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SILVERFISH

Silverfish

Fat Axl - Love Record Stores 2021 Edition

    Beggars Arkive release a limited edition reissue of Silverfish’s first full-length album, Fat Axl, originally released in 1990 by Beggars label Wiiija. Recorded in Sheffield by Steve Albini in just two days, the album’s nine songs are unrestrained and uncommercial. It’s been remastered yet still retains the raw “lurch” appeal of the mighty Silverfish. Silverfish were Scottish powerhouse vocalist Lesley Rankine, guitarist Andrew “Fuzz” Duprey, bassist Chris P. Mowforth and drummer Stuart Watson. They formed in the UK in 1988 and were key to the Camden “lurch” scene ; Grunge before it was “grunge”. Lesley was a pioneering, outspoken feminist who popularized the slogan “Hips, Tits, Lips, Power”.

    Not long after their formation, Silverfish gathered a huge following due to their unique sound, which had nods to AC/DC, Dolly Parton, Russ Meyer and the Birthday Party. Their uncompromising sound was in stark contrast to the gentler more commercial sound of other UK bands. . Silverfish’s sound owed more to metal, hardcore punk and the industrial sounds of Ministry…demonstrated by Al Jourgensen remixing their 2003 single “Crazy”. What they were doing, was raw….Fuzz’s manic combination of phaser and fuzzbox backed up by Chris’ thick and juicy basslines and Stu’s sturdy economical drum beats topped off by Lesley’s unique vocals and the ferocity with which she propelled herself around the stage. Trouser Press said “Judging by voice alone, Rankine could slam dunk Babes in Toyland, L7 and Courtney Love all in one shot.”

    Signals are a band from LA comprised of 3 beautiful boys: Jon Gray, Bill Gray, and Jacob Cooper. The three have played together since 2005, but are most well known for all being former members of the spazz-punk band The Mae Shi.

    The Mae Shi’s debut album, "HLLYH", was released in February 08 to critical acclaim – ‘They’ve mastered the emergent micro-genes of the 21st century, from jerk-pop to bitpop, and twisted them further into out and out sound ventures. Eureka indeed.” (9/10 NME). Two years on, the energy and excitement that was abundant as TMS is now, rather brilliantly, being channelled into the noise of Signals.


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