Self-recorded and self-produced over the majority of 2020 – a year of strife, solitude and reflection –The Witness finds the band holding a magnifying glass over their own default state of playing and performing. It’s a swift departure from previous album Felt, which harvested haphazard ideas in their embryonic, demoed versions, as if letting loose a glorious fireworks display into the heavens. The Witness, meanwhile, pours SUUNS’ music into a more intricate mold, compelling the band to embrace the vibrancy of their live performances and urging vocalist Ben Shemie to approach his lyricism with unabashed directness.
“There’s something interesting about the idea of a collective witness, being a witness to the time we’re living in now,” Shemie reflects. “And the connectedness of what we all have in common. But also, literally: bearing witness to all sorts of things and how that desensitises you. There’s a recurring line that comes back on the record: ‘I know that you’ve seen it too.’ It kind of comes down to being true to yourself and acknowledging what is and isn’t real.”
Perhaps unintentionally, SUUNS have always been a strangely intimate band, and with The Witness, they themselves became aware of the extent of this. Though the world is becoming a more distorted, confusing place, The Witness extends a sonic lifeline to latch onto, one bolstered by years of friendship, chemistry and trust.
STAFF COMMENTSBarry says: 'The Witness' is without a doubt, Suuns' springboard into mainstream consciousness. While their previous outings were undeniably well done, it's here we get to see their inventive leap into soaring synthpop and scattered electronica, while still hearing myriad elements of their original sound.
Go To My Head