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SPIRIT

Sunset Rubdown

Random Spirit Lover - 2024 Reissue

    The woven lyrics and singular songwriting style heard in Sunset Rubdown invoke a mythological world, where magical narratives and tiny metaphors give shape to ordinary objects in the room; sometimes beautiful, sometimes beastly. The moniker was first born to bear the solo bedroom recordings of Spencer Krug, but has since evolved into a full-fledged band, involving the vital contributions of fellow Montreal residents Jordan Robson Cramer, Michael Doerksen, and Camilla Wynne Ingr.

    Now enter Sunset Rubdown’s third full-length record, ‘Random Spirit Lover’, featuring twelve songs that bleed in and out of each other, mixing portents with theatrics, confusions with conversions. The dark glamour of the music beneath the half-baked revelations in rhyme creates a tone of high drama, blown-out and overt, but the stage is wild and the roles aren’t clear, so the sincerity of the work and the spontaneity of the recordings can't help but shine through the formality of structure. In short, listening to ‘Random Spirit Lover’ is like watching schoolchildren in a dress rehearsal for the annual Easter play. And though they aren’t old enough to know the occasion is anything more than pastel-painted eggs and edible bunnies, they wear the fake beards with confidence and style.

    ‘Random Spirit Lover’ was recorded in early 2007 at Breakglass Studios in Montreal with Jace Lasek (also of The Besnard Lakes) and Dave Smith. A prolific and talented musician, Krug is also a member of Frog Eyes and Wolf Parade, and, in the fall of 2006, he collaborated with Dan Bejar of Destroyer and Carey Mercer of Frog Eyes to form Swan Lake, recording their first album for Jagjaguwar called ‘Beast Moans’. Jordan Robson-Cramer is currently the brain behind Magic Weapon as well as a member of Miracle Fortress, and Michael Doerksen produces his own solo work under the name of Deep Sleepover.

    TRACK LISTING

    1. The Mending Of The Gown
    2. Magic Vs. Midas
    3. Up On Your Leopard, Upon The End Of Your Feral Days
    4. The Courtesan Has Sung
    5. Winged / Wicked Things
    6. Colt Stands Up / Grows Horns
    7. Stallion
    8. For The Pier (And Dead Shimmering)
    9. The Taming Of The Hands That Came Back To Life
    10. Setting Vs. Rising
    11. Trumpet, Trumpet, Toot! Toot!
    12. Child-Heart Losers

    Paul Simpson

    Revolutionary Spirit : A Post-Punk Exorcism: The Teardrop Explodes, Care, The Wild Swans, And Beyond

      Part memoir, part social history, Revolutionary Spirit is the poignant, often hilarious story of a cult Liverpool musician s scenic route to fame and artistic validation. If Morrissey was the Oscar Wilde of the 1980s indie scene, Simpson was its William Blake, a self-destructive genius so lost in mystical visions of a new arcadia that he couldn t meet the rent. Simpson s career begins alongside fellow Liverpool luminaries Julian Cope, Ian McCulloch, Bill Drummond, Ian Broudie, Will Sergeant, Pete Wylie, Pete Burns, and Pete de Freitas at the infamous Eric s club, where, in 1976, he finds himself at the birth of the city s second great musical explosion.

      Along the way, he co-founds and christens the neo-psychedelic pop group The Teardrop Explodes, shares a flat with a teenage Courtney Love, and forms The Wild Swans, the indie band of choice for literary-minded teens in the early 1980s, who burn bright and brief, in the process recording one of the all-time great cult hit singles, Revolutionary Spirit . Marriage, fatherhood, and tropical illness follow, interspersed with artistic collaborations with Bill Drummond and members of The Brian Jonestown Massacre, among others. Following an onstage reunion with Cope at the Royal Festival Hall, Simpson discovers that seven thousand miles away, in the Philippines, he is considered a musical god.

      Presidential suites, armed guards, police escorts . . .

      you couldn t make it up, and, incredibly, he doesn t need to. Revolutionary Spirit marks the arrival of an original literary voice. It is the story of a musician driven by an unerring belief that artistic integrity will bring its own rewards, and an elliptical elegy to the ways it does.

      The A Side of course is just one of the biggest tunes from the grunge era and is given a Jazzy Funky Groovy version by Blue Mode of Nirvana's Biggest Hit. It turns out that they were influenced by everything from the Gap Band to Louie Louie and a fair smattering of 80's indie and this production by Chip Wickham mixes together a Swinging '60's Blue Note Vibe with the Acid Jazz sound and brings it bang up to date with the Nu-Jazz Experience. First time on 45 and is already a DJ favourite after being included in the Paul Murphy set "Jazz Room" on BBE Records.

      Side 2 is a Boogaloo Latin Jazz version (produced by Paul Murphy Live in the studio in Budapest when he was living there) of the Lonnie Smith track "Hola Muneca" beloved of the Acid Jazz era DJ's and previously released on a now impossible to find 7 inch single that goes for crazy prices.

      TRACK LISTING

      1. Smells Like Teen Spirit
      2. Hola Muneca

      Spirit of Sundaze Ensemble (SOSE) is the latest evolution from London based DJ / producer, label and party series Secretsundaze. Sitting at the intersection of live music and electronic music innovation, leading contemporary musicians reimagine, record and perform a selection of tracks which have been foundational across Secretsundaze’s 20+ year history, embracing a myriad of influences from Balearic to synth pop to Brit funk.

      EP ‘I’ opens with their take on Joyce Sims’ classic ‘Come Into My Life’, moving the original Mantronix production into a more contemporary UK / street soul / Balearic territory, featuring the vocals of ensemble member Sahra Gure.

      Next is a re-imagination of Photek’s seminal ‘Mine to Give’. Featuring Wayne Snow on vocals and garnering wide support on it's release last summer, this is the first time it's available on vinyl. For this the tempo is slowed and explored in a more synthy 80s production style, with a DJ friendly extended version featured here.

      The B-side sees them take on a beloved Phil Asher (RIP) production, Nathan Haines’ stunning ‘Earth is the Place’, a classic Secretsundaze record if ever there was one. Featuring the vocals of Cherise, the SOSE version is a dancefloor ready update which will appeal to all lovers of proper deep, soulful-leaning house music - one for the heads.

      Closing the record is a flip of Wbeeza’s ‘Coast Spotting’. Featuring synths from the excellent Hinako Omori, this one goes in with an extended late night transcendental electronic / jazz rework with the original’s looped lead line modulating throughout the piece.

      Leading musicians feature on the record including:
      Drums - Myele Manzanza (Theo Parrish, Sound Signature)
      Keys - Lewis Moody (Zeitgeist Freedom Energy Exchange)
      Guitar - Nikos Ziarkas (Theon Cross, Chelsea Carmichael)
      Percussion - Oli Savill (Basement Jaxx)
      Bass - Johnny Brierley (Fofoulah)

      All in all, an impressive debut showcasing the breadth and scope of this exciting new live project from Secretsundaze founder James Priestley, one to watch. Limited to 300 copies, don't sleep on this one.

      Following their debut sold out show at Southbank’s Centre Queen Elizabeth Hall, the Ensemble next take to the London stage at the iconic EartH Theatre, Dalston on September 21st for an EP launch party as well as a headline open-air concert at Las Dalias, Ibiza as part of Beat Hotel on September 30th.



      STAFF COMMENTS

      Matt says: London party institution / record label / global dance brand Secret Sundaze have started a live project and it's KILLER. Reworking classics that have soundtracked their infamous Sunday sessions over their 20 year incarnation. The results are staggering - faithful and spirited cover versions that add their own personality into the mix. More please!

      TRACK LISTING

      A1. Come Into My Life 
      A2. Mine To Give (Extended Mix) Ft. Wayne Snow 
      B1. Earth Is The Place Ft. Cherise 
      B2. Coast Spotting Ft. Hinako Omori 

      Johnny Marr

      Spirit Power: The Best Of Johnny Marr

        Personally curated and compiled by Johnny Marr, Spirit Power: The Best Of Johnny Marr encompasses music from across his four widely acclaimed solo albums released over the last decade (2013’s The Messenger, 2014’s Playland, 2018’s Call The Comet, 2022 double album Fever Dreams Pts 1-4), non-album single releases ‘Armatopia’ and ‘The Priest’ (w/ Maxine Peake). The collection also includes 2 brand new studio recordings Somewhere and The Answer.

        Since establishing the current chapter of his solo work a decade ago, Johnny has remained a restless creative. Working and recording out of his own purpose-built Manchester studio, the Crazy Face Factory, his songwriting has embraced an instinctive sonic evolution across four full length albums.


        STAFF COMMENTS

        Andy says: When Johnny got back to sounding like, well, JOHNNY, again, with his debut solo album around ten years ago, the world of Indie Pop welcomed back an old friend and guitar hero with open arms. To hear his best songs stacked up like this just goes to show what a great song-writer he is, in his own right, without "her indoors", as well as being one of the all-time great UK guitarists. The proof's in the pudding. Magic.

        TRACK LISTING

        2LP (19 Tracks)
        Side 1
        Armatopia
        New Town Velocity
        Easy Money
        Spirit Power & Soul
        Hi Hello
        Side 2
        Somewhere
        European Me
        The Messenger
        I Feel You
        Side 3
        The Answer
        Dynamo
        Spiral Cities
        The Priest
        Night And Day
        Side 4
        Sensory Street
        Walk Into The Sea
        Upstarts
        Candidate
        Tenement Time

        Standard CD (16 Tracks)
        1. Armatopia
        2. New Town Velocity
        3. Easy Money
        4. Spirit Power & Soul
        5. Hi Hello
        6. Somewhere
        7. The Messenger
        8. I Feel You
        9. The Answer
        10. Dynamo
        11. Spiral Cities
        12. Night And Day
        13. Sensory Street
        14. Walk Into The Sea
        15. Candidate
        16. Tenement Time

        Deluxe 2CD (24 Tracks)
        Disc 1
        1. Armatopia
        2. New Town Velocity
        3. Easy Money
        4. Spirit Power And Soul
        5. Hi Hello
        6. Somewhere
        7. European Me
        8. The Messenger
        9. I Feel You
        10. The Answer
        11. Dynamo
        12. Spiral Cities
        13. The Priest
        Disc 2
        1. Night And Day
        2. Sensory Street
        3. Walk Into The Sea
        4. Upstarts
        5. Candidate
        6. Tenement Time
        7. Hi Hello (Demo)
        8. Somewhere (Demo)
        9. The Answer (Crazy Face Version)
        10. The Messenger (Demo)
        11. Speak Out Reach Out (Crazy Face Version)

        Vega Rally

        This Moment EP

          Vega Rally is an incendiary self-taught, bedroom producer hailing from Manchester into big beats, baggy guitar riffs & Fred Perry. Since signing to independent Manchester record label; Spirit Of Spike Island in 2022, Vega Rally has released 3 earworm singles, hitting over 100k streams online, receiving airplay across BBC 6 music & Radio X in the process. He has also remixed tunes for underground indie starlets; Pastel & exciting upcoming folk artist; Ava Carlyle. Interest on the underground scene culminated in tour supports With Afflecks Palace, Pastel, Andrew Cushin and invites to perform at Isle Of Wight Festival, Humber Street Fest, Truck Festival & Why Not? Festival.

          TRACK LISTING

          A1. Infinity '93
          A2. Come Out N Play
          B1. This Moment
          B2. Back At It Again

          Gregory Porter

          Liquid Spirit - 10th Anniversary Edition

            After two solid albums on Motema, both of which earned GRAMMY nominations, Gregory Porter made his Blue Note debut with Liquid Spirit in 2013. Recommencing with the water analogy that characterized his debut disc, Porter saw Liquid Spirit as a logical progression in his burgeoning discography as it touched on some of the same themes, particularly the highs and lows of romance, his childhood, and socio-political observations. The strength of Liquid Spirit lies in Porter's songs, based upon personal experiences with a relatable and emotional immediacy. Even more, his hooky melodies penetrate instantly.

            Hailed by public and critics alike, Liquid Spirit won the Grammy Award for Best Jazz Vocal Album in 2014. Platinum in the UK and Germany, gold in France, the Netherlands and Austria, the album has sold over a million copies worldwide.

            Marking the 10th anniversary of the album, Blue Note presents a special vinyl edition bringing together the original album on 2LP and a disc of bonus tracks and remixes, with 5 tracks available on vinyl for the first time.

            TRACK LISTING

            SIDE A
            No Love Dying 3:56
            Liquid Spirit 3:36
            Lonesome Lover 3:11
            Water Under Bridges 3:33
            Hey Laura 3:33
            SIDE B
            Musical Genocide 3:45
            Wolfcry 4:10
            Free 5:01
            Brown Gras 4:17
            SIDE C
            Wind Song 3:24
            The In Crowd 3:37
            Movin’ 4:50
            When Love Was King 6:53
            SIDE D
            I Fall In Love Too Easily 7:49
            Time Is Ticking 3:23
            Water Under Bridges (Rubato Version) 4:43
            SIDE E
            Water Under Bridges (featuring Laura Mvula) 3:51 *
            Don't Let Me Be Misunderstood (featuring Jamie Cullum) 2:58
            Grandma's Hands (featuring Ben L’Oncle Soul) 3:33 *
            SIDE F
            Hey Laura (Rainer & Grimm Remix) 3:36 *
            Liquid Spirit (Claptone Remix) 2:44
            Liquid Spirit (20syl Remix) 3:27 *
            Musical Genocide (Ludovic Navarre Aka St Germain Version) 5:02
            Liquid Spirit (Knuckle G Remix) 4:46 *

            * First Release On Vinyl

            Activity

            Spirit In The Room

              On their sophomore album Spirit in the Room, Activity is haunted by technology, the loss of loved ones, capitalism, and humanity's relentless death march towards environmental destruction. Produced by Psychic TV's Jeff Berner, the album is an emotional seance held through an unearthly haze of menacing trip hop, ambient electronica, and synth-based noise rock.

              A sense of longing and hopelessness in the face of monumental loss comes through almost instantly on opening track "Department of Blood," in which lead vocalist Travis Johnson sardonically indicts both neoliberalism and "whatever the lord is," beneath a grim collage of processed electronics and a sinister drum machine beat. The David Berman-inspired "Heaven Chords, was written shortly after the iconic songwriter's death, and atmospheric track "Where the Art is Hung," is a haunting lament over the omnipresence of technology and surveillance in the modern world.

              Spirit in the Room is no lighthearted journey, but the band's playfulness and obvious natural chemistry keeps the collection from being burdened by its own solemnity. "Unlike the first album, where we'd barely played live before we recorded, we got to take some of the less electronic songs out on the road in the fall of 2021," Johnson explains. "Some tracks had been incubating for over a year in our rehearsals. We could feel them change and open up in a live setting, so when we got back home, we went back to the drawing board on a lot of them. Some got scrapped altogether and we haven't played them since. You get an idea in your head of what it is, but it's something else when you're trying to hold other people's attention. Every part needed to feel earned or necessary." On the one hand, Spirit in the Room is a harrowing journey through a Bosch-like landscape of illness, global capital, and human-caused destruction. On the other hand, it's a room full of friends who are simply trying to make it through the day and process this world we've created. When asked why this album needed to be made, Johnson put it best: "None of us can stand to not make music is all, really." 

              TRACK LISTING

              01 Department Of Blood
              02 Heaven Chords
              03 Careful Lets Sleepwalk
              04 Where The Art Is Hung
              05 Cloud Come Here
              06 Ect Frag
              07 Icing
              08 I Like What You Like
              09 Sophia
              10 I Saw His Eyes
              11 Susan Medical City

              Animal Collective

              Spirit They're Gone, Spirit They've Vanished - 2023 Reissue

                Chiming laments for a childhood's end, Spirit They’re Gone, Spirit They’ve Vanished opens with the phrase "want to hear a secret, I know one," suggesting these secrets just might be buried deep within the flocks of high frequencies, electronic glitches, bleeps and swells that follow. The duo's approach is similar to Love's (circa Forever Changes), with Avey Tare's picked acoustic guitar flowing in perfect syncopation with Panda Bear's tumbling drum kit. But the layers of tonal and atonal electronics that fatten the thinner pulse of the songwriter's vision make this album resemble something closer to modern electronic composition. The songs range from speedy patchwork pieces to slower piano melodies, a somehow coherent yet very fragile brand of psychedelic music - their grasp of pop hooks and dynamics being counterbalanced by a love of noise / friction and musical anarchy; their songs wavering on the tightrope between deeply affecting beauty and unrestrained chaos. Whilst the band have gone on to rightfully become one of the most name-dropped and influential groups of the past two decades, this debut effort reminds us of where they came from and remains a truly stunning and unique album.

                TRACK LISTING

                1. Spirit They've Vanished (Remastered 2023)
                2. April And The Phantom (Remastered 2023)
                3. Untitled (Remastered 2023)
                4. Penny Dreadfuls (Remastered 2023)
                5. Chocolate Girl (Remastered 2023)
                6. Everyone Whistling (Remastered 2023)
                7. La Rapet (Remastered 2023)
                8. Bat You'll Fly (Remastered 2023)
                9. Someday I'll Grow To Be As Tall As The Giant (Remastered 2023)
                10. Alvin Row (Remastered 2023)

                Afflecks Palace

                The Only Light In This Tunnel Is The Oncoming Train

                  Manchester band Afflecks Palace return with their sophomore LP.

                  Produced by J. Fender, Afflecks Palace vocalist and Spirit Of Spike Island label boss said “This album is an ode to escapism from the modern day obsession with superficial status, wealth and success - propelled by social media F.O.M.O (fear of missing out)”.

                  If you're not from round here, the band are named after the legendary shopping emporium which is just down the road from us. Afflecks Palace was, and still is, a mecca for all things "alternative"( a word from back in the day!) and rose to fame during the heady days of Madchester. It was also  home to the Identity clothing shop which became famous for it's legendary "On  The Sixth Day God  Created Manchester" t-shirts.

                  Afflecks Palace are real music magpies, in the best possible sense. They've taken the energy and attitude of '89 and created super melodic guitar gems that tip their (bucket) hat to The Stone Roses, Inspirals and the like, as well as plundering classic pop from the 60s via Britpop and right  through to the present day. In doing so they've managed to create their own euphoric, hook filled sound. 

                  The new soundtrack to dancing til the sun comes up and weekends mooching around the Northern Quarter, thers's just a vibe and spirit around this band that's gonna be difficult to resist.

                  STAFF COMMENTS

                  Andy says: Like a greatest hits of Manchester music, all rolled up into one jangling, baggy, indie-pop nugget, this band are gonna go far.

                  TRACK LISTING

                  1. Dancing Is Not A Crime
                  2. Holidays
                  3. Wide Eyes On The Night Bus
                  4. WAKE UP!
                  5. Patchwork Quilted Veins
                  6. Big Fish, Small Pond
                  7. Ghosts On The Underground
                  8. I'm So Glad You're On Ecstasy
                  9. Hey Stranger
                  10. Find Your Place

                  Khotin

                  Release Spirit

                    Canadian producer Dylan Khotin-Foote has kept his Khotin alias going for the better part of a decade; the impressionistic electronic project shifts with the movements in his life. Sometimes it leads, like when the club-friendly grooves of 2014’s Hello World immersed him in the heart of Vancouver’s underground dance scene, and sometimes it follows, like 2018’s Beautiful You, a downtempo salve for DJ fatigue. His melodic sensibility and playful ear for atmosphere remain the rippling core of the project’s fingerprint; whether beat-driven or ambient, a foggy smear or a dusted and pristine print, a Khotin track has a distinct and instantly recognizable swirl. During and after the 2020 release of Finds You Well, his second LP on Ghostly International, Khotin-Foote settled back into a slower vibe in his hometown of Edmonton. Even before the pandemic, his pivots to softer production, and away from DJing, left him with fewer opportunities in Vancouver and club bookings overall, and as a self-identifying introvert, he was fine with that. But the change of pace did open space for Khotin-Foote to grapple with concepts of adulthood and career. At his lowest, he almost walked off this musical path altogether; instead, he doubled down on the craft — the tone, pacing, and dynamism of new material — arriving at a definitive full-length. With Release Spirit, Khotin releases himself from the pressure of expectation, fusing and refining everything we know about his music. The warmth and familiarity of Khotin’s dreamy, dulcet style meet new ideas and frameworks, a natural progression, a modest revelation; Khotin confirms it is okay to move slowly and he’s never sounded better doing it.

                    The album title borrows from the “release spirit” mechanic in the video game World of Warcraft. When players die, they are prompted to release their spirit and return as ghosts to find their corpses and come back to life. Khotin sees it as a worthy metaphor for the impending change his return home presented and the resulting process of purging artistic expectations to find his creative self again. On this go-around, he is freer, more playful, and more intentional within his palette of warped synth, breakbeats, and piano sounds — including the classic Casio SK-1 presets he’s used since the start — mingling with wistful samples, field recordings, and other abstract snippets. For the first time, he enlisted Nik Kozub to do the mix and assist with sequencing. Khotin-Foote has long worked with the Edmonton-based musician and engineer in the mastering phase, as well as their days co-running the label Normals Welcome, and this time was able to involve his ears earlier given their newfound proximity. “I think it’s my best sounding record to date.”

                    We begin on “HV Road” or Happy Valley Road, where Khotin-Foote spent time during a family vacation in British Columbia’s Okanagan Lake. His plans to record crickets at night are quickly foiled by his younger siblings; the cute exchange orients the listener to a core memory of sorts, setting the tone of universally understood warmth and wonder that has defined some of Khotin’s most transportive tracks. Hazy percussion takes hold, and we are swept further into the wisp of “Lovely,” a grooving, melodic standout built on the interplay between the beat and human voice-like hums. Khotin knows this zone well; equally suited for a reverie or a club warm-up.

                    The bubbling atmosphere and absurdity of “3 pz” offer a cosmic/comic interlude and also speak to reflections on his family’s move to Canada two generations ago, and the audio tutorials they used to learn English. “I can only imagine my grandparents repeating some of the bizarre phrases.”

                    “Fountain, Growth” finds Khotin in collaboration with Montreal’s Tess Roby (Dawn to Dawn) for the project’s first-ever vocal track. Roby’s soft cadence echoes atop spiraling air pockets of rhythmic production, lending a breezy, almost shoegaze pop feel. Throughout the single and the album, wind gusts between the compositional layers, akin to the roaming spirits of its namesake, curving around the birdsong of “Life Mask” and seamlessly reaching “Unlimited <3.” The latter bumps in slow motion; disembodied whirrs from his Casio collide with 808 drums and sub-bass for a vibe that teeters on trap and instrumental hip-hop.

                    Release Spirit rests in a dream sequence. Oscillating synth lines dance around the heartbeat of “Techno Creep,” a hyperactive REM state before the digitized ambient sprawl of “My Same Size.” In the final pass, Khotin imagines transcontinental travel from the glow of his screen. He recorded “Sound Gathering Trip” to soundtrack a genre of YouTube videos he’s taken to that follows train routes through Europe and Japan. The scene is serene and moving; piano keys warble as static-filled sound design shimmers off the rails, from cityscapes to the countryside, an introspective ride through a world beyond his bedroom. It doubles as an apt parting image for Khotin’s project as a whole: dreaming big but happiest when riffing on the details, shaping environments from the inside out. Over the last decade, he has stretched from his core in Edmonton, leaving a trace in Vancouver and beyond; but when all signs point home, he loops back to see it all from a different vantage, revitalized, refined, and free. 

                    TRACK LISTING

                    TRACKLISTING

                    01. HV Road
                    02. Lovely
                    03. Home World 303
                    04. 3 Pz
                    05. Computer Break (Late Mix)
                    06. Fountain, Growth (ft. Tess Roby)
                    07. Life Mask
                    08. Unlimited <3
                    09. Techno Creep
                    10. My Same Size
                    11. Sound Gathering Trip 

                    Aesop Rock

                    Spirit World Field Guide (Instrumental Version)

                      Following the success of Aesop Rock's most recent solo album, Spirit World Field Guide, he returns to deliver the instrumental version of those interdimensional adventures. Aesop has long been celebrated for his talents as a lyricist, but he has continually grown and evolved as a producer as well. While the original Spirit World Field Guide was packed with insightful chapters of firsthand know-how into the terrain, wildlife, and social customs of our parallel universe, the Spirit World Field Guide Instrumentals not only set the tone but also provide the roadmap for you to take your own journey. Welcome to the Spirit World. Explore with intention.

                      TRACK LISTING

                      1. Hello From The Spirit World (Instrumental)
                      2. The Gates (Instrumental)
                      3. Button Masher (Instrumental)
                      4. Dog At The Door (Instrumental)
                      5. Gauze (Instrumental)
                      6. Pizza Alley (Instrumental)
                      7. Crystal Sword (Instrumental)
                      8. Boot Soup (Instrumental)
                      9. Coveralls (Instrumental)
                      10. Jumping Coffin (Instrumental)
                      11. Holy Waterfall (Instrumental)
                      12. Flies (Instrumental)
                      13. Salt (Instrumental)
                      14. Sleeper Car (Instrumental)
                      15. 1 To 10 (Instrumental)
                      16. Attaboy (Instrumental)
                      17. Kodokushi (Instrumental)
                      18. Fixed And Dilated (Instrumental)
                      19. Side Quest (Instrumental)
                      20. Marble Cake (Instrumental)
                      21. The Four Winds (Instrumental)

                      Caterina Barbieri

                      Spirit Exit

                        The musical vortexes of Caterina Barbieri rewire time and space. Listening to the Italian composer and modular synth virtuoso has felt like traveling at light-speed and slow-motion all at once since 2017’s breakthrough doublealbum Patterns Of Consciousness. 2019’s acclaimed Ecstatic Computation pushed even further with the lead single “Fantas”, where a haunting melody hurtling towards its supernova climax felt like witnessing the life and death of a burning star. Far beyond any new age trope or modern synth trend, her music stands alone in its ecstatic intensity and cataclysmic emotional impact. Marking the debut album on her new label light-years, Barbieri now delivers her most profound work yet — a journey through inner-space as vast as a universe and as intimate as a heartbeat. The Spirit Exit opens and we fall in.

                        Spirit Exit is Caterina Barbieri’s time machine, primarily composed with a modular synth rig she thinks of more like a mechanical fortune teller. Whereas previous releases were constructed on lengthy tours, capturing only snapshots of continually evolving works,

                        Spirit Exit represents the producer’s first album fully written and recorded in her home studio amidst Milan’s two-month pandemic lockdown in 2020. It was during this extended isolation she found inspiration from female philosophers, mystics and poets spread across time, but united in their strength at cultivating vast internal worlds. St. Teresa D’Avila’s foundational 16th century mystical text The Interior Castle, philosopher Rosi Braidotti’s posthuman theories and the metaphysical poetry of Emily Dickinson act as thematic anchors throughout Spirit Exit, imbuing a life and death gravity into the composer’s most perception-altering music to date.

                        More than any release before it, Spirit Exit crystallizes Barbieri’s densely layered, blindingly bright synth arrangements while introducing stunning new elements that feel as if they’ve always belonged. Strings and guitar flawlessly thread into the composer’s web of modular patches, while her revelatory singing voice often cuts right through them. Melodies remain Barbieri’s great passion and obsession — she thinks of them as knots she’s trying to untangle, existential metaphors formed through tensely spiraling arpeggios — and on Spirit Exit they grow as large as planets before cracking into atoms. Parts of one song can haunt another. The synth progression unraveling through “Knot Of Spirit” is reborn on “Broken Melody”, an explosive peak with vocals that flash like a lightning storm. The sweeping “At Your Gamut” perfects the producer’s dramatic, slow-burning openers, but in her first ever use of sampling, it later gets crushed, accelerated and unrecognizably transformed into the ghostly hook surging through “Terminal Clock” — an otherworldly sound rushing across what feels like the artist’s first track for a dancefloor.

                        Caterina Barbieri’s music has always transported listeners, its perpetual movement achieved through complexities that needn’t be solved, but simply felt. Spirit Exit articulates that endless ascension — destination unknown, resolution always just out of reach — with a newfound humanity. It’s the result of a one-of-a-kind artist deeply reflecting on what music means to them, only to return with an even greater understanding of what it can be. As the album closes on “The Landscape Listens” — a song that approaches death with all the gentle grace of Brian Eno’s “An Ending (Ascent)” — it brings to mind the full line of Emily Dickinson’s poem “There’s a certain slant of light”. “When it comes — the landscape listens / Shadows — hold their breath.” Spirit Exit is a special kind of seance, an album so otherworldly and inexplicably moving it leaves even its ghosts in a stunned silence.


                        TRACK LISTING

                        A1. At Your Gamut
                        A2. Transfixed
                        B1. Canticle Of Cryo
                        B2. Knot Of Spirit (Synth Version)
                        C1. Broken Melody
                        C2. Life At Altitude
                        D3. Terminal Clock
                        D4. The Landscape Listens

                        Spirit Of The Beehive

                        The Door

                          Six months on from the release of their critically-acclaimed fourth album, Entertainment, Death, Philadelphia trio Spirit Of The Beehive closeout 2021 with brand new 7” The Door, comprising two previously-heard but never physically released songs in “The Door Is Open” and “The Door Is Closing”.

                          A special and limited release, 500 copies of the single have been pressed on cloudy teal vinyl. The 7” is led by “The Door Is Open”, a 2020 single that marked a new chapter for the band ahead of the release of Entertainment, Death. The song “continues to defy definition”, Stereogum said upon its initial release, before adding: “It’s amazing that they made such a short track feel like such a dreamy journey.”

                          It’s backed by “The Door Is Closing”, a bright and skewed gem of a track that was originally released earlier this year via Through The Soil, a charity compilation that benefited the NAMI COVID-19 Mental Health Support Fund.

                          Whether opened or closed, The Door is a bold reminder of Spirit Of The Beehive’s many layered and colourful ideas. It also ribbon-ties a brilliant 2021 for the band, one which saw Entertainment, Death labelled as “an intensely beautiful, intensely difficult record” by Pitchfork, a “sprawling odyssey of haunting dissonance and blissful euphoria” by Flood Magazine, and a "storm of sound with a deep humanity coming through” by Fader.

                          Spirit Was

                          Heaven’s Just A Cloud

                            When his primary music project, LVL UP, stopped working together in 2018, prolific multi-instrumentalist and illustrator Nick Corbo began working on a new body of music and visual art as Spirit Was. On his debut studio album Heaven’s Just a Cloud, haunting, beautiful scenes of the natural world feel just as represented in the warm, classic, wooden floors of country rock as they do in the dark, droning, shadows of doom and black metal. With new creative liberties, Corbo is allowed an opportunity to keep exploring the heavy, distorted instrumentation and experimental techniques that have shaped his music to date.

                            His ability to focus on small details and weave them into vast networks has been evident in all of the music and visual art in his catalogue. In its density, Heaven’s Just A Cloud is threaded with memorable lyrics and recapitulating musical themes that guide the listener. Spirit Was feels at home among the technical, melodic songwriting of Harry Nilsson’s studio recordings, or the dusty, psychedelic oblivion of Earth and Wolves in the Throne Room. A departure from his previously collaborative recordings, the album features Corbo on drums, bass, guitar, and keyboards, weaving sweet, intentional melodies and vocal harmonies over a slamming, distorted rhythm section.

                            TRACK LISTING

                            Side A

                            01. I Saw The Wheel
                            02. Oblivion Banter
                            03. Stranger To The One
                            04. Proven Water Rites
                            05. Here Comes My Man
                            06. Olive Branch & Brown Dove

                            Side B

                            07. Heaven’s Just A Cloud
                            08. Golden Soul
                            09. Spirit Was
                            10. Come Back Up To The House
                            11. Caught In A Dream

                            Mujuru was Zimbabwe’s foremost mbira (thumb piano) player who brought Shona music to the world. -Available outside Zimbabwe for the first time. All-acoustic, calming music for these times. Mbira importance grew with the struggle for independence and became a key symbol for the country after colonial period. Audio extracted from LP as master tapes were destroyed. Ephat Mujuru exemplifies a unique generation of traditional musicians in Zimbabwe. Born under an oppressive colonial regime in Southern Rhodesia, his generation witnessed the brutality of the 1970s liberation struggle, and then the dawn of independent Zimbabwe, a time in which African music culture long stigmatized by Rhodesian educators and religious authorities experienced a thrilling renaissance.

                            Under the tutelage of his grandfather, who was a respected spirit medium and mbira master, Ephat showed an early talent for the rigors of mbira training, playing his first possession ceremony when he was just ten years old. By then, guerilla war was engulfing the country and his grandfather Muchatera tragically became a victim of the violence, a devastating blow to the young musician. In the midst of the liberation struggle, mbira music became political. Eventually, the Rhodesians were defeated, but rather than return to the past, the nation of Zimbabwe was born and a new future unfolded.

                            Ephat threw himself into the spirit of independence, singing of brotherhood, healing, and unity: crucial themes during a time when the nation’s two dominant ethnic groups, the Shona and the Ndebele, were struggling to reconcile differences. Ephat’s band would eventually follow the popular trend and add electric instruments. But before that, he and Spirit of the People released two all acoustic albums, and they may well be the most exciting and beautiful recordings he made in his career. Mbavaira, the second of these albums, was released in 1983.

                            As the independence years moved on, there would be fewer and fewer commercial mbira releases. But for the moment, Ephat had the required stature and reputation. Also, with the energy and drive we hear in these recordings, the album could easily rival the pop music of its day. Within a few years after the release of Mbavaira, it and albums like it became harder to find in Zimbabwean record stores. Ephat adapted to the times and formed an electric band. They recorded more albums over the years but none of them have the particularly delicious energy of Spirit of the People in the first years of Zimbabwe’s independence.

                            TRACK LISTING

                            01. Mbavaira 05:54
                            02. Kuenda Mbire 05:48
                            03. Mudande 05:58
                            04. Nyama Musango 05:19

                            Steve Reid Ensemble (featuring Kieran Hebden)

                            Spirit Walk (RSD21 EDITION)

                              THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JULY 17TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

                              IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).


                              This album is released as a special one-off exclusive blue double vinyl edition for Record Store Day 2021. Out of print for nearly 15 years, this album was recorded at the start of the long-relationship between Kieran Hebden and drummer extraordinaire Steve Reid. Soul Jazz Records had begun to release Reidís music in 2000, reissuing much of his early catalogue of radical, deep and spiritual jazz music from the 1970s when an encounter between electronic music pioneer Kieran Hebden and Steve Reid effectively launched a new career for jazz drummer Reid - a man steeped in history having played with John Coltrane, Miles Davis, Fela Kuti, Motown and much more.

                              Kieran Hebden and Steve Reid released a set of ground-breaking albums together in London, New York and Africa (including four on Domino Records) and continued to work together up until Steve Reid died in 2010. This album launched the start of this new connection between the two very different and yet connected artists  a mixture of electronic and jazz sensibilities like no other. The album Spirit Walk contains an updated version of Reidís seminal Lions of Judah (originally released on Reidís classic Nova in 1976), For Coltrane, and the stunning and epic 15-min Drum Song. The album comes with complete original artwork, including innersleeves (featuring an interview with Steve Reid by Gilles Peterson).


                              TRACK LISTING

                              A 1. Lugano (7.02) 2. Bridget (5.49) 3. For Coltrane (8.03)
                              B 1. Blind Tom (1.23) 2. Which One? (6:43) 3. Lions Of Juda (8.26)
                              C 1. It Cannot Be True (6.04) 2. Unity (9:10)
                              D 1. Drum Story (14.29)

                              The Alarm

                              Spirit Of '58 (RSD21 EDITION)

                                THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JUNE 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

                                IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JUNE 12TH).


                                The Alarm release the Spirit Of '58 EP for RSD 2021. A three-track limited edition 45 that is the official song for the WALES National football team as they head into this summer's EURO 2020 Tournament. Wales kick off their campaign against Switzerland on June 12th 2021, the very same day as Record Store Day 2021 with The Alarm capturing the atmosphere and spirit of the Wales fans through the sure to be terrace anthems 'RED WALL OF CYMRUí and ëRED DRAGON TATTOO. These are joined by a reworking of the bandís classic Spirit Of '76 as SPIRIT OF 58, which lyrically celebrates Wales only World Cup Tournament [which also happened to be the first ever such event back in 1958 when Wales made it to the quarter finals only to be knocked by Brazil and a goal scored by the soon to be legendary PELE.] The Alarm Spirit of 58 is sure to appeal to Alarm fans around the world and fans and supporters of the WALES team. These recordings are unique to the EP as they are the original demonstration versions and therefore even more collectible for fans and supporters alike.

                                Spirit Of The Beehive

                                Entertainment, Death

                                  Ever since Spirit Of The Beehive released their self-titled debut in 2014, they’ve developed a reputation for being your favourite band’s favourite band. Theirs is the music of immersion, of confrontation, the kind that makes a listener stop and wonder, “How are they even doing that?” And as the years wear on, that sense of bafflement has made room for Spirit Of The Beehive to quietly but steadily ascend, with their most recent album, 2018’s Hypnic Jerks, leaving them poised on the precipice of wider recognition.

                                  Spirit Of The Beehive now release their fourth album and Saddle Creek debut, Entertainment, Death. The album signals new chapters for the band on multiple fronts, being the first to feature their new three-piece lineup, as well as the first to be entirely self-recorded and produced. Guitarist/vocalist Zack Schwartz and bassist/vocalist Rivka Ravede are now joined by new member Corey Wichlin, a multi-instrumentalist who relocated from Chicago to the band’s home territory of Philadelphia last year. In the spring of 2020, the trio began to write their new album at a distance by emailing les back and forth. “The process of making this album was basically the exact opposite of our experience creating Hypnic Jerks,” Schwartz explains. “We had to record that in seven days, because that was the studio time we had, whereas Entertainment, Death was made over the course of three, four months.”

                                  An abundance of time wasn’t the only difference. Recording remotely offered the band an incentive to experiment with new possibilities for their sound, resulting in an album that is unlike any Spirit Of The Beehive has released before. Once the band finished recording and mixing the album digitally, they mastered it to tape, lending the collection a textured, dimensional quality. “We knew we wanted to use some new instrumental elements on this album,” Wichlin says. “We're not going fully electronic,” Schwartz adds, “But guitar, bass, drums just get kind of monotonous.” Though Entertainment, Death doesn’t cohere in a single, unifying theme, the band samples old obscure commercials throughout, many of which guided the process of writing a song instead of serving as an appendage. Schwartz describes his songwriting process as a stream-of-consciousness, while Ravede asserts that she doesn’t typically write vocal parts with any specific intention in mind. “When I write, the narrative usually doesn’t present itself until after the song is done. And even then, it depends on how the listener interprets the words,” she reflects. Regardless of how dreamlike Entertainment, Death’s lyrics can be, reality rears its head throughout Entertainment, Death. The album isn’t a metamorphosis, it’s simply the newest iteration of a longstanding project. “There’s a line in the Bee Gees documentary that I think applies to us. I’ll paraphrase: ‘We may not have always connected, but we always stuck around,’” Ravede says. Schwartz jumps in, “Entertainment, Death: we’re still here.”

                                  TRACK LISTING

                                  01. Entertainment
                                  02. There’s Nothing You Can Do
                                  03. Wrong Circle
                                  04. Bad Son
                                  05. Give Up Your Life
                                  06. Rapid & Complete Recovery
                                  07. The Server Is Immersed
                                  08. It Might Take Some Time
                                  09. Wake Up (In Rotation)
                                  10. I Suck The Devil’s Cock
                                  11. Death

                                  Sweet Spirit

                                  Trinidad

                                    Sabrina Ellis, Andrew Cashen & Danny Blanchard (of Sweet Spirit) also perform together in the Austin Texas outfit A Giant Dog. Trinidad was recorded and produced by Stuart Sikes (Cat Power, Black Joe Lewis, White Stripes)

                                    "When people dance, they are fulfilling a human desire where instinct and culture meet. Dance and music are built into the mechanics of being human. We are born instinctively with these impulses. To dance is to speak unspoken agreements," says Sweet Spirit frontperson Sabrina Ellis.

                                    The six members of Sweet Spirit like pranks, glitter eyeshadow, and good stories. They also enjoy making music, as evidenced by the 12 bands they collectively play in. But above all, they love dancing, that place between exorcise and exercise. Sweet Spirit's famously raucous and sweaty live shows satisfy both their own and their audience's need for connection and release.

                                    Trinidad marks the Merge debut of this mighty sextet from Austin, TX. The songs are stripped down yet more intricate than ever before. It's a pop record made by punk rockers sonically happy but lyrically bitter. Lustful, sassy, and passionate.

                                    Touting inspirations as varied as Prince, T. Rex, William Onyeabor, ABBA, Roy Orbison, Shintaro Sakamoto, Francoise Hardy, and Robyn, Sweet Spirit have created an album that pulsates with more LinnDrum and synth than guitar. From the opening riff of 'Behold,' Sabrina, Andrew, Danny, Josh, Jon, and Jake establish their slightly cynical world of fantasy, hard truths, and all manner of longing.

                                    “No Dancing” bemoans the lack of magic in the club, while live favorite “Fingerprints” sets out to “get you away from your lover.” Author/composer Mark Mallman of Minneapolis says, “Those who believe in demons see demons. In music, the demon is silence. In nature, snakes that appear to dance are actually fighting. Palm trees that kiss the beach during hurricane winds appear to dance when set to music in a video. There is no genre to dancing, only to its cause. In this instance, the cause is called Sweet Spirit.”

                                    TRACK LISTING

                                    SIDE A

                                    Behold
                                    Fear Is A Lie
                                    No Dancing
                                    Fingerprints
                                    Llorando

                                    SIDE B

                                    Y2K
                                    Only Love
                                    Coincidence
                                    Empty Bottle

                                    Thurston Moore

                                    Spirit Counsel

                                      SPIRIT COUNSEL is a collection of three extended compositions recorded between 2018-19. This collection represents a period of reflection on spiritual matters, collective musical friendships, and a time and space universally, without words or languages to distract from meditation.

                                      CD 1: ‘Alice Moki Jayne’ is a new composition from noise guitar explorations honouring Alice Coltrane, Moki Cherry, and Jayne Cortez. These female partners of jazz musicians brought spirituality into the lives and music that has most inspired Thurston Moore.
                                      12-string electric guitar army: Thurston Moore, James Sedwards, Jen Chochinov
                                      Baritone bass truth and soul: Deb Googe
                                      Magick drums: Jem Doulton
                                      Electronic Wobbly love: Jon Leidecker
                                      Engineer: Christophe Albertijn Recorded in Brussels, Belgium in 2019

                                      CD 2: ‘8 Spring Street’ is a personal hommage to Glenn Branca, the title an address is in New York City, the apartment where Thurston first visited his mentor to rehearse.
                                      Electric guitar Thurston Moore
                                      Engineer: Syd Kemp
                                      Recorded in London, UK in 2019

                                      CD 3: ‘Galaxies’ is an orchestral piece of music, with Moore as conductor and composer. Twelve guitarists are arranged as if one instrument, exploring the vast emotional depths present in twelve strings. Taking inspiration from a poem by Sun Ra ‘Galaxies’ ponders our place in the universe as we stare into imagery offered by satellites via space agencies.
                                      Guitar Army: Thurston Moore, David Toop, Susan Stenger, James Sedwards, Deb Googe, Alex Ward, Jen Chochinov, Jonah Falco, Rachel Aggs, Joseph Coward, Eugene Coyne & James McCartney
                                      Guitar technicians: Beetmol Troy and Matt Tag
                                      Recorded in London, UK in 2018

                                      Book: ‘SPIRIT COUNSEL’ is an artist book edited by Thurston Moore which includes photographs compiled during the process of creating the accompanying musical works and is available exclusively within this boxset.

                                      The album features the cover songs (by artists such as Tegan and Sara, Robyn, Katy Perry, Ellie Goulding, Annie Lennox and more) featured in the film performed by lead actress Elle Fanning. It also features the new song 'Wildflower' written by Carly Rae Jepsen & Jack Antonoff. Also included are tracks by No Doubt, Grimes and Major Lazer feat. MØ & DJ Snake.

                                      TRACK LISTING

                                      Side A
                                      1. Genesis Performed By Grimes
                                      2. I Was A Fool Performed By Elle Fanning
                                      3. E.T. Performed By Marius De Vries & Eldad Guerta (Feat. Ell Fanning)
                                      4. Just A Girl Performed By No Doubt
                                      5. Lights Performed By Elle Fanning
                                      6. Little Bird Performed By Elle Fanning

                                      Side B
                                      1. Lean On Performed By Major Lazer (Fear. DJ Snake & Mø)
                                      2. Good Time Performed By Elle Fanning And Teen Spirit Finalists
                                      3. Teenage Kicks Performed By The Shades
                                      4. Tattooed Heart Performed By Clara Rugaard
                                      5. Don't Kill My Vibe Performed By Elle Fanning
                                      6. Halcyon Teen Spirit Performed By Orbital (Feat. Elle Fanning)

                                      Ceremony

                                      In The Spirit World Now

                                        Ceremony make their Relapse Records debut with their highly ambitious new album, 'In the Spirit World Now'! The album sees Ceremony at the height of their creative output, as the always-evolving Rohnert Park quintet take various influences from post punk and rock to create one of the summer's most compelling and infectious records. "In the Spirit World Now" is full of layered sonic fury and anxiety, each song building up to a point and then descending down through a militant, catchy hook. “Turn Away the Bad Thing” sets the tone, guitars climbing around the driving bass line, as Ross Farrar sings, “It’s getting harder for me to be alright/Eyes adjusting to the dark/The momentum of all these last resorts built inside of me.” Songs like “Presaging the End” and “Calming Water” feel romantic and distressed, while “Further I Was” and “Years of Love” are driven by Farrar’s rebellious energy as he repeats the hook with a deadpan realness. “Years of love can be forgotten/In the hatred of a day.” But the true stand-out is the title track, “In the Spirit World Now”, a haunting pop gem with a sticky chorus and lead synth riff that plants itself in your head as Farrar chants the track’s name over and over like a mantra. “In the Spirit World Now" is a sort of nebulous and ectoplasmic place where things may not be quite what they seem,” he says. “It means sh*t is about to get weird.” The album marks a milestone for this Northern California punk outfit who have stayed true to themselves as songwriters throughout massive sonic growth throughout their storied career.

                                        STAFF COMMENTS

                                        Barry says: From the fractured art-punk aesthetic of Wire or even bits of Sonic Youth, through wide-spanning cinematic shoegaze majesty and grungy snarling anthems, Ceremony have crafted a brilliantly varied and thoroughly enthralling collection of snappy punk anthems mixed with a huge variety of influences.

                                        TRACK LISTING

                                        1. Turn Away The Bad Thing
                                        2. In The Spirit World Now
                                        3. Further I Was
                                        4. /
                                        5. Presaging The End
                                        6. Say Goodbye To Them
                                        7. We Can Be Free
                                        8. //
                                        9. Years Of Love
                                        10. Never Gonna Die Now
                                        11. I Want More
                                        12. From Another Age
                                        13. ///
                                        14. Calming Water

                                        Leroy Hutson

                                        Feel The Spirit

                                          Deluxe reissue of Leroy Hutson’s 1976 album ‘Feel The Spirit’ featuring for the only time the Free Spirit Symphony. Released in the same year as the famous ‘Hutson II’, ‘Feel The Spirit’ includes popular tracks such as ‘Never Know What You Can Do (Give It A Try)’ and ‘Lover’s Holiday’. Feel The Spirit is filled with energetic funky sounds, Hutson is the funk king and this reissue delivers all those amazing tracks we know and love.

                                          TRACK LISTING

                                          It’s The Music
                                          Let’s Be Lonely Together
                                          Never Know What You Can Do (Give It A Try)
                                          A Lover’s Holiday
                                          Feel The Spirit (‘76)
                                          Don’t Let It Get Next To You
                                          Butterfat
                                          Feel The Spirit (‘76) Single Edit *

                                          * = CD Only Track

                                          Spirit Fest

                                          Anohito

                                            Flowing and brimming with life, Anohito', the second album by indie supergroup Spirit Fest, has come ashore. The group is comprised of Tokyo-based duo Tenniscoats (Saya and Takashi Ueno), Markus Acher (The Notwist, Rayon), Cico Beck (Aloa Input, The Notwist) and Mat Fowler (Jam Money, Bons). 

                                            Various Artists

                                            Revolutionary Spirit - The Sound Of Liverpool 1976-1988: Deluxe 5CD Boxset

                                              Extensive 5CD/book set exploring the ‘second wave’ of music on Merseyside, from 1976-1988 Features classics, rarities, album tracks and previously unreleased gems from Echo And The Bunnymen, Teardrop Explodes, OMD, The La’s, Frankie Goes To Hollywood, Dead Or Alive, China Crisis, A Flock Of Seagulls, Wild Swans, Big In Japan and many more. 5CD + 56pp A5 book format contains many artists’ own sleeve-notes, previously unseen photographs and essays from key observers and participants in the city’s music scene - Bernie Connor, Mike Badger, Yorkie and Joe McKechnie. Curated and designed by the people who brought you Scared To Get Happy, Still In A Dream, Manchester – North Of England, Silhouettes And Statues and many more extensive box sets. A remarkable journey through the music of a generation inspired and enabled by punk rock to step out from behind the shadow to the Fab Four. Packed with first-hand artist sleeve-notes, insightful essays, imagery and brilliant, essential music, this is a story long in need of telling…

                                              Liverpool in the 1970s…. The Beatles had gone, but the expectations remained. It took many years until, with the arrival of punk rock, the city’s tunesmiths were able to regroup and usher in a new generation of musical innovation which would form the backbone of the UK’s music scene throughout the 1980s. From Eric’s to the top of the charts, the city found its feet and once again became the epicentre of cool. Revolutionary Spirit charts the rise of Liverpool and its music in the latter half of the 1970s and throughout the 1980s, from Deaf School and Spitfire Boys, via Zoo Records and Probe Plus, and onto the chart successes of Frankie, OMD, the Bunnymen and many others. Featuring cornerstone contributions from the city’s brightest stars - Bill Drummond, Holly Johnson, Ian Broudie, Pete Burns, Ian McCulloch, Julian Cope, Lee Mavers and co – and many more lesser-known legends, this is the unique tale of a city trying to find itself with the world watching – and succeeding.

                                              TRACK LISTING

                                              DISC 1
                                              1. WHAT A WAY TO END IT ALL – Deaf School
                                              2. BIG IN JAPAN - Big In Japan
                                              3. SUFFICE TO SAY – Yachts
                                              4. THE PICTURES ON MY WALL - Echo And The Bunnymen
                                              5. LIL’S GONE TO PARIS – Ded Byrds **
                                              6. BREAKTHROUGH IN GREY ROOM - 0-51 **
                                              7. TODAY'S MYSTERY IS... - The Dance Party **
                                              8. SLEEPING GAS - The Teardrop Explodes
                                              9. FACTION-Faction
                                              10. TOUCH – Lori And The Chameleons
                                              11. BLACK LEATHER - Nightmares In Wax
                                              12. BUNKER SOLDIERS - Orchestral Manoeuvres In The Dark
                                              13. 194 RADIO CITY – Jaqui & Jeanette
                                              14. LONELY EVENING – Clive Langer And The Boxes
                                              15. MORNING, NOON AND NIGHT – Glass Torpedoes
                                              16. COULD THIS BE HEAVEN – Original Mirrors
                                              17. HEADS I WIN – The Moondogs
                                              18. BREAK IT TO ME GENTLY – The Planets
                                              19. DO THE CHUD – The Chuddy Nuddies
                                              20. BRITISH REFUGEE – Spitfire Boys
                                              21. THE DOCTOR - Geisha Girls 22. DON'T STOP THE WORLD – Deaf School

                                              DISC 2
                                              1. DALEK I LOVE YOU (DESTINY) – Dalek I
                                              2. TELECOMMUNICATION - A Flock Of Seagulls
                                              3. WHEN I DREAM - The Teardrop Explodes
                                              4. HIT THE MOON - Ellery Bop
                                              5. NUCLEAR SUMMER – The Nice Men
                                              6. HUMAN FEATURES – Black
                                              7. TOTAL RECALL – Systems
                                              8. TOUCH - Freeze Frame
                                              9. SUPERMAN – Attempted Moustache
                                              10. INTERCONTINENTAL – Afraid Of Mice
                                              11. RESCUE – Echo And The Bunnymen
                                              12. PIGGIE IN THE MIDDLE EIGHT – Cook The Books
                                              13. CREATION REBEL – Windows
                                              14. MY MOTIVE – Chinese Religion
                                              15. TOO LATE TO FLY THE FLAG - Hambi And The Dance
                                              16. SOLDIERS - Egypt For Now
                                              17. DOWN AT THE ZOO - Those Naughty Lumps
                                              18. EUTHENICS – Modern Eon
                                              19. LAUNDERETTE – A Formal Sigh **
                                              20. NIGHTLIFE - The Moderates **

                                              DISC 3
                                              1. REVOLUTIONARY SPIRIT (STEREO MIX) – Wild Swans
                                              2. AFRICAN AND WHITE – China Crisis
                                              3. DON'T LET GO – Pink Industry
                                              4. OBSESSIONS - Passion Polka
                                              5. I'M THINKING OF YOU NOW – Box Of Toys
                                              6. FLAMING SWORD – Care
                                              7. DORIAN GRAY – The Bamboo Fringe
                                              8. SHE'S LOCKED MY LIFE UP IN HER SUITCASE – Steve Lindsey
                                              9. OCEANIC EXPLORERS – Ex Post Facto
                                              10. SOME ASPECTS - Chain Of Command
                                              11. HE'S DEAD ALRIGHT – Ambrose Reynolds
                                              12. ART ON 45 – Royal Family And The Poor
                                              13. THEMES FOR 'GRIND' SCENE V - Will Sergeant
                                              14. THROUGH THE GLASS - Shiny Two Shiny
                                              15. BIRDS FLY (WHISPER TO A SCREAM) – Icicle Works
                                              16. A GIGANTIC RAFT IN THE PHILIPPINES - It's Immaterial
                                              17. TOXTETH - Public Disgrace
                                              18. PLAYING FOR TIME – Send No Flowers
                                              19. THINGS HAVE LEARNT TO WALK THAT OUGHT TO CRAWL – The Room
                                              20. SHE KEEPS HER SECRET - The Balcony (Mk I)
                                              21. BURST BALLOONS - The Turquoise Swimming Pools

                                              DISC 4

                                              1. TWO TRIBES – Frankie Goes To Hollywood
                                              2. REASONS TO LIVE – Mr Amir
                                              3. EVERY DAY ANOTHER DREAM - Brenda And The Beach Balls
                                              4. THE FIRST PICTURE OF YOU – The Lotus Eaters
                                              5. MISTY CIRCLES – Dead Or Alive
                                              6. ARE YOU READY FOR THAT FEELING? – Virgin Dance
                                              7. VALLEY OF EVERGREEN - Alternative Radio
                                              8. JIMMY'SGRIN–Margox
                                              9. - KARDOMAH CAFÉ (2017 MIX) – The Cherry Boys
                                              10. CONTRASTING STRANGERS – The Light
                                              11. JEAN'S NOT HAPPENING – Pale Fountains
                                              12. IT'S A WONDERFUL LIFE – The Balcony (MK II) **
                                              13. WORKING FOR THE MAN – The High Five
                                              14. JAMES WHERE ARE YOU NOW? – The Press Gang
                                              15. MY WAR – Western Promise
                                              16. DON'T CRY DARLING (DADDY HAD TO DROWN THE CAT) - Old Ma Cuxsom And The Soapchoppers
                                              17. HAPPEN - The Rioutous Hues
                                              18. BOMB SUTRA - Mel-O-Tones
                                              19. HELL - Marshmallow Overcoat

                                              DISC 5
                                              1. ALWAYS THE BRIDESMAID – Jegsy Dodd And The Sons Of Harry Cross ‎
                                              2. GET DOWN OVER - The La's
                                              3. HIP AND HER CHEEK ELECTRIC (DEMO) – Barbel
                                              4. A TRICK OF FATE – Magic Carpets
                                              5. DEVIL LAUGHING – Benny Profane
                                              6. THE TALLEST MAN – Jactars
                                              7. DIDN’T WE HAVE A NICE TIME? (AND ALL MY FRIENDS ARE HERE) - The Tempest
                                              8. PRECIOUS LOVE – The Onset
                                              9. PAT NEVIN'S EYES – The Tractors
                                              10. DANCE - Cyclic Amp
                                              11. WHEN YOU'RE IN - The DaVincis
                                              12. WAY OUT - The La's
                                              13. TANTRIC WIPEOUT – The Walking Seeds
                                              14. BURNIN' AND LOOTIN' – Ministry Of Love
                                              15. BIG BAD MONEY WORLD – A Game Of Soldiers
                                              16. ONLY IN AMERICA - Exhibit B
                                              17. SONS OF - Thomas Lang
                                              18.COME HOLY SPIRIT- Revolutionary Army Of The Infant Jesus 

                                              The Duke Spirit

                                              Sky Is Mine

                                                Following 2016's acclaimed album KIN and EP Serenade, The Duke Spirit march on with poignant new album Sky Is Mine. Produced by the band themselves, and mixed by Bruno Ellingham (Massive Attack), it also features guest vocals by long time friends Josh T Pearson (Lift to Experience) on the woozy How Could, How Come, and Duke Garwood on album closer Broken Dream. Each song approaches, revises, steps back and looks for humanity on a planetary scale. From the shimmering melodies and prodigious power of tracks like ‘Magenta’ and ‘See Power’ to the energy-fuelled psychedelic rock of ‘Houses’ and ‘Yoyo’, the album flows with a dark, beguiling grandeur with the majestic allure of Liela Moss’ crystal vocals. Sky Is Mine looks at Harm, Control and Lack of love but burns through it to find the essential human heart. Talking about the inspiration behind the album, front-woman Liela Moss explains: “With feet cold and wet from standing in the sludgy shit of rhetoric, illegitimacy and fear that is the world we tread upon, the album snapshots a palpitating love that bursts with, and values, Life. Half-finished sentences, which describe shards of arrogance, egomania and cruelty are dissolved by being pissed on from a great height with a stream of golden, glowing benevolence."

                                                STAFF COMMENTS

                                                Barry says: Haunting reverbed guitars and swooning synths are laid out into languid carpets of sound before being joined by the unearthly, mesmerising vocals of Liela Moss. Like the best instrumental affectations of stunning post-rock but joined by the soaring majesty of a good vocal line. Brilliant.

                                                Raz Ullah (known to locals as synth maestro for the one and only Jane Weaver) brings us a soaring and mesmerising duo of pieces for the newly established With Bells Records. The A-Side and titular piece begins with plate-reverbed drum hits and synthy swells and chirps, akin to one of my favourite knob-twiddlers of all time, Norm Chambers (AKA Panabrite). Bolstered with swooning Krauty bass rolls and aquatic arps, it flows along at a steady but thoroughly unintimidating pace, bringing to mind futuristic walks through utopian monuments and shining towers constructed through the advancement of time but a firm foot in the foibles of history. 

                                                Whilst the A-Side very much trades in optimistic forward-thinking progression, the B-Side shows the darker side of this futuristic society, brimming with ambient swells, heavy on high-end harmonics and windy swells. Gutsy bass and dystopian churns coalesce into a torrid and inharmonic trifecta of brittle melodic trills, aquatic subsonics and howling sweeps. A beautiful and graceful swarm of insectile force and brutalist architectural construction. 


                                                STAFF COMMENTS

                                                Barry says: Nowhere near anything you could imagine, this is a single of two halves, brilliant euphoric soaring retro-futurism and gutsy nuanced drones brought together by a consistently deft production capability and a stunningly capable melodic sensibility. Brilliant.

                                                ‘Spirit Reflection’ is the third album LP from Los Angeles singer-songwriter Gaby Hernandez. Blissful layers of instrumentation, electronics, vocal harmonies and folkloric percussion intertwine with west coast feel to create a unique, beautiful and multi-layered album.

                                                The album features a stellar line-up of LA talent; jazz star Kamasi Washington, Stuart Howard (AKA Lapalux), Kelis and Gaslamp killer collaborator Dexter Story, plus Ninja Tune, Plug Research and Soul Jazz artist Carlos Nin 771;o, Miguel Atwood-Ferguson and Gabriel Reyes-Whittaker all accompany Gaby, with stunning results.

                                                Even before Spirit Reflection had been finished, the demo mixes caught the ear and gained support from Gilles Peterson, Lefto, Toshio Matsuura (U.F.O.) and J- Rocc (Beat Junkies). Born, raised and based in Los Angeles and of Chilean descent, Gaby Hernandez has been writing and recording since 2001. She was a founding member of the ‘creative music ensemble’ Build An Ark alongside others including Carlos Nin 771;o, Dexter Story and Dwight Trible.

                                                Gaby was the only vocalist on Teebs' debut Brainfeeder release Ardour. She made major contributions to AmmonContact's Ninja Tune releases New Birth and With Voices, plus The Life Force Trio's Plug Research album Living Room. She was also the vocalist on Dimlite's Outernational Duet - released as part of his highly acclaimed Sonar Kollektiv longplayer This Is Embracing.

                                                David and Graham from Mr Bongo met Gaby and Carlos Nino at the end of their hugely successful Arthur Verocai album launch and rare record sale at the RAPPCATS venue in LA. “Gaby and Carlos passed us a copy of ‘Spirit Reflection’. and we put it on the deck. It immediately grabbed us and we couldn’t stop listening to it. When we got back to the UK we got in contact straight away and signed the album. We’re very proud to be releasing it”... “...this is a future classic, an 'album' in the truest sense of the word. Brilliant.” says Graham.

                                                “The music itself envelopes its listener in a warmth reminiscent of decades past, presenting both a nostalgic soulful sound and a sensual experience” Culture Collide

                                                “A romantic summer cocktail that should be imbibed half-nude on a beach or while scattering rose petals on a bed. The songs flow between seductive, relaxing and spiritually nurturing, with earthy rhythms and warm production that make the listener feel comforted” Buzz Bands LA

                                                “Jaw-droppingly tasty” LA Weekly

                                                STAFF COMMENTS

                                                Millie says: Shades of Mia Doi Todd abound on this delicate and drifting journey through hook heavy, hazy soul. This is the soundtrack to the summer everyone.

                                                TRACK LISTING

                                                Messy Love
                                                Baobab Tree
                                                I Will Keep You
                                                Spirit Reflection
                                                Entranced
                                                Super Nova Lovers
                                                Stay A While
                                                Lo Mas Dulce
                                                Into Oya!
                                                Windwaves

                                                The London 4-piece return with an album brimming with new sounds amid a vibrant energy, flecked with sublimely delicate, intimate spaces and recorded by Simon Raymonde (Bella Union / Cocteau Twins).

                                                At the core is a deep respect for the frailty of life and the nobility that can be observed in death. Sonar, a highly emotional Liela Moss vocal, delivers a poignant goodbye to a loved one, framed by a magnificent circular guitar hook around which organs, bass and drums carry prayer and eulogy. There are some maverick guest appearances throughout the record, Mark Lanegan, Raymonde himself, longterm TDS collaborator Terry Edwards (PJ Harvey/Gallon Drunk) and old friend Sam Windett from Archie Bronson Outfit is here also to duet with Liela on the wiry post-punk vibes of Side By Side.

                                                One of the many standouts on the album is Pacific, a hyper vigilant and introspective tale of travel and self-discovery, of the realisation that often silence is a better way to communicate than with words. Adding to the tension, a force that pulls you in deep throughout the album, is a beautiful melody at the start of the song played on the saw by Mara Carlyle who also lends her effortlessly fluid voice to this and Sonar.

                                                Despite these cameos, this is about The Duke Spirit, who in ten glorious songs, have resurfaced effortlessly and quietly, with one of the most exhilarating albums of this year.

                                                TRACK LISTING

                                                1. Blue And Yellow Light
                                                2. Sonar
                                                3. Wounded Wing
                                                4. Hands
                                                5. Here Comes The Vapour
                                                6. Pacific
                                                7. Anola
                                                8. Side By Side
                                                9. 100 Horses Run
                                                10. Follow

                                                Walker Family Singers

                                                Panola County Spirit

                                                  In April of 2010, Robert, Bobby, Alberta, Delouse, and Patricia gathered at the home of their parents, Raymond and Joella Walker to make a recording with Michael Reilly. It would be Reilly’s third venture to record the a capella gospel tradition of Como, Mississippi for Daptone Records.

                                                  It was during his first recording (The Voices of Panola County: Como Now) that he encountered the Walker family and learned of their great musical tradition. Raymond Walker was courted by both Fred McDowell and Sam Cooke - each asked him to sing behind them on tour. espectfully, Raymond declined, on account that the singers wanted him to sing blues rather than gospel.

                                                  However, it was the Walkers’ voices and not their rich history that captured the attention of Daptone and inspired Reilly’s return to Como to make a full-length record of the Walker family songs. Recorded in their living room, these performances are as deep and stirring as they are unembelished. Take a moment to take in Panola County Spirit, with The Walker Family Singers.


                                                  Aïsha Devi

                                                  Of Matter And Spirit

                                                    Continuing from the highly-praised ‘Conscious Cunt’ EP, Aïsha Devi’s debut album ‘Of Matter And Spirit’ sees the Swiss-Nepalese producer, vocalist and label owner resume her dark and intricate self-journey and investigation of the disconnection between matter and spirit in society, commenting upon media and consumerism, collective mental and spiritual resistance, and finding inner peace.

                                                    The album is a moving landscape of interconnected themes and experimental techniques. Using sound and vibrations to create a sense of healing and awareness, Devi’s production dilutes and skews traditional formats. Crafting vortices of haunting sounds from her vocals and production, her work is deeply self-reflective, yet simultaneously taps into the collective consciousness in order to awaken our senses.

                                                    TRACK LISTING

                                                    Adera
                                                    Mazdâ
                                                    Initiation To An Illusion
                                                    Numen J
                                                    Kim & The Wheel Of Life
                                                    Aurat (Tool)
                                                    1%
                                                    Anatomy Of Light
                                                    O.M.A.
                                                    The Saviour On Spilled Blood

                                                    • Debut release from members of Wavves, Sweet Valley, Jeans Wilder 
                                                    • Ten tracks of soaring harmonies over sludgy guitars.

                                                    Brothers Joel Williams (Sweet Valley) and Nathan Williams (Wavves), alongside childhood best friend Andrew Caddick (Jeans Wilder), make music about loss that frays at the seams. Soaring harmonies over sludgy guitars and lush production create a sound all their own. “... a wooly slice of surf pop boasting enough fuzz on its fringes to leave listeners just a wee bit dazed.” -ConsequenceOfSound.



                                                    TRACK LISTING

                                                    1. All The Time
                                                    2. Eye Dozer
                                                    3. Carousel
                                                    4. Bless This Mess
                                                    5. Duster
                                                    6. Dream On
                                                    7. Ripped
                                                    8. Still Life
                                                    9. Sling
                                                    10. Ripped II

                                                    1968. France, Incorporated. The entire building was being consumed by flames and was slowly collapsing. Nothing would survive. Out of the rubble of the old world jumped the children of Marx and Coca-Cola, ripping the white and blue stripes off the French flag. Yet, the socialist revolution was more mythic than real and music did nothing to mitigate people’s behavior. It was time for innovation. While singles from the Stones, Who, Kinks and MC5 provided an incendiary soundtrack for the revolution, it was black Americans who truly blew the world from its foundations in the 60s. Ornette Coleman, Cecil Taylor, Eric Dolphy, Albert Ayler and Archie Shepp left behind the jazz of their fathers’ generation, liberating the notes, trashing the structures, diving headfirst into furious improvisations, inventing a new land without boundaries - neither spiritual nor political. Free jazz endowed the saxophone with the power to destroy the established order.

                                                    In 1969, the Art Ensemble of Chicago arrived at the Théâtre du Vieux Colombier in Paris and a new fuse was lit. Their multi-instrumentalism made use of a varied multiplicity of “little instruments” (including bicycle bells, wind chimes, steel drums, vibraphone and djembe: they left no stone unturned), which they employed according to their inspirations. The group’s stage appearance shocked as well. They wore boubous (traditional African robes) and war paint to venerate the power of their free, hypnotic music, directly linked to their African roots. They were predestined to meet up with the Saravah record label (founded in 1965 by Pierre Barouh), already at the vanguard of as-yet unnamed world music.

                                                    Brigitte Fontaine’s album 'Comme à La Radio', recorded in 1970 after a series of concerts at the Théâtre du Vieux Colombier, substantiated the union of this heiress to the poetic and politically committed chanson française (Magny, Ferré, Barbara) with the Art Ensemble of Chicago’s voodoo jazz and the Arab tradition perpetuated by her companion Areski Belkacem. A UFO had landed on the turntables of French teens, who were discovering underground culture via publications like Actuel, Libération, Charlie Hebdo, rock and folk and a vigorous free press. It was a generation ready for any and all combats: alongside farmers on the Larzac plateau and the Lip factory workers; fighting the Creys-Malville nuclear plant, the Vietnam War, the death penalty, discrimination against women, gays and immigrants. For 20 year olds in the early 1970s, making music was a political act; they grabbed a microphone to advance a cause, not to become rock stars. While the price of oil skyrocketed and Pompidou went overboard building horrible concrete apartment buildings for public housing and “adapting the city for the automobile,” some took refuge in the countryside. Alternative communities formed all across France, giving rise to groups (or rather, collectives) with open-minded structures, cheerfully mixing music, theatrical happenings and agitprop, along with a good dose of acid. Projects bordering on the ridiculous were often tolerated (progressive rock was one of the primary banalities the era produced), while those who followed the route paved by spiritual jazz often ended up elsewhere. The vehemence (if not grandiloquence) of their declarations was carried and transcended by the finesse and brilliance of their musicianship. For the “straight” France of Claude François, it was something from another world.

                                                    Simultaneously spatial, pastoral and tribal, the tracks in this collection represent an ideal intersection between a sort of psychedelic legacy, the space jazz of Sun Ra and afro-beat (then being created by Fela in Lagos): they are as much incantations (often driven by the spoken word), war cries or poems as they are polemics. 1978. Giscard was at the helm. Punk and disco were busily decapitating the last remaining hippies. Peoples’ blood was still boiling, but it was already too late. The war was over, lost without anyone noticing.

                                                    TRACK LISTING

                                                    01. Alfred Panou & Art Ensemble Of Chicago - Je Suis Un Sauvage
                                                    02. Areski & Brigitte Fontaine - C’est Normal
                                                    03. Atarpop 73 & Le Collectif Du Temps Des Cerises Attention… - L’Armée
                                                    04. RK Nagati - De L’Orient à L’Orion
                                                    05. Frédéric Rufin & Raphaël Lecomte & Capucine - Les Eléphants
                                                    06. François Tusques & Le Collectif Du Temps Des Cerises - Nous Allons Vous Conter
                                                    07. Mahjun (Mouvement Anarcho Héroïque Des Joyeux Utopistes Nébuleux) - Nous Ouvrirons Les Casernes
                                                    08. Full Moon Ensemble - Samba Miaou
                                                    09. Baroque Jazz Trio - Orientasie
                                                    10. Michel Roques - Le Cri
                                                    11. Chêne Noir - Hey!
                                                    12. Béatrice Arnac - Athée Ou A Té

                                                    Lucinda Williams

                                                    Down Where The Spirit Meets The Bone

                                                      As a rule, you can divide music into three categories - the kind that aims for the head, the kind that aims for the heart and the kind that aims for the hips. Forging two of those connections at once is pretty impressive, but connecting on all three? That’s a rare accomplishment indeed, one that Lucinda Williams manages on her 11th studio album, 'Down Where The Spirit Meets The Bone'.

                                                      'Down Where The Spirit Meets The Bone', the first release on Lucinda Williams’ own Highway 20 Records label, is easily the most ambitious creation in a body of work that’s long on ambition. Williams leaves no emotional crevice left unexplored, drinking deeply from a well of inspiration that culminates with an offering that overflows with delta-infused country soul.

                                                      Williams wrings every drop of affirmation from uplifting tracks like the empowering “Walk On” (a loping paean to life’s most sustaining aspects, the fleeting and the permanent) and every whit of dark beauty from songs such as “This Old Heartache” (a stark reminder that churning psychic waters can lurk beneath a placid surface).

                                                      Down Where The Spirit Meets The Bone, an excerpt from a poem written by her father, Miller Williams

                                                      Musicans playing on the album include: Tony Joe White, Greg Leisz, Bill Frisell, Pete Thomas & Davey Faragher (Elvis Costello), Val McCallum (Jackson Brown), Stuart Mathis (Wallflowers), Ian Mclagan (Small Faces), Doug Pettibone and Jakob Dylan

                                                      Black Lips

                                                      We Did Not Know The Forest Spirit Made The Flowers Grow

                                                        The Black Lips take "Back From The Grave" style garage punk frenzy to such extremes of slavering cacophony that they border on experimental noise rock at times. This is their fabulous second album from 2004.

                                                        Jonathan Wilson

                                                        Gentle Spirit

                                                          'Gentle Spirit' is not simply the name of the debut solo album by songwriter / musician / producer Jonathan Wilson, it represents the ethos of the artist himself. Warm, supple melodies etched in layers of stringed instruments and willowy organ motifs accompany his earnest, North Carolinian drawl as he tells tales of humane values lost and found.

                                                          Wilson’s music is steeped equally in the woodsy contours of his Blue Ridge experiences and the atmospheric guitar reveries of Neil Young and Quicksilver Messenger Service. In fact, 'Gentle Spirit' is remarkably evocative of that golden late ‘60s, early ‘70s period when rural and urban sensibilities colluded in producing some of rock’s most imperishable recordings.

                                                          Wilson, a native of Forest City, North Carolina, has been quietly earning a reputation as a musical jack-of-all-trades. He is adept behind the recording console, possesses a luthier’s knowledge of all things strummed, and maintains the innate ability to conceptualize an instrument essential to providing the right colour to a track in need of a defining detail. Whether working with promising new acts like the band Dawes, celebrated contemporary artists such as Erykah Badu and Elvis Costello, or Rock and Roll Hall of Famers such as Jackson Browne and Robbie Robertson, Wilson provides direction and support as tasty and soulful as anyone in the business today.

                                                          It should then come as no surprise that Wilson, so resolutely committed to “old school” musical values, began recording 'Gentle Spirit' in Los Angeles’s fabled Laurel Canyon. As a long-time student of “Canyon culture,” his ideas echo many of an earlier generation as the album embraces a unique blend of folk, country, rock and roll and pop elements, which enduringly create a sense of time and place. After leaving Laurel Canyon, Wilson relocated to the Echo Park section of L.A, home to his new recording studio, to finish tracking and mixing 'Gentle Spirit'. “I recorded everything to analog tape which I’ve always done; it’s not something I’m trying to do as a boutique kind of hip thing. Analog simply captures things better and it takes the edges off. It creates a beauty much like film.” The album was mixed by Wilson and Thom Monahan, who has worked with many artists, including Vashti Bunyan, Devendra Banhart and Vetiver.

                                                          TRACK LISTING

                                                          1. Gentle Spirit
                                                          2. Can We Really Party Today?
                                                          3. Desert Raven
                                                          4. Canyon In The Rain
                                                          5. Natural Rhapsody
                                                          6. Ballad Of The Pines
                                                          7. The Way I Feel
                                                          8. Don’t Give Your Heart To A Rambler
                                                          9. Woe Is Me
                                                          10. Waters Down
                                                          11. Rolling Universe
                                                          12. Magic Everywhere
                                                          13. Valley Of The Silver Moon

                                                          Classic-era Rolling Stones. An amplified, rocking version of 60s protest folk. The raw spirit of indie rock. The soulful passion of the Violent Femmes and The Waterboys. All of these comparisons have been made in attempts to describe Southern California 5-piece Delta Spirit. Each description contains elements of the truth, but the real answer to the question 'Who is Delta Spirit?' lies within "Ode To Sunshine", the band's captivating debut. The group's DIY ethic shines throughout the album, with songs honed razor-sharp over a year of non-stop touring across America.

                                                          Apse

                                                          Spirit

                                                            Apse consist of five lads from the East Coast who have been playing together – with slight changes in line-up - during the last 7 years, creating one of the most serious and inspired sounds today: the nerve of slowcore, bits of post-rock dynamics and avant-garde perceptions; beauty, darkness and tension. They showcase a solid, potent and mature musical sense with influences spanning classical compositions, Slint, Joy Division/New Order, and The Cure – to the first Sonic Youth noise adventures, ambient music and a wide range of post-punk. "Spirit" leads the listener through it's multi-percussional swamplands, plodding bass riffs, and alien melodies - both bittersweet and empowering. It is chock full of post-punk's disjointed rhythms, rough guitar passages and tribal stomp. Layers of tone and hand percussion top it all off, creating a beautifully produced record that's a damaged pop odyssey as much as it is a breathtaking wall-of-sound.

                                                            Sunset Rubdown

                                                            Random Spirit Lover

                                                              With his most ambitious record yet, Spencer Krug (also of Wolf Parade and Swan Lake) emerges as a special kind of songwriter, inspiring devotion and fanaticism.

                                                              Duke Spirit

                                                              Cuts Across The Land

                                                                Twelve slices of cool, sassy garage rock'n'roll veering between throbbing slo-mo tracks like the opener "Cuts Across The Land" and "You Were Born Inside My Heart" to spikier more uptempo tracks: "Fades The Sun" and the excellent "Lion Rip". All topped off with Liela Moss' great vocals at times reminiscent of PJ Harvey's best bluesy croon, at others more abrasive and occasionally, sweet and soulful.

                                                                Red One

                                                                Pitch Switch / Screwball

                                                                  Already receiving heavy rotation from the likes of Andy C (natch), Ed Rush & Optical, Fresh (BC) etc "Pitch Switch" is a tough stepper with a buzzing fly-trapped-in-the-mixing-desk style sound. "Screwball" on the flip is a bit funkier, but in a Ram style.

                                                                  Terri Lyne Carrington

                                                                  Jazz Is A Spirit

                                                                    One of the most satisfying and expressive modern jazz releases for some time. Herbie Hancock is on top form as is Gary Thomas on sax and undepinning it all is the wonderful drumming of Teri Lyne.

                                                                    Good Riddance

                                                                    Symptoms Of A Leveling Spirit

                                                                      Good Riddance are back with their fifth studio album and from the sound of it, it's another stormer. These boys can't slow down. A new drummer kicks them along and the quality of the songs is top notch. It's destined to become a punk rock classic, the Santa Cruz posse simply cannot be stopped!


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