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SOFTWARE

Pete Swanson

Punk Authority

    Following the devastating one-two punch of Man With Potential and Pro Style for Type Records, Pete Swanson returns to his deformed warehouse techno sound with Punk Authority.

    After leaving cornerstone US noise duo Yellow Swans, Swanson made it his mission to pull apart the techno genre by the seams. This four track stomper for Software Recording Co. is by far his most damaged solo offering to date.

    With a sly nod to Police Academy, “Punk Authority” launches into a barrage of debauched, regressive noise punctuated by the kind of beats you’d more readily expect to find on an Underground Resistance 12” (And that’s as effortlessly engaging as it sounds). Using a deceptively simple synthesizer/tape setup, Swanson siphons his club constructions through a hoarse mix of saturation and overdrive, resulting in something aggressive yet effortlessly foot pushing.

    Punk Authority might have the kind of surface grit you’d expect to come across on a hand-painted cassette tape, but at its heart is a vomited pulse half-heard through a Stuttgart toilet stall. Swanson has successfully re-tooled a genre to fit his needs, and this Punk Authority is his chance to really crack his bare knuckles.

    Oneohtrix Point Never

    Rifts - Box Set

      'Rifts' compiles Oneohtrix Point Never's (aka Daniel Lopatin) first three full albums - 'Betrayed in the Octagon', 'Zones Without People', and 'Russian Mind' - alongside a crop of rare and out of- print CDR and cassette material in a deluxe, 5xLP vinyl box set, and 3xCD set.

      'Rifts' travels from the outside-in, beginning with the dark space sonatas of Octagon, through the mechanized vistas of Zones Without People and completing itself with the haunting electronic animus of Russian Mind. This journey is"underscored with a natural growth which sees Lopatin developing his unabashed worship of the polysynth as a free standing musical apparatus towards a fully realized OPN world of sound; at"once incorporating synth prog, modern noise, early techno, drone, minimalism and computer music."With Rifts it is possible to zoom out on the OPN project and recognize Lopatin as both an auteur" and alchemist; achieving a signature sound while drawing on a buried history of electronic music."

      Carlos Giffoni is a Venezuelan electronic musician residing in the New York City area for the past 10 plus years. It's here where Giffoni established himself not only as a jammer but as a curator of contemporary out music as label head and festival director for No Fun Productions. Giffoni uses modular synthesizers, custom-built instruments, and various modes of analog and digital synthesis to compose electronic music pieces for physical formats. He is also well-versed and respected in the international improvisational circuit.

      Giffoni's recent work focuses on live analog synthesizer pieces in line with early cosmic electronic and techno music, while maintaining the harsher edge of his previous noise works. A perpetual believer in "no rules" jam creation in the face of stringent genrefication, Giffoni's No Fun Acid project puts this belief into practice on Evidence, a two track 12" for Software Recording Company.

      Evidence stylistically reintegrates lessons learned with a newfound and brazen songcraft that few would expect from the tenured noise artist. The synergy of Giffoni's monotone vocals with acid leads and pulsescapes suggests something strangely erotic that was hinted at on the Adult Life and Severance records. The killer surprise on Evidence is Laurel Halo's manually mechanized piano and synth riffage on the title track. A refreshing look at experimental synth craft that is closer in nature to the explorations of EBM and industrial without relying on typical cold / masculine tropes, and couldn't be farther away from the overly placating and demonstrative kosmische tendencies of late. Times change, disintegration is imminent, and here is the Evidence.

      TRACK LISTING

      Side A:
      Evidence

      Side B:
      Desire In The Summer


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