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SONIKKU

SONIKKU

Whirlwind Of Malevolence

We've all had those nights out. You know the ones: phone dead (or even worse, lost), friends nowhere to be found, and you've spilled a drink on the person you've been eyeing all night from the other side of the club. Head home, ears still ringing and brain still spinning, to text your ex a maudlin message and wait breathlessly for their reply--which of course never comes. You swear this is the last time, but let's be honest, being a bit messy is just too much fun, regardless of the consequences.

At its core, 'Whirlwind of Malevolence', the second album by London-based producer, DJ, and songwriter SONNIKU chronicles one of these epic nights, where everythingthe music, the vibes, the people-come together in the just right ways. From the in-yourface busy-signal bounce of album opener 'Enter the Chat' to the Eurotrance heartache of 'Lipstick Stain', 'Whirlwind of Malevolence' takes the listener on a journey through a gamut of emotions, all of are masterfully illustrated by intricate beats, high octane melodies, and a true bevy of stellar guest appearances...

TRACK LISTING

1. Enter The Chat
2. Unhinged
3. Debaucherous
4. Twisted
5. Wonky
6. Nail Shop 
7. Runaway
8. Lipstick Stain
9. Lipstick Stain Club Mix

Sonikku

Joyful Death

“I love songs that make you want to cry and dance at the same time,” says Tony Donson, the London-based musician who records as SONIKKU. That sense of unfettered release and liberation drives his new album, Joyful Death. A fluent, fertile and full-colour hybrid of vibrant Italo-house, liquid synth-pop, righteous disco and French philosophical asides, it’s an album that signals the emergence proper of SONIKKU – a fully formed dancefloor artist. It’s also a farewell of sorts, perhaps, but with an emphatic rebirth at its heart. “This album feels like a transformation in the sense that I’m creating the music I’ve always wanted to make. A fully realised, coherent pop record that showcases my craft as a song-writer and producer.”

Total control of his craft is swiftly asserted on ‘Let the Light In’, where the influences of lost-in-music disco and the Pet Shop Boys merge under vocals from immersive, exploratory British singer-songwriter Douglas Dare. The pace accelerates as ‘WKND’ gets into a groove pitched somewhere between Madonna, Daft Punk and Indeep, with LA future-pop singer LIZ primed for dancefloor abandon on vocals. Meanwhile, SONIKKU’s independent intent is firmly asserted on the freestyle-inspired ‘Don’t Wanna Dance with You’, where singer Aisha Zoe coolly brushes off unwanted advances in favour of dancefloor pleasures.

LIZ assumes vocal duties again for ‘Sweat’, a song fully equipped to make dancefloor devotees do as its title suggests. Dreamily melodic evidence of SONIKKU’s dynamism (and love of melancholy Swedish electro-pop queen Robyn) beckons on ‘X Hopeless Romantic’, where Little Boots contributes a sweetly loved-up vocal over a sublimely infectious chorus.

Pummelling synths signal a dramatic shift of pace on the almost electro-darkwave dash of ‘Remember to Forget Me’, where actor/singer Chester Lockhart presides over a summit meeting between Depeche Mode and New Order. Performance artist Tyler Matthew Oyer takes the vocals for the Italo-disco-inspired title-track, a vividly imagined album manifesto – of sorts – inspired to varying degrees by an 1892 poem, French thinker Gilles Deleuze’s concept of the “body without organs” and a 1997 anime called The End of Evangelion. Finally, that grand piano takes over as Dare returns, presiding over an achingly stripped-back version of ‘Remember to Forget Me’.

With help from friends and artists he admires on vocals, Joyful Death is a hugely confident and self-contained leap forward for SONIKKU after his time as a feted DJ. Having moved from Derby to London at the age of 18, Donson worked as an intern (at MTV, Dazed & Confused, SHOWstudio and elsewhere) then turned to DJing (from London to Tokyo, Paris and Berlin) after he was signed to London label Lobster Theremin. Though he continues to DJ regularly at Tottenham’s LGBTQ rave-up Adonis, he has extra ambitions in mind: “I love DJing but I’m more looking forward to developing a live show.”


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