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TALITRES

R. Missing

Unsummering

    R. Missing is the enigmatic music project of New York based vocalist Sharon Shy and musician Toppy.previously known as The Ropes. Unsummering, the first release under their new moniker R. Missing, expands on The Ropes' previous palette of Morrissey tinged lyrics and darkwave, but manages to be even more isolated lyrically than their famously nihilistic previous work, fully embracing complete detachment. Musically, fraught guitar and synth textures paint an image of an unstable world, held together only by tightly quantized electronic drum beats.

    The Apartments

    That's What The Music Is For

      Working closely with producer Tim Kevin, 'That's What the Music Is For' is The Apartments' eighth album. Peter Milton Walsh began recording it in 2023 like a master pointillist, one touch at a time, one song at a time. In between shows that took him from Mexico City, Sydney or San Francisco to Lisbon and Marseilles, Walsh had access to studio time without real constraints.

      Talking about 'That's What the Music is For', he says: "Since I didn't go into the studio with an album ready set of songs, but instead took pieces in to record as soon as they were written and worked on the music in the studio whenever it was available, it wasn't clear that I'd get to that rainbow's end-a world of songs that feel like they belong together: an album. Yet, over the course of recording and as the songs gathered with one another, they began to reveal a story about time-of how past and present so often trade places and that in music and in memory, the people who have gone keep moving in and out of our lives-where can they live now, except in song? We will be saying goodbye to them in bits and pieces for the rest of our lives.”

      A world of smoke, gin, and regrets; one of melancholy, brass, and strings. A world of refinement and integrity. Life as it comes to us, with its share of joy and sorrow. Peter Milton Walsh's compositions are true songs in that they tell stories, stories that stay with us, stories we can each finish in our own way. That may well be the essence of great art.

      TRACK LISTING

      1. It's A Casino Life
      2. Afternoons
      3. A Handful Of Tomorrow
      4. Another Sun Gone Down
      5.That's What The Music Is For (When The Fair's Over)
      6. Death Would Be My Best Career Move
      7. The American Resistance
      8. You Know We're Not Supposed To Feel This Way

      Maxwell Farrington & Le Superhomard

      Please, Wait...

        'Please, Wait...', their sophomore album, emerges from a profound collaborative evolution, contrasting with Once, which was crafted remotely during the lockdown. This album is steeped in shared experiences from two years of touring, showcasing a symbiotic musical evolution between Maxwell and Christophe. Please, Wait...is a journey into the realm of the senses, an invitation to a dreamscape where listeners are free to find their own meaning. This record is a testament to beauty and modern hedonism, crafted by artists who live and breathe the epicurean ethos.

        STAFF COMMENTS

        Barry says: Wistful hazy melodies, psychedelic twists and theatrical vocal work all mix together into a lovely distillation of influences. Lounge, melancholic rock and grand orchestral melodies all slotted together perfectly.

        TRACK LISTING

        The Boat
        The Nimbostratus Jig
        Plat Du Jour
        Backgammon
        Hexagon
        Galbulus
        Begging's Not My Business
        Catch 42
        Topinambur
        Postprandial Promenade (feat. Nadine Khouri)
        Stirred But Not Shaken

        Nadine Khouri

        Another Life

          Another Life is the second album by singer-songwriter Nadine Khouri. Recorded in London and Bristol with producer John Parish (PJ Harvey, Dry Cleaning) the album extends a collaborative partnership that began with Khouri's acclaimed 2017 debut The Salted Air.

          Her debut The Salted Air was hailed by MOJO as "A thing of dark possessed beauty" in their four-star album review, celebrated by Q as a Critics Choice record, and selected as one of Rough Trade's Albums of the Year in 2017.

          Maxwell Farrington & Le SuperHomard

          I Had It All

            Maxwell Farrington & Le SuperHomard cultivate a certain taste for subtly arranged compositions and pop songs that feel both timeless and current. And beyond this elegance, beyond their solar songs, even beyond Maxwell's majestic voice, we can deeply feel that music is above all a story of meeting and sharing.

            Since the time of our early talks with the duo, we've known one thing for sure: their first album "Once" had a misleading title. There was never any question of quickly closing the deal, of getting close to the top and packing up. "Our time alone, our finest hours are spent" sings Maxwell Farrington on the opening, and we don't believe a word of it. Recorded last fall while on tour, "I Had It All" offers 6 new treasures, 6 new proofs of our musicians' dazzling talent, an achievement even more remarkable considering the disc's short format.

            Released back in April 2021 "Once" sealed the meeting between Maxwell Farrington (musician, crooner, Australia jack-of-all-trades living in Binic) & the SuperHomard (Christophe Vaillant: orchestration, arrangements, production). Acclaimed by critics, widely praised by the public, this first opus allowed the band to play (in quintet form) at various festivals (Villette Sonique, La Route du Rock, Hop Pop Pop, etc.) and through- out France.

            TRACK LISTING

            1. I Had It All
            2. Two Hopeful Lovers
            3. Burning
            4. Donna
            5. Change Direction
            6. Il Cacciatore

            Maxwell Farrington & Le Superhomard

            Once

              Released in early 2019 on the Spanish label Elefant Records, "Meadow Lane Park" was the debut album by Avignon-based Christophe Vaillant under his new entity, Le SuperHomard. Undoubtedly dreamlike and enchanting, hailed by critics both in France and abroad, and by Paul Weller (who invited the group on his entire European tour), the musician laid the groundwork for a new artistic direction. Originally from Brisbane, Maxwell Farrington left Australia in 2013, travelling to the United Kingdom and then France. After Marseille and Toulouse, he moved to Saint-Brieuc and took part in the formation of Dewaere, a noise quartet bathed in 90s influences. Maxwell's vocals bring a poppier and warmer touch. Christophe and Maxwell met during a joint concert at La Boule Noire, on the MaMA Festival in 2019. During his band's sound check, the Australian performed an a capella version of a song by American composer Burt Bacharach. This lead to an engaging conversation between the two musicians, who discussed their common passion for Lee Hazlewood, Scott Walker and Frank Sinatra. We find this elegance again reiterated throughout these compositions – in the orchestral pop, the subtle arrangements, the velvet singing voice. "Once" is a four- handed collaboration. Recording began in February 2020, ending within a short distance of the New Year. "Once" is a journey, both near and far, where everyone will find a safe haven.

              TRACK LISTING

              1. We, Us The Pharaohs
              2. North Pole
              3. Free Again
              4. Lights & Seasons
              5. Love
              6. La Mesa Motel (Feat. Max Meser)
              7. Good Start
              8. Oysters
              9. Hips
              10. Happening Again
              11. Big Ben (Feat. Evelyn Ida Morris)
              12. Tonight

              Laish

              Time Elastic

                Laish, from Brighton, are piloted by the mesmeric Danny Green, a master of captivating confessionals and a thoroughly engaging front man. His glorious voice ranges from the angelic, to a plaintiveness echoing Robert Wyatt, to deeper Kurt Wagner-esque tones. New album, Time Elastic, brims with ultra-cool, classic songwriting and bestows a superbly developed and playful record, full of surprises. A bold step forward, presenting a songwriter at the height of his powers.

                Utro

                Third Album

                  Formed by Vladislav Parshin (of Motorama), in Rostov-On-Don, in 2010, the band became known in Russia for it’s experimental instrumentation, minimalist approach to the music and existential, spiritual lyrics in Russian language. Utro took the blueprint from Soviet bands, post-punk bands from Germany and UK and pushed it way further, using just drums, percurssion, synth bass, synthesizers, and voice. In 2015 Uto announced "We don’t use guitars anymore, we play live drums, synth bass and different keyboards."

                  Will Samson

                  Welcome Oxygen

                    After seven years of consistent touring and new releases, Brussels-based Will Samson steps away from his familiar use of electronics and ambient soundscapes, to present his fourth solo album, Welcome Oxygen. Consisting largely of guitar, voice & violin recorded onto tape - this is his most raw and direct work to date. Brad Lee, from The Album Leaf contributes Trumpet arrangements to the track, 'Find A Little Light' and additional overdubs were also added by Belgian violinist, Beatrijs De Klerck (a former touring member of A Winged Victory For The Sullen & frequent live member for Will).

                    Originating from Normandy, France and now based in Marseilles having lived for spells in Brighton, Bristol and Brussels, the itinerant composer / multi-instrumentalist Yann Tambour (aka Stranded Horse) began recording in 2001 under the name Encre, a project combining samples of strings, piano and voice. Following a series of album and EP releases under that name and having returned to his original instrument, the classical guitar, Yann started to experiment with the kora, building his own lighter, more compact versions of the instrument. Marrying this with his singular approach to the singer/songwriter mode, Stranded Horse (formerly Thee, Stranded Horse) came into being in the mid-noughties. Yann's instrument-building endeavours continue - his most recent creation being a chromatic kora with harp levers, made out of keno wood, maple and formica christened the 'formikora'.

                    'Luxe' is the third Stranded Horse album after 'Humbling Tides' (2012) and 'Churning Strides' (2007), With five of its nine songs sung in English and the rest in French, the ensemble arrangements hinted at on 'Humbling Tides' find full bloom on 'Luxe'.

                    Micah P Hinson

                    Micah P Hinson And The Nothing

                      Micah P. Hinson was born in Memphis, Tennessee, USA, into a strict Christian fundamentalist household. He began to experiment with music upon moving to Abilene, Texas in his teens. In the relative isolation of this town, he became immersed in the local music scene. In 2003, he teamed up with the Texas collective the Earlies which provided a lush backdrop for Hinson’s winsome tales of love, loss and regret, before releasing solo albums for Sketchbook, Jade Tee and Full Time Hobby. 'Micah P. Hinson and the Nothing', his first release on Talitres, is a collection of songs Micah wrote before a terrible van accident he had on the Spanish highway in 2011.

                      Unsure if or when his arms would ever work properly again, Micah began listening to demos he has made before he went on that Spanish trip. The songs took a different light and he began sending them off to people around the world (The Twilight Sad, his Belgium Quartet, his Texan side-kick, T. Nicholas Phelps) and with their help he began to create a record without the use of his arms. Soon after this, Micah was invited to go and record in Santander, Espana, at Moon River Studio. For two weeks and two days, Fernando 'Mac' and Micah realized what was to become "Micah P. Hinson and The Nothing", working with an astounding array of local musicians, sitting behind the trap set, standing beside the upright bass, holding a viola, or tumbling away the tympani.

                      There's a rare confidence to Emily Jane White's songwriting: it's at once generous and tough-minded, reflective and unsentimental. Her work shares some elements with folk music, but the term does not do justice to her ambitious songwriting and robust arrangements. White possesses a singular voice inspired by the raveled threads of the uncanny in American culture, including depression-era blues and classic works of gothic literature such as Toni Morrison's Beloved and Charlotte Perkins Gilman's The Yellow Wallpaper.

                      Emily's previous two albums were composed of songs written by her but collaboratively arranged with her band prior to recording. "Blood / Lines" is a different, more personal record, one she was free to explore new directions and avenues, though not altogether by herself. The bass tracks were written by Darwin Meiners, the orchestral string by Shawn Alpay, and the drums by Nick Ott. Emily Jane White also feels blessed to have Marissa Nadler's presence on two tracks ('Faster Than The Devil', "Dandelion Daze') . "Blood / Lines" is a fresh, inspiring and somewhat experimental record in terms of song writing, recording and producing.



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