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SML

SML

How You Been

    SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, 'How You Been', finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut 'Small Medium Large', which was lauded as "awe-inspiring" by Glide, "exuberant" by the Los Angeles Times, and "an exciting milestone" by Pitchfork.

    'How You Been' represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas 'Small Medium Large' was constructed from analog tapes of the band's very first (and very modest) shows at bygone Highland Park LA venue ETA, 'How You Been' was built with a far higher level of self-awareness and a far deeper pool of source material.

    As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock's Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With 'How You Been' their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.


    STAFF COMMENTS

    Barry says: I realise the first thing people will think of when they see International Anthem is jazz music, and it kind of is jazz music but only in the same way that tomato is a fruit. For me, this sort of wildly percussive, fluid movement is more reminiscent of weirdo alt-electronic / post-rock like Battles or Errors. Your mileage may vary, either way it's properly fascinating and incredibly dextrous.

    TRACK LISTING

    1. Gutteral Utterance
    2. Chicago Four
    3. Taking Out The Trash
    4. Plankton
    5. Chicago Three
    6. Daves
    7. Old Mytth
    8. Stepping In / The Loop
    9. Brood Board SHROOM
    10. Odd Evens
    11. How You Been
    12. Moving Walkway
    13. Mouth Words

    SML

    Small Medium Large

      SML is bassist Anna Butterss (Jeff Parker, Daniel Villarreal, Makaya McCraven), synthesist Jeremiah Chiu (Ariel Kalma, Marta Sofia-Honer), saxophonist Josh Johnson (Jeff Parker, Makaya McCraven, Nate Mercereau, Marquis Hill), percussionist Booker Stardrum (Amirtha Kidambi, Carl Stone, Lee Ranaldo, Patrick Shiroishi), and guitarist Gregory Uhlmann (Sam Wilkes, Meg Duffy, Perfume Genius). Their debut album 'Small Medium Large' began as a collection of long-form improvisations recorded during two separate two-night stands at beloved Highland Park venue ETA, a major development site for the burgeoning new LA jazz & improvised music sound, which unfortunately closed its doors permanently at the end of 2023.

      The venue, perhaps best known outside of LA for Jeff Parker’s 2022 album 'Mondays at the Enfield Tennis Academy,' was the perfect location for the start of SML, especially given that both bassist Anna Buterss and saxophonist Josh Johnson are in the quartet featured on that record. 'Small Medium Large' was engineered and recorded in stereo direct to Nagra by Bryce Gonzales and compiled, arranged, and edited with additional production, recording, and studio composition by SML.

      While editing, chopping, and rearranging stereo mixed improvisations is hardly a new concept (for a modern and relevant example we can look to Makaya McCraven’s output on IARC) these results are a stunning expansion of the Teo Macero / Miles Davis editing concept explored on classics like 'Bitches Brew', 'On The Corner', and 'Get Up With It'. Stylistically though, these recordings have more in common with the proto trance repetitions of Harmonia, and with Holgar Czukay’s re-assemblage technique used in his work with Can. Throw in a supremely intuitive utilization of Susumu Yokota’s floating patterns polyrhythm concept and we have a truly entrancing take on time-clocked electronic rhythms augmenting with live percussion, yet maintaining that elusive human sway.


      TRACK LISTING

      1. Rubber Tree Dance
      2. Industry
      3. Herbie For Commercials
      4. Search Bar Hi Hat
      5. Window Sill Song
      6. Switchboard Operations
      7. Soft Sand
      8. Three Over Steel
      9. Chasing Brain
      10. History Of Communication
      11. Feed The Birds
      12. Greg's Melody
      13. Dolphin Language


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