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SEVERED HEADS

Severed Heads

Ear Bitten - 2024 Reissue

    Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band's earliest material. Pegged as early pushers of the Australian underground industrial scene, Severed Heads emerged in the wake of a former project also shared between three members, Tom Ellard, Richard Fielding and Andrew Wright: Mr. And Mrs. No Smoking Sign. The edgier name Severed Heads was also, conveniently, snappier, and the sonic result of this resignal act would soon prove it a good decision. Though they say they aimed simply to take after forebears like Throbbing Gristle or Suicide, Ear Bitten proves much more than the simple fact of stylogeny. The 22-track record was born of an anarchic assemblage of found domestic and street-larked objects (as well as specialist musical instruments) blurring the lines between the two: using every sound-making tool from cassette deck, to rare Korg or Kawai synth, to proverbial pots and pans, to open-reel (and thus implicatively fuckable-with) dictaphones, Ear Bitten offers a diabolical vision of the sheer, wordless length of the post-punk deserts parched by their 70s, New York precursors.

    TRACK LISTING

    1. "All Rights Resevered"
    2. "God Factory"
    3. "Hawaii/Torso/97 Cigarettes"
    4. "Acid Fur"
    5. "Dance"
    6. "New York Is A Lonely Town"
    7. "(This Track Doesn't Exist)"
    8. "Much About Bones"
    9. "Scat"
    10. "Pander To The Natives"
    11. "For Garry 5"
    12. "The Monkey Is Safe"
    13. "1-2-3 A Baby Buggy"
    14. "Walking Best Friend"
    15. "Untitled 1"
    16. "Untitled 2"
    17. "Now This Is God's Son 1"
    18. "Acid Fur" (demo)
    19. "Now This Is God's Son 2"
    20. "Hello Donald, Merry Christmas"
    21. "Pinstripe Bus"
    22. "The Man Of My Dreams"

    Severed Heads

    Bad Mood Guy

      With an oeuvre of electronic experimentation that dates back to 1979, Australia’s Severed Heads rawly garnered everything from the sources around them: the sounds of the city, tape loops, old machines, distortion.

      Although essentially one man, chief noisemaker Tom Ellard, he was joined here by film maker/homebrew video synthesizer operator Stephen Jones, and effects producer Robert Racic: who had worked with New Order. The result is a punishing view of pop, all crunching rhythms and electronic juxtapose. By incorporating popular tropes such as consistent rhythms, melodic vocal lines and drum machines this was perhaps as near to a little “boogie-oogie-oogie” as Severed Heads were likely to get, but the outcome is a striking hybrid of the avant-garde, EBM and Synth-pop, an industrial vortex in which the sounds of the 20th century are sucked in and spat out around a monstrous dance beat.

      Never pandering to expectations, Ellard saw dance music as a benchmark area where exploration was still possible. Big ideas and big sounds, not to mention big headaches when the original CBS mixes were left in a taxi cab. Whilst many of their contemporaries persisted without dignity, Bad Mood Guy’s cool melancholy assured a fanbase in America and dance floor loyalty with ‘Hot With Fleas’, which dares to sit alongside classics like ‘Dead Eyes Opened’. The unique inventiveness inherent in Severed Heads work makes this release essential for fans of Throbbing Gristle, Kraftwerk, Skinny Puppy and Cabaret Voltaire.

      The deluxe remastered version of this LP comes with a 2nd LP containing lost original versions and remixes,

      TRACK LISTING

      1. Hot With Fleas
      2. Nation
      3. Unleash Your Sword
      4. Jetlag
      5. Contempt
      6. Bad Mood Guy
      7. Dressed In Air
      8. Rabbi Nardoo Flagoon
      9. Heaven Is What Heaven Eats
      10. Mad Dad Mangles A Strad
      11. Bad Mood Guy (Day 1)
      12. Unleash Your Sword (Day 1)
      13. Canine (Day 1)
      14. Nature 10 (Terse)
      15. Contempt (Day 1)
      16. I’ve Always Hated Severed Heads (Live)
      17. Hot With Fleas (12” Remix)
      18. Nation (NYC Mix)
      19. Canine (12” Remix)


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