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STOLEN

Cover of Songs From A Stolen Guitar by Simon Joyner.

Simon Joyner

Songs From A Stolen Guitar

BB *Island

    Omaha singer-songwriter Simon Joyner, who's been making records since 1990, has been on a roll since his mid-career magnum opus, 2012's Ghosts, one of the great double albums of the past 25 years. On Songs From A Stolen Guitar, he is abetted by collaborators new and old, but the social distancing required by the pandemic of 2020 imbues the album with a distinct and poignant tenor.

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    Cover of āl Bēlūti Dār by Wyatt E.

    Wyatt E

    āl Bēlūti Dār

    Stolen Body Records

      : āl bēlūti dārû (“The Eternal City” in Akkadian language) features two 19 minutes tracks recorded in our Karl-EhmannStrasse home studio, mixed by doom godfather Billy Anderson (Sleep, Om, Melvins,...) and mastered by Justin Weis at Trakworx. The composition of the album results of a challenging use of techniques and instruments never used by the band before: Saxophones, Saz, an unusual use of voices, effects and percussions. 2 drum kits have been tracked simultaneously during most of the album to create some sort of messy vibration coming from a huge crowd. A-side Mušḫuššu (Name of Marduk’s sacred animal) is a well-balanced track driven by a bass groove & featuring Y. Tönnes on the saxophone, ending up in a traditional acoustic outro. B-side Šarru Rabu (“The Great King”) is a military march and shows the band at its best in terms of slowly building up layers to a climax and starting all over again until the final sonic explosion.

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      Cover of Kaampala by Gondhawa.

      Gondhawa

      Kaampala

      Stolen Body Records

        Stolen Body are super stoked to announce the addition of French Psych/World rockers Gondhawa to our ever evolving roster.

        Gondhawa is a musical laboratory - a fusion between Fela Kuti’s groove and Hendrix’s electricness.

        Formed in 2018 in Angers (France) by Idriss (vocals and guitar), Clément (drums) and Paul (bass), the band explores different styles with a boundless energy. Inspired by French sci-fi literature, they invented a language. Outcomes Gondhawii, a fusion of sounds from all over the world and others as yet unidentified. With this new language the whole mind immerses into a delicious trance where we cross odd rhythms, quarter-tone riffs, oriental groove and electric explosions as well as stringed instruments from other countries. (n'goni, sanxian, microtonal guitar)

        Gondhawa release their first album, “Kâampäla”. Six powerful and eclectic tracks dipped in stoner, afrobeat and progressive rock. Six tracks linking convoluted rhythms and inventive riffs.

        Through the micro-tonal groove of Raba Dishka, the Afrobeat Stoner power of Käampâla, or the softness of Djoliko, a beautiful ballad lulled by the melancholy of acoustic strings from around the world, Gondhawa delivers the soundtrack of an interstellar road movie. An electric tornado with an abundance of rhythms and textures.

        TRACK LISTING

        1. Raba Dishka
        2. Konesay
        3. Kâampäla
        4. Assid Bubu
        5. Fortun Q'ki
        6. Djoliko

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        Cover of Live In Adelaide '19 by King Gizzard & The Lizard Wizard.

        King Gizzard & The Lizard Wizard

        Live In Adelaide '19

        Stolen Body Records

          Live at Thebarton Theatre, Adelaide, Australia, July 12th 2019

          Recorded by our sound crew:
          Sam Joseph, Stacey Wilson

          Drums: Michael Cavanagh
          Guitar / Keys: Cook Craig
          Harmonica / Vocals / Keys / Percussion: Ambrose Kenny-Smith
          Vocals / Guitar / Keys: Stu Mackenzie
          Drums: Eric Moore
          Bass: Lucas Harwood
          Guitar / Vocals: Joey Walker
          Adam Halliwell: Flute on Hot Water and Head On/Pill

          Mixed by Stu Mackenzie
          Cover design by Jason Galea

          TRACK LISTING

          1. Evil Star 
          2. Planet B 
          3. Mars For The Rich 
          4. Venusian 1 
          5. Cyboogie 
          6. Real?s Not Real 
          7. Hot Water
          8. Open Water 
          9. Sleep Drifter 
          10. Billabong Valley 
          11. The Bird Song 
          12. Inner Cell 
          13. Loyalty 
          14. Horology 
          15. Plastic Boogie 
          16. Organ Farmer 
          17. Self-Immolate 
          18. Head On/Pill 

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          Cover of Live In Asheville 2019 by King Gizzard & The Lizard Wizard.

          King Gizzard & The Lizard Wizard

          Live In Asheville 2019

          Stolen Body Records

            Live at New Belgium Brewing Company, Asheville, NC, USA, September 1st 2019

            Recorded by our sound crew: Sam Joseph, Stacey Wilson and Gaspard Demulemeester

            TRACK LISTING

            1. Evil Star (Live In Asheville '19)
            2. Self-Immolate (Live In Asheville '19)
            3. Venusian 1 (Live In Asheville '19)
            4. Alter Me III (Live In Asheville '19)
            5. Altered Beast IV (Live In Asheville '19)
            6. People-Vultures (Live In Asheville '19)
            7. This Thing (Live In Asheville '19)
            8. Beginner?s Luck (Live In Asheville '19)
            9. Rattlesnake (Live In Asheville '19)
            10. Cyboogie (Live In Asheville '19)
            11. Loyalty (Live In Asheville '19)
            12. Horology (Live In Asheville '19)
            13. Boogieman Sam (Live In Asheville '19)
            14. Plastic Boogie (Live In Asheville '19)
            15. Mars For The Rich (Live In Asheville '19)
            16. Hell (Live In Asheville '19)
            17. The Lord Of Lightning (Live In Asheville '19)
            18. The Bitter Boogie (Live In Asheville '19)

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            Cover of Teenage Gizzard by King Gizzard & The Lizard Wizard.

            King Gizzard & The Lizard Wizard

            Teenage Gizzard

            Stolen Body Records

              Tracks 1-8 recorded some time in 2010 in Angelsea, Victoria, Australia
              Tracks 9+10 recorded some time in 2011 in Carlton, Victoria, Australia

              Mixed by Stu Mackenzie
              Cover Design by Ahmad Oka

              TRACK LISTING

              1. Hey There
              2. Ants And Bats
              3. Sleep
              4. Summer
              5. Eddie Cousin
              6. Fried
              7. Good To Me
              8. Tomb/Beach
              9. Trench Foot
              10. Life Is Cool

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              Cover of Terraform by Yo No Se.

              Yo No Se

              Terraform

              Stolen Body Records

                Yo No Se return after a 5-year hiatus since their last album, Soma. Their new album Terraform continues on from the dystopian world created in Soma but this time taking the narrative to the stars. Terraform explores the ideas of making a fresh start on another planet but the same problems creep in…. Greed, corruption and hate. Exploring more of a grunge feel along with some hard psych the band recorded with Dom Mitchison (as well as Alex doing guitars and vocals at home), mixed with Ali Chant and mastered again with grunge godfather, Jack Endino. The band have toured across Europe in support of Soma in the last 5 years and gained a reputation for their loud and energetic shows. The album has 3 drummers under its belt and countless breakdowns on the road. With the pandemic kicking in just as the band started touring, they had plenty of time to finally record (and find another drummer). Terraform is a record 5 years in the making due to sheer bad luck. Hopefully, their luck will change as the band are already working on their follow up record.

                The first single Black Door approaches the subject of corruption amongst 'leaders'. The idea comes from Boris Johnson getting Brexit 'done' to forward his own career without thinking about the impact it will have on peoples lives. We’ve had enough and we're ready to tear down the establishment. The idea being that these problems we now face will follow us wherever we go unless we stamp them out, here, on earth. The artwork for the cover is by renowned sci-fi artist Bruce Pennington.

                TRACK LISTING

                1. Black Door
                2. Santa Muerte
                3. Pilot
                4. Misery
                5. Mosquito
                6. Slaughter
                7. Hairy Chin
                8. Feast Of Lies
                9. Hold Fire
                10. Nectar
                11. Terraform

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                Cover of Oocyte Oil & Stolen Androgens by Black To Comm.

                Black To Comm

                Oocyte Oil & Stolen Androgens

                Thrill Jockey

                  The music of Black To Comm is as powerfully intoxicating as it is subtly unnerving. The solo project of shapeshifting German producer and sound artist Marc Richter, his mastery of sonic manipulation is matched only by his astounding clarity of vision.

                  Following the acclaimed ‘Seven Horses For Seven Kings’ released just a year ago, ‘Oocyte Oil & Stolen Androgens’ applies Richter’s wild imagination to an exploration of the human voice, standing as some of his most immediate and affecting music to date.

                  Each of his phantasmagoric works is meticulously constructed from an omnivorous array of smudged samples and other sonic detritus, painstakingly collected by Richter from across the history of recorded music or his immediate environment and altered into beguiling new shapes. Sound sources seem tantalizingly familiar and yet often just out of reach, flickering at the edges of the subconscious.

                  TRACK LISTING

                  Gustav Metzger As Erwin Piscator, Gera, January 1915
                  Stolen Androgens
                  Oocyte Oil
                  Gepackte Zeit (für Hanne Darboven)
                  Rataplan, Rataplan, Rataplan (Arms And Legs Flying In The Air)

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                  Cover of Ummon by Slift.

                  Slift

                  Ummon

                  Stolen Body Records

                    SLIFT return with their phenomenal space rock album, UMMON. Composed during endless tours across Europe in 2019, conceived as the soundtrack of an imaginary film; UMMON is a dreamlike odyssey staging the Titans, their exile to the outer reaches of space in search of their creators and the return of the Titan Hyperion to Earth.

                    Beyond music and lyrics, it's about "all these questions to which we'll never have answers", which dig their furrows in the humans heart.

                    « For sulfur guitar lovers, Prog from beyond the grave and blip blup blop of old synthesizers. Blitzkrieg fuzz and geyser Free. Bass escaping from the Minas Morgül's dungeons, and Nostromo’s drums travelling at the speed of light. Vicious solos and assassins bends. Acid krautrock and cosmic-comics jazz. There are distant echoes and reveries, celestial choirs illuminating space. And r r e e p p e e t t i i t t i i o o n n. Ancestral voices and ancient extraterrestrial rites. Abyssal doom and apocalyptic noise. There's chaos. And there's silence. »

                    The three guys come from Toulouse, south of France, and their first EP was released in June 2017 via Howlin Banana (fr) and Exag 'records (be). His name is Space Is The Key. Inspired by Alain Damasio's science fiction novels and the work of French illustrator Pierre Ferrero.

                    In September 2018, they released "La Planète Inexplorée", (Stolen Body Records) with the engineer/producer and guru of the French garage sound, Lo Spider. The album was mastered by producer Jim Diamond (The GO, Fleshtones, Sonics, White Stripes ..) king of the regretted Ghetto recorder in Detroit. 

                    TRACK LISTING

                    1. Ummon
                    2. It’s Coming…
                    3. Thousand Helmets Of Gold
                    4. Citadel On A Satellite
                    5. Hyperion
                    6. Altitude Lake
                    7. Sonar
                    8. Dark Was Space, Cold Were The Stars
                    9. Aurore Aux Confins
                    10. Son DÔng’s Cavern
                    11. Lions, Tigers And Bears

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                    Cover of Stolen Hours / Love And Desire by Patrice Holloway.

                    Patrice Holloway

                    Stolen Hours / Love And Desire

                    Outta Sight

                      PATRICE YVONNE HOLLOWAY was born in Los Angeles and is perhaps best known as the younger sister of Motown’s Brenda Holloway, the darling of the Northern Soul scene, particularly in recent years. Patrice also signed to Motown and recorded an unreleased version of “The Touch Of Venus” made famous by Edna Wright (aka Sandy Wynns).

                      In the mid-sixties Patrice signed to Capitol records and recorded “STOLEN HOURS”, arranged by the great Gene Page and written and produced by his brother Billy Page – she was only 15 years old at the time. It failed to hit Stateside but some thirty years later it became a Northern Soul anthem of the nineties, although it was originally played in the early days of Wigan Casino.
                      Our chosen flip-side, the follow-up single, “LOVE AND DESIRE”, was also penned, produced and arranged by the Page brothers. It failed to even get a commercial release in the U.S. although it was released in the U.K. and commands big money in today’s collectors market. Her final 45 for Capitol came in 1972 and was a credible version of the Sam Nesbit classic “Black Mother Goose”. Sadly, ill health, forced Patrice to step back from performing and she died before her time of a heart attack in 2006.

                      Patrice was also known as ‘Valerie’, singer with the animated girl-band Josie And The Pussycats produced by Hanna-Barbera and aired on CBS in 1971. She would beome the first black character to regularly appear on U.S. commercial TV.


                      TRACK LISTING

                      1. Stolen Hours
                      2. Love And Desire

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                      Cover of Bloom Forever by Thomas Cohen.

                      Thomas Cohen

                      Bloom Forever

                      Stolen

                      Thomas Cohen shares his debut album ‘Bloom Forever’, released by Stolen Recordings.

                      Inspired by the works of singer-songwriters such as Townes Van Zandt, Judee Sill, Van Morrison and Jim Sullivan, ‘Bloom Forever’ is a chronologically ordered document of the songs Cohen wrote between 2012 and 2015.

                      Of course, tragedy is also present on the record. In April 2014 the unthinkable happened. Cohen’s wife Peaches died at their Surrey home aged 25, leaving him to raise their two small boys. Rather than turn his back on the record in grief, Cohen eventually decided to continue work on the album, relocating to Iceland to write and record the rest of ‘Bloom Forever’ and finding some kind of peace through the process.

                      TRACK LISTING

                      Honeymoon
                      Bloom Forever
                      Morning Fall
                      Hazy Shades
                      Country Home
                      Ain’t Gonna Be No Rain
                      New Morning Comes
                      Only Us
                      Mother Mary

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                      Cover of Bloom Forever by Thomas Cohen.

                      Thomas Cohen

                      Bloom Forever

                      Stolen Recordings

                        ‘Bloom Forever’ is Thomas Cohen’s debut solo release and is released by Stolen Recordings.

                        Thomas Cohen was previously frontman of the band S.C.U.M., who released one exquisite album, ‘Again Into Eyes’, in 2011. Just 21-years-old when they split, Cohen’s life soon presented him with a different set of subjects to draw from. While his band may have broken up, his marriage and the birth of his two sons gave his subsequent songwriting a newfound focus and clarity.

                        Inspired by the works of singer-songwriters such as Townes Van Zandt, Judee Sill, Van Morrison and Jim Sullivan, his forthcoming album, of which this single is the title track, is a chronologically ordered document of the songs Cohen wrote between 2012 and 2015.

                        ‘Bloom Forever’ recounts the birth of his second son with touching emotional honesty and a refreshing lack of sentimentality. “I wrote the lyrics in the hospital on the day he was born,” recalls Cohen.

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                        Cover of Cave Ritual Redux by Al Lover.

                        Al Lover

                        Cave Ritual Redux

                        Stolen Body Records

                          For those who aren’t already familiar with the workings of Al Lover then allow Stolen Body Records to introduce you to this exceptional, experimental producer from San Francisco – who has been gaining much notoriety for his melding of contemporary past garage and psychedelic rock into harsh yet spacey abrasive beats. Influenced as much by The 13th Floor Elevators as DJ Shadow, Al Combines crunchy drums, shaky percussion, chopped samples and layers of textured effects to create an unexplored path for psychedelic music, offering an earthy and loose approach that sounds more like you’re listening to a DMT fueled psych band than a beat made on an MPC.

                          Cave Ritual Redux exhibits Al Lover re-inventing his already unique style by adding a new dimension to his previous album Cave Ritual released at the end of last year. With this offering, Al Lover takes older ideas and reinvigorates them with new textures, layers, imagination and creates a new body of mind altering work.

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                          Cover of Gone by Abjects.

                          Abjects

                          Gone

                          Stolen Body Records

                            Introducing your favourite new 3 piece: Abjects, a new London trio who have been winning over fans all over the world with an impressive set of edgy garage tunes, perky bass-lines washed over with lashings of jagged and disjointed guitar work. Hotly tipped by Manchester’s PINS - who released their debut EP ‘Fast Love’ (Haus of Pins) - Abjects have been a prominent garage punk band in the London live circuit since their emergence in 2013. Self-sufficient and capable, they’ve created their own scene, put on their own nights, designed their own merch – fully immersing themselves with the DIY ethos which allowed them to be picked out by the likes of Jon Spencer & the Blues Explosion, Mikal Cronin, Shannon and the Clams, The Coathangers or the larger than life Fat White Family. Their latest offering comes from their ‘Gone’ EP with lead single ‘Gone’.

                            Recorded by rising starlet producer Syd Kemp - which is to be released on Stolen Body Records (Brown Brogues, Thee MVP’s & more) on May 11th 2015 both digitally and on limited edition 12” vinyl. Influences on the band come in the form of The Shangri-las, The Slits, Lydia Lunch, The Stooges and Sonic Youth. With such potent esteemed artists helping to sculpt their sound it is clear to see where Abjects gather their signature clout.

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                            Cover of Some Strange Voodoo by Fruit Tones.

                            Fruit Tones

                            Some Strange Voodoo

                            Stolen Body Records

                              Stolen Body’s first 7” release comes from Manchester garage'n'surf rock band Fruit Tones. The 4 track EP shows off the bands ability to morf garage rock, tropical pop and surf beautifully while keeping a raw rock'n'roll feel to everything.

                              They have featured on several compilations which have been incredibly recieved. They have also previously released a split tape with Death Cats on Scottish label Fuzzkill Records which is now sold out. Stolen Body is happy to release the EP on limited edition colour vinyl. Limited to 500 copies (Coloured - Yellow with black splatter)

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                              Cover of Hinterland - Inc. Katja Waske Remix by East India Youth.

                              East India Youth

                              Hinterland - Inc. Katja Waske Remix

                              Stolen

                                In a move that's certain to please the proper techno heads out there, East India Youth has finally seen fit to deploy the finest piece of dancefloor weaponary on his critically acclaimed debut LP in 12" form. Militaristic drums, driving sequences and swirling modular washes interlock into a pulsating nuclear core, well on its way to meltdown. Falling somewhere between the stripped back machine funk of Factory Floor and the unyielding energy of a Carl Craig classic, "Hinterland" is the kind of cut you build your whole set around. In other words, totally massive. On the flipside, the mysterious Katja Waske drops in to provide a face melting remix, which ramps up the aggression tenfold, turning "Hinterland" into raw techno filth. If you're after one of those thunderous stadium sized techno monsters usually released by either of the Kalkbrenner brothers, then this is your new jam. Serrated sequences, pounding percussion and searing drones combine perfectly to set the night on fire.


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                                Cover of Dark Wing Zero by Stolen From A Crow.

                                Stolen From A Crow

                                Dark Wing Zero

                                Unknown

                                Stolen from a Crow is the genre-defying alter ego of Crispin Case-Leng, a singer, songwriter and poet who believes in pushing boundaries within music and performance in a quest to leave the mainstream far behind. Sometimes romantic, sometimes introspective, always unpredictable, Case-Leng’s music is about exploration, delving into unconventional themes ranging from social commentary, through to darkly comic fairy tales about werewolves and winged messengers between worlds. His instrumentation is similarly off-centre, dipping into seemingly incompatible areas like punk, folk and art rock, yet managing to blend them together into something new and exciting.

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                                Cover of Furniture by Race Horses.

                                Race Horses

                                Furniture

                                Stolen

                                  Race Horses’ fantastic second album is a pin-sharp pop record inspired by Queen, Dexy’s Midnight Runners and Soft Cell.

                                  STAFF COMMENTS

                                  Ryan says: Welsh fivepeice Race Horses present us with a curiously poppy second album drawing influence from soft cell & Dexy's Midnight Runners. Fancy some guilty pop? Go for this.

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                                  Cover of My Year Abroad by Race Horses.

                                  Race Horses

                                  My Year Abroad

                                  Stolen

                                  A group who thrive in their songcraft while picking apart the everyday to find the hidden relationships within, Aberystwyth’s Race Horses return with new album ‘Furniture’ and lead-off single ‘My Year Abroad’.

                                  Indicative of the new album’s tight, compact songwriting, ‘My Year Abroad’ sees the band make their most defined steps forward yet and hone in on the pin-sharp pop that lead singer Meilyr Jones has cited as recent influences, such as Soft Cell, Dexy’s Midnight Runners and Queen.

                                  ‘My Year Abroad’ is typical of Jones’ lyrical perspective. It focuses on the tale of a businessman on a trip to Tokyo, but digs under the surface level to find, as he puts it, “the grim reality, not the glamorisation of excess, using things and people, cheap thrills.”

                                  Features Welsh language B-side ‘Cysur a Cyffro’.

                                  Limited to 500 bright yellow coloured 7”s with postcard and tracing paper insert. Includes business card with phone number - fans are invited to leave messages for the band.

                                  STAFF COMMENTS

                                  Andy says: Pin-sharp pop influenced by Soft Cell, Dexy’s Midnight Runners and Queen. Limited to 500 bright yellow coloured 7”s with postcard and tracing paper insert.

                                  TRACK LISTING

                                  My Year Abroad
                                  Cysur A Cyffro

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