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SAMPA THE GREAT

Sampa The Great

As Above, So Below

    Relocating home to Zambia during the pandemic, Sampa sought to reconnect with a different side of herself, a side that is freer and closer in resemblance to the younger artistry she cultivated growing up in Africa. This process of discovery would become the gateway to revealing her highest version of self. Choosing to collaborate with creatives Rochelle Nembhard and Imraan Christian from South Africa, As Above, So Below introduces us to a 360 Sampa, unveiling her many sides for the first time. From the funny to the serious to the sensual, As Above is Sampa outside’s self, and So Below, is the Sampa within, together uniting to reveal the most authentic version of Sampa, without a mask, or role to play.

    As Above, So Below is anchored by spoken word in Bemba. The record delves into Sampa’s memories of Africa, Africa’s relationship to the world and what womanhood in Africa means to the world. We are also introduced to the persona of Eve, the highest version of Sampa that speaks to all facets of her womanhood.

    The musical styles of As Above, So Below reflect the hybridity of Sampa’s upbringing. Raised in Botswana (a different country to her birthplace in Zambia), and then going on to attend school in different countries again, Sampa picked up varied musical influences along the way. Each style has attached itself to her own musical encyclopedia, and finds a new mode for expression throughout the record.

    TRACK LISTING

    1. Shadows
    2. Lane Ft. Denzel Curry
    3. Never Forget Ft. Chef 187, Tio Nason, Mwanjé
    4. Mask On Ft. Joey Bada$$
    5. BONA
    6. Can I Live Ft. W.I.T.C.H
    7. Imposter Syndrome Ft. James Sakala
    8. Tilibobo
    9. Lo Rain Ft. Mwanjé
    10. IDGAF Ft. Kojey Radical
    11. Let Me Be Great Ft Angélique Kidjo

    Sampa The Great

    Birds And The BEE9 (RSD22 EDITION)

      THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

      Before her critically acclaimed album The Return (Ninja Tune), equal parts songwriter, poet, singer and lyricist Sampa The Great made her mixtape debut on Big Dada with Birds And The BEE9. The mixtape won the Australian equivalent of The Mercury Prize (The Australian Music Prize) and features production from Slowthai producer Kwes Darko and Silentjay (who produced the lionís share of The Return).

      5 years on it's been repressed on yellow and orange splatter vinyl and a liner note from Sampa The Great.

      Sampa The Great creates a sense of home on her debut album - “The Return”. A characterful record, its reference points range from classic hip-hop to ancient Southern African sounds. Built on four years of personal and musical soul-searching, it’s an assured statement, the product of meaningful musical connections and of Sampa having to redefine her self-identity away from the comforts of family and old friends.

      Building on her formative works, “The Return” sees Sampa tackle bigger questions, exploring what it means to feel at home, to feel excluded, and to see someone as an outsider. It stems from the rift Sampa has experienced in the rise of her career, where she’s celebrated as part of a new generation of Australian musicians while at the same time still being seen as an other. The album artwork features Sampa alongside a Nyau dancer - traditional dancers and figures that are found in villages across parts of Africa. For Sampa, the dancer represents the fear of the unknown which is often projected by the West when it comes to African traditions. She also wanted to rediscover her ancestors’ spirituality: her mother’s side of the family are of the Bantu ethnicity from which the Nyau tradition originates.

      The themes behind the album are addressed head on in title track ‘The Return’. At the close of the track, Whosane’s lyrics refer to “returning to the self of my self”. This, for Sampa, is what she’s been trying to do for the past six years: to find new ways of feeling at home and rediscover an emboldened idea of herself. "Home is described in a lot of ways and means a lot of different things to different people,” she says. “I had to redefine in my mind and in my spirit what home means.” The album is both a re-telling of that journey, and the realisation of her aim; the album walks us through that return to home, while the accomplished sound and lyricism underscores the steps she’s made as a person and artist.

      Her African heritage is an important aspect of her exploration of home. On ‘OMG’, for instance, she talks about celebrating the cultures and traditions of Africa:

      “Daddy adolescent said he’d get out from the streets
      Give him kid a feed
      Let em grow they feet
      Fly em out of Africa
      Give them kids a beat
      Show them how the other half
      How the world lives”

      Explaining the meaning behind the lyrics, she says, “I personally feel that people on the continent have a duty to our family in the diaspora, to re-teach our culture, language, spirituality, ways and return our peeps to ourselves. To me ‘OMG’ sounds like the songs we heard in our childhood. It’s broadly about flexing your culture! Loving where you’re from and even being shocked at the realisation of not knowing how dope it is to be ‘who you are’.” The video was shot between South Africa and Botswana, where she was raised, and gave Sampa the chance to involve her parents in her world. “I got to do something that I’ve never done before,” she says. “Which is to have my parents in one of my music videos. This is the first time they have been involved in my music at this level and it was important for me to express accepting and flexing my culture with the two people who know me most!”

      On album opener, ‘Mwana’, she employs the language of the Bemba tribe which her mother is a descendent of. “Mwana” means “child” in Bemba, and the song samples her mother and features her sister singing, making connections between her immediate family and their wider history. However, “The Return” is a reference to a physical journey, as well as a spiritual one; Sampa returned to Zambia and Botswana, where she was born and raised, respectively. There, she recorded the videos for both ‘Final Form’ - the triumphant single which sees her embrace the struggle of growing as an artist, and ‘OMG’. She is also set to release a short film titled ‘Homecoming’ about her experiences returning home to play her first shows on African soil. Across every aspect of “The Return”, from the music and the lyrics, to the visuals and the artwork, Sampa The Great returns to the foundations propping up her sense of self and in doing so makes a bold statement about who she is as an artist.


      STAFF COMMENTS

      Millie says: Sampa The Great’s masterful ‘The Return’ is the musical culmination of four years of self discovery, a theme which runs throughout the entire album. Incorporating everything we love about hip-hop as well as a celebration of Southern African rhythm, this album is pure and dynamic. Featuring some badass artists like Whosane and Krown, this is the gift that just keeps on giving.

      TRACK LISTING

      Mwana (feat. Mwanje Tembo, Theresa Mutale Tembo, Sunburnt Soul Choir)
      Freedom
      Wake Up (Interlude)
      Time’s Up (feat. Krown)
      Grass Is Greener
      Dare To Fly (feat. Ecca Vandal)
      Any Day (feat. Whosane)
      OMG
      Light It Up (Interlude)
      Final Form
      Heaven (feat. Whosane)
      Diamond In The Ruff (feat. Thando, Krown)
      Leading Us Home
      Summer (feat. Steam Down)
      Brand New (feat. SILENTJAY)
      Give Love (Interlude)
      The Return (feat. Thando, Jace XL, Alien, Whosane)
      Don’t Give Up (feat. Mandarin Dreams)
      Made Us Better (feat. Blue Lab Beats, Boadi, Lori)


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