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SECOND CIRCLE

5 track EP including 2 remixes.

Embracing a rich Italo-heavy sound infused with global music elements, 'Ritmomento' firmly positions the duo as modern-day producers carrying on the legacy of both the late '80s Italo wave and the cosmic, tribal, and Afro-influenced Italian 90's electronic scene. In addition to the EP's three original tracks, London-based South African DJ/Producer Esa and Amsterdam’s Masalo both contribute stellar remixes and re-interpretations that transport the originals to new dimensions.

The EP kicks off with 'Luna Manga', where a strong Italo synth bassline and a catchy, Mory Kante-inspired vocal hook set the tone for the journey ahead. Following this is 'Echo Danza', with mid-tempo grooving rhythms and captivating vocals that highlight the duo's unique interpretation of the diverse influences that defined the late '90s Italian electronic scene - also showcased in 'Nakarap', a track featuring infectious synth stabs that delivers a classic cosmic vibe, paying homage to the genre's rich roots.

With Esa's live band version of 'Nakarap' things are taken up a notch, introducing a lively bassline and dynamic drums that weave throughout the track. Lastly, Masalo adds his unique touch to 'Luna Manga', transforming for the peak-time dancefloor with hypnotic arpeggios and an ecstatic build-up.

STAFF COMMENTS

Matt says: Modern Italo / cosmic / electro-disco enthusiasts got per-lenty to get stuck into here with four brand new tracks inspired by the golden age of the genre. Get those poppers in quick!

TRACK LISTING

Luna Manga
Echo Danza
Nakarap
Nakarap (Esa's Afro-Synth Band Version)
Luna Manga (masalo Remix)

Second Circle is very excited to announce ‘In Dream’, the eight-track debut album from Tokyo-born, Berlin-based producer and DJ Courtney Bailey.

Sonically, 'In Dream' unfolds as a rich, lush soundscape, woven together with expansive digital synth pads, Fairlight-esque stabs, and vibrant acid bass lines. At times the EP leans back horizontally to evoke the balearic spirit of Yello ('Burnt Moon'), at other times it leans more upright towards to dancefloor ('In Heaven'), but what remains throughout is a sense of intimacy, gracefully guided by Bailey’s whisper soft spoken vocals and gentle melodic vocal lines.

Building on an initial spark of inspiration that arose when listening to the work of Japanese artist Dream Dolphin aka Noriko Kodera, ‘In Dream' is Bailey’s direct creative response to new feelings, energy and emotions. Time spent in the outdoors, specifically in the natural landscapes of Australia also had a profound influence on the making of the record; opener ‘Kodou’ was directly inspired by a moment in Melbourne watching rainbow-colored parrots in a pink-flowering tree. Similarly, 'Burnt Moon' captures the essence of watching moonlight shimmer on ocean waters. At its core, 'In Dream' embraces a child-like wonder for the beauty of nature, an act which infuses the music with a radiant, luminous sense of positivity.

Capturing the essence of stepping into the unknown and more importantly, doing it with curiosity and optimism, ‘In Dream’ paints a vibrant, multi-colour vision of life, with Bailey inviting us all to immerse ourselves in it’s wonders.

Sleeve art and design by Michael Willis.

TRACK LISTING

Kodou
In Dream
Kokoro No Koe
Burnt Moon
Under The Water
Like A Heaven
Swept Away
New Journey

Second Circle return with a special one-off album of music by Belgian producer soFa, German musician Houschyar and the legendary Turkish drummer and percussionist Okay Temiz.

SC019 – Şelale (LP) is the result of a string of sessions that began in Istanbul during 2018, when soFa spontaneously teamed up with friend Houschyar for a series of smoky jams in the young producer's 5th floor apartment. They would meet again a few months later, with a plan to finish the EP, and whilst having lunch, the two decided to pay a spontaneous visit to Okay Temiz, with whom soFa had worked previously.

Welcoming the pair in the percussion workshop (Atölye) where he spends most of his days, Temiz was excited by their demos and the three of them began to jam around the tracks, with Temiz utilizing a number of his own homebuilt instruments. The duo had now become a trio, it seems, and back in their home studio the jams would be edited and reworked; with Okay adding further overdubbing and contributions to the tracks.

Probably best known as a member of The Don Cherry Trio, for his own band Oriental Wind and for numerous collaborations with some of the best Jazz musicians in the world, Okay Temiz is considered to be one of the most innovative and outstanding musical figures in Turkey and beyond. A professional musician since 1955, Temiz's career began in Jazz and traditional Turkish music, but he became increasingly fascinated with the possibilities of electronic and self-built instruments, which he would experiment within different forms. During the late 70ties Temiz also developed a special love for Brazilian instruments such as the Berimbau and Cuica, both of which are omnipresent on this album.

In this latest collaboration, Okay Temiz weaves his percussive magic through six diverse psychedelic synthesizer and drum computer jams, alongside two exciting young producers. Şelale is mixed by Dusseldorf studio wizard Gordon Pohl.

TRACK LISTING

A1. Ritimsiz
A2. Der Wunsch Service
A3. Taksi
B1. Selale
B2. Kapu Ska
B3. Rhythm Is The Mother

Nu-Balearica refracted back through a rose tinted lens here as Giuseppe Leonardi deploys some truly enchanted vibrations to the Second Circle label. "Unsinn" kicks us, sounding like an Adrian Sherwood number if the UK dub head had resided on some tropical island and drank LSD for breakfast. "Kannibalentanz" follows suit and performs a steel bongo ritual on said island, the hypnotic percussion lines drawing us ever-closer to the magical core - a lone, squelching synthesizer. "Orpheus" sees new terrains explored with moxie, it's novel, beguiling lines hinting at the unexpected nature lying ahead - only to be met by a choir of throat-singers and delicate female utterances - lovely stuff! "Every Tree And Creature" takes us gleefully into the nighttime, a blanket of warm pads placed over our receptive bodies as twinkling keyboard parts highlight the starry skies. Finally, "All Blue" almost soundtracks the sunrise, as if the whole EP has taken us through an entire Earth cycle, ready to start all over again....

TRACK LISTING

1. Unsinn
2. Kannibalentanz
3. Orpheus
4. Every Tree And Creature
5. All Blue 


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