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'Midnight In Tokyo' is a compilation series that aims to be the perfect companion to nights in Tokyo, collecting tracks by Japanese artists that sound best at night. While vol. 2 focused more on ’80s jazz fusion, the latest installment, Vol.3, picks up where Vol.1 left off, bringing together forgotten soul, disco, and new wave gems.

The compilation opens with Japanese rare groove classic “More Sexy,” a provocative song by “the queen of sexy songs,” Yoko Hatanaka. “Kimi No Yume,” from the album Yume No Yonbai by the wandering poet Masumi Hara, is one of the best balearic acid folk songs to come out of Japan. “Silhouette Call” is an electric bossa nova track—in the vein of Antena—taken from the rare album called Octopussy by Yuki Nakayamate, a singer songwriter who also worked as a backing vocalist for Motoharu Sano.

“Theme Of High School Student” is a dubby cut featured on the soundtrack to the Japanese ’80s film Kougen Ni Ressha Ga Hashitta, written by Atsuo Fujimoto of Colored Music—one of the key artists in the recent wave of global interest in Japanese music.
“Get To Paradise” is a stone cold funk jam by Mari Kaneko, who was known as the Janis Joplin of Shimokitazawa in her heyday, and is now known as the mother of the drummer and the bassist of popular rock band Rize.

Following that is one of Japan’s greatest new wave disco track, “Hannya,” taken from Tomoko Aran’s popular third album Fuyu-kukan—produced by Masatoshi Nishimura who was part of the Friends Of Earth Project with Haruomi Hosono. Masako Miyazaki—whose rendition of Seawind’s “He Loves You” is a fan favorite—puts her own spin on the Earth, Wind & Fire classic, “Fantasy,” singing in her accent-heavy English which gives the song an undeniable character. “Watashi No Koukoku” is a certified disco boogie classic by popular singer Junko Sakurada. The Brazilian-esque jazz fusion, “Sunshine Bright On Me” is by a fusion group called Kangaroo, who were often billed as “the Japanese Shakatak.”
“Stranger’s Night” is a synth-pop number by pop idol Maiko Okamoto, which bears a suspicious resemblance to Rah Band’s “The Shadow Of Your Love.” Electro-pop disco “Singing Lady”—off the sole album released by the one-off project the Fad—sounds like something Giorgio Moroder could’ve cooked up. “Magic Eyes” is a disco anthem recorded by songwriter Tetsuji Hayashi’s disco project, the Eastern Gang. following that is Japanese soul gem “Crazy Baby,” found on a rare 7 inch entitled Minato No Soul by Rinda Yamamoto—also composed and arranged by Tetsuji Hayashi. and last but not least, closing out this collection of 14 Japanese rare groove goodies is “I’m in love”, a bittersweet mellow dance number by Tomoko Aran.


STAFF COMMENTS

Patrick says: Mule make it a Midnight In Tokyo hat-trick with arguably the best of the bunch. Last time out Dubby focused on Japan's organic and esoteric grooves, while blah takes us through erotic boogie, electro-bossa, coastal soul-jazz and wavey synth pop! Early faves are Mari Kaneko's McCartney II meets Saada Bonaire "Get To Paradise" and Junko Sakurada's synth disco bomb "Watashi No Koukoko".

Third release of Studio Mule’s new project with Miyako Koda aka Dip In The Pool. Following the cover versions of Ohnuki Taeko’s Carnaval & Mariah’s Shinzo No Tobira,we made the new version of japanese pop ambient classic ‘Face To Face’ by Yumi Murata. Extended edit on a side is full of the respect for the original version and ambient version on b side is simply emotional. The first album of Studio Mule is coming in the beg of next year. Stay tuned.

Currently the rediscovery of long forgotten Japanese electronic, jazz and new age music is at a peak like never before, but although many re-issues already flood the record stores around the world: the large, diverse musical culture of Japan still has some gems in store that are really missing.

Japanese bass player, new-age and ambient musician Motohiko Hamase is one of the newer discoveries. In the 70s Hamase was part of Isao Suzuki Sextett, where he played with legends like pianist Tsuyoshi Yamamoto or fusion guitar maverick Kazumi Watanabe.

In the 1980’s Hamase began to slowly drift away from jazz and drowned himself and his musical vision into new-age, ambient and experimental electronic spheres, in which he incorporated his funky meditative way of playing the bass above airy sounds and arrangements.

His first solo album “Intaglio” was not only a milestone of Japanese new-age ambient, it was also fresh sonic journey in jazz that does not sound like jazz at all. Now Studio Mule is happy to announce the re-recording of his gem from 1986, an enchanted, majestic opus as likely to arrest and beguile as much now as it did then.

First issued by the Japanese label Shi Zen, the record had a decent success in Japan and by some overseas fans of music from the far east. With seven haunting, stylistically hard to pigeonhole compositions Hamase drifts around new-age worlds with howling wind sounds, gently bass picking and discreet drums, that sometimes remind the listener on the power of Japanese taiko percussions. also, propulsive fourth-world-grooves call the tune and all composition avoid a foreseeable structure. at large his albums seem to be improvised and yet all is deeply composed. 


STAFF COMMENTS

Matt says: For me, the uneducated, this sounds like Steve Reich meets Iasos on a houseboat moored at Lake Kawaguchi (Mount Fuji). Totally captivating and transportive and with a rich musical tapestry. Full marks!

Midnight In Tokyo 2, the second installment to the compilation series that rounds up hidden gems by Japanese artists that's perfect for listening at night in Tokyo, is here. This time the collection brings together some tasty electric jazz fusion from the '80s , compiled by Dubby, the man behind the online record store Ondas.

The compilation begins with "Hikobae," a dark and slow cosmic jazz by saxophonist Genji Sawai, followed by "Danza Lucumi," an odd Caribbean-style jam by Today'sLatin Project, a band fronted by Tadaaki Misago of Tokyo Cuban Boys, with arrangements by Yasuaki Shimizu. "On The Coast" is a soulful and mellow vocal track arranged by Ryuichi Sakamoto, from guitarist Shigeru Suzuki's album White Heat, and fusion boogie cut "In The Hot City" is by Mr. Theodore, which was a one-off project by a mysterious artist.

The melancholic soul jazz number "So Long America" is the title track from the album Yasunori Soryo released in '82, following a stint in America with the band Brown Rice. "Twisty" is a tropical reggae tune from the album Samba Kathy, an underrated classic by Jugando which was released on Trash, a sublabel of one of Japan's finest jazz labels, Trio. "Samarkand" is an electric Latin jazz jam that sounds like something Miles Davis and Santana could have played on, performed by a Latin funk band from Fussa. "Imagery" is a primal African fusion track by Katsutoshi Morizono, a member of the prog rock band Yoninbayashi.

Windmill" is the most acoustic sounding tune on this compilation, a breezy Brazilian affair with a Hermeto Pascoal feel. "Mystery Of Asian Port" is by the band Parachute, which consisted of Japa-nese fusion giants like Akira Inoue, Tatsuo Hayashi and Masaki Matsubara. The cosmic jazz record sounds like something Daniele Baldelli would play in his sets. "Bay Sky Provincetown 1977" is a classic Japanese fusion tune by guitarist Yuji Toriyama.

The set also features the mellow but danceable "Heatwave" by keyboardist Keiichi Oku, featuring a female vocalist (which some have identified as Rie Ida), and last but not least, closing out the 13 track compilation is "Day Dream At The Bob's Beach," a wonderful urban fusion with a beautiful vibraphone melody, from the Japanese fusion classic album that was a one-off project by studio musicians


STAFF COMMENTS

Patrick says: Studio Mule treat us to the second instalment of their Midnight In Tokyo series, this time boasting the curatorial élan of Ondas man Dubby. The famed Japanese digger collects thirteen rare gems from the 80s underground, each expressing a different strand of Tokyo's jazz fusion scene - mindbending, body moving magic.

Mule Musiq's in house production crew come through with their second release this week, featuring the vocal talents of Miyako Koda of Dip In The Pool fame. Following their cover version of Ohnuki Taeko’s "Carnaval", Studio Mule got back in the practice room and rocked out a fresh version of Japanese new wave classic “Shinzo No Tibia" by Mariah. Though the new version stays relatively faithful to the original, extended and unhinged bridges, softer sound design and brand new Japanese (the original is in Armenian) by Miyako Koda, make this a welcome alternative to Mariah's masterpiece. On the flip, Kuniyuki takes full control of the desk for a dub version inspired by Adrian Sherwood's remix of Depeche mode. Stripped back and drawn out with a whole load of delay and echo, the new interpretation is a darker take on the track with nods to Tubeway Army and Razormaid.

STAFF COMMENTS

Patrick says: Studio Mule do their version thing to perfection here, offering a new cover of this Mariah classic, featuring the vocal talents of Miyako Koda. Flip it for a Sherwood inspired dub mix (brilliant) and you'll understand why Yasuaki Shimizu was delighted with their efforts.

Over the course of the last two decades, Toshiya Kawasaki has continually worked to introduce the world to a better class of electronic music, whether it be house, techno or ambient on Mule Musiq or weirder-strands of club tackle on Endless Flight. Now, the Mule family launch their latest stable, Studio Mule, taking a brief break from the club with a more diverse musical policy. In reaction to the recent appropriation of Japanese music by Western labels, Studio Mule's first release is a compilation of rare Japanese disco, boogie and soul, so far untouched by the Youtube algorithims. 
Selecting tracks which they thought perfectly soundtracked a night in Tokyo, they arrived at a setlist as suited to home listening as club play, with a wonderful tone of City Pop running throughout. 


STAFF COMMENTS

Patrick says: Mule's latest sub-section, Studio Mule opens its account with a great thirteen track selection of Japanese disco, boogie, soul and city pop, bringing something a little different to the current trend for Japanese music. I'm in, Ryan Horsebeach is in, how about you?


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