey, Uyghur Folk Music.

                              The White Stripes

                              The Complete John Peel Sessions

                                At both our Nashville and Detroit locations as well as a record store near you, we present the first-ever official release of The White Stripes Peel Sessions on 2 stuffed-to-the-brim discs.

                                Capturing Jack and Meg at the precipice of international renown in the hubbub of “White Blood Cells," their two live sessions with famed BBC DJ John Peel are arguably the best document of the White Stripes at that time. Having been widely bootlegged since their initial broadcast in 2001, these recordings are enjoying their first authorized release in celebration of their 15 year anniversary.

                                Brad Wenzel

                                Sweet Nothings

                                  Michigan’s own Brad Wenzel is best known for his offbeat, one-liners. His unassuming presence and dry delivery set him apart from other comedians. Now residing in Los Angeles, he has recently made 2 stand-up appearances on CONAN to wide acclaim.

                                  After winning first place at the Great American Comedy Festival, Brad was a finalist in Funny or Die’s “Road 2 Oddball”, performed at RIOT LA, and was selected to be one of the “New Faces” at the prestigious Just For Laughs Festival in Montreal, among many other festival appearances. Brad headlines around the country and has worked with comedians like Brian Posehn, Kathleen Madigan, Pete Holmes, Jerrod Carmichael, Gilbert Gottfried, and Patton Oswalt. He co-hosts Pod Seger, a Bob Seger podcast along with fellow comic, Trevor Smith.

                                  This hilarious recording, titled “Sweet Nothings”, is from his live set in October 2017 at the Comedy Club in Madison, WI. It will join the robust ranks of Third Man’s comedy record repertoire, including Reggie Watts, Rory Scovel, Scharpling & Wurster, Conan O’Brien, Billy Wayne Davis, Neil Hamburger and more.

                                  Brad Wenzel’s “Sweet Nothings” LP comes with a download code for the audio of this set, plus 11 minutes of bonus material.

                                  Weather Warlock

                                  Occulting The Sun

                                    Hitting the streets exactly one year following its recording, Third Man is proud to present a full length document of the August 21, 2017 total solar eclipse in Nashville, TN as interpreted by Quintron’s Weather Warlock, a handmade weather-sensitive analog synthesizer.

                                    The A side, Microburst Hail Storm, kicks off with a recording of a microburst hail storm smack dab in the middle of American desert country - Las Vegas, NM. What begins with light, hypnotic drone shifts into percussive tapping as the hail seizes control, then to conclude with ovular sonic raindrops. It is an absolutely fascinating listen and serves as a proper appetizer for the uncanny flip side.

                                    The B side, Path of Complete Totality, starts with a steady whirr, then nosedives slower and slower and slower with a pinging, dragging heartbeat to the point of cold quiet. It is both an extraordinary taste of the experience of totality and a striking metaphor for the cycle of life.

                                    Also worth noting is the label art, made to emulate the stark image created by the eerie “totality” of a full solar eclipse.

                                    This release is a must for fans of truly cutting edge ambient music as well as anyone who has experienced the peculiarly thrilling experience of a total solar eclipse.

                                    Sleep

                                    Leagues Beneath

                                      Leagues Beneath is the first release immediately following Sleep’s long-prophesied, critically-acclaimed opus The Sciences. Recorded as a part of a series of songs for Adult Swim, this 12” single is a testament to what has made The Sciences such a success: bottomless tone, spacetime-melting riffs and a unparalleled aural experience from start to finish.

                                      Leagues Beneath is a full 17 minute plunge, now available to experience on black vinyl.

                                      FORMAT INFORMATION

                                      12" Info: One sided etched black vinyl

                                      Jack White

                                      Ice Station Zebra

                                        The third single from Jack White’s critically-acclaimed third solo album “Boarding House Reach.” Featuring artwork that connects with previous singles’ artwork by The Third Man, Rob Jones & Nat Strimpopulos.

                                        Serration Pulse

                                        Serration Pulse

                                          Serration Pulse is Daniel Tomczak (Terrible Twos) and Kayla Anderson. Both are Metro Detroit natives who currently live in the city, having recently moved back after some years spent in Nashville. Formed in 2012, their music took shape as they participated in that city’s electronic/noise scene.

                                          The duo’s influences construct an artistic harmony that represents them well. Tomczak cites sounds of machines, things in radios, and vacuum cleaners as a source of inspiration from a young age. Anderson writes the lyrics, but considers herself more visual than verbal. She is creatively driven by that which she sees around her or out in the world. Together, the two strike a serenely somber balance that is systematically executed in their music.
                                          The three songs on their self-titled EP (mastered by Eric Van Wonterghem of Absolute Body Control) are glacial, menacing electro-dirges — the spirit of punk filtered through the angst of electronics. “The Beach” is cascading waves of electro-terror, an icy shore traversed by Anderson’s haunting voice. “Faces Down” is the charred remains of humanity, dust in the wires of shrieking electronics, snakes hissing, crystals popping. “Stockholm” is hypnotic cynicism, devotion to despair, a paean to the gloom.

                                          The music of Serration Pulse avails itself of the full range of the synths’ possibilities, sounding at once both full and grotesque, ethereal and coarse. Yet no life is lost. It is all contained in their instruments, transformed into logarithmic sorrow, and released in grimly spellbinding reverberations upon unsuspecting audiences.

                                          Sandy (Alex G)

                                          Live At Third Man Records

                                            Third Man is absolutely ecstatic to be releasing the excellent live document of (Sandy) Alex G's Blue Room performance. Recorded on the 2017 US tour supporting his critically-acclaimed album Rocket (Pitchfork Best New Music) and not long after a notable feature on Frank Ocean's album Blonde, this standalone LP is his first live set to be captured and made widely available for his very loyal fanbase to enjoy.

                                            Featuring work from self-released tapes, Orchid Tapes and Domino Recordings, this daydreamy and intricate retrospective opens a private window into (Sandy) Alex G's lovely lyrical wordplay and cozy stage persona. Not one to be missed, for real!

                                            Various Artists

                                            Give Me My Flowers

                                              Founded in 1951 by independent record store owner and radio show promoter Ernie Young, Nashville, TN’s Nashboro Records recorded some of the most potent and forceful gospel music of the time period. Although initially begun in response to overwhelming demand for gospel locally, Nashboro quickly became nationally applauded for its curatorial prowess (under the guidance of Rev. Dr. Morgan Babb of the Radio Four) and signature production style.

                                              The lightly-reverbed, clear sound of a Nashboro record is unmistakable. Give Me My Flowers is a compilation of some of the finest cuts released by Nashboro Records, many of which have not been previously reissued. It kicks off with a total banger, The Hightower Brothers’ “Until He Comes,” which would have made an amazing cover song for Spacemen 3.

                                              Iola and Sullivan Pugh, also known as The Consolers, top off the A-side of the compilation with the intensely potent namesake track, “Give Me My Flowers”. A final highlight is “Almighty God” from Sister Pope and the Pearly Gates; dare you to get it out of your head after you hear the chorus even once. Not only are the featured artists endlessly skilled at their craft, their songs are absolutely explosive. This is the opposite of indifference or irony; there is a mission here, steeped in a full-heartedness that can only be derived from selfless devotion. Additionally, the songs featured on Give Me My Flowers are representative of a far too overlooked and important chapter in Nashville’s music history.

                                              These musicians, store employees and businesspeople played a critical role in building the infrastructure for independent music to flourish in their city. Naturally, it is a cornerstone in Third Man’s long-term mission to support and highlight the complete music histories of Tennessee and Michigan, from the most rightfully revered to the most critically under-represented. All of these tracks were assembled with producer and journalist Mike McGonigal (Detroit Gospel Reissue Project, Temperature’s Rising: An Oral History of Galaxie 500) and transferred directly from the 45 collection of Kevin Nutt (Case Quarter Records, Sinner’s Crossroads radio program).

                                              No Joy

                                              Blue Room Sessions

                                                Third Man Records, as a record label that makes a specialty of 7" pressings AND live recordings from its famous Blue Room in Nashville, TN, is excited to share the two newest titles from its famed Blue Room Series. Dinosaur Jr. and No Joy are the latest to contribute to the legendary series, following artists like Yusuf/Cat Stevens, Margo Price, and Coupler.

                                                Jack White

                                                Over And Over And Over / Everything You've Ever Learned

                                                  The second single off of Jack White’s acclaimed, challenging and diverse third solo recording Boarding House Reach. This 7” features the anthemic Over and Over and Over on the a-side with buzzy, spoken-word track Everything You’ve Ever Learned on the b-side.

                                                  Los Lobos Vs The Shins

                                                  The Fear 

                                                    THIS IS A RECORD STORE DAY 2018 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                    The Shins, the acclaimed pop project of songwriter James Mercer, have won the hearts of many, building strongly from the early releases on indie luminaries Sub Pop Records to the recent, deeply intimidate album, Heartworms. They did the unexpected when they re-recorded every song on the album in a completely different style and reversed the running order for The Worm’s Heart, released last month.

                                                    “The top-line melody remains intact, but everything else - the instrumentation, tempo - is altered.” - The Guardian

                                                    This split 12” titled Los Lobos vs. The Shins features three distinct versions of their song, The Fear; the original booming, sweeping track from Heartworms; the second kinetic “flipped” version from The Worm’s Heart; and the final rendition, heavy on the heartstrings, from buddy-band Los Lobos, which took vital form while the two groups played out together. In Mercer’s words, Los Lobos “just destroyed our version."

                                                    Pressed on clear vinyl with pink wisps. Limited copies available for RSD 2018 exclusively.

                                                    Laughing Hyenas

                                                    Merry Go Round

                                                      Formed in the mid 80s wreckage of American punk and hardcore, Laughing Hyenas were comprised of staples of the Detroit punk scene, including John Brannon (Negative Approach) and Larissa Strickland (L Seven) along with the locked-in rhythm section of Kevin Strickland and Jim Kimball. Groundbreaking, game-changing and some of the scariest records to come out of Detroit...or anywhere.

                                                      The Hyenas travelled to Smart Studios in Wisconsin to record Merry Go Round, marking the start of a creative partnership with producer/engineer Butch Vig that would result in three of the most groundbreaking, game changing and scariest records to ever come out of Detroit...or anywhere.

                                                      "Soul Kiss" - originally on tape version (first time on vinyl)
                                                      "Candy" - 7" b-side
                                                      "Dedications to the One I Love" (live)
                                                      "Don't Bouge My High" (live)
                                                      "Public Animal #9" - from Sub Pop single club 7"

                                                      FORMAT INFORMATION

                                                      2xColoured LP Info: 1 copy only of this ultra limited coloured vinyl edition.

                                                      Laughing Hyenas

                                                      You Can’t Pray A Lie

                                                        Formed in the mid 80s wreckage of American punk and hardcore, Laughing Hyenas were comprised of staples of the Detroit punk scene, including John Brannon (Negative Approach) and Larissa Strickland (L Seven) along with the locked-in rhythm section of Kevin Strickland and Jim Kimball. Groundbreaking, game-changing and some of the scariest records to come out of Detroit...or anywhere.

                                                        Taking the name from a Mark Twain line, the Laughing Hyenas went back into Smart Studios with Butch Vig to record their debut full-length You Can’t Pray A Lie. The Hyenas further elaborated on the template that Merry Go Round set. Kevin, Jim and Larissa lay down deceptively simple hillbilly voodoo blues that at the same time is so rhythmically complex you’re never quite sure what’s going on. Brannon’s vocals are as frenzied and intense as ever. With the balance and everything just right on YCPAL, our dear Hyenas recorded and released one of the milestone/cornerstone albums of the 1980s American underground music scene.

                                                        FORMAT INFORMATION

                                                        Coloured LP Info: 1 copy only of this ultra limited coloured vinyl edition.

                                                        The Supremes

                                                        Supreme Rarities: Motown Lost And Found

                                                          As the hometown girls who conquered the world, Diana Ross and the Supremes are inarguably the most successful, highest selling girl group of all time. From their inauspicious start as the long-forgotten Primettes, to their ascension past the moniker of “no-hit Supremes” through the ranks of Motown’s rank-and-file to globe-trotting superstars, this group is as pure and quintessential Detroit Motor City as you can get.

                                                          Originally released on 2xCD in in 2008, the Supremes “Supreme Rarities” from the Motown Lost & Found Series collects from the depths of the label archives to showcase the rarities, the outtakes and the incomparable live recordings from this inimitable group of Rock and Roll Hall of Fame inductees. Listen to the story unfold from the innocent teenaged doo-wop of “You Can Depend On Me” from 1960 all the way through the slick, socially-conscious refinement of “I’m Livin’ in Shame” from 1969. Aside from a handful of forgotten vinyl releases decades ago, the majority of this material has not been released on vinyl. Until now.

                                                          Third Man, in a unique partnership with Universal Music, has taken this double-CD and turned it into a glorious 4xLP collection housed in an impeccably-designed slipcase, all watercolor pastel vibrant photos highlight how absolutely impeccable this group is.

                                                          Of particular interest is that “Supreme Rarities” are the first Motown records EVER pressed in the city of Detroit. Diana Ross attended high school at Cass Tech, a mere mile away from Third Man Pressing where this title was lovingly pressed, which is also just a mile away from the Brewster-Douglass Housing Projects where Ross and fellow Supremes Mary Wilson and Florence Ballard all grew up.

                                                          The 48 tracks included here include the earliest Primettes tracks, invigorating covers of The Rolling Stones “Satisfaction” and the Beatles “I Saw Her Standing There”, along with renditions of hits for OTHER Motown artists like “Mickey’s Monkey” and “Uptight (Everything’s Alright)” in addition to alternate vocal takes of stone cold certified smashes like “You Can’t Hurry Love” and “Someday We’ll Be Together.” And if you want the hits medley, “Come See About Me”, “Baby Love” and “Stop! In the Name of Love” will wonderfully whet your appetite.

                                                          Marching Church

                                                          Live At Third Man Records

                                                            Formerly the solo project of Iceage frontman Elias Bender Rønnenfelt, Marching Church has since blossomed into a full band, found a home on Brooklyn’s Sacred Bones record label, and cultivated a following all its own.

                                                            The sounds are darkly romantic and rife with an angst that can be traced back the post-punk caterwaul of Bauhaus and The Birthday Party. These songs, with heavy-breathed conflict and desperation fully intact, will be the first live document of Marching Church’s full-audience command of attention.

                                                            Viva L'American Death Ray Music

                                                            Live At Third Man Records

                                                              Viva L’American Death Ray Music began in 1999 as “American Death Ray,” the brainchild of Memphis garage scene stalwart Nicholas Ray. Since then, the project has twisted, turned and head-tripped nominally, to its current moniker, and sonically, from Velvets-infl uenced jams into an amalgam of truly exploratory punk, no wave, electronic and psychedelic rock music.

                                                              This live 7” will be their first music since their 2013 single, a 7” split released by Memphis big wigs Goner Records. The tracks featured are “The Painter” and “Falling”, both previously unreleased! A highlight is during the A-side, whose repetitive mantra “I am the painter, not the paint”, channels a damaged, American Mark E. Smith, defi nitely for fans of his work. The B-sde showcases what could be an outtake from Alex Chilton’s addled masterpiece “Like Flies on Sherbet”, a barroom song if there ever was one.

                                                              Waxahatchee

                                                              Live At Third Man Records

                                                                Waxahatchee is the solo project of Katie Crutchfield, an Alabama songwriter long steeped in the Rutgers/Philadelphia scenes with releases on Don Giovanni and Merge Records. Crutchfield has carved out a distinct name for herself as a devastating and whip-smart writer and performer.

                                                                The B-side is her original “La Loose”, showcasing her soaring crystal vocal chops a la Anne Briggs, and the A-side is a powerfully stark cover of Lucinda Williams’ “Greenville” that has been a staple of her live set for years.

                                                                Pill

                                                                Live At Third Man Records

                                                                  Hot on the heels of a groovy and unglued no-wave full-length on well-lauded Mexican Summer, Pill rolled into the illustrious Blue Room in Nashville, TN to play a show and use a couple recorded tracks for a live 7". In fact, sax player Ben Jaffe was celebrating his birthday that night, and, fueled by Third Man hospitality and tequila, he played some of the most out there horn the band had seen in their time together. These recordings fully capture that energy.

                                                                  The A-side “Afraid of the Mirror" you’ve gotta hear to believe. While the eponymous mantra drills into your head, the equally churning upfront bass line is sewn into an expert-level percussive fracas. Not for beginners. “T.V. Wedding” is an downhill, apocalyptic kraut jam driven forward by pulsating saxophone improvisation taking lead all over the track.

                                                                  Ó

                                                                  Live At Third Man Records

                                                                    Ó (formerly Eskimeaux) is the recording project of songwriter and producer Gabrielle Smith. In it’s earliest days, the project was markedly experimental, the work of an artist with a knack for ambience and a fascination with sound. The next wave of material, most of what landed on 2011’s Two Mountains, didn’t quite read as a solo project anymore and represented a shift toward traditional song structures, albeit still happily atmospheric, nature-centered musings on how to find one’s place in the world.

                                                                    Their live 7” features two intimate yet momentous songs, “Alone at the Party” and “Broken Necks”, both from 2015’s O.K., the bedroom pop tour de force released on Double Double Whammy Records. “Broken Necks” is notably arresting as the fi rst 40 seconds is a fi nger-picked invitation to the audience to join in singing the chorus, only to explode into full band ferocity with Smith’s saccharine, solid vocals uniting naturally with her backing band, Oliver Kalb (synthesizer), Felix Walworth (drums), and Jack Greenleaf (bass).

                                                                    Jack White

                                                                    Connected By Love / Respect Commander

                                                                      The first single from the forthcoming Jack White 2018 full-length album on Columbia/XL. 

                                                                      The Dirty's

                                                                      It Ain't Easy

                                                                        The Dirtys were a totally raw garage punk band originally from Port Huron, MI. Their energy, coupled with a sound somewhere between the Oblivians and the MC5, is what makes a live show worthwhile. Celebrated Detroit garage hero Mick Collins (Gories, Dirtbombs) played guitar on the A-side "It Ain't Easy," which was unsuccessfully pitched to the Detroit City Council as the new official anthem of Detroit.

                                                                        Italy Records was founded to release this single by these knuckleheads before the release of their debut LP on respected German label Crypt Records. For one reason or another, this Dirtys 7" actually ended up being Italy's second release. Regardless, it's as punk as it gets and demands your full time and attention.

                                                                        Whirlwind Heat

                                                                        Glaxefusion

                                                                          Grand Rapids’ finest Whirlwind Heat is notable as Italy Records’ first foray into anything that could possibly be considered art-rock. Listening to their jams, you’d quickly get the feeling DEVO and Brainiac were spinning heavily on their turntables. On each track, the rhythm section is quick and jagged and vocals are hardly even human, interspersed with synth bursts. This single, Italy’s 12th release, was also recorded with Jack White in 2001 and began a partnership that lasts to this day, with WWH drummer Brad Holland working as Third Man’s in house video director and lead singer David Swanson accompanying Jack White on tour as his official photographer.

                                                                          Pile

                                                                          Live At Third Man Records

                                                                            Prominent members of the Boston music scene and post-rock specialists, Pile began as the brainchild (and solo project) of Rick Maguire in 2007. In the earliest incarnations, the songs were the broken bones of bigger ideas: the impassioned, ramshackle work of one dude with a momentous sense of riff and mood. In the time between then and now, the band has enjoyed a steady output and expanded to include Kris Kuss, Matt Connery, Matt Becker and, from time to time, Chappy Hull.

                                                                            This spring, their new critically-acclaimed LP A Hairshirt of Purpose was given a rare 10/10 by The AV Club, citing the record is “still pushing the (rock music) form to its outermost limits," and fortunately, our live LP was recorded right after its release, capturing them at a distinctly creative peak and unparalleled energy. This record is somehow chilling and explosive - kicking off with their total jam “Baby Boy” and including a surprise Blonde Redhead cover. It stands shoulder to shoulder with the rest of their catalog and will no doubt remain a shining example of our live series for years to come.

                                                                            STAFF COMMENTS

                                                                            Barry says: A dynamic and fierce combination of soaring post-rock melodies a-la Lift To Experience, and clashing post-hardcore drive. Complex and ever-changing melodies interwoven with gloomy introspective glimmers and scathing vocal outbursts.

                                                                            Johnny Powers

                                                                            With Your Love, With Your Kiss / Be Mine All Mine

                                                                              Almost all of Sun Records’ early rock and roll artists hailed from the South. The one exception in these formative years was Detroit native John Pavlik, better known as Johnny Powers. Releasing his first songs with the fantastic Detroit label Fortune Records, Powers was determined to be signed to Sun Records after wearing out his copies of Carl Perkins and Elvis Presley singles.

                                                                              His sole release on Sun titled “With Your Love, With Your Kiss” b/w “Be Mine, All Mine” is a highly collectible piece in the Sun catalog. The A-side is powerful and intense, with popping snare, blaring saxophone in the bridge and an impassioned Powers wailing all over the track. The B-side is more of a boogie rocker with an absolutely unforgettable falsetto vocal melody in each post-chorus.

                                                                              After Fortune and Sun, Powers went on to release records with Motown Records, certainly the only artist to record for all three wildly diverse labels. This nugget of early rock history is not to be missed.

                                                                              Boris

                                                                              Live At Third Man Records

                                                                                There’s no better way to celebrate the 10-year anniversary of your best record than playing it in full, twenty-nine nights in a row. Hailing from Tokyo, beloved psych-doom shredders Boris performed their critically acclaimed album PINK in full, live in the Blue Room at Third Man Records. They recorded it direct to 8 track, 2” tape, providing an incredibly high fidelity document of an unforgettable night. Local weekly The Nashville Scene reviewed this show as “at least in that moment…by far the greatest show Third Man Records has hosted to date.”

                                                                                It’s hard to disagree. Atsuo, Takeshi and Wata filled the room with foreboding smoke, dark red light reflecting off of the blue walls and, to this date, was our loudest performance yet. This is almost certainly the only time that we’ve handed out and required earplugs for every single audience member upon entry. And now you can keep the celebration of PINK going with the choicest tracks of the night – get this record!

                                                                                STAFF COMMENTS

                                                                                Barry says: They really are branching out now aren't they? It used to be the staple of a lot of great indie bands to do a stint for third Man but on their latest run (along with Earth), we get the drone-rock scuzz of Japanese noise-deities Boris.

                                                                                U2

                                                                                The Blackout

                                                                                  Third Man Records is proud to announce the release of "The Blackout," a limited edition U2 12" in conjunction with Island Records. The limited edition U2 12" will be available for Record Store Day Black Friday, November 24th. "The Blackout" marks the first physical release from U2's eagerly awaited new album, SONGS OF EXPERIENCE, due later this year. The 12" includes both the original album version backed by an exclusive remix by the band's longtime collaborator, Jacknife Lee. Hailed by Rolling Stone as "a dynamic new track,"

                                                                                  "The Blackout" was revealed this summer via a surprise live video, filmed during U2's blockbuster Joshua Tree Tour 2017. Third Man co-founder Ben Blackwell said, "The sound quality of this incredibly special record is a perfect example of the caliber of product Third Man Pressing is capable of producing. We couldn't be more proud." TMR's "The Blackout" 12" will be extremely limited, with just one single pressing at Third Man Pressing, the label's state-of-the-art vinyl production facility in Detroit. Black vinyl editions will be available at all participating Record Store Day shops.

                                                                                  Ranch Ghost

                                                                                  Sugar And Milk / Soot

                                                                                    The fourth release in our Blue Room Sessions (recorded live direct-to-acetate but not as a public event) features two killer cuts from garage-psych scholars Ranch Ghost. Recorded during The Today Show’s piece about the contemporary vinyl scene, these songs turned out so catchy that we just had to press them to vinyl and get them out into record shops. The first track, Sugar and Milk, is a rolling, idyllic trip-dream traveling into what a future could be. The second, Soot is CCR-infused backwoods rocker that is as perfect for day-drinking on the porch as it is for keeping the beat on the street.

                                                                                    Erin Rae & Joshua Hedley

                                                                                    Luck Mansion Sessions

                                                                                      In September 2016, during the Americana high holiday in Nashville, Third Man Records partnered with Luck Reunion (with a little help from YETI Coolers, Lagunitas, and Tito’s Handmade Vodka) to bring together artists of the folk persuasion. For five days, artists set up in the parlor room of the pop-up "Luck Mansion" in East Nashville to perform, record, and in some cases, pen two songs for Third Man Records engineers to record immediately, after just a few hours of preparation, press onto 7”s, and ultimately bring to the masses. Documenting spontaneous creative collaborations before they are put through any sort of industry machine line was the goal.

                                                                                      Hedley and Erin Rae’s performance included Hank Williams Jr.s’ “Old Habits” and a thoroughly haunting rendition of Guy Clark’s “My Favorite Picture of You.” Hedley and Rae, both top respected voices in the Nashville local country scene, have never been more in their elements: trad country crooning, tight harmonies, and the most lonesome set of songs Third Man recording equipment has ever captured. Hedley, a mainstay on Nashville’s most respected lower broadway honky tonk Robert’s has recently been signed to Third Man Records. 

                                                                                      Rodney Crowell & John Paul White

                                                                                      Luck Mansion Sessions

                                                                                        In September 2016, during the Americana high holiday in Nashville, Third Man Records partnered with Luck Reunion (with a little help from YETI Coolers, Lagunitas, and Tito’s Handmade Vodka) to bring together artists of the folk persuasion. For five days, artists set up in the parlor room of the pop-up "Luck Mansion" in East Nashville to perform, record, and in some cases, pen two songs for Third Man Records engineers to record immediately, after just a few hours of preparation, press onto 7”s, and ultimately bring to the masses. Documenting spontaneous creative collaborations before they are put through any sort of industry machine line was the goal.

                                                                                        John Paul White and Rodney Crowell performed Crowell’s “The Girl On The Street” as well as one of three original tunes penned for the Luck Mansion Sessions, “Don’t Think That I Can’t Feel You When You’re Gone.” About the new song, John Paul White says, “It’s the first song we attempted to write.. It gave us both an excuse to sit down and write a song. It was literally the only times we’ve ever played those songs. We didn’t rehearse them ahead of time, we didn’t work out harmony parts and guitar parts… you pretty much captured all of that process.”
                                                                                        “Don’t Think That I Can’t Feel You When You’re Gone” is White and Crowell’s first co-write, but not the first collaboration for the pair. White joined Rosanne Cash on vocals for the song “It Ain’t Over Yet” off Crowell’s 2017 release Close Ties (New West). The song and the record have been nominated by the American Music Association in the categories of Song and Album of the Year.

                                                                                        My Bubba

                                                                                        Gone / You're Gonna Make Me Lonesome When You Go

                                                                                          “Gone” b/w “You’re Gonna Make Me Lonesome When You Go” is the first new release from My Bubba following last year’s acclaimed Big Bad Good. The Scandinavian folk duo – Icelander Guðbjörg Tómasdóttir (a.k.a. Bubba) and Sweden’s My Larsdotter – formed in 2013 and have since concocted a soulful, unadorned sound all their own utilizing little more than the basic elements of warm harmonies, acoustic guitar, and the Norwegian lap harp known as a cittra. Big Bad Good, My Bubba’s latest full-length release, was produced in Brooklyn by Shahzad Ismaily (Will Oldham, Jolie Holland), with its songs written and recorded almost immediately as they were written.

                                                                                          While their prior work was recorded almost entirely as a duo, “Gone” sees My Bubba joined in Third Man Studios by a backing combo comprised of bassist Jack Lawrence, keyboardist Dean Fertita, and legendary Nashville drummer Whip Triplet.

                                                                                          “Gone” is the A-side and the fi rst of their songs written on a century-old lap harp, which was procured from an old boyfriend’s attic. After breaking up, My Bubba wrote this song about the old lover on the lap harp.

                                                                                          On the B-Side, a cover of Bob Dylan’s “You’re Gonna Make Me Lonesome When You Go” serves as one of the first songs the duo ever sang together in Copenhagen. They still play it most evenings together on the road.
                                                                                          Tracks recorded with producer Jack White III at Third Man Studios

                                                                                          • First Blue Series Release of 2017.

                                                                                          Greg Ashley & The Western Playboys

                                                                                          Greg Ashley & The Western Playboys

                                                                                            Greg Ashley has tracked across the States’ metropolises, fringes and sticks for years now, releasing records under his own name and earlier on with black magic psych cult The Gris Gris.

                                                                                            Now together with the Western Playboys, you can hear the dusty technicolor Rio Grande fl owing in the veins of these new recordings. Many of these songs are Greg’s indomitable take on waltz, country swing and golden honky-tonk songwriters like Cowboy Joe Babcock and Hank Mills, but lest we forget the cover of Estrus records’ finest garage rock nihilists The Makers. This 12” EP plays out from start to finish like a band in a washed out juke joint at a desert outpost from a Barry Gifford novel - strung out, sharp-witted and never dull.
                                                                                            Square it up and spin it now!

                                                                                            Caddywhompus

                                                                                            Live At Third Man Records

                                                                                              Caddywhompus are lions of a noisy, emotive new school of math rock which has thrived in recent years, especially in the South. At this point, you’re just as likely to fi nd their records in the racks of a DIY space as you are on the walls of record shops around the world. With close ties to Community Records, they are rightful benefi ciaries of a nationwide grassroots underground support built on their consistently excellent output, tireless touring and necessary live show.

                                                                                              These 3 live tracks, being their first official live release, encapsulates what is so magnetic about the duo - nimble yet mushrooming euphoria in each composition. The A-side single, Decent, is a chugging, arpeggiated and absolutely contagious live sing-along that can also be heard on their 2017 LP Odd Hours on highly respected NYC indie Infl ated Records.

                                                                                              Bob Seger System

                                                                                              2+2=?

                                                                                                GRADE A BANGER - before Bob Seger became the windows-down Night Moves heartland king, he played in this ripping garage soul band. This is THE chilling anti-Vietnam anthem and, like all early Seger, has been denied re-issue year after year after year. After almost 10 years of trying, Blackwell finally made it happen.

                                                                                                FORMAT INFORMATION

                                                                                                Ltd 7" Info: Re-issue on yellow vinyl - quantity 1000ish (750 at TMR shops exclusively).

                                                                                                Fred & Toody

                                                                                                Live At Third Man Records

                                                                                                  Fred & Toody are two-thirds of the legendary rock ‘n’ roll band Dead Moon. These two are rock ‘n’ roll lifers: touring relentlessly, writing relentlessly, performing relentlessly and it’s clear that their bond to the music is as powerful and genuine as the bond they share with each other. No fake news, all fact on this front. Here we have a document of a stripped-down set with a bittersweet vacancy on the drums—Andrew Loomis having passed in early 2016—lending a strange atmosphere and energy to the performance.

                                                                                                  It may have been one of the most life-affi rming and heart-wrenching shows we’ve ever had in the Blue Room.

                                                                                                  • Fronted by Fred and Toody Cole (Dead Moon, The Rats, Pierced Arrows), legends and veterans of Portland’s independent rock scene.
                                                                                                  • Hometown: Portland, Oregon

                                                                                                  Craig Brown Band

                                                                                                  Overthinking

                                                                                                    Craig Brown Band represents the closer-to-Canada, mostly Midwestern take on a sound that has long belonged to Nashville. Consider this the bastard child of Neil Young and Bob Seger. This is diet twang with a backbone. This is Northern Country.

                                                                                                    Craig Brown is a Detroit hero and the closest thing to a proper mayor the city has had in years. He’s one part blue collar and no parts ivory tower. He is a dude. He makes music. He is essential to the fabric of the scene.

                                                                                                    When he isn’t constantly touring with Terrible Twos, Liquor Store, King Tuff, or running the merch table for Natural Child, you can find him behind the counter at El Club or Lager House or just around.

                                                                                                    Go Pistons.

                                                                                                    Golden Pelicans

                                                                                                    Live At Third Man Records

                                                                                                      "Golden Pelicans happens to be one of the great rock ‘n’ roll bands to ever come out of Orlando, Florida. Ain’t no conspiracy whatsoever. Although, we must insist you see them live for max impact. This, however, will no doubt tide you over, with four songs striking a perfect balance between sloppy -party-punk and dive-bar-arena-rock. Solos that totally rip, drums like a beautiful drunk machine and gritty vox. Not to mention they exist at the center of the Total Punk Records / Florida’s Dying culture hub. Don’t talk yourself out of this one. Take a chance and sink your teeth into real rock minus the cheese." - Third Man


                                                                                                      The Story Of The Stooges / As Told By Iggy Pop

                                                                                                      Total Chaos

                                                                                                        Third Man Books is excited to announce one of the most anticipated books of the year, about one of the most influential bands of all time…The Stooges. TOTAL CHAOS: The Story of the Stooges / As Told by Iggy Pop is the first time the story of this seminal band has been told entirely in Pop’s own words. Author Jeff Gold and contributor Johan Kugelberg, noted music historians and collectors, spent two days with Pop at his Miami home, sharing with him their extensive Stooges collection and interviewing the legendary singer. Pop’s candid, bare-all responses left them with the almost unbelievable tale of the band he founded - the alternately tragic and triumphant story of a group who rose from youth, fell prey to drugs, alcohol and music biz realities, collapsed and nearly 30 years later reformed, recording and touring to great acclaim. In 2010, The Stooges, credited with having invented punk rock, were inducted into the Rock & Roll Hall of Fame. Their continuing influence can be felt today in the shape and sound of rock-n-roll music.

                                                                                                        Jeff Gold, Johan Kugelberg and editor/contributor Jon Savage are among the most respected music authors and historians working today. Their efforts include numerous acclaimed and best-selling books and a Grammy Award. TOTAL CHAOS stands as a work for all fans of the band and rock music to draw inspiration. Including an absolute treasure-trove of rare and unseen photographs, TOTAL CHAOS is a book that show AND tells the story of The Stooges. A metallic k.o. of only the best kind.

                                                                                                        Woods

                                                                                                        Live At Third Man Records

                                                                                                          There are certain bands in this supersaturated, hyper-fragmented, temperamental internet era that rise above ephemeral popularity because they deserve it. Woods is one of those bands, and their wheelhouse is a decidedly mellow blend of “campfire folk,” psych, soul, and funk that’s wise beyond its years in timbre and lyric and takes influence from many a surprising source. Woods brings songs into the world that are at once comforting and challenging, and the band’s members take their job as music makers seriously, pumping out nine full-length studio records in the past 10 years and running their own label Woodsist out of Brooklyn.

                                                                                                          With over ten years and nine studio records under their belt, Woods joined us for a meditative masterclass of a live taping in our Nashville Blue Room this past May, performing to a packed house of loyal fans, happy to go on whatever journey the band had planned for them. (View photos from the show.) Frontman Jeremy Earl’s soul-quieting falsetto stylings are the center of Woods’ sound, in the studio and on this live record. But, the shamanic folk vibes of their earlier records gain an urgency and anxiety here, as they have on their newest release City Sun Eater In The River of Light, thanks to a horn section, African jazz influence, and the clear inspiration of the increasingly chaotic world in which we find ourselves living.

                                                                                                          The journey we all took with Woods at the helm on May 2nd, 2016 has been immortalized now as part of Third Man Records’ Live LP series, and it’s a journey we highly recommend taking in the comfort of your own home — with a glass of your favorite beverage in hand, fire roaring, and mind malleable.

                                                                                                          STAFF COMMENTS

                                                                                                          Andy says: An expertly delivered, beautifully recorded live set from one of the best bands around at the moment.

                                                                                                          Third Man Records is proud to announce the forthcoming releases of Leon Redbone’s Long Way From Home, the never-before-released earliest known recordings of the mysterious performer. Redbone’s career has spanned over four decades and began with his earliest performances on the folk festival and club circuit. His numerous appearances on The Tonight Show with Johnny Carson and Saturday Night Live and other outlets catalyzed his rise to international recognition. Over the ensuing years he has appeared throughout North America, Europe, Australia and Japan and released thirteen albums of his unique music, a panoply of early music styles that he delivered with his singular laconic idiosyncratic style.

                                                                                                          A true champion of early American ragtime, blues and jazz, Leon Redbone has spent a lifetime preserving that musical tradition while exposing successive generations to a rich musical heritage of which they might not otherwise have become aware. Recorded in 1972 by Dave Benders for WBFO Radio at the University of Buffalo and features some of the first Leon Redbone recordings.

                                                                                                          Long Way From Home was never released commercially and will finally be available in CD, LP and digital formats for all to enjoy.

                                                                                                          Continuing their commitment to celebrating and shining a light on classic and influential music from Detroit, Third Man Records is honored to be able to re-introduce the world to the undeniable importance of the Detroit Cobras. As one of the earliest salvos in the great Detroit garage explosion of the turn of the century, the Detroit Cobras Mink, Rat or Rabbit is a landmark album. Comprised solely of cover songs (as has always been the band’s MO) the Cobra’s spirited takes on Motown classics (“I’ll Keep Holding On” originally by the Marvellettes), garage punk laments (“Bad Girl” originally known as “Bad Man” by the Oblivians) girl group Tear-Jerkers (“Easier to Cry” originally by the Shangri-Las) and New Orleans soul standards (“Break-a-way” originally by Irma Thomas) and the end result is nothing short of a staple that any record collection is empty without.

                                                                                                          Originally released in 2001, the Detroit Cobras Life, Love and Leaving is the group’s best-known effort, coming at a time when bands like the White Stripes and Dirtbombs were also releasing seminal albums that started picking up recognition outside of their collective hometown of Detroit. Hitting hard with songs by soul heavyweights like Solomon Burke (“Stupidity”), Mary Wells (“Bye Bye Baby”), Otis Redding (“Shout Bamalama”), the inimitable vocals of Rachel Nagy would no-doubt be a template from which folks like Amy Winehouse would work from years later. A landmark collection of covers.

                                                                                                          • Hometown: Detroit
                                                                                                          • Features the previously unreleased “This Old Heart” (originally by James Brown) an outtake from the Life, Love and Leaving sessions, unheard for over 15 years.
                                                                                                          • “Hey Sah-Lo-Ney” (originally listed under the incorrect title “Hey Sailor”) was featuring on the seminal Rough Trade Shops Rock and Roll compilation in 2002.
                                                                                                          • Features Eddie Hawrsh (the Black Crowes) on bass.

                                                                                                          The Paperhead

                                                                                                          Africa

                                                                                                            The record includes the obvious, future-classic "Africa" from their highly mesmerizing Africa Avenue (TiM) and an as-yet-unreleased track "Little Kid Blues" showcasing the band at their heaviest and most dynamic-shout out to that Farfisa swagger and them excellent drums. A fantastic listen through and through and a perfect compliment to the LP. 

                                                                                                            Wolf Eyes, Timmy's Organism, Video

                                                                                                            Audio Social Dissent - Live At Third Man

                                                                                                              Attention fans of Timmy’s Organism, VIDEO and Wolf Eyes, please, set your eyes/ears to front and center. Seems like only yesterday the AUDIO SOCIAL DISSENT supertroupe was touring this troubled continent in a duo of vans fueled by an unbelievable (but very real) commitment to harsh sonics and nothing else—not even petrochemical. Those were beautiful times but now…it’s disappearing in the rearview. Cut to a shot of a single tear running down my face. Cut to another shot of me smirking like Scut Farkus.

                                                                                                              Why? Well, I thought it might be nice to impart a little of the leftovers to those who might appreciate it most. It just wouldn’t be right to hide these beautiful records—BLUE WITH BLACK WISPS—in our HQ warehouse forever and ever.

                                                                                                              Recorded direct-to-tape in the Blue Room at Third Man Records on Devil's Night 2015, this is a three-day lead on a limited edition live record and previously unavailable, tour exclusive. The LP features the psychotic squall from Timmy's Organism, the fire and vitriol of Texas punkers VIDEO, and, notably, an otherwise unreleased Wolf Eyes song, “Devil’s Knights Inn Blues,” which ranks as one of the most profound expressions of American avant-spew.

                                                                                                              Here’s your chance, America. Prove you love the freedom to feel what we're layin’ down.

                                                                                                              First impressions matter. Especially on a debut album. Time and attention-strapped listeners size up an artist within a song or two, then move on or delve in further. Fortunately, it only takes Margo Price about twenty-eight seconds to convince you that you’re hearing the arrival of a singular new talent. “Hands of Time,” the opener on Midwest Farmer’s Daughter, is an invitation, a mission statement and a starkly poetic summary of the 32-year old singer’s life, all in one knockout, self-penned punch. Easing in over a groove of sidestick, bass and atmospheric guitar, Price sings, “When I rolled out of town on the unpaved road, I was fifty-seven dollars from bein’ broke . . .” It has the feel of the first line of a great novel or opening scene in a classic film. There’s an expectancy, a brewing excitement. And as the song builds, strings rising around her, Price recalls hardships and heartaches – the loss of her family’s farm, the death of her child, problems with men and the bottle. There is no self-pity or over-emoting. Her voice has that alluring mix of vulnerability and resilience that was once the province of Loretta and Dolly. It is a tour-de-force performance that is vivid, deeply moving and all true.

                                                                                                              From the honky tonk comeuppance of “About To Find Out,” to the rockabilly-charged “This Town Gets Around” to the weekend twang of “Hurtin’ (On The Bottle)”, Price adds fresh twists to classic Nashville country, with a sound that could’ve made hits in any decade. Meanwhile, the hard-hitting blues grooves of “Four Years of Chances” and “Tennessee Song” push the boundaries further west to Memphis (the album was recorded at the legendary Sun Studio).



                                                                                                              STAFF COMMENTS

                                                                                                              Barry says: Margo price's vocals soar above rich and satisfying slide guitars and plucked acoustic, lifting strings and solid bass guitar. Emotive and reflective, but beautifully reminiscent of classic country acts (Parton, Cline etc.) but brought up to date with a production sheen and melodic originality. Country has never steered away from stereotypes of locale and thematic continuity and this is no exception. A stunning example of the modern Nashville sound.

                                                                                                              Sun Seeker

                                                                                                              Georgia Dust

                                                                                                                Third Man Records is delighted to introduce you to the purebred, blue-ribbon, chamber-pop wunderkinds known heretofore and henceforth as Sun Seeker. Native to Nashville and no strangers to musical basements, bars, and busy backyards, Alex Benick, Austin Edwards, Asher Horton and Ben Parks have whipped up one HELL of a debut single and another fresh addition to our catalog and theirs. Produced by the inimitable Buddy Hughen (Tristen) and mastered by Nashville’s best set of ears John Baldwin, the single itself stems not only from recent a studio session across town, but is also the culmination of years of practice and continuous performance since their freshman year of high school.



                                                                                                                Nick & The Jaguars

                                                                                                                Ich-I-bon / Cool & Crazy

                                                                                                                  In 1959, a former amateur boxer started a record label out of his home in Detroit, Michigan. Employing the colors yellow and black and releasing any genre that could become a hit, Tamla Records and Berry Gordy laid the foundation for what would become a global empire. We are proud to announce an ongoing partnership with Universal Music to bring Tamla’s classic early Motown records back to vinyl. Tamla’s stripes label era (1959-61) produced million-sellers, debut releases from soon-to-be global icons, quasi-doowop anthems, and proto-surf experiments, all just looking for the next big thing. To say that they were successful would be an understatement. These are cornerstones of American popular music and they were all housed on this label that was headquartered at an unassuming home on Detroit’s West Grand Boulevard, which would soon become known to the world as Hitsville USA.

                                                                                                                  The Satintones

                                                                                                                  Going To The Hop / Motor City

                                                                                                                    In 1959, a former amateur boxer started a record label out of his home in Detroit, Michigan. Employing the colors yellow and black and releasing any genre that could become a hit, Tamla Records and Berry Gordy laid the foundation for what would become a global empire. We are proud to announce an ongoing partnership with Universal Music to bring Tamla’s classic early Motown records back to vinyl. Tamla’s stripes label era (1959-61) produced million-sellers, debut releases from soon-to-be global icons, quasi-doowop anthems, and proto-surf experiments, all just looking for the next big thing. To say that they were successful would be an understatement. These are cornerstones of American popular music and they were all housed on this label that was headquartered at an unassuming home on Detroit’s West Grand Boulevard, which would soon become known to the world as Hitsville USA.

                                                                                                                    Jack Wood

                                                                                                                    Born To Wander / So Sad

                                                                                                                    In May of 1966, the unknown singer Jack Wood recorded two songs at Great Lakes Studio in Sparta, Michigan. These unique, otherworldly songs, “Born to Wander” and “So Sad”, would be self-released by Wood on his own Lawrence Records imprint in an edition of 100 copies. Going nowhere and being quickly forgotten, it would take Wood ten years to pay back the $250 he borrowed for the entire endeavor. Fast-forward to the 21st century and the deepest of record collectors are intrinsically moved by the power behind Wood’s single, vacillating between northern soul, garage, big band and country music all within the same song. Featured in the new Bacardi Rum advert as well..

                                                                                                                    The Supremes

                                                                                                                    Buttered Pop Corn / Who's Lovin You

                                                                                                                      In 1959, a former amateur boxer started a record label out of his home in Detroit, Michigan. Employing the colors yellow and black and releasing any genre that could become a hit, Tamla Records and Berry Gordy laid the foundation for what would become a global empire. We are proud to announce an ongoing partnership with Universal Music to bring Tamla’s classic early Motown records back to vinyl. Tamla’s stripes label era (1959-61) produced million-sellers, debut releases from soon-to-be global icons, quasi-doowop anthems, and proto-surf experiments, all just looking for the next big thing. To say that they were successful would be an understatement. These are cornerstones of American popular music and they were all housed on this label that was headquartered at an unassuming home on Detroit’s West Grand Boulevard, which would soon become known to the world as Hitsville USA.

                                                                                                                      The Swinging Tigers

                                                                                                                      Snake Walk (Part 1) / Snake Walk (Part 2)

                                                                                                                        In 1959, a former amateur boxer started a record label out of his home in Detroit, Michigan. Employing the colors yellow and black and releasing any genre that could become a hit, Tamla Records and Berry Gordy laid the foundation for what would become a global empire. We are proud to announce an ongoing partnership with Universal Music to bring Tamla’s classic early Motown records back to vinyl. Tamla’s stripes label era (1959-61) produced million-sellers, debut releases from soon-to-be global icons, quasi-doowop anthems, and proto-surf experiments, all just looking for the next big thing. To say that they were successful would be an understatement. These are cornerstones of American popular music and they were all housed on this label that was headquartered at an unassuming home on Detroit’s West Grand Boulevard, which would soon become known to the world as Hitsville USA.

                                                                                                                        There’s no band that can lay claim to being the true best in the business, except VIDEO. Crawling from the musical wasteland that is Texas, their intentions are simple: they want to own the world. While the band features members of Bad Sports, Wiccans, Radioactivity, and the Wax Museums (just to name a few), VIDEO stands on its own as one of the most powerful and visceral bands active today. Combining equal parts snotty punk, hard rock, and melodic dissonance, VIDEO are pioneers of their own subgenre, Hate Wave. Going well beyond the confines of paint by numbers punk, and generic, flaccid garage rock, VIDEO forges a new cult like movement. So pay attention, consumers, and don’t miss out on the best thing going today. Long Live The New Faith, Long Live VIDEO.

                                                                                                                        Fronting some of the most original, compelling and unpredictable bands (not only in Detroit, but the world) for over two decades, Tim Lampinen’s work with the Epileptix, Clone Defects, and Human Eye has always held a rapturous cult following. Yet his work with his current trio, Timmy’s Organism, presents Lampinen (aka Timmy Vulgar) along with bassist Jeff Giant and drummer Blake Hill, ready for their close-up. With Heartless Heathen the group touches on their artistic and spiritual forbears of Captain Beefheart and Destroy All Monsters, while amply ramping up the slop culture rapture of classic punk ‘n’ roll like Chrome, Crime, and the Damned as well as contemporaries like Thee Oh Sees. There’s a reason why Lampinen won a $25,000 Kresge Grant for his work with his bands...he creates music that borders on art, live shows that border on theater. It’s high time the rest of the world takes notice. Are you ready?

                                                                                                                        Video

                                                                                                                        New Immortals

                                                                                                                          Crawling from the musical wasteland that is Texas, their intentions are simple: they want to own the world. While the band features members of Bad Sports, Wiccans, Radioactivity, and the Wax Museums (just to name a few), VIDEO stands on its own as one of the most powerful and visceral bands active today. Combining equal parts snotty punk, hard rock, and melodic dissonance, VIDEO are pioneers of their own subgenre, Hate Wave. Going well beyond the confines of paint by numbers punk, and generic, flaccid garage rock, VIDEO forges a new cult like movement. So pay attention, consumers, and don't miss out on the best thing going today. Heres the precursor to the Album! 



                                                                                                                          Wolf Eyes

                                                                                                                          Enemy Ladder / Dull Murder Two

                                                                                                                            Post-industrial/noise group Wolf Eyes and are set to release their new album 'I Am A Problem: Mind In Pieces' on October 30th via Third Man Records. Behold the album's first single "Enemy Ladder" b/w "Dull Murder Two.

                                                                                                                            This is the their first new single / album release since 2013’s “Album of the year” (The Wire) “Lower Floors”, released on De Stijl. Michigan’s finest, with an uncompromising return.




                                                                                                                            Alloy Orchestra

                                                                                                                            The Man With The Movie Camera

                                                                                                                              It was only a lucky few iNDie Festival attendees who witnessed Alloy Orchestra's performance of their soundtrack to the 1929 silent film "The Man with the Movie Camera" in our Blue Room last Fall, so we are pleased to bring the recording to you in the form of a double LP. Alloy Orchestra is a 3-man musical ensemble - Roger C. Miller, Ken Winokur, & Terry Donahue - who use "racks of junk," synthesizers, and all sorts of other unusual instruments, found objects, and unlikely noisemakers to aurally accompany silent films.

                                                                                                                              Roger Ebert has called them "the best in the world at accompanying silent films," and we can't disagree. "The Man with the Movie Camera," directed by Dziga Vertov and edited by his wife Elizaveta Svilova, is a documentary with no specific cast or narrative. In the film, a man carries out his day in the city as a member of the proud proletariat, capturing invention and the relationship between man and machine in Lenin's Soviet Union.

                                                                                                                              Bathtub Love Killings is the debut solo LP from Olivia Jean, the multi-instrumentalist who cut her teeth in the Third Man stable backing folks as varied as Karen Elson, Wanda Jackson and Jack White in addition to fronting the much-loved Black Belles. Jean has accrued a lifetime of experience in a few short years, from highlight performances on The Colbert Report, Conan, Late Show With David Letterman and the Grand Old Opry stage to having one of her songs used as the theme for the television series Elvira’s Movie Macabre.

                                                                                                                              Produced by Jack White, Bathtub Love Killings showcases Jean as a songwriting force to be reckoned with. Playing damn-near every instrument she could get her hands on, the result is a well-rounded, catchy record that’s chockfull of ear worm moments.

                                                                                                                              • Olivia Jean was lead singer, guitarist, main songwriter of the Black Belles (also released by Third Man Records)
                                                                                                                              • produced by Jack White, who also plays guitar on “Cat Fight”
                                                                                                                              • drums on “Deadly Hex” and “Cat Fight” by Patrick Keeler (the Raconteurs, the Greenhornes)
                                                                                                                              • “Green Honeycreeper” features songwriting contribution by Coco Hames (The Ettes, The Parting Gifts)

                                                                                                                              King Tuff

                                                                                                                              Live At Third Man Records

                                                                                                                                At long last the Live at Third Man LP from hyper enigmatic rock n roll pop guitar god King Tuff hits the shelves. Recorded back on lucky Friday the13th of July, 2012, we are super excited to have this epic set as a part of our live series of records from Third Man available to and for the people.

                                                                                                                                Check the shred-tastic groover "Just Strut" right here and now and try and tell us it doesn't make you wanna spray paint "Tuff Enough" on your locker and then kick-flip off the back of an AMC Ambassador and skate off into nighttime oblivion… Get revved up for the mighty King Tuff!

                                                                                                                                Pokey Lafarge and his band bring a focus and energy to the American Roots genre with infectious original material that sits at the crossroads of early jazz, country blues and western swing. With his effortless charisma and distinctive charm, Pokey has crafted a genre all his own--and one that extends well beyond the music alone.

                                                                                                                                Summertime is the right time for Pokey’s sun-blessed riverboat style, and this August will mark our release of his next full length LP / CD titled simply Pokey LaFarge (produced by Old Crow Medicine Show frontman Ketch Secor).

                                                                                                                                • Lafarge previously released a 7-inch single on Third Man in 2011, titled “Chitlin Cookin’ Time in Cheatham County”
                                                                                                                                • Critical acclaim and dedicated following in the UK where a performance on Later…with Jools Holland reached a nation-wide audience.. the Hootenanny nonetheless!
                                                                                                                                • In addition to his featured vocal performance on the Jack White’s song “I Guess I Should Go To Sleep” Lafarge also opened select dates for White on his Blunderbuss tour.

                                                                                                                                White Stripes

                                                                                                                                Dead Leaves & The Dirty Ground

                                                                                                                                  Now available on black vinyl. Third single released from their breakthrough album in 2002.

                                                                                                                                  Black Lips

                                                                                                                                  Live At Third Man

                                                                                                                                    The Black Lips bring the party to Third Man - a day we'd been waiting for for some time. Recorded live to analog tape on 11th June 2012.

                                                                                                                                    Beck

                                                                                                                                    I Just Started Hating Some People Today / Blue Randy

                                                                                                                                    Beck makes his Third Man Records Blue Series debut, releasing the one-off single "I Just Started Hating Some People Today" b/w "Blue Randy" (TMR 128).

                                                                                                                                    Both tracks were recorded in 2011 while Beck was in Nashville working on new material for his long awaited next album. The songs spontaneously came together at the Third Man studio on Beck's final day in Nashville.


                                                                                                                                    Edgar Oliver

                                                                                                                                    In The Park / Hunger And Light

                                                                                                                                    The latest in TMR's Green Series of spoken word/instructional records comes from critically-acclaimed, syrup-voiced actor, playwright and noir poet Edgar Oliver. On his Third Man single he delivers the chilling poem "In the Park" with palpable suspense. The B-side "Hunger and Light" is recorded in Triple Reverse Cryptophonica TM and will (hopefully) have you spending hours trying to figure out exactly what he's saying. Edgar Oliver's "In The Park" b/w "Hunger and Light" will be released on vinyl and iTunes on November 22nd. Edgar Oliver is also a Science Channel "Oddities" regular.


                                                                                                                                    The White Stripes

                                                                                                                                    Lafayette Blues / Sugar Never Tasted So Good

                                                                                                                                    Amazingly, but not unsurprisingly, these records still blow the roof off, reissues of the first two White Stripes singles, originally released in another millennium: This is a reissue of their second 7" release, two tracks, the B-side is 'Sugar Never Tasted So Good', an essential 45!!

                                                                                                                                    The jacket is a special double-sided, tri-fold sleeve.

                                                                                                                                    FORMAT INFORMATION

                                                                                                                                    Ltd 7" Info: Black vinyl re-issue edition.

                                                                                                                                    Drakkar Sauna have released five full length records. Beginning with the Fugs-inspired "Diptych Rover" (2004) and "Drakkansasauna" (2005), to their most recent: the astronaut And alchemy concept album "20009" (2009) they have developed a musical abandon and lyrical facility admired in the oddest corners of our polyhedron.

                                                                                                                                    Songwriter Wallace Cochran is the author of the novel The Moon For Its Citizens (2009) and the director of the picture The Blood Feud (2003) in which multi-instrumentalist Jeff Stolz had a featured role and composed much of the score. For their Blue 45 Drakkar Sauna perform the original compositions "Leave That Hole Alone" which questions the existence of anything beyond the self, even the suffering of saints; and "Brundlefly, My Chariot" which drinks deep, so as to taste of the plasma spring. They are joined on this recording by frequent collaborator Jason Groth of the Bloomington, IN bands The Coke Dares and Magnolia Electric Co. Cochran and Stolz live and work in Lawrence, KS.

                                                                                                                                    Dan Sartain

                                                                                                                                    Bohemian Grove / Atheist Funeral

                                                                                                                                    Dan Sartain started out in 2001 self-producing and self-releasing his first two albums, "Crimson Guard" and "Romance In Stereo", before moving to Swami Records for the groundbreaking "Dan Sartain vs. The Serpientes" and "Join Dan Sartain". He's been called the no-wave Johnny Cash, and although it's a title with a lot of flash, it's also somewhat misleading. Comparisons to Johnny Cash are inevitably futile. But what Dan is is another vital link in the rock and roll visionary chain stretching from Rufus Thomas to Glenn Danzig to O.D.B. He's a fiercely independent romantic like no other and Third Man Records proud to be working with him. Third Man Records presents two new Jack White-produced songs in their Blue Series of 7" records written and performed by Dan Sartain, sounding nothing like anything he's recorded in the past. "Bohemian Grove" is an almost Ethiopiques-influenced jazz-style groover and the B-side is called "Atheist Funeral". Enough said. Mr Jack White plays piano on "Bohemian Grove".

                                                                                                                                    Jack White

                                                                                                                                    Fly Farm Blues

                                                                                                                                    "Fly Farm Blues" is a song written on the spot by Jack White at the request of film director Davis Guggenheim while filming the impressive new guitar documentary 'It Might Get Loud'. The film features in-depth looks at Mr. White, The Edge, and Jimmy Page's relationships with the six-stringed instrument. Jack recorded the song immediately to two-track, all while being filmed for the documentary in the attic of the Fly Farm. Some astute viewers may recognize this attic room as the same used by Jim Jarmusch in his video for the Raconteurs' "Steady As She Goes".

                                                                                                                                    FORMAT INFORMATION

                                                                                                                                    Ltd 7" Info: "Fly Farm Blues" is released on a special limited one-sided 7" by Third Man Records.


                                                                                                                                    Latest Pre-Sales

                                                                                                                                    170 NEW ITEMS

                                                                                                                                    So the ‘Just In’ section is over flowing with new stock, back in stock, reissues and the remaining @RSDUK stock. Ta… https://t.co/WE8OfgS3EP
                                                                                                                                    Thu 25th - 4:36
                                                                                                                                    .@ianbrown fans. The zoltar will be here until Thurs May 2nd. It’s being taken away on the 3rd so if you arrive whe… https://t.co/Dp6LTxVE6C
                                                                                                                                    Thu 25th - 4:00
                                                                                                                                    Thanks for posting about it. It’s here until next Friday May 3rd btw. https://t.co/PgaFhSvpPe
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                                                                                                                                    Yes! Thanks @NME for the feature. Come and visit @ianbrown https://t.co/ilKYdZmAtx
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