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S-TONE INC.

Barry Adamson

Cut To Black

    2024 ushers in a brand new Barry Adamson album entitled, ‘Cut To Black’ The album swaggeringly embraces Adamson’s trademark genre hopping compositions, covering Pop, Soul, Jazz, Hip Hop and Gospel.

    A must for fans of all things Cinematic Soul, Nick Cave & The Bad Seeds, Post Punk, Massive Attack, Unloved and much more

    TRACK LISTING

    1. The Last Words Of Sam Cooke
    2. Demon Lover
    3. Cut To Black
    4. Manhattan Satin
    5. These Would Be Blues
    6. Please Don’t Call On Me
    7. Amen White Jesus
    8. One Last Midnight
    9. Was It A Dream?
    10. Waiting For The End Of Time

    Klein Zage and Joey G ii join forces to deliver a captivating fusion of spoken word and electronic beats in their latest collaborative EP, "From New Cross To Ridgewood" featuring remixes from Local Artist, DJ Python and Ariel Zetina.

    The originals tread a fine line between delicate intimacy and intriguing sound design - easily detachable from the club environment and suitable for solo / group listening where the emphasis isn't on the dancefloor. Not to say "Folks Not Guys" won't get your early evening warm up sizzling nicely...

    Rhythm Section enlist Ariel Zetina and Local Artist for two abstract club friendly remixes; the former twisting melons and hips with loopy repetition and enveloping atmospheres; the latter with a low-slung, bass-driven organic house jam which fans of Romare, Dan Shake or MCDE are gonna dig (plus tons of dub delays and sirens as an added bonus!). DJ Python is the final cat to contribute and, like Ariel beforehand, opts for a hallucinatory journey into the stems of "A Little Dissonance" which sees fragments refracted and red-shifted through a thick celestial gloop.

    It's a multifaceted and highly original EP from the esteemed London camp! Fuckin impossible to find a section in the shop which this neatly fits into - the bastards! ;)



    STAFF COMMENTS

    Matt says: Rhythm Section continue to keep us on our toes with a nicely expanded EP that works both in the living room and at the dance. The originals are delicately intimate, and the remixes freshly twisted; props to the wide range of main characters involved and another winner from the prolific London label.

    TRACK LISTING

    A1 Folks Not Guys
    A2 The Commute
    A3 A Little Dissonance
    B1 Folks Not Guys (Ariel Zetina Remix)
    B2 Folks Not Guys (Local Artist Disco Dub)
    B3 A Little Dissonance (DJ Python Remix)

    Noir & Haze / Chicken Lips

    Classics Volume 2 - Inc. Moodymann / Solomun Remixes

    4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Classics Volume 2 kicks off with a slice of Defected 2012 goodness; ‘Around (Solomun Vox)’ by Noir & Haze. When Solomun took his turn at remixing this Ibiza anthem, it was heard everywhere from Hackney warehouses to Pacha Ibiza, and showed a different side to the heavier original. On the B-Side is the Moodymann Edit, where he makes subtle changes to Solomun’s mix by interweaving tribal drums and stripping back some of the techier elements, followed by Chicken Lips’ electro banger ‘He Not In’ which thunders through. An instantly recognisable record, even if they’re not aware of its name or who wrote it, with an unmistakable bassline that has truly stood the test of time.

    TRACK LISTING

    A. Noir & Haze - Around (Solomun Vox)
    B1. Noir & Haze - Around (Solomun Vox - Moodymann Edit)
    B2. Chicken Lips - He Not In 

    Back in stock Cover of God Made Me Phunky / Shake Dat Booty - Inc. Pal Joey Remix by MD X-Spress / Three Kings.

    MD X-Spress / Three Kings

    God Made Me Phunky / Shake Dat Booty - Inc. Pal Joey Remix

    4 To The Floor are committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. On Volume 1’s A-Side you’ll find a track with one of the most famous lyrics from house music history MD X-Spress’ ‘God Made Me Phunky’, the record has inspired countless producers to sample and remix it, but this 90’s gem still sounds amazing in its original glory. On the flip are two mixes of a Three Kings classic, ‘Shake Dat Booty’. The A Pal Joey Interpretation matches looped vocals with harmonious keys that perfectly complement each other, while the Wahoo Main Mix utilizes energetic drums and techy synths to up the ante.

    STAFF COMMENTS

    Matt says: Resurrecting bona fide classics from the house music cannon, 4 To The Floor turn their attention to two cheeky booty twisters from '94 and 2002.

    TRACK LISTING

    A. MD X-Spress - God Made Me Phunky (Original Mix) 
    B1. Three Kings Featuring Jaygun & Bashy - Shake Dat Booty (A Pal Joey Interpretation) 
    B2. Three Kings Featuring Jaygun & Bashy - Shake Dat Booty (Wahoo Main Mix) 

    Metallica

    Garage Inc. - 2024 Reissue

      Metallica’s eighth album, Garage Inc. (1998), will be pressed on 140g ‘Fade To Blue’ limited edition coloured vinyl.

      TRACK LISTING

      Side A
      Free Speech For The Dumb
      It’s Electric
      Sabbra Cadabra
      Turn The Page
      Side B
      Die, Die My Darling
      Loverman
      Mercyful Fate
      Side C
      Astronomy
      Whiskey In The Jar
      Tuesday’s Gone
      The More I See
      Side D
      Helpless
      The Small Hours
      The Wait
      Crash Course In Brain Surgery
      Last Caress/Green Hell
      Side E
      Am I Evil?
      Blitzkrieg
      Breadfan
      The Prince
      Stone Cold Crazy
      Side F
      So What
      Killing Time
      Overkill
      Damage Case
      Stone Dead Forever
      Too Late Too Late

      Tracks off Steffi's fourth solo album, "The Red Hunter" get remixed by legendary electro producer Convextion, contemporary Italian techno wizard Rosati, and Blue Hour & A-JX's Tracing Xircles collaboration. 

      Convextion delivers his signature flair, with a ten minute techno / electro tweak of "Irreversible Cessation" resplendent with the producers' highly articulated machine chatter and emotional deepness. Rosati drops a high energy peak time remix of "Individuals From All Walks", with dubbed power chords and incessant hats; the producer quickly establishing his own strong personality within the techno sphere. Enigmatic duo Tracing Xircles give "North Facing Shade" a distinctly UK flavour, with a stone walled broken beat, IDM glitches and a glacial lead line drifting through the chaos. Top drawer stuff indeed. 

      TRACK LISTING

      01 Irreversible Cessation (convextion Remix)
      02 Individuals From All Walks (rosati Remix)
      03 North Facing Shade (tracing Xircles Remix)

      New one from Mark Seven's Parkway Records camp and it's a dazzler from The Whole Truth who are a truly great addition to the modern funk and boogie scene!

      Coming in three subtly varying flavours, "Lord, Quench My Soul" is based around a catchy gospel-tinged vocal hook: 'fill my cup!'. The original mix is possibly the most stripped back affair, allowing cascading synth lines to drip through squelchy boogie beats and that rubbery yet rugged bass. While the club mix decorates the mix with bolshy piano chords, the OG utilizes phazed guitar chops to equally great effect. On the garage mix, we see the bassline replaced by a more soundsystem-hefty option, as lead lines hover overhead suspended on dub delays. The production and instrumentation is superb throughout, with Mark's flair on the mixing desk sure to impress more intrepid listeners on repeat plays. Top draw Parkway Records tackle, delivered direct your lugholes! Most recommended.


      TRACK LISTING

      A1. Lord, Quench My Soul (Original Mix)
      A2. Lord, Quench My Soul (Club Mix)
      B1. Lord, Quench My Soul (Garage Mix)

      Payfone & Kyd Nereida

      I Feel You (Inc Mudd Remix & Instrumental) - 2024 Reissue

        Since emerging on Golf Channel Recordings a decade ago, Payfone has built up a strong catalogue of singles that effortlessly blur the boundaries between slow-motion electronic disco, seductive songs and sun-splashed Balearic beats. While the project has appeared on a number of different labels, some of the best material – including the superb ‘Last Night In Sant Celoni’ and atmospheric ‘Sofian’ – has appeared on Leng.

        ‘I Feel You’, Payfone’s first outing on the long-serving label for two years, is another high-class mid-tempo offering tailor-made for loved-up dancefloors and intoxicated, sofa-bound listening sessions. Produced by Phil Passera and Jimmy Day in collaboration with Dominican Republic-born lyricist and vocalist Kyd Nereida, who also appears on the cover artwork, the song is a typically atmospheric, mid-tempo treat marked out by immersive chords, squelchy synth-bass, eyes-closed jazz guitar motifs (courtesy of guests J Felix and Royce Wood Jr.) and smoky sax (provided by Jordi Blanch). Add some bonus percussion hits and Nereida’s sassy lead vocal, and you have another superb, stirring and spine-tingling treat.

        The accompanying remixes come from label co-founder Paul Murphy under his now familiar Mudd alias, marking the first time that he’s provided reworks for the imprint since 2015. His vocal and instrumental wrap Passera and Day’s original mix in layers of tactile, evocative musical goodness for a heady and intoxicating atmospheric excursion.

        Opting for a warming, soul-enriching vibe, Murphy adds slowly shifting synth sounds, flanged guitars, sun-soaked chords, simmering synth-strings and spacey electronics. By the time guest keyboardist Michele Chiavarini’s solos make their way into the sound space to – taking things up a notch emotionally in the process – you’ll be lost in Murphy and Payfone’s loved-up aural world. As remixes go, they’re as stunning as Payfone’s superb original mix.

        TRACK LISTING

        A1. I Feel You
        B1. I Feel You (Mudd Remix)
        B2. I Feel You (Mudd Instrumental Remix) 

        Contemporary cult electronica / braindance legend Brainwaltzera returns with a new singular expression, mixing sophisticated synthesis with hypnotic sequencing and eerie disposition. Utilizing an AFX-friendly palette of detuned FM synths, modular elements and raw braindance articulation, Brainwaltzera has conjured up another slice of hypnagogic futurism which sends crushing breaks and fried circuit boards tumbling towards the event-horizon; growling Reece's welcoming the apocalypse with open subwoofers.

        Peeshay takes us back to Bad Company-era DnB with tearing rave synths accompanying the rampant breaks and ever-growing Reece bass. A dark side piece of ruffage that takes us back to the rampant energy DnB reached at the turn of the millennium. Scary good.

        Finally there's a separate version of GBDF which sees the beats stripped out and proffers the eerie, detuned synth assemble center stage.


        STAFF COMMENTS

        Matt says: Few in modern electronica have reached the cult adoration of Brainwaltzera (maybe Roy Of The Ravers?). Here we see the producer move into darkside DnB territories with help from real deal jungalist Peshay. Devastating ruffage for the headstrong!

        TRACK LISTING

        A1. Medal Headz [G.B.D.F] Peshay Remix 
        A2. Medal Headz [G.B.D.F] Extended 
        B1. G.B.D.F [separated] 

        Following her contribution to this "Gudu & Friends Vol. 1" compilation, Lady Blacktronika steps out with a full EP for Peggy Gou’s Gudu label.

        Whether operating as Lady Blacktronika or her Femanyst alias, Akua Grant has built a deserved reputation as one of house and techno’s most daring and unique artists - one that dates back 25 years now, when she first debuted as a vocalist.

        'House and techno' can be a cliched catch-all term, but in Grant’s case, she really has explored the extremes of both sides. Her early Lady Blacktronika work, when she earned the nickname The First Lady of Beatdown, saw her produce and narrate a style of deep house that was both sensitive and transgressive, while as Femanyst, she explores some of techno’s darkest corners, all distorted kicks and serrated edges.

        Her EP for Gudu kicks off with some serious intent: "Baby I Got It" chops its vocals rough and raw, pairing them with marching drums and the sort of idiosyncratic synth-work that feels like a Blacktronika signature at this point. "Sing the Blues" and "Hold My Hand" take things smoother, but without ever deferring to type - as ever with Grant’s music, she works with such sleight of hand that it’s easy to skip back three minutes previous and wonder how the hell we got here. Her tracks are just that hypnotic and hallucinatory.

        Closing the EP, Octo Octa provides a remix of "Hold My Hand" that unfolds over a long arrangement, taking us out with crushed percs and held pads over some undeniable drum work.


        TRACK LISTING

        A1. Baby I Got It
        A2. Hold My Hand (Octo Octa's Sapphic Trails In Bloom Mix)
        B1. Sing The Blues
        B2. Hold My Hand 

        It's been 40 years since Michal Turtle released his seminal, ground-breaking album "Music From The Living Room" into the world and promptly disappeared back into the aether.

        An extremely obscure cult classic known only to deep diggers and aficionados of the finest order, it wasn't until Music From Memory reissued some of the tracks from it via retrospective compilations of Turtle's unreleased music almost 30 years later that his name become more widely known and a new generation were able to discover the artist's unique and pioneering style of experimental electronic music production, the majority of it very much ahead of its time, and to this day, still timeless.

        This version includes the much loved track "Are You Psychic" alongside a version of "Phantoms of Dreamland" recorded live at Café Oto featuring original album vocalist Lucianne Lasalle and regular collaborator HOVE on electronics

        STAFF COMMENTS

        Matt says: Space-time defying vibrations from Balearic-electro-pionneer Michal Turtle. Oozing originality but with a fun and positive delivery, yet somehow creating sonic tapestries way ahead of their time. A true innovator. Worth it for that "Jeka" track alone.

        TRACK LISTING

        A1. Are You Psychic
        A2. Phantoms Of Dreamland (live At Café Oto);
        B1. Village Voice;
        B2. It's A Stop Sign, Shirley!
        B3. Yak By Yak
        B4. Jeka

        Mtume

        So You Wanna Be A Star - Inc. Danny Krivit Edit

          'So You Wanna Be A Star' - 24 carat disco gold from 1980 right here. Mtume, led by legendary jazz percussionist and all-round musical visionary James Mtume had a number of massive hits and can count quite a few classics within their repertoire ('Juicy Fruit' anyone?). This flawlessly arranged, funk drenched jam speaks on the dangers of living life too fast and relying on those who can't be trusted. Remember, this was the beginning of the 1980's, the disco era had begun to fade amidst the drug hazed excesses of the previous decade, while the music continued forging its path skyward with tremendous records like this one. 'So You Wanna...' really has a message and that's not surprising considering it has one of the most underrated production teams behind it in the shape of Mtume / Lucas. A true gem of the post-disco era. Essential and rare. This repress of the original Epic promo from 1980 is backed with a brand new re-edit from one of NYC's disco kings - Mr.K aka Danny Krivit. With almost half a century spent behind the turntables in NYC and beyond he surely understands records like 'So You Wanna Be A Star' intrinsically, he was, after all, there when it all happened!

          STAFF COMMENTS

          Matt says: We love a winner as much as the next record shop and winners don't come any more victorious than this sublime slice of boogie disco. Play this loud in a public place and watch the room turn into a party. Just like that...

          TRACK LISTING

          A. 12" Single Version
          B. Danny Krivit Edit

          Dellarge

          INRI (Industria Nacional Del Ruiddo Infinito) - Inc. Silent Servant Remix

          A cross-cutting label exploring the boundaries between different disciplines based on deep listening and music research, Modern Obscure Music return with "INRI (Industria Nacional Del Ruiddo Infinito)" by Dellarge.

          Inspired by the scenic beauty of his studio's surroundings at Lake Pátzcuaro in Michoacan, Mexico; Alejandro Barba - aka Dellarge - delves deep into the depths of his artistic consciousness to craft a spiritual album that encapsulates the essence of the place. "Industria Nacional del Ruido Infinito" (National Industry of Infinite Noise) serves as a vessel for Dellarge's innermost self-expression and reflections on the potential of humanity. A mesmerizing blend of ambient, futurism and industrial sounds that transport listeners into a realm of mysticism and duality, and stands as a testament to Dellarge's artistic growth and his ability to transcend boundaries, offering listeners an immersive experience that connects them to his world.

          Drawing inspiration from numerous sources, Dellarge found creative fuel in books such as 'El Arte de los Ruidos' by Luigi Russolo, 'Manifiestos y Textos Futuristas' by F.T. Marinetti, and science fiction classics including 'Congreso de Futurología' by Stanislaw Lem, 'Neuromancer' by William Gibson, and 'Dune' by Frank Herbert. Musically, he delved into the works of Coil, Michael Bundt, The Threshold Houseboys Choir, krautrock legends CAN and Popol Vuh, early Kraftwerk, Arthur Brown, Yello, Esquivel, The Residents, and Hector Lavoe for inspiration.

          When asked about the creative process behind the album, Dellarge revealed a disciplined routine that involved immersing himself in the sounds, focusing on minute details that connected with the vivid world he envisioned. Ethereal tracks such as "Viento Androide" and "Viaje al Sol" offer a glimpse of a hopeful future, while darker compositions such as "Corpus de Sangre" and "Toro de Falaris", explore the wickedness and compassion within humanity. Each piece in the album represents a unique sonic journey.

          "Viaje al Sol" is remixed by the sadly recently departed Juan Mendez aka Silent Servant alongside an exclusive reworking of "Cascabel" by the founder of Modern Obscure Music, Pedro Vian.

          TRACK LISTING

          1. Viaje Al Sol
          2. The Maestro
          3. Esferas De Cristal
          4. Mama
          5. Cascabel
          6. Juguentes Rotos
          7. Sigilo
          8. Orquesta Sinfonica Angustia
          9. Toro De Falaris
          10. Perdon De Judas
          11. Viento Androide
          12. Corpus De Sangre


          A. Viaje Al Sol (Silent Servant Remix)
          B. Cascabel (Pedro Vian Remix)

          Aidan Levy

          Saxophone Colossus : The Life And Music Of Sonny Rollins

            **Winner of the American Book Award (2023)**?**Longlisted for the PEN/Jacqueline Bograd Weld Award (2023)**The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins Sonny Rollins has long been considered an enigma. Known as the "Saxophone Colossus," he is widely acknowledged as one of the greatest jazz improvisers of all time, winning Grammys, the Austrian Cross of Honor, Sweden's Polar Music Prize and a National Medal of Arts. A bridge from bebop to the avant-garde, he is a lasting link to the golden age of jazz, pictured in the iconic "Great Day in Harlem" portrait.

            His seven-decade career has been well documented, but the backstage life of the man once called "the only jazz recluse" has gone largely untold-until now. Based on more than 200 interviews with Rollins himself, family members, friends, and collaborators, as well as Rollins' extensive personal archive, Saxophone Colossus is the comprehensive portrait of this legendary saxophonist and composer, civil rights activist and environmentalist. A child of the Harlem Renaissance, Rollins' precocious talent landed him on the bandstand and in the recording studio with Bud Powell, Thelonious Monk, Charlie Parker, Miles Davis and Dizzy Gillespie, or playing opposite Billie Holiday.

            An icon in his own right, he recorded Tenor Madness, featuring John Coltrane; Way Out West; Freedom Suite, the first civil rights-themed album of the hard bop era; A Night at the Village Vanguard; and the 1956 classic Saxophone Colossus. Yet his meteoric rise to fame was not without its challenges. He served two sentences on Rikers Island and won his battle with heroin addiction.

            In 1959, Rollins took a two-year sabbatical from recording and performing, practicing up to 16 hours a day on the Williamsburg Bridge. In 1968, he left again to study at an ashram in India. He returned to performing from 1971 until his retirement in 2012.? The story of Sonny Rollins-innovative, unpredictable, larger than life-is the story of jazz itself, and Sonny's own narrative is as timeless and timely as the art form he represents.

            Part jazz oral history told in the musicians' own words, part chronicle of one man's quest for social justice and spiritual enlightenment, this is the definitive biography of one of the most enduring and influential artists in jazz and American history.

            Raze Regal & White Denim Inc.

            Raze Regal & White Denim Inc.

              Sometimes, even amidst the most chaotic moments of our lives, things have a way of coming together. Raze Regal, prolific electric guitarist and James Petralli, founding member and vocalist of Austin, TX indie rock legends White Denim, met during a West Coast tour in 2019, and quickly formed a deep friendship bound by their mutual love of ‘60s and ‘70s rock, the Jazz saxophone innovations and compositions of Eddie Harris, Joe Henderson and Wayne Shorter, ‘80s R & B production techniques and New Wave energy. In another world, perhaps their rapport would have remained casual; two music fans meeting occasionally in loud music venues to share a drink and catch up on their respective projects. However, and luckily for music fans everywhere, that’s not what happened. What followed for both men was a period of intense personal change, growth, and transformation—a period that is reflected in the creation of Raze Regal & White Denim Inc., a profoundly collaborative album that saw both musicians pour years of blood, sweat, and tears into some of the most soul-affirming music of their careers.

              “It was a very hard time for both of us,” explains Raze matter-of-factly, from his home in Austin. He relocated there in 2020, smack dab in the middle of the pandemic, after ending a long-term relationship and the dissolution of his previous band back in Oakland, CA. “This record was born out of the friendship and the closeness that James and I share, as well as pure creativity.” With Raze in serious need of a change of scenery, Austin and James provided just the right atmosphere to let his creative juices flow a little more freely. “James and I were talking and he was like, ‘Come up to Austin!’ and I was like, ‘Maybe I should.’ We would just kind of hang out in those early days, and then I started kind of writing these tunes, and I started presenting them to James. They were just sketches of ideas I had, and he was like, ‘You know these are really good. What if we worked on these together?’ And I was like, ‘Absolutely.’

              It wasn’t long before the duo realized they had something special on their hands. It was more than just the fact that they were good at writing songs together—there was something deeply complementary in the way Raze and James thought about music and songwriting that made them better than the sum of their parts. The work took place at Radio Milk, James’ studio, curious to see what would come out of it; although, the process proved to be slightly more intense that either of them had imagined. “The week Raze arrived in Austin he joined my family/creative bubble, and we began writing and cutting music together,” explains James. “Through these initial sessions I learned that Raze possesses a unique gift as a lyricist and songwriter as well as a striking and colorful chord vocabulary. He naturally led these writing sessions and I supported him as an editor, instrumentalist, and engineer. We quickly developed an easy flow together in the studio. Which was refreshing for both of us. These were particularly hard times: Raze and I became close friends and helped each other get to the other side.”

              The result of these summertime sessions, Raze Regal & White Denim Inc. bursts at the seams with jazz chords, rock hooks, soul vocals, pop melodies, and everything that made the latter half of the 20th century some of the most cardinal music in human history. Completely eschewing the trappings of “retro” or “throwback” sentiments, the record could have only come from artists with such a deep knowledge of popular music, that they are able to transcend references and homages, presenting something comfortably familiar yet totally fresh. Raze and James’ creative union took form before their very eyes, with James at first wanting to take more of a backseat role—but luckily, fate had other plans.

              “Raze was bursting with musical ideas during a time when I was focused on learning how to capture and represent them,” James says, clearly holding his bandmate in the utmost respect. “He wrote the changes for the songs and we cut demos together and he'd sit with a note pad and sketch lyrical ideas once the framework was down. I did my best not to impose too much as a writer, rather mostly offering perspective as a singer and sometimes pulling a few books off of the shelf for consideration and reference. Raze was writing about our lives. We knew well where we were coming from.”

              STAFF COMMENTS

              Barry says: This absolutely sings with the hazy melodic groove of White Denim, but it's accentuated with a rich seam of airy funk, psychedelic soul and twisting melodicism from Raze Regals considerable talent pool. What a lovely thing.

              TRACK LISTING

              1. Ashley Goudeau
              2. Blood
              3. Tivoli
              4. Complaining In Heaven
              5. Don’t Laff
              6. The Hustle In You
              7. Before The Fact
              8. Idle Later
              9. Dislocation
              10. Ugly Man Suit

              Dee Diggs

              Toss It - Inc. Ladymonix & Matt FX Remixes

              Dee Diggs is having a big year. Opening for Beyonce, critical lauding from the likes of The New Yorkerr & DJ Mag, and having her vinyl debut "Toss It" listed among the best of the year by Mixmag and Berghain. This 3 tracker 12" includes the Ladymonix remix that's been melting global dance floors in 2023; alongside the original version and a new remix by Matt FX.

              Prior to her recent Panorama Bar set, the Berghain crew wrote: '"Toss It" merges disco extravagance with vintage house deepness and is, in our humble opinion, one of the best dancefloor numbers with pop appeal of the year so far.'



              STAFF COMMENTS

              Matt says: Classy and seductive house music from across the pond. There's even a bit of vogue energy coursing through its veins. Confident and with tons of swagger, this is a quality record with tons of personality.

              TRACK LISTING

              A1 - Toss It (Original Mix)
              A2 - Toss It (LADYMONIX Strut Remix)
              B1 - Toss It (Matt FX Remix)

              Guided By Voices

              Nowhere To Go But Up

                This record is massive and amazing. Nowhere To Go But Up is Guided By Voices’ third album of 2023 (and thirty-ninth overall) and is a sprawling, wild adventure. With virtually no choruses and just two repeated lyrics in forty minutes, GBV is audacious and unafraid.

                One of the most fully realized works that Guided By Voices has created, Nowhere To Go But Up showcases an expert rock band at the top of their game. The band is on a roll and unstoppable.

                Following their monumental 40th Anniversary Celebration in Dayton, Ohio, GBV begins their fifth decade with a bang!

                STAFF COMMENTS

                Barry says: You'd think that by an artists THIRTY NINTH album, they'd have a struggle coming up with the goods, but Pollard & co have once again crafted a beautifully psychedelic blast of epic proportions. It's got tons of heft, and packed to the brim with melody too.

                TRACK LISTING

                1. The Race Is On, The King Is Dead
                2. Puncher's Parade
                3. Local Master Airplane
                4. How Did He Get Up There?
                5. Stabbing At Fractions
                6. Love Set
                7. We're Going The Wrong Way In
                8. Jack Of Legs
                9. For The Home
                10. Cruel For Rats
                11. Song And Dance

                Larry Heard

                Another Night - Inc. KDJ Re-Edit

                Re-issue of two limited release tracks from Larry Heard's "Love Arrival" album sessions. Great edit by J.A.N. (aka Moodymann / KDJ) and the last missing piece from the sessions: "Time Machine", a bass driven soulfull stomper that'll transport you to an early 90's dancefloor...

                Originally released as a one-sided 12" on Track Mode. These have been out of press since around 2001, and are excellent examples of the dizzy heights achived by both producers. An stunning and essential record for any deep house heads. 

                STAFF COMMENTS

                Matt says: Been a while since we've had this in the shop (so long infact that some of our younger customers might not be aware of it). The golden pairing of Larry Heard and Moodymann... say no more!

                TRACK LISTING

                1. Another Night - KDJ Edit
                2. Time Machine

                Since Samurai Breaks took home the award for DJ Mag’s ‘Best Breakthrough Producer’ back in 2021, he has been at the forefront of the UK 160+bpm explosion over the last few years. His signature style of footwork, jungle, bassline, 4x4, rave and grime has seen him play at festivals like Glastonbury, Boomtown and Bangface, alongside epic back to backs with some of the scenes heroes like Mandidextrous, Sully, NAINA, Fixate, Addison Groove and Pete Cannon.

                Following his fiery EP ‘Turbo Rave Artillery’ on Hooversound back in the summer of ’21 (featuring a weighty remix from one of the leading figures in the modern jungle scene, Coco Bryce), Samurai Breaks returns on the Hoover imprint, flexing his unique fusion of genres that fits perfectly amongst the Hooversound roster.

                The ‘Jus A Raver’ EP optimises everything the artist is about, from wobbly basslines to his experimental blend of high tempo genres. The EP includes Polo Lilli’s debut on Hooversound, with a remix that takes you on a wild journey and perfectly rounds off the release.

                STAFF COMMENTS

                Matt says: Modern drum & bass continues to innovate and frankly, sounds in as good a place as it ever has. Samurai Breaks represents the best of the new school - combining jungle rawness, precision sampling and rave energy into one upfront juggernaut of pots, pans and humming subs.

                TRACK LISTING

                A1. Jus A Raver 
                A2. Mystery Wobbler Dub 
                A3. Skippy 
                B1. Vanilla Flutes 
                B2. Vegas Thumpa 
                B3. Mystery Wobbler Dub (Polo Lilli Remix) 

                After reissuing Hedzoleh by Hedzoleh in 2022, a collaborative effort by Meakusma and Soundway, this new 12inch features remixes by Jimi Tenor, Mark Ernestus, Gavsborg and Waltraud Blischke, transporting and transfusing Hedzoleh's tracks into new spheres and circumstances. Hedzoleh Soundz were one of the first and most original ‘Afro’ bands from 1970s Ghana, playing an unusual mix of traditional music and western rock as part of the West African Highlife scene. The music for the Hedzoleh album was used by legendary South-African trumpeter Hugh Masekela as the backbone to his afrojazz classic, “Masekela – Introducing Hedzoleh Soundz”. The Hedzoleh Soundz Remixes 12inch features an eloquent, deep, deeply poppy even, dub by Mark Ernestus, Jimi Tenor taking the original Rekpete track into even more joyous territory, adding some subtly hypnagogic touches at the end, Gavsborg transforming Y Yes Baa Gee Wo into a beat-based drone of sorts, a toolin the right hands, and a majestic experimental twist by Waltraud Blischke, sampling one Hedzoleh track and one unreleased solo track by Sascha Todd, son of Hedzoleh bass player and vocalist Stanley Todd.

                This record came about with the support of Ostbelgien.

                STAFF COMMENTS

                Matt says: I mean, it's got Mark Ernestus on it - I was already sold! But the other three tweaks are worthy of investigation. The Jimi Tenor rework had me with its meandering sax lines and jagged beats, whilst Gavsborg's wigged-out wobble sucked me into its languid downbeat whirlpool. Top stuff.

                TRACK LISTING

                Kaa Ye Oyai Don T Be In A Hurry (Mark Ernestus Remix)
                Rekpete - (Jimi Tenor Rework)
                Y Yei Baa Gbe Wo (Gavsborg Remix)
                Sacha Todd S Simplex Meets Hedzoleh (Waltraud Blischke Remix)

                Timber Timbre

                Lovage

                  Six years after their last studio album, Taylor Kirk’s Canadian band Timber Timbre has finally announced a new record "Lovage"

                  Since releasing and extensively touring “Sincerely, Future Pollution” (2017), Taylor Kirk has been busy working as a producer on several full-length LP’s, including Joseph Martone’s “Honeybirds” and the sophomore recording “Nightshades” by This Lonesome Paradise. Timber Timbre have quietly released two cassette-only EP’s, “I Am Coming To Paris” and “The Dissociation Tapes Volume 1”. Finally returning with a new full-length entitled “Lovage,” the most accomplished and engrossing Timber Timbre album to date.

                  TRACK LISTING

                  1. Ask The Community
                  2. Mystery Street
                  3. Stops
                  4. Confessions Of Dr. Woo
                  5. 800 Pristine Corpses
                  6. Sugar Land
                  7. Holy Motors
                  8. Lovage

                  Cristalli Liquidi With Deux Control

                  Rosso Carnale - Inc. Bottin Remix

                  After re-stoking our fires with the "Volevi Una Hit" repress, Bottin and his Cristalli Liquidi project team up with the French-Italiano electro pair Deux Control (aka Justine Forever & Rodion) for a double take of this sweaty song about the colour red and the gentle carnal forces of nature. You might want to pick up some Italian to enjoy the lyrics. Along with two entirely different main versions, Bottin's sped-up dub and Deux Control's vocally sparse mix will serve electro-funk heads and low-cheese/high-energy Italo lovers alike. It's another essential Artifact alright! Limited copies... get ya skates on! 

                  STAFF COMMENTS

                  Matt says: Lost in a haze of club smoke and amyl nitrates, one could easily be transported to a louche and decadent otherworld populated by Italian space goddesses and bejewelled Citroen 2CVs. Another Italo Artifact from the Italian stallion.

                  TRACK LISTING

                  01 Rosso Carnale (Italo Version)
                  02 Rosso Carnale (Bottin Dub)
                  03 Rosso Carnale (Mutant Version)
                  04 Rosso Carnale (Deux Control Dub)

                  Tibi Dabo returns with ‘Overture’, from his forthcoming Crosstown Rebels album, with remixes from Map.ache and Aline Umber.

                  A label favourite having dropped his ‘Isla’ EP on Crosstown Rebels back in 2022, ahead of his much-anticipated debut LP comes this third superb taster from it. The superb ‘Overture’ is an eight-minute gem with super smooth percussion and elastic grooves, with wispy sci-fi chords and gentle synth modulations. It’s full of future feels and catchy drum funk that is sophisticated and smartly detailed with chopped-up vocal fragments.

                  First to remix is Leipzig’s Map.ache, co-founder of Kann Records and member of the Giegling family. His take builds with fatter drums that are just as infectious, while rippling synth loops weave in and out as flashy basslines cut loose and balmy pads add extra cosmic absence to a hypnotic mix of the heady and the physical.

                  Aline Umber, a collaborative live project from French composers, producers and DJs Aline Brooklyn and Aman Umber, are second to remix. They run the Airfunk label and are no stranger to playing cult spots like Rex Club in Paris. Their ‘23% Eventide’ mix is a blissed-out and synth-laced trip with subtle, smeared chords and starry-eyed keys that have you gazing off into the distance as you get lost in the warm drums.

                  STAFF COMMENTS

                  Matt says: Techy excellence from this Barcelona-born upstart, otherwise known as DJ Max Guardans. Deeply grooving, with beautifully weighted bass; a proper deep house sound system rumbler. Full marks from me!

                  TRACK LISTING

                  A. Overture
                  B1. Overture (Map.ache Remix)
                  B2. Overture (Aline Umber '23% Eventide Mix') 

                  Head hydro-tripper Black Eyes has risen from the depths of the deep to release his debut solo record "Hydro-Trip Vol 1". Named after the titular club night Lost Control, which started right here in MCR! Black Eyes is now located in Berlin where these recent transmissions were conceived.

                  Lead track "Understood Sea Being" plunges us on a rugged ride with deep Detroit chords and Black Eyes's own deadpan vocals throughout. "Let's Get Deeper" is a rugged n bassy, soulful deep house number. Somewhere between Rick Wade and Mike Huckaby (the latter of which is a big inspiration on the artist). "Scuba Lyfe" is a silky number, totally indebted to the Motor City and revolving around an eyes-down dubby groove mixed with some hi-tek jazz elements. Rolando (of Underground Resistance and Los Hermanos fame, and now Berghain resident) is enlisted on remix duties. He switches the gears and adds some fluid Detroit techno licks to finish off the EP in fine style. Top stuff indeed from Black Eyes! 

                  TRACK LISTING

                  1. Understood Sea Being
                  2. Lets Get Deeper
                  3. Scuba Lyfe
                  4. Scuba Lyfe (rolando Remix)

                  Robert Owens

                  Tonight - Inc. Vick Lavender Remix

                  House music's original vocalist Robert Owens has graced many a jam with his indelible vocal stylings; right back to the very origins of the genre with Mr. Fingers. It's rare but not unheard of that he does fully realized compositions, which is what we have here for the Sophisticado label.

                  "Tonight", benefiting here from a remix by rising newcomer Vick Lavender; is sparkly, liquid deep house - similar in vein to Ron Trent's Electric Blue series with its full fat, thick production; dazzling leads and overal highly charged spiritual current. "Zero" carries on the theme with tough tribal leanings and long, sweeping SFX, bathing the mix in a heady patina that's perfect for getting sweaty to late on in the evening. "Rain" completes the sets with a spiritual house epic complete with gospel vox and a life affirming guitar solo. Ridiculously strong stuff here from Owens who epitomized the spirit of deep house through and through. Recommended! 


                  STAFF COMMENTS

                  Matt says: Chicago house legends don't come much bigger than the true OG Robert Owens - literally around since the birth of the genre! A new EP of solo productions b/w a slick remix by rising new schooler Vick Lavender that's bountiful with deep house goodness.

                  TRACK LISTING

                  Side 1
                  1. Tonight (Vick Lavender's Time Traveler Remix)

                  Side 2
                  1. Zero
                  2. Rain

                  YokoO & Bobi Stevkovski

                  Just Love - Inc. Arapu & Nu Zau Remixes)

                  Storming tribal / tech-house business here from the Satya label. Via "Just Love", YokoO & Bobi Stevkovski have concocted a trusting, powerful late night tech-house epic - with a cinematic and transportive arrangement that should have listeners fully engrossed in its unraveling story. "Who Are You" is a wigged-out and wriggly deep terrace number, perfect for a blacked-out DC-10 or star-lit Adriatic beach club. It's also got that sleek, serpentine aesthetic that DJs like Craig Richards or Jane Fitz like to weave into their longform sets. Mega.

                  Side B sees remixes by two Romanian producers: Arapu and Nu Zau. The former sees propulsive, kinetic rhythms interplay with staccato arps and punctuated b-line - tech house brilliance in a similar vein to Ted Amber and the Botanical Minds output. 


                  STAFF COMMENTS

                  Matt says: Impeccably crafted, tribal-tech-house that takes me right back to the golden days of Sankeys Soap. A sound that never seems to leave the terraces of Ibiza.

                  TRACK LISTING

                  A1. Just Love
                  A2. Who Are You
                  B1. Who Are You (Arapu Remix)
                  B2. Who Are You (Nu Zau Remix) 

                  Matt Early & Lee Jeffries

                  Lady - Inc. Opolopo Remix

                  Lee Jeffries has been digging deep on the debut release of Sonic Wax Records new label Disco Edits.

                  Based on the super rare £1000 album track "Lady", Matt & Lee take it to the next level with their 'Disco Dust' mix for the main house rooms and the Defected /  Glitterbox crowd with big production and diva vocals.

                  Then rising jazz-disco-house star Opolopo gets deep and dirty on a moody disco vibe that pulsates though your body delivering stylish grooves, more diva vox and thick, quality production. Both sides already gaining support from Opolopo, Kenny Dope, Bobby & Steve, Wade Teo etc etc. 

                  STAFF COMMENTS

                  Matt says: The unstoppable Opolopo is rarely out of the racks at the moment, and the stems of "Lady" are in safe hands with the Hungarian producer. The Disco Dust duo also do the track plenty of justice, taking it straight to the more housey dancefloors.

                  TRACK LISTING

                  A. Lady (Opolopo Remix)
                  B. Lady (Disco Dust Mix) 

                  Smoke Inc

                  Waitin' For Love / It's The Same Old Song

                    In partnership with London-based DJ and digger, Miche, the series will feature his latest discoveries, as well as choice cuts, taken from his 'With Love' compilations. For the inaugural offering, we take a trip to hazy San Francisco, California, in 1977. Smoke, Inc. were an emerging band in the Greater San Francisco Bay area and a regular fixture in the buzzing live music scene. They had a strong following and were in rotation in most of the Bay area clubs, as well as opening for numerous prestigious acts such as Sly & The Family Stone, Taj Mahal, The Pointer Sisters and Toots and The Maytals. Members of the group worked with Jimi Hendrix, Stevie Wonder, Frank Zappa, Martha Reeves & The Vandellas, and many others considered the cream of the crop of the music world.

                    Smoke, Inc. featured Roy Schmall on keyboards and vocals, Stan Terry on lead vocals and harmonica, Michael 'Ollie' Schotka, on bass and vocals, Keith Stafford on drums and vocals, and Archie Williams Jr on guitar. They went on to release one 12" EP and two 7" singles. One of those 7's included 'Waitin' For Love'. It was first released in 1977 and came out on the band's own self-titled imprint. It has gone on to become their rarest and most sought-after recording, now fetching up to an astonishing GBP2,500 on Discogs. It is a breezy, feel- good, modern/ crossover soul beauty, with an infectious sing-along chorus, floaty flute solo, and packed with pure, uplifting dancefloor energy. The B-side features a cover version of the Holland Dozier & Holland- penned classic 'It's the Same Old Song', made famous by the Four Tops.

                    Miche enthuses, "I included this gem on my first 'With Love' compilation and knew that it deserved its own dedicated reissue complete with original artwork. I'm delighted to get the chance to make that happen for this incredible, soulful AOR glide from a band that is well due another round of appreciation. It's very rare, and consequently very expensive, so here it is for you all to spin and add to your record collections."

                    46 years since its original release, it is our privilege to help Roy and the gang's light shine once again and let a whole new audience relish the beautiful sounds of 'Waitin' For Love'.

                    TRACK LISTING

                    Waitin' For Love
                    It's The Same Old Song

                    New record by Gome with fat remixes by Mike Dunn and Telephones. "Television" is instantly infectious with its picked guitar lines, disco bass and vocodered vocal sections. "Elevator Man" is a deeper beast, with hints of broken beat flavour oozing through the darting keyboard licks and low, punctuated bass.

                    Telephones turn the latter track into a thumping M1-organ guided mainroomer while Mike Dunn throws down a straight up house tweak - building energy through a variety of mellifluous elements before a big bass drops achieves maximum peak. Top stuff from the ever-reliable Toy Tonics - your non-stop-shop for new disco and soulful house flavours. 


                    STAFF COMMENTS

                    Matt says: Another Toy Tonics to add to your collection. Gome's 4th record for the new disco powerhouse and with Mike Dunn and Telephone enlisted for remix duties, it'll satisfy your early evening house troupe as well.

                    TRACK LISTING

                    A1. Elevator Man
                    A2. Television
                    B1. Elevator Man (Mike Dunn BlackBall Remix)
                    B2. Elevator Man (Telephones Remix)

                    One of Terrence Parker's finest moments, his remix of Index 968's "Secret Fantasy" is finally reissued on Tangible. The perfect example of his piano, bass and beats formular - utilized throughout his catalogue but sounding incredibly emotive and sexy in this instance. When the vocal part echoes out into that first electric piano drop you'll see the whole dancefloor unite in almost religious ecstasy! Trust when I say this one has DEVASTATED clubs for nigh on three decades! 

                    Reissued alongside the original James Sims version plus an unreleased remix from Terrence again which heads down jerky, Nervous-esque tribalism; this is an imperative record for deep house heads. Don't sleep! 

                    TRACK LISTING

                    A. Secret Fantasy (TP Plastic Soul Remix)
                    B1. Secret Fantasy (Original Mix)
                    B2. Secret Fantasy (TP Unreleased Mix)

                    Traxx Underground returns with a rather tasty EP from Samann featuring remixes from no other than our favourite White Isle-dwelling Italian - Tuccillo!

                    "Your Touch" is CLASSIC deep, vocal house inna proper Fingers Inc. / Robert Owens stylee; executed with all the mood and emotion just with an updated sound palette. "June", with its M1 organs guiding proceedings, also has a retrotastic flavour. Suspended strings and echoed out vox are slowly introduced and combined with the swung house beats it's another doozy of deep house goodness. Think Roland Clarke's "I Go Deep" and you're nearly there.

                    On the flip Tuccillo dissects both tracks in his typically wriggly fashion. I don't think I know a producer who programmed hi-hats as well as this guy. Incessantly grooving house music has been his trademark from day dot! Here we see him applying his tropes in fine style - give both tracks some extra wiggle whilst keeping their theme and sentiment in tact - excellent job!  





                    STAFF COMMENTS

                    Matt says: Revist those classic Chicago flavours with new Traxx signing, Samann. Ibizan ledge Tuccillo is on hand with some rather splendid, wriggly remixes.

                    TRACK LISTING

                    A1. Your Touch
                    A2. June
                    B1. Your Touch (Tuccillo Dub Mix)
                    B2. Them Blues (Tuccillo Vocal Mix)

                    Noema

                    Sky, Horse And Catch EP - Inc. Khidja Remix

                    Noema's last EP on his own, Magic Movement imprint was an absolute doozy, landing slap bang between shamanic house, cosmic and EBM flavours with a beguiling, mystic palette of sounds. He's back with some more music recorded on a recent trip top Sao Paulo and packing just as much punch as that previous volley. The title track translates a 90's Detroit house groove to the present day and adds cuica, berimbau and several other Brazilian drums on top. Riding the complex groove, you encounter eccentric synths, mysterious soundscapes and of course the horse, on this 11 minute long hack.

                    "Minhocao" trades the horse for a racing car and takes you on a cruise on the same-named elevated highway that leads through the city of Sao Paulo. Surrounded by driving beats, guitar single-notes, massive synth-bass howls and a gritty Moog theme, this jam is a hell of a joyride!

                    Khidja strips down the original title track to its core and creates a solely percussive version in a half-time groove. By adding a virtuoso qanon / saz-like sound the tune develops an arabesque flavour with a dubby bass as the cherry on the top.


                    TRACK LISTING

                    A. Sky, Horse And Catch
                    B1. Minhocao
                    B2. Sky, Horse And Catch (Khidja Remix)

                    The third release on The Magic Movement features the label's A&R Noema from Berlin. "Antipodes" starts off with a funky bassline, trippy bells and syncopated claps which set a psychedelic Afro vibe from the very beginning. Mystical noises increase this mood, until a hypnotising Moog hook calls for action. And at the latest when the sub bass finally drops in, the scenery transforms into an ecstatic ritual dance. On the flipside, Auntie Flo drops a dubby remix of the title track, which sees a spheric choral pad unfold over strong Afro percussion, while a rattle snake like shaker excitedly rises and falls. "Late at Night" feels like a nocturnal walk through streets in twilight. The groove, which sounds like odd clockwork, gets occasionally enhanced by more interesting percussion sounds. The melodies, played by a marimba-like instrument and filtered synth, are accompanied by a warm pad and a disco bassline, whilst a female voice moans in the back. It's another winner from the mystical Magic Movement imprint.

                    TRACK LISTING

                    Antipodes
                    Antipodes (Auntie Flo Remix) 
                    Was Late 

                    Originating with HoneyLuv, made in collaboration with Tuskegee co-founder Seth Troxler, and featuring portions of Paul Johnson’s classic 1998 track ‘So Much’, ’Sex & The City' is HoneyLuv’s homage to one of house music’s greats and an encapsulation of Tuskegee Music’s ethos of honouring the genre’s Black & Hispanic origins. Detroit house legend Marc Kinchen’s interpretations of the track imbues ‘Sex & The City’ with all the beloved MK touches, from the inimitable drum patterns to the instant-earworm melody.

                    The release marks the return of the label founded by Seth Troxler & The Martinez Brothers in 2014. In addition to music from its label heads, Tuskegee Music featured artists including Omar-S, Jamal Moss, K' Alexi Shelby, D-Knox and William Djoko before going into hiatus in 2019. The label’s upcoming schedule will continue to focus on its remit of supporting BIPOC artists, through the elevation of new talent and collaborations with some of house & techno’s most important and influential figures.


                    STAFF COMMENTS

                    Matt says: Tasty joint from the rising US born, UK residing producer. As usual, MK is on point, delivering the high octane house pressure for us eager dancers.

                    TRACK LISTING

                    A1. Sex & The City 
                    A2. Sex & The City (Instrumental) 
                    B1. Sex & The City (MK Extended Remix) 
                    B2. Sex & The City (MK Dub In The CIty) 

                    FullTime Production present the new vinyl edition of Kano's "Turn It Up / Unconditional Lover" featuring remixes by Danny Krivit, Les Inferno, Fresco Edits and Dr Packer.




                    TRACK LISTING

                    Turn It Up Danny Krivit Extended Edit
                    Turn It Up Les Inferno Dude Boogie Remix
                    Turn It Up Fresco Edits Remix
                    Unconditional Lover Dr Packer Remix

                    Malian and French duo Siraba drop the second single from their debut album on Secret Teachings, ‘Kômo Fôlly’, backed by a rare remix from electronic music icon St Germain.

                    A new alias from Malian hunter Boubacar Samake and Damien Vandesande, one half of French electronic band dOP, Siraba is a unique and expansive project set to merge ancestral music passed down by Malian hunters with electronic-leaning spheres with nods towards the future. Recently debuting on the label with their debut single ‘Ngana Fôlly’, the first single from their forthcoming album set to arrive in September this year, the pairing return to Damian Lazarus’ alternative imprint Secret Teachings for their follow-up single, ‘Kômo Fôlly’ - once again unveiling a tapestry of traditional and modern soundscapes as they deliver a tribute to Boubacar’s father, Sibiri Samake.

                    With Boubacar returning to the Ngoni and uncovering further lyrics and words in Bamabra, ‘Kômo Fôlly’ builds from traditional Malian tones into an expansive trip through shimmering synths and crisp, organic percussion. It’s a spellbinding and captivating trip into the minds of typically contrasting worlds while uniting the two effortlessly to provide and produce a slice of electronic excellence. A true pioneer of the electronic realm, Ludovic Navarre, known to many under his legendary St Germain alias, is an artist who needs little introduction, having been responsible for some of house and techno’s most iconic productions across a 30-year career on labels such as F Communications and Blue Note. Turning his hand to the track and providing an extremely rare remix, the renowned talent brings his typically vibrant sound palette to the fore as he harnesses the original’s vocals and weaves excellently worked drums, subtle snaking grooves and resonant chords effortlessly for typically classy interpretation while rubber-stamping the fascinating and exciting project in the process.

                    TRACK LISTING

                    A. Siraba - Komô Fôlly
                    B. Siraba - Komô Fôlly (St Germain Remix) 

                    Bárbara Boeing

                    Brasiliana EP - Inc. Esa Williams Remix

                    Bárbara Boeing joins the ever-expanding Toy Tonics roster. The Brazilian DJ and Dekmantel Selectors favourite has teamed up with Italian producer and keyboardist Sam Ruffillo to create three tracks inspired by people like DJ Raffa, Mr. Monday, Yello, MBG International, Penny Penny and such like.

                    The results are quite spectacular, existing in a timeless bubble of dreamy house music which take in the tropes of early Italian dance records, add some UK rave attitude and cover the whole thing in a modern polish which gives extra sparkle and shine. Its an addictive formula which has seen her invited to perform at Dekmantel Selectors, Time Warp, Nuits Sonores, Lente Kabinet, Cocktail D'Amore, Flow Festival and many - the future’s bright for this rising star! 


                    STAFF COMMENTS

                    Matt says: Toytonics have one of the strongest roster's going. And if they keep adding talent like Bárbara Boeing then I can see them being at the top of the game for quite some time to come.

                    TRACK LISTING

                    A1) Brigada (feat. Phil Mill)
                    A2) Brasiliana
                    B1) Brigada (Esa Williams Remix)
                    B2) Baile Do Silêncio

                    Lovetime Guarantee is delighted to announce the official re-issue of Tobago-born Rootsman's "Wild Goose Chase", which is a perfect blend of boogie, disco, dub, funk, and reggae. This worldwide reissue is the first for Lovetime Guarantee and is expected to be the first of many rare gems spanning the soulful spectrum of music.

                    Rootsman's career dates back to the late 1970s, and he is best known for hits such as "Miami Vibes", "Rack Mih Rack Mih", "Parkway Rock", and "Soca In The Palace". He produced "Wild Goose Chase" himself and worked closely in the Trini scene with names like Leston Paul. Unfortunately, he passed away on August 21, 2015, leaving behind a rich musical legacy.

                    The LTG001 vinyl features new artwork by Sirkett, and it is a must-have for all collectors and lovers of rare tunes. Lovetime Guarantee has worked with the legal rights holders to provide this high-quality repress for all to enjoy. Originally pressed in 1986 by Crosby's, this reissue not only includes a remaster of the original but also an extended dubbed-out re-edit from Nick The Record & Dan Tyler - a version that has already received dancefloor approval from Nick's recent sets!


                    STAFF COMMENTS

                    Matt says: Seems like we're due a disco-reggae resurgence this summer with Nick The Record and Dan Idjuts adding some extra dancefloor umph to this lilting sunshine skank from Rootsman.

                    TRACK LISTING

                    A. Wild Goose Chase (Remastered)
                    B. Wild Goose Chase (Nick The Record & Dan Tyler Re-Edit Extended & Dubbed) 

                    Clive Stevens And Brainchild

                    Mystery Man - Inc. Velvet Season & The Hearts Of Gold Remix

                    The third release on Midnight Drive takes us back to the heady days of 1984, New York City. We find Clive Stevens, a UK born saxophonist, producer, writer and poet at the helm of a truly staggering cast of international musicians known as 'Brainchild', recording an LP entitled 'Semjase' for Brazilian label Vôo Livre. The LP featured incredible session musicians whose CV's include work with some of the biggest names in popular music including Chic, Kate Bush, Miles Davis, David Bowie, Eric Clapton, Tom Petty and more (the list is endless). One track from this fairly obscure LP - 'Mystery Man' - somehow managed to find its way into the hands of the one and only Daniele Baldelli, who swiftly turned it into a cosmic classic. Present and correct on a number of the cosmic tapes, "Mystery Man" is a truly unique record melding electro-style programming, live percussion, synthesizers and vocals into a blistering slow motion disco jam that'll have you dancing like a loon and scratching your head trying to work out when, where and how it was made. Not content with offering us ucky bunch a first official reissue of this classic, Midnight Drive procured the original 1984 session parts from Clive himself, enabling a brand new remix from Gerry Rooney and Joel Martin aka Velvet Season & The Hearts Of Gold. Stretching the track to new tripped out heights, Gerry and Joel transform the cosmic roller into a dreamy and dubby tropical pop killer perfect for your next Balearic dancefloor set.


                    STAFF COMMENTS

                    Patrick says: Holy interplanetary beach resort Batman! Midnight Drive pluck one of the finest Cosmic classics from the Baldelli tapes and deliver a first official reissue of the mega "Mystery Man". Alongside the original mix of this totally tropical electro-funk killer we get the dubby delight of a brand new extension from Velvet Season & The Hearts Of Gold. Top one!

                    TRACK LISTING

                    A. Mystery Man (Disco Mix) 
                    B. Mystery Man (Velvet Season & The Hearts Of Gold Special Disco Mix) 

                    The Mouse Outfit

                    Sunrise Feat. One Only - Inc. Shift Ops Remix

                    Manchester's legendary and long standing group The Mouse Outfit return with the tightest head-nodding beats, jazz influences, and smooth, stoner sonics to soundtrack the summer - this time with new talent and multi-instrumentalist One Only. With Metrodome joining in on production duties "Sunrise" is the feel-good, empowering summer anthem to raise spirits; whether your BBQ'ing in Alexandra Park, cruising the ring road on the way to a jam at Six Trees or dropping on your local soundsystem.

                    Flip it for a deep liquid DnB version by Shift Ops which perfectly marries that soul-elevating vocal with smoothing rollin' breaks and powerful subs. A ridiculous flip that makes total sense. Highly recommended!!

                    Produced by Chini + Metrodome
                    Guitar: Omar Sohawon
                    Bass: Alan Keary (Shunya)
                    Keys/Drums: Chini
                    Percussion: Emanuel J Burton
                    Mixed by Phil Kirby
                    Vinyl Master by Simone Squillario


                    STAFF COMMENTS

                    Matt says: Our favourite jazz-soul-hip-hop crew return with an absolute fire 7" in time for the summer. Gonna light up any gathering with this feel good slice of jazzy downbeat hip-hop. Raise energy levels with the tasty DnB tweak on the flip. A Manchester essential!

                    TRACK LISTING

                    A1 The Mouse Outfit - Sunrise
                    B1 The Mouse Outfit - Sunrise (Shift Ops Remix)

                    Paul Oakenfold Ft. Carla Werner

                    Southern Sun Remixes - Inc. Tiësto / Gabriel & Dresden Remixes

                      Reissue of Paul Oakenfold's classic "Southern Sun" from 2002, now
                      remastered for 2023 - this remix package features the full 9 min 44 sec trance journey by Tiësto & the equally dazzling Gabriel & Dresden remix, both of which have seen their stocks rise inline with the recent upinterest in trance; meaning 2nd copies fetch quite the pretty penny. 

                      Originally released as a double A side with "Ready Steady Go", it peaked at No. 16 in the UK chart. It was taken from 1M worldwide selling album "Bunkka" which was released the following month (and is also reissued alongside this single). Featuring vocals by Carla Werner, the original version and various remixes have been included on over 70 compilation albums. 

                      Tiësto's remix is an absolute beast of a track. Pulsating and rippling with various arps and leads, it epitomizes the long form trance epic - with a detailed and adventurous arrangement which constantly reveals more tantalizing hooks and endorphin-rushing greatness, the soaring vocal only surfacing towards the second half of the track. 

                      Gabriel & Dresden's remix contrasts jagged, hard-edge bass notes with an eerie mood and squishy background breaks. The vocal emerges early, guiding the track alongside an almost live bassline. If anything is accentuates the pop-like sensibilities of the track; with the focus on that vocal part; but the production surrounding it is nothing short of breaktaking, even some 20 years later. 



                      TRACK LISTING

                      1. Southern Sun (Tiësto Remix)
                      2. Southern Sun (Gabriel & Dresden Unplugged Remix)

                      Tokyo based producer and City-2 St. Giga label owner DJ Trystero arrives on Incienso with his debut LP “Castillo”. Over nine tracks Trystero explores uniquely spontaneous modes of rhythm and sound - turning ambient, breakbeat, electro, techno and house into blurred sonics that expand on their own time.

                      TRACK LISTING

                      A1. Ashlar
                      A2. Oriel
                      A3. Ludus
                      B1. Beneath
                      B2. VALIS
                      C1. Gutter
                      C3. Chamber
                      D1. Exit
                      D2. Tower

                      "U.F.O" was one of the many highlights of the "Swedish Library Grooves Vol 2" LP which was released in 2022.

                      These explorations of the mid-70's sounds of rare grooves and library music, were all reimagined, recorded and produced by a Swedish duo consisting of multi-instrumentalists Carl Johan Fogelklou and Fredrik Segerfalk aka Falk & Klou.

                      "U.F.O" was Jason Boardman's (Before I Die) go to psychedelic jazz-funk party starter so he approached the FK Library about a release on vinyl, with an expanded version.

                      BiD knew there was only one person for the role and were delighted when Andi Hanley (Misadventures / Nu Northern Soul / Ruf Kutz) accepted and consequently turned out a superb 7-and-a-half-minute psychedelic funk workout, expanding on the original arrangement and taking it to another cosmos.

                      Falk & Klou: Bass, Fender Rhodes, synthesizers, guitar, flute, percussion, vocals.
                      Daniel Hanson Cederskär: Saxophones.
                      Jakob Gudmundsson: Trumpet and flugelhorn
                      Andreas Paylsson, Drums
                      Rework by: Andi Hanley

                      STAFF COMMENTS

                      Matt says: A swampy and lysergic slo-mo cosmic number with searing guitar lines taken deep into the plasma pool by local legend, The Bat aka Andi Hanley. Before I Die goes from strength to strength, keenly eying up that label of the year award at this rate!

                      TRACK LISTING

                      A. U.F.O (Andi Hanley Rework)
                      B. U.F.O (Original Version)

                      Men From The Nile (Roy Davis Jr. & Jay Juniel)

                      Watch Them Come - Inc. Green Velvet / Soul Clap / Matt N Ricky Remixes

                      The newly revived Undaground Therapy Muzik label comes with one of the most sought after releases of the label... the 1999 classic Men From The Nile ft Peven Everett “Watch Them Come”. A highlight in DJ sets from people such as Theo Parrish, Kerri Chandler and many others. Standing the test of time and a testament to its dancefloor-ready grooves, “Watch Them Come” opens up the EP and still sounds as fresh as ever. Men From The Nile is a collaboration between Roy Davis Jr. and Jay Juniel, and for “Watch Them Come” they enlisted the legendary vocalist and multi-instrumentalist Peven Everett to complete the tribal cut. For the reissue, Men From The Nile are joined by some of the biggest names in dance music. Green Velvet aka Cajmere has been a mainstay in the Chicago circuit since the 90s, making a name for himself as a multifaceted artist as well as label head at Cajual Records and Relief Records. Key players in the club scene for over two decades, Boston duo Soul Clap add one of their tight, minimalist reduxes, while Matt N Ricky turn the swing up to +11 for a seriously wriggly Chi-town flavoured tweak. Recommended tribal pressure for every serious house head!

                      STAFF COMMENTS

                      Matt says: Tribal house zenith from '99 which Theo Parrish and many others got many dancing miles out of. Nothing epitomizes that red-lit, bassment buggin' house sound more than this. A true classic of the genre.

                      TRACK LISTING

                      Watch Them Come - Original Mix
                      Watch Them Come - Green Velvet Rmx
                      Watch Them Come - Soul Clap Rmx
                      Watch Them Come - Matt N Ricky Rmx

                      Following the intergalactic odyssey of their first release, Hi Quality Records are back for round two. Switching to hyperdrive for another blast round the sun with two feel-good, cosmic channelling, disco burners from the mighty More Amour aka Artwork and Jon Solo.

                      Cruising out across the cosmos ‘Solar Flair’ is a sublime slice of boogie brilliance, with an infectious bassline and keys to match. Turning the heat up to 10 with Jon Solo on the solos, spiritually working those keys as Artwork conjures up his magic at the production controls. If you could drop the top on this spaceship and roll those windows down, this is definitely the groovin’, head bobber you’d have soundtracking your beam across the interplanetary highways.

                      With that non-existent breeze flowing over your spacesuit, ‘Heatwave’ ramps up proceedings on the B side. A funk-fuelled trip where sweltering Rodgers-esque riffs and slap basslines dance around string stabs and smile-inducing chords, with a signature spellbinding synth solo to top it all off. Break glass in case of emergency, this is your ticket out of any subdued dancefloor.


                      TRACK LISTING

                      A1. Solar Flair
                      B1. Heatwave

                      The spectrum-spanning archive of Hudd Traxx grows at pace, and having rolled out jams from legends of the game on “Hudd Influences Vol. 1”, Eddie Leader’s acclaimed Manchester based imprint now hands a full debut to rising star… DFRA.

                      From label fan to label artist, Buenos Aires-based Colombian, Diego Ruiz, first featured on 2019’s”‘Out Of Order : Volume 3” with “I Am House”. His new “Blue Horizon” EP confirms that statement, as we’re presented with a trio of beautifully tailored tracks, highlighting a producer who is comfortable in his craft.

                      The shimmer and bump of the title track, evokes scenes of sun, sea and bodies moving in rhythm. A theme that runs throughout, as the perspiring vibes of “Hold Me” roll us into the club with its warm bass, pulsing keys and vocal, while final cut “Fallin’” with its hypnotic swing and thumping kick takes us deeper into the night.

                      Adding a final peak to the package is Real Tone boss, Franck Roger. Vocal flourishes, echoing keys and that renowned golden touch from the Frenchman round out this superb debut from DFRA.


                      STAFF COMMENTS

                      Matt says: New record on Eddie Leader's seminal Hudd Trax featuring the one and only Franck Roger who rolls out a truly classic sound on his mix of "Fallin'". The three OGs from DFRA are equally quintessential, deep house done properly - understated but unequivocally sexy.

                      TRACK LISTING

                      A1. Blue Horizon 
                      A2. Hold Me 
                      B1. Fallin' 
                      B2. Fallin' (Franck Roger Street Mix) 

                      The sum to infinity of a sequence is the sum of an infinite number of terms in the sequence. It is only possible to compute this sum if the terms of a sequence converge to zero. “Sum To Infinity” is also the second release from Gamut Inc, the retro-futuristic ensemble around composers and curators Marion Wörle and Maciej Śledziecki.

                      This second album by Gamut Inc combines custom-built autonomous music machines with haunting classical synthesiser sounds to create a dense musical kaleidoscope.

                      The core of the album is formed by Risset rhythms – cyclic accelerations and decelerations, in which rhythmic layers repeatedly fade in and out, setting in motion a seemingly endless process of rhythmic movement. The motifs are taken from geometric and arithmetic series that create urgency and restlessness. The rigour of the construction is obscured by an orchestra whose timbres are reminiscent of a retro-futuristic indigenous ensemble. Gamut Inc translate strategies of electronic music like pulse-width modulation to music machines such as automated accordion, automated percussion or glockenspiels and create an intense atmosphere that is idiosyncratic, original and modern at the same time.

                      Gamut Inc build their music machines, play electronic music festivals internationally, curate the Aggregate festival for automated pipe organs and composes for film, radio drama, and theatre. Their first opera, “Rossums Universal Robots”, premiered in 2022. Since 2011, at the intersection of electronic club culture and experimental music, they have produced live music, music theatre, film and theatre scores (including for the Junge Staatstheater Berlin) with their specially developed musical robots. They composed for ensembles like the RIAS chamber choir or the robot orchestra Logos Foundation and received invitations and commissions from international festivals and venues such as Sónar, CTM, Berghain, Sonic Acts, Technosphärenklänge or Numusic (NO). Gamut Inc has received numerous scholarships, including the Villa Kamogawa scholarship from the Goethe Institute in Kyoto, Japan, 2022. Their first release, “Ex Machina” was produced exclusively with music robots and released in 2014 in cooperation with Bôłt Records.

                      Excellent works here, do not miss! TIP!

                      TRACK LISTING

                      Series A
                      Series B
                      Series C
                      Series D
                      Series E
                      Series F

                      Guided By Voices

                      La La Land

                        La La Land doubles down on the intricate proggy-pop displayed on Guided By Voices’s last album Tremblers And Goggles By Rank. On a hot streak of critical acclaim, Robert Pollard continues expanding his songwriting towards extremes of prettiness, heaviness and poeticism. As always, unforgettable hooks are everywhere. But with this latest, it seems Pollard is playing with the extremes of his abilities as a songwriter, emboldened by the power of this lineup now on their fourteenth album together since 2017. The prettiest stuff is prettier than ever (“Queen Of Spaces”) and odder, more complex songs like “Slowly On The Wheel” combine minimalism, whimsy, and cinematic inclinations. There are the exquisite power pop bangers that fans come to expect like “Ballroom Etiquette” and “Pockets.” Tracks like “Instinct Dwelling” and “Caution Song” effortlessly display a cranked-up weight and complexity most bands could never muster. Celebrating forty years in 2023 with their thirty-eighth album, GBV has lately been garnering rave reviews from Rolling Stone, Stereogum, Brooklyn Vegan, Uncut, MOJO, Shindig, Paste, Popmatters, The Quietus and many more.

                        TRACK LISTING

                        1. Released Into Dementia
                        2. Ballroom Etiquette
                        3. Instinct Dwelling
                        4. Queen Of Spaces
                        5. Slowly On The Wheel
                        6. Cousin Jackie
                        7. Wild Kingdom
                        8. Caution Song
                        9. Face Eraser
                        10. Pockets

                        More Amour

                        Nightshift / Don't Look Down

                        Hi Quality Records hit the grounding running with their first release, a spellbinding, full frontal, double disco workout of original material from More Amour.

                        A melding of the minds of two longtime friends, Artwork and Jon Solo, More Amour kick things off with the peak time cosmic warper ‘Nightshift’. A cross-Atlantic cocktail of intergalactic synthwork, beefy drums and celestial pads with an extra shot of disco in there to keep you grooving till the early hours.

                        Flip it to find a Balearic boogie beast in the form of ‘Don’t Look Down’. Full of brain-spangling synths and blissful chords that will have your mind riding off into the sunset before that keytar solo blasts you into another dimension.

                        Package includes free peel off kiss-cut sticker.

                        TRACK LISTING

                        A1. Nightshift
                        B1. Don't Look Down

                        Jacques Greene

                        Relay - Inc. Skee Mask Remix

                        The ‘Fantasy’ EP saw Jacques Greene push further into his downtempo and ambient influences than ever before. Now he returns with a special club-tested, extended edit of key EP track ‘Relay’, alongside an incredible Skee Mask remix.

                        Said mix is frenetic, cerebral and progressive - pairing heavenly synth ripples with both jagged breakbeats and skitty jungle-esque rhythms. Swamped in rich pads and deep bass plumes it recalls the hedonistic & expansive bliss associated with labels like R&S, B12 and XL whilst injecting an urgent and forward-glancing take on vintage dance tropes.

                        In it's extended form. "Relay" is allowed all the space it needs to dance around that evocative bass and synth interplay. Glowing radiant, moving seductively, with perfectly poised breakdowns and drops; it's the glistening burst of tension and release that every dancefloor needs as it veers into post-peak exuberance and revelry.

                        'Immaculately produced and mixed, and profoundly effective - both for the pleasure centers it fires, and also for the associations it triggers. It feels like a genetic memory passed down across generations of ravers, encoded in their very DNA.' - Pitchfork.



                        TRACK LISTING

                        1. Relay (Skee Mask Remix)
                        2. Relay (Extended Edit)

                        Guided By Voices

                        Tremblers And Goggles By Rank

                          Tremblers And Goggles By Rank marks a new phase in Robert Pollard’s songwriting evolution. His songs have always included non-traditional approaches to form and song structure, but with this album, he has pushed it further than ever. While the familiar Guided By Voices pop-craft and melodic virtuosity always occupies center stage, the first-time listener will never be able to predict what’s coming next in a song.

                          “Alex Bell” and “Focus On The Flock” are the two anchors, each one expansive and filled with rock grandeur, and both exemplifying the complex wordplay, melodies, and structures that are hallmarks of the album.

                          GBV’s latest batch of brilliant songs ride on colorful psychedelic flourishes and brash post-punk textures that make this ten-song album a one-of-a-kind head trip.

                          While there are hooks and earworms aplenty within, this album is a complex and kaleidoscopic journey, representing a new echelon in the Guided By Voices universe. It represents another level of songwriting and performance from the group. It plays out like an intricate and powerful collage, in a very multicolored and multi-faceted fashion; a work grand in scale and undertaking.

                          There are triumphant and glorious choruses, deep and dark wormholes, sinewy twists and turns, bold and theatrical bravados, massive cliffs, plateaus, peaks, and valleys - these emotional landscapes reach new and unexpected heights along the way.

                          TRACK LISTING

                          1. Lizard On The Red Brick Wall
                          2. Alex Bell
                          3. Unproductive Funk
                          4. Roosevelt's Marching Band
                          5. Goggles By Rank
                          6. Cartoon Fashion (Bongo Lake)
                          7. Boomerang
                          8. Focus On The Flock
                          9. Puzzle Two
                          10. Who Wants To Go Hunting?

                          Karen Dalton

                          Shuckin' Sugar

                            In 1962, Karen summoned Richard Tucker to join her in Colorado, extolling the healthier lifestyle, and plentiful gigs at Boulder folk club The Attic. Upon his arrival, the pair solidified their personal and professional relationship, riding horses in the mountains, and performing as a duo at parties and venues throughout Denver and Boulder. Stories of the spell they conjured – and rumours of tapes! – have circulated among friends and musicians who witnessed them, but until now, no recorded evidence had turned up. Shuckin’ Sugar is the glorious result of three reel to reel tapes that miraculously found their way to us in November, 2018; which featured two complete shows from The Attic in January ‘63, and a benefit concert for The Congress of Racial Equality (CORE) recorded the following February. Their gigs would often include brief solo sets from Karen and Richard, in addition to the duets, and all seven solo songs of Karen’s found on the three reels are included here, as well as five duets, sequenced as close to how it all went down as humanly possible. To describe the record would take a poet, but all I can say is that unveiling a missing chapter in the Karen Dalton story – with six songs we’ve never heard her sing before – is cause for celebration in Delmore’s world.

                            “From her opening, jaw-dropping lift-off with early blues standard “Trouble In Mind,” the unique otherworld Karen conjured springs into vivid life. Playing to audiences inevitably bound to the era’s formalities and traditions, Karen instinctively pushed the envelope, straying into uncharted territory beyond the established borders. She must have bewildered many who came to see her in those winsome Peter, Paul and Mary times." From the liner notes by Kris Needs


                            TRACK LISTING

                            Trouble In Mind 
                            If You're A Viper
                            When First Unto This Country 
                            Shiloh Town 
                            Shuckin' Sugar Blues 
                            Everytime I Think Of Freedom 
                            Ribbon Bow 
                            Blues Jumped The Rabbit 
                            Lonesome Valley 
                            When I Get Home 
                            In The Pines 
                            Katie Cruel

                            Lined up next on Cosmocities is this trance-indebted EP from Prism, the collaborative endeavour of French producer Pascal Eloy and UK-based Grant Wilkinson. The three-track EP “CMSR006” mixes unreleased music (“Refraction”), a 1996-issued goodie (“Rain”) and an exclusive remix from SYO, better known for his ambitiously retro-futuristic output under the S.O.N.S moniker.

                            Originally released as part of Planet Dog’s 1996 compilation “Feed Your Head”, “Rain” retains all of its original mystique and soulful use of modern production tools - letting a cascading flow of arpeggiated synths, stealth bass onslaughts and 303-borne trippiness pour down as a fully immersive digital shower for the senses.

                            An unheard gem from the vault, initially written and recorded in 1995, “Refraction” pulls further dynamic traction from a bubbling drum programming and damp, urban jungle-y atmosphere - beaming us straight back in the rave’s most compelling heyday with its feverish maelstrom of fluttering bleeps, spiraling tribal motifs and faux-organic, Neo-Easternmost harmonics.

                            Adding his ever innovative spin to the table, SYO cuts into the flesh of the original to deliver a further syncopated and spacious version, flush with complex rhythmic sleights of hand and subtle melodic trickery throughout, bound to keep you on the edge with every bar. 25 years on since it was first designed, Prism’s lasting relevancy shines bright on this all-road, bold-to-the-full trance epic that’s lost nothing of its flair.


                            STAFF COMMENTS

                            Matt says: Early trance blueprints reimagined here whilst also catering to the kind of free party hedonism that swept through the country in the mid 90s. If you dug the Earth Leakage Trip 12" and the DJ Athome compilation - this ones for you!

                            TRACK LISTING

                            A1. Refraction
                            B1. Refraction (SYO Remix)
                            B2. Rain

                            Robert Pollard

                            Our Gaze

                              On Oct 9, 2007, Robert Pollard simultaneously released two albums on Merge Records: Standard Gargoyle Decisions and Coast To Coast Carpet Of Love. Both now out of print, Pollard has reimagined and condensed the two as Our Gaze, a single fifteen song album. Because it’s better.

                              TRACK LISTING

                              1. The Killers
                              2. Pill Gone Girl
                              3. Count Us In
                              4. The Island Lobby
                              5. Rud Fins
                              6. Current Desperation
                              (Angels Speak Of Nothing)
                              7. Hero Blows The Revolution
                              8. Come Here Beautiful
                              9. Shadow Port
                              10. Miles Under The Skin
                              11. Folded Claws
                              12. Feel Not Crushed
                              13. Youth Leagues
                              14. When We Were Slaves
                              15. Our Gaze

                              Dames Brown Feat. Andres & Amp Fiddler

                              What Would You Do? - Inc. Folamour Remix

                              Epitomizing the very best of their hometown’s unparalleled musical heritage, Detroit’s Dames Brown are the vocal trio you may not yet know by name but are sure to know by voice. Lending their exquisite range to a number of modern house essentials, including Sophie Lloyd’s ‘Calling Out’, The Vision featuring Andreya Triana ‘Heaven’ and David Penn’s ‘Nobody’ in recent years, Athena Johnson, Teresa Marbury and LaRae Starr now release ‘What Would You Do?’ on a limited 7” package. Produced by long-time collaborator of the group and fellow Motor City native Amp Fiddler and Mahogani Music regular Andrés, this slick, funk-filled and typically soulful vinyl release features the exceptional original version as well as Lyon house superstar Folamour’s remix, with his signature groove a perfect match for the Dames mesmerizing vocal. Don’t sleep!

                              STAFF COMMENTS

                              Matt says: Massive massive massive! Andres and Amp Fiddler on production! Bumps hard, kicks like a mule. With a bassline that'll cause ceilings to collapse.

                              TRACK LISTING

                              A. What Would You Do?
                              B. What Would You Do? (Folamour Remix)

                              Coss & Luca Musto

                              Remind Me Tomorrow - Inc. Noema Remix

                              The Magic Movement celebrate their 25th release with a wonderful selection of late night, tropical house from the Berlin based Coss & Luca Musto. Atmospheric jams that instantly transport you to star lit skies and red glowing neons, it comes with an equally hedonistic remix from label boss Noema. 

                              Coss has been a mainstay at Berlin's Kater Blau club for some time now and has just released an EP on the club's in-house imprint Kiosk ID as well as an EP for his own Metanoia label. Italian rooted but Germany-based Luca Musto returns to the Magic Movement here following his 2018 "Parabel" EP and has since gone on to release further material with Cologne's Feines Tier and Laut & Luise in recent years.

                              Here joining forces with the "Remind Me Tomorrow" EP the two artists deliver more of their distinctive tripped-out, dropped tempo club sound. "Broken Promises" leads the way via dreamy dubbed out textures, gnarly bass tones, twinkling chimes and airy arpeggios atop a galloping drum groove.

                              Title cut "Remind Me Tomorrow" follows and brings modulating resonant synth lines into the forefront alongside elongated subs, cinematic pads, and circling sequences while Luca also stirs in his own rap/spoken word hip house style vocals.

                              The third original "Concept Zero" follows next and lays down psychedelic guitars, choppy stabs, murky bass swells and dynamic delays before Noema rounds out the release with his take on "Remind Me Tomorrow", flipping the switch to raw, crunchy drums and spoken word vocal chants amongst the original's chuggy arps and dreamy melodic elements.

                              All tracks have this lush patina and crisp production that's gonna sound splendidly 3D on the high end festival rigs and nightclub systems. You'll be hearing a lot of this one over Summer months me thinks... 

                              STAFF COMMENTS

                              Matt says: Highly crafted, transportive music with tons of character and a unique, stylish identity. Shadow lurking nocturnal dance music with hi-def production. Mega.

                              TRACK LISTING

                              A1. Broken Promises
                              A2. Remind Santa (feat. Natalia Clavier)
                              B1. Concept Zero
                              B2. Remind Me Tomorrow (Noema's Resistance Rave Remix)

                              Following hot on the heels of his recent mini-album for Elephant Gait, Italian producer Joseph Tagliabue is back with a full-length album on Glasgow's Invisible, Inc.

                              With “Un' Altra Forma Di Vibrazioni” Tagliabue continues to expand on the cosmic foundations laid by such pioneering experimental forefathers as Franco Battiato and his ground-breaking abstract ambient work of the '70s and Klaus Schultze whose legendary Innovative Communications label birthed the Berlin School sound at the start of the '80s, then tracing a path toward later luminaries like Boards of Canada and Plaid. There's a personal, emotive and ethereal quality also present here conjuring feelings of 4AD's glory years and the likes of This Mortal Coil and Dead Can Dance. However, backwards-looking music this is not. It's fair to say the Milan-based producer is developing his very own distinct sound as he matures from one release to the next and regardless of his wide range of influences, it's Tagliabue's firm grasp of sound design and audio engineering that takes this album far beyond the realm of just electronica or psychedelia and plants it firmly into a distinctly forward-looking contemporary space of its very own that's as much music for the heart as it is music for the head.

                              Tagliabue provides some insight: ‘“Un' Altra Forma Di Vibrazioni” (meaning ‘another form of vibration in Italian’) is a concept album inspired by one of the most sensational scientific discoveries of recent years, namely evidence of the existence of the Cosmic Web. The album is comprised of ten tracks, each linked to one another, much like the various forms of matter in the cosmic web, and whose meaning can only be understood by listening to them as a collective whole, rather than as separate pieces of music. The album therefore is a well constructed sonic experience fusing elements of ambient, psych, rock, experimental and trance and is designed to be listened to continuously from start to finish; the album's journey through the universal elements is reflected in each track, whose rhythms resonate in harmony with the phenomena they represent, whilst a backdrop of drones and mesmeric grooves contribute to an atmosphere of otherworldly mechanical oneirism.’


                              TRACK LISTING

                              A1. Materia Visible
                              A2. Materia Oscura
                              A3. Galassie Lontane
                              A4. Gas E Polveri
                              B1. Energia Radiante
                              B2. Vuoti Giganti
                              B3. Velocita Orbitale
                              B4. Forza Gravitazionale
                              B5. Filamenti Cosmici 

                              Kamazu

                              Indaba Kabani - Inc. Dimitri From Paris Re-Edit

                              Kamazu's certified kwaito floorbanger from 1991 is one of the high watermarks of the genre. Featuring those heavily swung, slowed house drums, big Roland bass and those infectious township vocals that make the hairs on your neck stand to attention - it's further bolstered by a piano line that'd have half the Hacienda erupting into action. Such is the might and crossover potential of this dancefloor hit, certified godfather of disco, Dimitri From Parish take it upon himself to offer us a tasty reworking of the track across a whole side of wax for Afro Synth - tasty!

                              On the flipside we find another dope kwaito gem "Mjukeit" taken from Kamazu's 1997 CD, "Ghetto Style". Perhaps not as mainroom as its predecesor, its deep gliding subs, sweltered vox and relaxed, seriously swung drums recalls a thousand fiery sunsets dancing on the outdoor stage of your choice surrounded by like minded souls all succumbing to the unifying power of the house music groove. 


                              STAFF COMMENTS

                              Matt says: Uplifting piano-led kwaito backed with a slower, edgier number made for ghost-riding old Mercs around Durban. Absolutely wicked reissue from Afro Synth.

                              TRACK LISTING

                              Indaba Kabani (Dimitri From Paris Re-Edit)
                              Mjukeit

                              Big Mac

                              INC / SNL

                              Crazy good bootlegs from the genius that is Big Mac. Previously boppin on Nas, Jay-Z and Ol' Dirty Bastard, the esteemed sonic surgeon turns his attention to early 90s rap crew - Masta Ace Incorporated. A loose and breezy Brooklyn jam, "The INC Ride" gets populated with some fresh samples whilst Mac retains the most tasteful elements of this street-hop OG.

                              Side B sees "Saturday Night Live" tweaked into focus via the Bobbi Humphrey and Melvin Bliss groove contained within. This is a fiery, Wu-Tang inspired track and Big Mac manages to grasp the energy of the original perfectly.

                              Two exquistively ripped bootlegs that bang hard - don't sleep!

                              STAFF COMMENTS

                              Matt says: Streetwise raps from early 90s group Masta Ace Incorporated, who get jigged up nicely from tweakmaster Big Mac.

                              TRACK LISTING

                              Side 1
                              1. INC (Big Mac Edit)
                              Side 2
                              1. SNL (Big Mac Edit) 

                              Max Dean and Prunk come together in superb fashion for a new EP on South. It features three new cuts from Max, with a Prunk remix making it another explosive package.

                              Up first is "Loving Saturday", a driving house track with a nagging, soulful vocal that really tugs at the heart strings. The bass is warm and the drums kick hard, but this one really has some standout emotion to it. "This Party" is a more loose, fluid, ducking and diving groove, with rich percussion making it a perfect late night groove. More deft vocals add some human emotion as this one drives on.

                              "This Party (Prunk Remix)" is a nice spaced out deep house cut that has real bite. The kicks and hi-hats fuse together perfectly, while balmy pads encircle the groove to bring the vibes. Last of all, "Sunshine Upon the 33" is another big hearted out track with an irresistible groove. The dynamic drums never let up, while the spaced out pads work and great vocal samples all elevate the track.

                              This is a fantastic four track package from this new one to watch label.

                              STAFF COMMENTS

                              Matt says: Tech house has a dirty name these days but red light rollers like this suck me back into the scene! Max Dean with that kinetic energy its hard to ignore. Make sure you stretch your shoulders!

                              TRACK LISTING

                              A1. Loving Saturday
                              A2. This Party
                              B1. Sunshine Upon The 33
                              B2. This Party (Prunk Remix)

                              Subway Sect

                              Moments Like These

                                'Moments Like These', the new album from Subway Sect, produced by Mick Jones and featuring the 1981 Subway Sect Line-Up, Vic Godard with Sean Mclusky, Chris Bostock, Johnny Britton, & DC Collard and guest appearances by Mick Jones, Pete Williams, Terry Edwards And Simon Rivers.

                                Sukhdev Sandhu runs a publishing imprint Texte und Töne in New York. The LP, the imprint's first, is also the first-ever Subway Sect record to come out in the States. (Perhaps unsurprisingly: they did have a song called U.S. Cunts!) It's been produced by Mick Jones of The Clash. (A White Riot '77 reunion of sorts.) ‘There’s a certain element of unspoiltness about the whole thing and that’s what really appealed to me about it.’ Mick Jones MOJO.

                                ‘This is Vic reflecting on a lifetime in the music business. It sounds like a record that he had to make and is perfect for now. When I was a kid, I used to make up my fantasy punk band with members from different bands and they almost always contained Vic Godard and Mick Jones. The songs are as good as it gets and with Mick Jones producing and playing piano, what more do you need?’ Jim Reid, Jesus and Mary Chain.

                                ‘The Subway Sect story is one of the strangest, and therefore one of the best. Vic Godard indicated ways that pop should go. He dropped hints, left clues. It is all there.’ Kevin Pearce.

                                ‘Vic's always walked his own path. He's a model of independence. No wonder that he's recorded for some of the best UK independents (Rough Trade, el, Postcard). Years ago, when I was writing a book about nocturnal London, he took me on a postal round with him, all the while telling me funny stories about some of the prog rock aristos whose mail he delivered, and enthusing about the latest hip hop and bhangra he was listening to. Asked by Time Out to write an essay about my favourite Londoner, I wrote it about Vic. Now, in summer 2021, I'm very happy to help release Moments Like These. It's about thinking back and thinking forward, about walking your own path. It's got soul, swagger and swing. Vic Godard: always onward!’ Sukhdev Sandhu.

                                ‘It was an accident really as Sukhdev wanted to put What's the Matter Boy out until I told him I'd just recorded a new LP. I'd been in discussions with loads of record labels but they all wanted to get my back catalogue digital rights and weren't into the idea of putting out a new LP. I thought it was on course to be my 2nd lost album until the phone calls with Sukhdev.’ Vic.

                                TRACK LISTING

                                SIDE 1
                                A1. Since The '80s
                                Simon Rivers - Organ
                                Vic Godard - Guitar
                                Mick Jones, Simon Rivers, Johnny Britton, Chris Bostock, Sean McLusky -
                                B/vs

                                A2. The Place We Used To Live
                                Mick Jones - Piano
                                Simon Rivers - Piano
                                Vic Godard - Guitar
                                Simon Rivers, Chris Bostock, Johnny Britton - B/vs

                                A3. M.I.P.P (managing The Inter-product Pipeline)
                                Vic Godard - Guitar
                                Sean McLusky, Vic Godard, Johnny Britton, Chris Bostock - Chant

                                A4. Commercial Suicide Man
                                DC Collard - Piano
                                Mick Jones - Percussion
                                Chris Bostock, Johnny Britton - B/vs

                                A5. Sharks 'n' Vipers
                                Mick Jones - Piano
                                Simon Rivers - Piano
                                Vic Godard - Guitar
                                Chris Bostock, Johnny Britton - B/vs

                                A6. Footsteps On A Star
                                Mick Jones - Piano
                                Simon Rivers - Piano
                                Terry Edwards - Baritone Sax
                                Vic Godard - Guitar
                                Mick Jones, Chris Bostock, Johnny Britton, Simon Rivers - B/vs

                                B1. Bossa Nova Boy
                                Mick Jones - Keyboards
                                Vic Godard - Electric Piano & Guitar
                                Mick Jones, Chris Bostock, Johnny Britton - B/vs

                                B2. Juke Box
                                Mick Jones - Piano
                                Simon Rivers - Electric Piano
                                Vic Godard - Electric Piano & Guitar
                                Terry Edwards - Baritone Sax
                                Chris Bostock, Johnny Britton - B/vs

                                B3. How High The Walls?
                                Mick Jones - Piano
                                DC Collard - Organ
                                Simon Rivers - Electric Piano
                                Vic Godard - Electric Piano & Guitar
                                Chris Bostock, Johnny Britton - B/vs

                                B4. Jelly Legs
                                Mick Jones - Percussion & Clavinet
                                Sean McLusky, Chris Bostock, Vic Godard - B/vs

                                B5. She Looks Sad
                                Mick Jones - Piano
                                Simon Rivers - Banjo
                                Vic Godard - Guitar & Organ

                                B6. Time Shoulda Made A Man O' Me
                                DC Collard - Piano
                                Pete Williams - Clarinet
                                Mick Jones, Chris Bostock, Johnny Britton - B/vs

                                Si Brad Feat Azeem

                                Avenue 6 (Is This The Real Life ?) - Inc. Crooked Man Remix

                                The second selection from Toko's 2021 collection again sees label mainstay Si Brad man the controls on the sublime and soulful 'Avenue 6 (Is This Real Life?)'. Incorporating the crisp rhythms, heavyweight subs & swelling pads which are such a Toko trademark, Brad brings the bliss to this sensual house heater, enlisting Azeem's emotive vocal tones for an extra helping of soul.

                                The label enlist hometown hero Crooked Man for the B side business here, and the techno hero obliges with a pair of ferocious speaker tweaking reshapes.

                                Dark and cavernous, the 'Real Crooked' mix combines wall shaking bass, jacking drums and bloodless riffs into a smoke and strobe stomper, repurposing Azeem's vocal as a haunting refrain.
                                The dance floor paranoia continues on the 'Crooked Girl, Crooked Boy' mix, a sparse and dissociative take on the original equipped with demented dub FX and some serious bass weight.

                                An anthem in its original form, and a main room monster on the remix tip. Toko are back.

                                STAFF COMMENTS

                                Matt says: Second Toko release of the year and I gotta say we're really enjoying the renaissance! With star signings Si Brad & Crooked Man we are in safe hands for anthemic, end-of-holiday bliss. Don't forget this was supposed to come out in summer when it would make a lot more sense! To any DJs playing the southern hemisphere at the moment - your time.

                                TRACK LISTING

                                A1. Avenue 6 (Is This The Real Life ?)
                                B1. Avenue 6 (Real Crooked Mix)
                                B2. Avenue 6 (Crooked Girl, Crooked Boy Mix)

                                Prodigal son of the ESP Institute, Juan Ramos, rises from the cesspool of a world gone mad with 'Agua Del Cenote', his fifth release with the label. Whilst many artists are following their inner light to bring us some much needed joy amidst these rotten times, Juan (being the little shit that he is) follows an inner demon and delivers listeners and dancers a demented clusterfuck of sadistic chaos. The title track opens with what sounds like a butane torch and we metaphorically freebase into oblivion. Our perception of reality unravels, writhing in abrasive textures smeared across a low-slung, mid-tempo erotic thump. Everything feels blurry and distant, as if we’re swimming through an underground aquatic tunnel, in a panic, searching for an invisible band of spirits whose tune summons us into certain annihilation. Following this is a remix from a decorated lord of 20th Century electronics, Harald Grosskopf AKA The Synthesist. Harald wipes away grit and lethargy to reveal elements hidden deep within the mix as well as softens Juan’s sense of terror by building up to an optimistic layer of added synth. We’d love to offer some relief with the balance of the EP, however, the remaining two tracks paint complimentary hues in the same cerebral palette. 'Let It Go (Freaks Only)' veers closely to House in terms of tempo and gestalt, utilizing a vocal sample from Third Generation (Kerri Chandler) and a healthy dose of sub bass, but Juan hardly apologizes for his masochistic tendencies and certainly never relents into an uplifting mood. Closing the EP, Juan serves an antidote of sorts with 'Cuko', as if suggesting a way out of the swamp, but leaves it up to the listener’s intuition to not only see the carrot, but actually follow it into the light, thus completing the quest.

                                STAFF COMMENTS

                                Matt says: Deep mushroom chug from Juan Ramos perfectly in sync with the bumper harvest we've been experiencing. Facing your inner demons in the 5th dimension - this will empower and untangle your chakras!

                                TRACK LISTING

                                A1. Agua Del Cenote
                                A2. Agua Del Cenote (Harald Grosskopf Synthesist Mix)
                                B1. Let It Loose (Freaks Only)
                                B2. Cuko

                                House head, soul man and jazz aficionado Envee is back on Local Talk with 'Gotta Work' featuring Nick Sincklair on vocals.

                                Packed to the rafters with high quality deep and soulful house, “Gotta Work” has both inflections of both vintage US garage and the uplifting sound of modern house. Trev, a producer bringing some of the freshest sounds in broken beat delivers two versions, both with ultra-deep bass and wonky time signatures.
                                Local Talk can do know wrong!


                                TRACK LISTING

                                Gotta Work (1st Take)
                                Gotta Work (Trev Remix)
                                Gotta Work (2020 Mix)
                                Gotta Work (Trev Dub)

                                Pictish Trail

                                Natural Successor - Inc Django Django Mix

                                  A purgative surrender to nature’s whim driven by a clattering machine drumbeat and rolled in a puddle of filthy dirty fuzz, ‘Natural Successor’ is the riotous new single from isle of Eigg based Scottish psychedelic electronic-pop ogre Johnny Lynch AKA Pictish Trail.

                                  Set for release on limited-edition 12” vinyl by Fire Records, with support from Johnny’s own label Lost Map Records, it’s the first taste of a set of brand-new Pictish recordings produced by longterm collaborater Rob Jones (The Voluntary Butler Scheme, The Gene Dudley Group).

                                  The 12” single features exclusive remixes by Django Django and Makeness

                                  STAFF COMMENTS

                                  Matt says: Always nice to hear from the driving force that is Johnny Lynch. "Natural Successor" is soaring psychedlic rock with stadium potential. Django Django jump on board with a baggy, ALFOS-friendly tweak too. Then Makeness twist things up with a frenzied jungle refix.

                                  TRACK LISTING

                                  A1. Natural Successor
                                  A2. Natural Successor (Instrumental)
                                  B1. Natural Successor (Django Django’s Fazed And Confused Mix)
                                  B2. Natural Successor (Makeness Remix)

                                  Ko-Ta

                                  Shiza EP - Inc. Don't DJ / DJ Nobu Remix

                                  For the tenth release, Ko-ta joins DJ Nobu's Bitta label. The legendary Japanese producer, known for his releases on Stratosphere Records where he showed a unique take on tribal and off-beat techno tools, now returns with two fresh and fast paced rhythm work outs. After blown away by a tune he heard in a friend's Instagram Stories, Nobu asked the friend about the track which turned out to be a work of Ko-ta's. Nobu immediately suggested Ko-ta to release his material on Bitta, and the result is this outstanding and singular EP for which Ko-ta contributed two amazing originals. Remixed by Don't DJ who flips 'Shiya' into an energetic stripped down drum and bass swinger and DJ Nobu who re-works 'Shiza' with his powerful broken techno touch.

                                  STAFF COMMENTS

                                  Matt says: Conjuring a cauldron of bass, rhythm and shamanic energy, two far out cats cast spells onto Ko-Ta's "Shiya".

                                  TRACK LISTING

                                  A1. Shiya
                                  A2. Shiya (Dont DJ Remix)
                                  B1. Shiza
                                  B2. Shiza (DJ Nobu Remix)

                                  Heavy South African cut, unearthed by Dene from LCT, All about the massive title track ''Got My Magic Working''...

                                  The origins of Amajika is a tale of two worlds colliding at the perfect moment and begin in KwaMushu Township outside Durban. Here would be where a young Tu Nokwe would set up a school to help teach other aspiring youngsters like herself in music, dance and acting. This would become known as the Amajika Youth and Children’s Art Project and would be run from the Nokwe home, a common hangout for artists at the time. Some boast 2000+ pupils going through this program while others claim it wasn’t more than a backyard dance group, but for the lucky group of kids that were members in the mid 80s it would be their chance at stardom.


                                  It was during these years that a young aspiring playwright and musician Mbongeni Ngema had come across Tu and her group of gifted youngsters at the Nokwe family home. Although he was touring extensively at the time with the plays Woza Albert and Asinamali, the latter which eventually ended up on broadway, he would spend any time off from the tour with Tu and her dance troop. After being inspired by the American group New Edition, Mbongeni envisioned Amajika as the South African answer and decided to bankroll a studio session.


                                  The session would take place in a private studio in Durban.The release of the first single would follow very shortly. The lead track, Tomati-So is a fun swinging groove over some basic programmed drums. The song is dedicated to Tu Nokwe sings of her unique style and kind heart. On his next tour Mbongeni would take the remaining masters with him to the US and had the track remixed. Although it never materialized in a release States side he did return with the remixed tape and release it in South Africa the following year. Much like Tomato So the song was an ode and would be dedicated to the man who was making all their dreams come true. Got My Magic Working sings of going overseas and being a star on Broadway and TV and the man who is making it all happen. All these true predictions are sung on top of a groovy acid bass by a clearly matured troop of artists.


                                  During these years of working with Amajika, Mbongeni became very impressed with the exceeding talent of one of the members and decided to cast her in his upcoming musical Sarafina. The other children also wanted to be a part of the Broadway show but not everyone would get a role. This would be the end of Amajika as the next years would be dedicated to creating success on the musical stage. The growing kids that formed Amajika became young adults and pursued their own careers after the fact. Tu Nokwe would leave the country to return years later as the wife of Shaka Zulu on the big screen. To this day she is still very active both on stage and screen while Mbongeni is still writing and adding to the South African Musical Theatre catalog.


                                  Fast forward 30 years from the original release to a smokey club where ESA hears Got My Magic Working played by Rush Hours Store’s own Bonnefooi. Instantly he inquires about the track from his homeland and feels it a perfect addition the repertoire of the Afro Synth band he is quietly cooking up. The band’s instrumental take ended up as the B side on a mysterious and limited white label released by Rush Hour in early 2020 but quickly sold out.


                                  Here you have compiled the two title tracks from original Amajika singles along with the instrumental version by ESA’s Afro Synth Band for The complete Amajika experience, past to present. 

                                  TRACK LISTING

                                  Amajika - Got My Magic Working
                                  Amajika - Tomati So
                                  Esa's Afro-Synth Band- Got My Magic Working (Dub Mix)

                                  Mause

                                  Run / Stop EP - Inc. D'Arcangelo, Bot1500, Uf0, Utopia Cloak, Anitta, Suso Flores Remixes

                                  Braindance mentalism from Mause on Massage Brain Cult! I fuckin' love this label! Never heard of Mause before but I'm really digging this: melodious and velvety, which sets it apart from the more robust and aggressive side of the label. If you liked RX-101 on Sunction, D. Ball on Ourtime and the harmonic side of AFK then you need this in your life!  

                                  There's absolutely shed loads to go at across the double vinyl packa.ge Has remixes from D'Arcangelo, Bot1500 & UF0 whilst Mause's own compositions range hyper-serene futurescapes, dual-sequenced drum chaos (think AFX's "Drukqs") and glitched up neon-rave beauties. There's nods to electro in there too, with all the classic (and not so well known) drum boxes working overtime alongside a vertible array of soft and hard synths. 

                                  Honestly, if you're into the multi-dimensional evolution of electronic music that's taken place over the last 30 years or so, then this is gonna proper melt ya mind. Buy the ticket, take the trip - you will not be disappointed! Incredible. 




                                  TRACK LISTING

                                  A1.DMX Acidheim
                                  A2.Evas Bounce
                                  A3.Errire
                                  B1.Dolpin Funk1
                                  B2. Baecon3
                                  B3.Thorn(r8)

                                  C1. Dolpin Funk1-Utopia Cloak's "search For Atlantis Re-edit"
                                  C2. DMX AcidHeim - Anitta Rmx
                                  C3.Thorn(r8) - D'Arcangelo's "whispering Edit"
                                  D1. Evas Bounce - Bot1500
                                  D2.Erirre - Uf0 Rmx
                                  D3.Baeco

                                  Bouquet Records features Olive T. for their sixth EP release on vinyl to infuse their 2021 roster with the desired verve and energy that dormant club kids are thirsting for.

                                  Releasing in early summer, the energetic dance tracks herald a return to the dance floor, uplifted by soul-stirring synthesiser orchestral strings.
                                  The native New Yorker and scene fixture was influenced by 90's house, inspired by Raze, Deee-lite, Green Velvet, and smooth disco flows.
                                  The ascension sensation of 'Goin' Up' builds on familiar house grooves with digital synths and a thoughtful utilisation of today's technology.

                                  Known to play a range spanning hip hop to club, jazz to funk, disco to garage, and more, Olive T has DJ'd countless venues and over international airwaves.
                                  An early exposure to house and techno, combined with a wide span of diverse musical taste, shaped her unique style. In 2020 she started her own 2 hour radio show on The Lot Radio.

                                  Olive T worked with Tiro! due to her admiration of his use of traditional sounds of the 90's era, sensing he also listened prolifically to 90's house and techno. Tiro!'s remix of 'This Is A Bop' adds organic flare to the original.
                                  A long-time fan of Matt Karmil, she invited him to remix 'Opaque' - He flips the track upside down to reveal a different, but still vibrant interpretation, with his technical approach to remixing.

                                  Olive T has released singles and remixes on Nervous records, 2MR, and on her own. The four track record 'Goin' Up' marks Olive T's first label-released EP, and first release on San Diego-based Bouquet Records.

                                  TRACK LISTING

                                  A1. Opaque
                                  A2. Opaque (Matt Karmil Remix)
                                  B. This Is A Bop
                                  B. This Is A Bop (Tiro ! Remix)

                                  Alfredo Romero

                                  Bottle Job EP - Inc. Interplanetary Criminal

                                  More top drawer new garage as Alfredo Romero returns Dansu Discs with his "Bottle Job" EP.

                                  4 originals heavily inspired by all things UKG and dubwise. MCR's Interplanetary Criminal also slides in on the action with his remix of "Raspect" - this really isn’t one to sleep on.

                                  Reminds be a bit of El-B's classic double pack on Tempa with its intricate, trickski drum programming, sounds sytem rasta idents and beautifully balanced bass. Serious, this one of those records that makes everyone twist their head and / or rush up to the decks to see what's up. 


                                  TRACK LISTING

                                  A1. Wan More
                                  A2. Man Man
                                  A3. Raspect
                                  B1. Raspect (Interplanetary Criminal Remix)
                                  B2. Pet Nat

                                  Si Brad Feat Azeem

                                  Falling Down - Inc. Psychemagik Remix

                                  For their first new release in twenty years, Toko turn to the talents of their original 'in house' producer Si Brad, who calms and charms with the butter smooth Balearic soul of 'Falling Down'.

                                  Featuring the rich vocals of Azeem, this sublime sundowner takes Curtom horns on a Moon Safari, a nimble bassline chasing crunchy keys across the horizon before the sublime vocoder soul of the final third transports us from Sheffield to Shibuya. Slow burning, deep and meaningful, 'Falling Down' is your new summer soundtrack.

                                  Balearic trailblazers Psychemagik take the controls for the B side, creating an atmospheric extension which is low slung and laid back but still dressed for dancing. Building a haunting riff into the main refrain, they lead us through nearly 12 minutes of floatation tank funk awash with heart-swelling strings and cascading keys. As the breaks and bass intensify, the track swells into a true end of night anthem for the horizontal dancers.

                                  Welcome home.

                                  TRACK LISTING

                                  A. Falling Down (Brass Apes Mix)
                                  B. Falling Down (Psychemagik Remix)

                                  Cub Scout Bowling Pins

                                  Clang Clang Ho

                                    Cub Scout Bowling Pins hop in the “Magic Taxi”, turn on the AM radio and time travel forty to forty-five years back in time. The project is mysteriously presented, but it’s a thinly-veiled alias of the ridiculously prolific and talented Guided By Voices.

                                    Minus the usual punk and prog influences, there are strong whiffs of bubble gum, psych and soft rock with sugary doses of ornate baroque pop. Long renowned scholars of rock, the Ohio players have occasionally worn their influences on their sleeves, but this time they seemingly have their jackets on inside out.

                                    Perhaps conceptually similar to how GBV went tongue-in-cheek “country” backing Cash Rivers & The Sinners in 2018, but Cub Scout Bowling Pins is a thousand times subtler, like an eccentric cousin of GBV with the craziness knob turned up by 10%. And while Cash Rivers discs trade hands among collectors on Discogs for hundreds of dollars, Cub Scout Bowling Pins’ debut 7-inch Heaven Beats Iowa was recently spotted for sale for no less than $10,000.

                                    On their debut long player, America’s newest hit-makers dip into retro-futuristic weirdness, side-by-side with whimsical sophistication and candy-coated technicolor complexity. In the flip-flop world of Summer 2021, transistor radios will vibrate with the sweet and hooky “We” and “Nova Mona” while “© 1-2-3” will “climb” the “charts”.

                                    “Ride My Earthmobile” spins like an even-more demented 13th Floor Elevators. Is that Jimmy Webb or Lee Hazlewood hidden behind the latest issue of “The Telegraph Hill Gazette”? “Schoolmaster Bones” chortles with a groovy pretzel logic, while “Space Invader” and “Magic Taxi” beckon with jangling guitars, shimmering strings, mellotrons and vintage synths.

                                    Following three critically-lauded GBV albums recorded in quarantine in 2020, is this a light-hearted detour, a midlife crisis or just good clean Pandemic fun? Cub Scout Bowling Pins beg the questions: exactly what drugs are they taking? And where can we get some?

                                    Clang Clang Ho!

                                    TRACK LISTING

                                    1. Magic Taxi
                                    2. Flip Flop World
                                    3. Casino Hair Wife
                                    4. Ride My Earthmobile
                                    5. Schoolmaster Bones
                                    6. Eggs, Mother?
                                    7. Strange Walk Home
                                    8. Nova Mona
                                    9. The Telegraph Hill Gazette
                                    10. Everybody Loves A Baboon
                                    11. © 1 2 3
                                    12. Sister Slam Dance
                                    13. It’s Marbles
                                    14. Space Invader
                                    15. Human Car
                                    16. Competitor
                                    17. She Cannot Know
                                    18. We
                                    19. Roll Up Your Nose
                                    20. What Crawls Also Flies Over

                                    In its original form 'Bij Annie Op Bezoek' was a pretty avant affair involving dubby desk experiments spilling into snippets of folk and spoken word. Here South Of North enlist a trio of full time experimentalists to turn everyone's brains upside down. First up, Robert Bergman, whose released on LIES and BAKK were previous Piccadilly faves recasts TV Orangje as a twisted industrial chugger - slow, low and dripping with high grade narcotics. Next up, Planet Rescue alum Peter Graf York goes IN on his "Voor etc" remix, turning out a leftfield techno wonk machine, which he reprises on the B2 in utterly spangled techno fashion. The B1 belongs to Monty DJ who hooks us up with a rattling, polyrhythmic excursion into woodland house - it's up there with the best early Sueds!


                                    TRACK LISTING

                                    A1. TV Oranje (Robert Bergman Mix)
                                    A2. Voor Een Flat In De Merenwijk (Peter Graf York Mix)
                                    B1. Trappenhuis (Monty DJ Mix)
                                    B2. Voor Een Flat In De Merenwijk (Peter Graf York Pakje Sap Mix)

                                    Chantage (Eve Blouin + Vivien Goldman)

                                    It's Only Money - Inc. On-U Sound Dub Version By Adrian Sherwood

                                    Chantage are Eve Blouin and Vivien Goldman. This exclusive re-issue features the artwork from the original 7", the extended version of "It's Only Money" from the Chantage 12" and the dub version by Adrian Sherwood which previously was only released on On-U Sound under the project name Playgroup in 1983. Also features Bruce Smith (PopGroup/Slits), Carroll Thompson and Neneh Cherry amongst others.

                                    TRACK LISTING

                                    A. It's Only Money (Extended Version)
                                    B. It's Only Money (On-U Sound Dub Version By Adrian Sherwood)

                                    Released in 2020, Rheinzand’s self-titled debut LP heralded an authentic vibe of retro-futuristic disco-pop, distinguishing themselves in the current climate of dance music. The album was met with acclaim, picked by Piccadilly Records as their nr. 1 album of the year. Since, the material on that album have proven fertile ground for practitioners in the art of the remix. On this EP, we release a selection of those efforts.

                                    On the first slot, we have Running Back label owner and longstanding DJ heavyweight Gerd Janson polishing off his house music fluency with a gleaming take on ‘Blind’. The swerving vocals of Charlotte Caluwaerts’ reverberate through space ray arpeggiators and burnished drum gates.
                                    Belgian compatriot Blitzzega, the neon-drenched moniker of composer Bjorn Eriksson, features with a dizzyingly switched-on version of ‘Mi Mundo’, sporting gnawing synths and hijacked funk licks.

                                    Next, dub-pop wizards Peaking Lights serve up a heady brew of plugged-up melodies braided around Reinhard and Charlotte’s shuffling vocals. This remix blends the magenta glow of synthwave with the deep grooves of maybe late Theo Parrish. We round off the EP with a treat form Dennis ‘Citizen’ Kane, the iconic dance music figure who emerged in mid-90s NYC downtown scene. A veteran DJ and disco-head, Kane applies a luminous hand to Rheinzand’s ’14 Again’, deepening the vibe of kittenish mystery through carefully layered work of phasing drones, wandering synths, and mushrooming rhythm section (think T-Connection). 


                                    STAFF COMMENTS

                                    Mine says: After the success of the first remix EP we'll again be stocking an exclusive 12" by our album of the year winners Rheinzand, this time featuring remixes by Running Back mastermind Gerd Janson and shop favourites Peaking Lights. LUSH!

                                    TRACK LISTING

                                    A1. Blind (Gerd Janson Dance Mix)
                                    A2. Mi Mundo (Blitzzega Mix)
                                    B1. Synti (Peaking Lights Disco Dub Mix)
                                    B2. 14 Again (Dennis Kane Remix)

                                    A Grape Dope

                                    Backyard Blenders: The Remixes (Inc. Four Tet / Laetitia Sadier / Jeff Parker / Roberto Carlos Remixes)

                                    A 4 song EP of remixes of songs from A Grape Dope's "Backyard Bangers" album. Featured remixers are Laetitia Sadier (of Stereolab), Four Tet, Jeff Parker (of Tortoise), and Roberto Carlos Lange (also known as Helado Negro).

                                    Laetitia Sadier adds an air of whimsy, holding your hand as she guides you through the enchanted woodland of “Rat’s It Up”.

                                    Jeff Parker's wobbly-refix reminds me of classic Derrick Carter! Shuffled and twisted to within an inch of toppling over; it's overlapping arpeggios, hushed robo-vox and multitude of intertwining melodies an overwhelming excursion into peak tech-house territory that'd make Suat squirm!

                                    Side B begins with a more relaxed, jazz-indebted affair, Roberto Carlos' remix of "You Don't Have To" a traditionally informed, though rhythmically challenging number comprised of dry drums, piano, bass and some echo-drenched SFX.

                                    Completing the record, Four Tet swirls the stems of "Rainbo Locals" into the stratosphere for a dizzying and highly elevating twist which seems destined to turn craniums inside out when unleashed on a mass of people.

                                    Nice set of remixes to compliment a very nice album indeed. 10 outta 10.




                                    TRACK LISTING

                                    1. Rats It’s Up (Laetitia Sadier Remix)
                                    2. Rats It's Up (Jeff Parker Remix)
                                    3. You Don't Have To (Roberto Carlos Lange Remix)
                                    4. Rainbo Locals (Four Tet Remix)

                                    JFC. Last week Matt Ward accused someone (in the shop, not the generalised 'Man') of spiking the Piccadilly brews with one or more narcotics. Naturally we all laughed him out of the shop. But now, as I sit slack jawed and lost to the most profound déjà vu, I'm starting to believe the Kicking Pidge is in fact a pit canary. I walked into work as an out of shape, mildly out of touch 30-something - I still find friends funnier than I do unacceptable and haven't yet given up on Gervais - but now, as the sounds of this Romy 12" rattle through my ear drums, I'm young again, living out a Uni-era euphoria of Mkat and Mad Ferret. 

                                    Things are the same but different. Romy XX is on an indie label, her voice as pristene as ever, but now the line up of remixers represents the more balanced face of the industry, each one female or non binary and selected by Romy herself. Though the POV may be different, the purpose is the same, retool an indie OG for the various dance subsets out there. Jayda G takes the tech-house approach, taking the Innervisions approach of jazzy keys and moody bass whomps, while Planningtorock's "Let It Happen" remix is as close to electroclash as anyone dares to get in 2k21.Though the instrumentation may stray a little too close to Whitey's "Leave Them All Behind" the adventurous use of vocal pitch shift more than makes up for it. Kicking off the flip HAAi's in some sort of MBV meets EDM fever dream, translating the OG into a euphoric call back to Skream's "In For The Kill" remix (on a side note, the isolated vocal in the breakdown here has a distinctly Appalachian flavour - country EDM 2.0?) before local shero Anz pairs breaks and bass oomph with some rather sophisticated keys. 

                                    Four mixes for four different sets and one neat A Capella to show off those vocals in splendid self isolation. 

                                    TRACK LISTING

                                    Lifetime (Jayda G Baleen Mix)
                                    Lifetime (Planningtorock 'Let It Happen' Remix)
                                    Lifetime (HAAi’s Green Lamborghini Romix)
                                    Lifetime (Anz’s Togetherness Remix)
                                    Lifetime (A Capella)

                                    Round

                                    Days - Inc. John Talabot / Ex-Terrestrial / Fit Siegel Remixes

                                      'Days' is like no other track Round has produced to date. For a start, it's the first song he has ever written without using samples. It's also the first time he's worked with a vocalist. Truth is that everything surrounding the track's conception is somehow exceptional. The melody came to Torsten as a sudden spark, which he discretely hummed into his phone while walking in Assistens Cemetery in Copenhagen. "I always feel an urge to make music when I feel emotional, and like many other people I remember the emotional periods in my life", he recalls when questioned about what inspired him of that particular time and space. He then asked danish singer Astrid Engeberg to record vocals and after some work with the laptop the song was born. So simple, so special. The three remixes manage to be faithful to the original's haunting oddness while offering radically different takes on it. First off John Talabot pushes it into slow and sludgey mollusc break territories with a shamanic translation, then Ex-Terrestrial offers a sedated IDM interpretation for fans of BOC etc, finally the Fit Siegel gets his music box on with a deranged bit of technofunk.

                                      TRACK LISTING

                                      A1. Days
                                      A2. Days (John Talabot Skoooldub Remix)
                                      B1. Days (Ex-Terrestrial Remix)
                                      B2. Days (Fit Siegel's Bow Legged Mix)

                                      This week's Ronseal award goes to Cole Odin for the lush and perfectly titled "Warmth" EP, a much needed dose of mid afternoon sun in the week my boiler broke down. On A-side cut "This Kitchen Is For Dancing", Cole is in full Claremont 56 mode, combining sunkissed arps and nuanced drum programming beneath a chiming, chorus soaked guitar, recalling the horiztonal magic of the finest moments from Messers Smith & Mudd. "The Warmth Of Your Sun" switches the style but retains the vibe, dropping the tempo for a dubby downbeat jam absolutely dripping with hallucinogenic agents. Remixes come from Jack Priest and Adam Warped who strip back and speed up the cuts respectively for some full blooded Balearic house heat. 

                                      STAFF COMMENTS

                                      Patrick says: Lovely stuff from Cole Odin on Eclectics here, ensuring we all stay toasty throughout the imminent winter. Dreamy guitars, bubbling electronics and unchecked optimism wait within.

                                      TRACK LISTING

                                      A1. This Kitchen Is For Dancing
                                      A2. This Kitchen Is For Dancing (Jack Priest Remix)
                                      B1. The Warmth Of Your Sun
                                      B2. The Warmth Of Your Sun (Adam Warped Remix)

                                      Kai Alcé Ft Rico & Kafele Bandele

                                      Take A Chance (The Dubs) - Inc. Mr. Fingers / Larry Heard Remixes

                                      Pre-orders essential on this super limited NDATL release featuring two remixes from the legendary Larry Heard!

                                      Mega!

                                      TRACK LISTING

                                      A.Take A Chance (Mr. Fingers Full Ambient Acid Instrumental)
                                      B1.Take A Chance (Kai Alce Original Dub Mix)
                                      B2. Take A Chance (Larry Heard Dub Remix)

                                      Daniel Johnston

                                      The End Is Never Really Over (INC. XL SIZE T-SHIRT)

                                        THIS IS A RECORD STORE DAY 2020 RELEASE.
                                        LIMITED TO ONE PER PERSON.


                                        'Artistic Vice' and '1990' - 'Captain America FOLK' T-Shirt - 16 page art book - 'Jeremiah The Frog' pin badge - Stickers ñ 'Artistic Vice' and '1990' - 'Captain America FOLK' T-Shirt - 16 page art book - 'Jeremiah The Frog' pin badge - Stickers

                                        Ess O Ess & Saul Richards Feat. Laura Lee

                                        Totem - Inc. Hardaway Brothers / Otologic Remixes

                                        Ess O Ess have finally joined the Kinfolk stable with a thunderous release featuring Laura Lee of Khruangbin fame. Entitled "Totem", the original mix is a wailing guitar-heavy psyche rock-out that sees Laura Lee's vocals carrying it across a peyote-filled landscape. Saul's "Swamp Crawl" version sees the slow 'n' heavy rock elements kept in the mix but with added electronic flourishes. Head nodding is an optional extra while The Hardway Brothers decided to tune in with the spirit of Johnny Jenkins and haul it through New Orleans via a pit stop at John Carpenter's desert holiday home. Otologic bring up the rear with an altogether different take by donning their finest digi dub garb and take it as far away as they can from its psyche out beginnings; laced with 'lectronic dread and wacked-out tape delays. Mega!

                                        TRACK LISTING

                                        A1. Totem
                                        A2. Totem (Swamp Crawl)
                                        B1. Totem (Hardway Brothers Remix)
                                        B2. Totem (Otologic Dub)

                                        Last year Swiss savant, deep digger, production whizz and superstar DJ Lexx put a spell on us with his superb debut LP, "Cosmic Shift". Filtering disco, dub and Balearic through the shimmer of heat haze, he soundtracked a particularly toasty Piccadilly summer, and now returns on a remix tip to bring on the spring. 
                                        The party starts with Phantom Island natives Kejeblos, who transform "Wave" into a hard hitting but sophisticated bit of deep house which references vintage Prescription, summer of love euphoria and Italo House in the best way possible. Closing out the A-side is an extra scorching Balearic-dub mix of lead single "Too Hot", perfect for poolside coolers and daytime DJ sets. Flip it and we fall deeper into the dub with Second Circle-man Androo bringing the On-U vibrations to "Universal Prayer". Trippy tape fx and occasional burts of melody ride a moody digital groove right into the witching hour, persuading even the most straight edge to take a sip of the tribal brew. On the B2 it's the turn of another acclaimed psychonaught, boogie shaman Eirwud Mudwasser who transplants the Black Ark to Alexandra Park for a ultra dubby rockers mix of "Too Hot". Lastly Lexxy brings us the bonus with the fretless bass, dreamy keys and heartswelling beauty of "Expanding Happiness", a moment of light in these dark times.

                                        TRACK LISTING

                                        A1. Wave (feat Ella Thompson - Kejeblos Remix)
                                        A2. Too Hot (feat Woolfy - Red Hot Mix) 
                                        B1. Universal Prayer (Androo Rework)
                                        B2. Too Hot (feat Woolfy - Eirwud True Rocker Version)
                                        B3. Expanding Happiness

                                        Circa Waves

                                        Sad Happy

                                          An album of our times, ‘Sad Happy’ is formed of two diametrically distinctive sides – the first half of the record contains the Happy tracks, the latter the Sad tracks. Lead single ‘Jacqueline’ is unveiled today as the first taste of ‘Sad Happy’. Listen here. An infectious, Soweto flavoured groove, ‘Jacqueline’ is another bold slice of bright, life-affirming pop from the pen of Kieran Shudall, who is establishing himself as one of Britain’s most prolific young songwriters. With it’s infectious chorus and refrain of ‘Good times are coming around the bend’, Jacqueline is at once instantly recognisable and also another bold sonic leap forward for Circa Waves. It’s a song that’ll sit effortlessly amongst a setlist already brimming with anthems.

                                          ‘Sad Happy’ was written and produced in full by Kieran Shudall, and mixed by Grammy winners Dan Grech-Marguerat and Matt Wiggins. Today’s album announcement comes a little over six months after the release of April’s Top Ten Charting UK Album ‘What’s It Like Over There’. The prolific nature of Kierans’ writing, coupled with Circa Waves relentless appetite for playing live and their own label imprint, are cementing the Liverpool four piece’s reputation as one of the UK’s most dynamic and exciting bands.

                                          TRACK LISTING

                                          1.Jacqueline
                                          2.Be Your Drug
                                          3.Move To San Francisco
                                          4.Wasted On You
                                          5.The Things We Knew Last Night
                                          6.Call Your Name
                                          7.Love You More
                                          8.Sad Happy
                                          9.Wake Up Call
                                          10.Sympathy
                                          11.Battered & Bruised
                                          12.Hope There’s A Heaven
                                          13.Train To Lime Street
                                          14.Birthday Cake

                                          DJs, producers and unrivaled selectors, Danny McLewin and Tom Coveney have shared the next taste of their debut album ‘I Feel How This Night Should Look’ via their stunning next track, ‘Ghost Particle’.

                                          Recorded at Canterbury’s Cosmic Forest Studios, ‘Ghost Particle’ features English psychedelic-rock Syd Arthur frontman Liam Magill. A gorgeously emotive and glistening space prog infused moment track for the album, Ghost Particle glides along at cruising altitude.

                                          Released last year on their own imprint Psychemagik Recordings. ‘I Feel How This Night Should Look’ is an album with a phenomenal backstory spanning back over a decade. ‘I Feel How This Night Should Look’ is testament to the duo’s deep understanding and love of their craft, an LP which hones a layered intelligence that only long-term dedication to the art and craft of the DJ can deliver.


                                          TRACK LISTING

                                          A1. Ghost Particle (Feat. Liam Magill)
                                          A2. Ghost Particle (Instrumental)
                                          B1. Ghost Particle (Feat. Liam Magill) (Cable Toy Club Mix)

                                          Jacknife Lee

                                          Hit The Bell / Firewalls Inc. Sneaks And Haviah Mighty & Petite Noir

                                            This is the second 7” released from the album “The Jacknife Lee” by “Jacknife Lee”. I absolutely loved the first two Sneaks albums, I just couldn’t get enough of them and I sent a fan letter to Eva saying if she ever wanted a studio or anything i would love to help out, and so we began working together. She sends ideas and I send her ideas. “Hit The Bell” was one of those. Eva came up with the chorus and then it needed some verses. Haviah Mighty released one of my favorite records last year so I asked her to try something.

                                            Petite Noir’s “Blame Fire” and “Beach” blew me away. We met up in London last summer and came up with “Firewalls” one night. This is one of my favorites on the album.

                                            Jarv Is

                                            Must I Evolve? - Inc. David Holmes & Keefus Ciancia’s Unloved Rework

                                              From Jarvis re the mix: “David Holmes & Keefus Ciancia invited Catherine Rebeiro, Ennio Morricone, The Vampires of Dartmoor, Jean-Claude Vannier, La Düsseldorf, Alan Vega, Sergio Leone, Dario Argento & Jaromil Jireš to our Rave in the Cave.”

                                              TRACK LISTING

                                              Must I Evolve (Original Version)
                                              Must I Evolve (David Holmes & Keefus Ciancia’s Unloved Rework)

                                              Alongside a killer long player from label mainstay Lexx, Phantom Island treat us to a new solo effort by Zurich based Drummer and Multi Instrumentalist Domi Chansorn. He is best known for playing in and producing numerous Swiss bands like Fai Baba or Evelinn Trouble. Everything you hear was written, played, sung, arranged, produced, recorded and mixed by Domi Chansorn. With "Strawberry Moon" he has created a timeless psychedelic Pop-Opus which takes the listener on a trip to another sphere. The aforementioned Lexx pops up on remix duties, dropping a typically Balearic mix combining dub swelter, open hearted melodies and an irresistible day time disco groove.

                                              TRACK LISTING

                                              A1. Strawberry Moon
                                              B1. Strawberry Moon (Instrumental)
                                              B2. Strawberry Moon (Version By Lexx) 

                                              Two Door Cinema Club

                                              False Alarm

                                                The band’s first album to be released in full collaboration with Prolifica Inc, ‘False Alarm’ finds three piece Two Door Cinema Club gloriously unshackled and creatively at the peak of their game.

                                                Across its ten tracks, ‘False Alarm’ wryly scans and satirizes the social and environmental woes of 2019 through the prism of wonderfully off-kilter pop, simultaneously borrowing from and warping elements of future pop, disco, rock, funk and soul.

                                                “I love the pop thing,” frontman Alex Trimble explains. “I love experimenting and going to different places, I love doing things that are a little bit wonky and I love the idea of doing something we haven’t done before, why can’t we do all of those things at once? That’s what it was, doing whatever felt right… It sounds like Two Door Cinema Club - not a Two Door Cinema Club there’d ever been before but that’s what I love. We can always do something new but it always feels like something we’ve done.”

                                                STAFF COMMENTS

                                                Barry says: Channelling the spirit of 80's synthpop, mixed with rawkous party rock, Two Door Cinema Club have crafted a catchy and meticulously produced slab of pop perfection.

                                                TRACK LISTING

                                                Once
                                                Talk
                                                Satisfaction Guaranteed
                                                So Many People
                                                Think
                                                Nice To See You
                                                Break
                                                Dirty Air
                                                Satellite
                                                Already Gone

                                                Circa Waves

                                                What’s It Like Over There?

                                                  Recorded in just one month, and renewing their blossoming co-producing relationship with Alan Moulder (Foals, The Killers), What’s It Like Over There? is an album that’s creatively unshackled and refuses to stay still. It fuses the visceral thrill of rock music with a slick pop sound, its themes of modern ennui, emotional fragility and all the inside-outs and upside-downs of relationships making it a record that could only have been made now.

                                                  Whilst the anthemic ‘Movies’ will appeal to the band’s long-standing fan base, the likes of ‘Sorry I’m Yours’ and ‘Be Somebody Good’ see Circa Waves experiment with a new progressive sound that will surprise and delight in equal measure.

                                                  ‘Me Myself & Hollywood’ touches on the band’s love of R&B, whilst ‘Times Won’t Change Me’ is a piano-led, Beatles-inspired future hit. What’s It Like Over There? always manages to sidestep genres and easy pigeonholing, but what remains constant is Circa Waves’ ability to create the kind of infectious music that is propelling them towards the top tier of British music.

                                                  STAFF COMMENTS

                                                  Barry says: Circa waves mix plaintive, delicate instrumental melodies with weighty, synth-led anthemic interludes. From the crisp, rhythmic vocal lines to distorted guitar-led euphoric indie, Circa Waves have a firm handle of melody, and a brilliantly produced mix of delicacy and heaviness.

                                                  TRACK LISTING

                                                  1 What’s It Like Over There?
                                                  2 Sorry I’m Yours
                                                  3 Times Won’t Change Me
                                                  4 Movies
                                                  5 Me, Myself And Hollywood
                                                  6 The Way We Say Goodbye
                                                  7 Be Somebody Good
                                                  8 Passport
                                                  9 Motorcade
                                                  10 Saviour

                                                  Vic Godard

                                                  Mum's Revenge

                                                    I started recording mums' revenge in summer 2016. Dave Morgan (The Rockingbirds, ATV, The Weather Prophets) had just joined the Subway Sect as our latest drummer and had a studio in his front room in St Albans. Over the next two and a half years we gradually did more and more tracks until we had more than enough for a record. I played all the instruments while Dave did the drums, percussion and recording. I was happy with my bass lines but not my bass playing which was all attack and no finesse. Luckily Ruth Tidmarsh was on hand and is a superb bassist and fine singer. Dave had already alerted me to her skills as a photographer but as a three piece Sect we were all in the same zone musically, which is a must when you have a tight budget. So Ruth played my bass lines but in a more musicianly way (ie. no horrid buzzy noises). It was an altogether happier experience than most recording set-ups. No outside interference meant we could do just as we wished and we had lots of voices other than mine in the final mix - which we had hoped for from the outset. We were helped out by Helen McCookerybook, Simon Rivers and Neil Palmer from the Bitter Springs/Oldfield Youth Club, Davy Henderson, Jock Scot and Gareth Sager, and Subo from Asbo Derek. The intro is spoken by a friend of mine called Neil Palmer - he's a drummer who writes a bit of poetry as a result of doing a gig in Manchester with me, The Bitter Springs and Jock Scot about 15 years ago. Jock inspired him to get a slim volume of his own poetry printed up. We did a live reading/music session for Resonance - Johny Brown's Bad Punk show. Neil recited the words over my single, Can’t take the sunshine away and I asked if he could repeat the trick for my LP. 

                                                    Audiobooks

                                                    Friends In The Bubble Bath - Inc. Gwenno / Gabe Gurnsey / David Wrench Remixes

                                                      Audiobooks are pleased to share a remix bundle for their latest single, ‘Friends in the Bubble Bath’, out now via Heavenly Recordings. The release features two remixes by Gabe Gurnsey (Factory Floor) and one each from Welsh songstress Gwenno and Audiobooks’ own David Wrench.

                                                      “I love audiobooks, and 'Friends in the Bubblebath' is brilliant,” Gwenno says. “I wanted to create a reflective atmosphere around Evangeline and David's lyrics, to try and compliment the story and that feeling of the party still trying to keep going at 3am, as parties tend to do.”

                                                      “It was a real pleasure to be asked to remix Audiobooks’ as I’m a big fan of theirs,” Gurnsey adds. “I wanted to take all that energy they exude vocally and musically and bring it onto the dance floor. I ended up working on two remixes which work side by side, reflecting that chemistry David and Evangeline have in their live performances.”

                                                      TRACK LISTING

                                                      A1 Gwenno Remix
                                                      A2 CBD Bath Oil Version
                                                      B1 Gabe Gurnsey's Gamma Ray Remix
                                                      B2 Gabe Gurnsey's Blubblebath Remix

                                                      Chris Carter

                                                      Chris Carter’s Chemistry Lessons Volume One.1: Coursework (Inc. Daniel Avery, Radiophonic Workshop & Chris Liebing Remixes)

                                                        Remixes from Chris Carter’s "Chemistry Lessons Volume One.1: Coursework" alongside a new piece - "Bongo Glow".

                                                        A work in progress at the time the album was completed, "Bongo Glow" was completed using the same processes as the rest of "CCCLV1", and it juusst about made the cut for the Japanese release date. But for you lucky listeners Mute have ensured its inclusion here. A slowly morphing, elasticated track with mangled, computerized vox, playful melodies and push-pull rhythms; it's deliciously quirky and textured and should appeal to both die hard electronica fans and lovers of leftfield pop.

                                                        The additional three reworkings included here were created without direct instruction as an experiment to see how they changed with input from external sources. Daniel Avery’s remix of "Usyring" is a slow building, mesmerizing industrial pounder which fits perfectly with the producer's current MO. 

                                                        Meanwhile The Radiophonic Workshop took "Blissters" and created a more experimental reworking exectued in their unique style and Chris Liebing gives "Tones Map" a brooding end-of-world type feel, adding his 'Slow Burn' remix technique.

                                                        TRACK LISTING

                                                        Bongo Glow
                                                        Uysring (Daniel Avery Remix)
                                                        Blissters (Radiophonic Workshop Remix)
                                                        Tones Map (Chris Liebing Burn Slow Remix)

                                                        Having already made a name for himself in Nollywood (the Nigerian film industry) and in the sweatiest of London’s sweaty clubs. Ekiti Sound fuses Chicago house, Detroit techno and African poly rhythms with deviant electro synth patterns and a sub bass so deep you can hear the speakers rattling from Manchester. Throw in some cowbell, (what sounds like, to my uneducated ears anyway) arabic vocal and you have a dark, brooding, wall shaking, floor filling Lagos via London bomb.



                                                        TRACK LISTING

                                                        A1. Area 10k Boys Riddim
                                                        B1. Area 10k Boys Riddim (Flightmode Remix)
                                                        B2. Area 10K Boys Riddim (Radio Edit)

                                                        Erell Ranson

                                                        Hand In Hand - Inc. DJ Normal 4, Pariah, SW Remixes

                                                        Kalahari Oyster Cult have been thumbing through their back catalogue and return to a past gem for some renewed attention. 2017 saw the release of Erell Ranson’s "Hand in Hand", a quintet of beautifully crafted machine music. Two tracks have been chosen from the EP and remixed with stunning results.

                                                        First up is DJ Normal 4’s "Sealife Safari MixX" of "If We Never Try". The sweet, shimmering melody of the original plus the bubbling bass and subtle notes, are transformed in this remake. Silvery chords morph into bold and daring new forms under the tutelage of Tim Schumacher, neon streaked patterns coalescing with broken and cracked percussion for a superbly uplifting piece.

                                                        Pariah follows with his rework of “Hand in Hand.” A deep dreamscape intricately woven with heady notes, birdsong and endless possibilities.

                                                        The final odyssey comes care of SW (Stefan Wust) of SUED fame. The Berlin based musician delivers his reimagined idea of “If We Never Try” with Ranson’s version being washed over by lapping lines and gentle currents to create a smooth rounded finale. A trio of unique perspectives from three true talents of electronic music.


                                                        STAFF COMMENTS

                                                        Matt says: Market leaders in late night voodoo, Kalahari Oyster Cult revisit a past spell book for some new interpretations; closing off what's been a truly shamanic year in fine style.

                                                        TRACK LISTING

                                                        1. Erell Ranson - If We Never Try (DJ Normal 4 Sealife Safari MixX)
                                                        2. Erell Ranson - Hand In Hand (Pariah Remix)
                                                        3. Erell Ranson - If We Never Try (SW. Amnesia Interpretation)

                                                        Light blue touch paper and retire to the safety of the DJ booth! Parquet Courts meet Danny Krivit uptown for a punk funk / disco-not-disco / indie dance special which couldn't be more Piccadilly if it tried. Not only does the A-side of this limited disco platter combine the musical talents of two of our all time favourites (2012 Album of the Year winners Packet Quartz and ten time All Star Edit champion Danny Krivit) but it also sounds like it's beamed in store directly from the Hacienda circa 1987. Taking the loose funk of PC's album stand out "Wide Awake!" and running with it, Mr K lets those slacker guitar licks ride tumbling drums, teases the odd electronic beep and lets the shout-a-long vocal drop before finally letting us have the full force of the bassline. Groovy as it gets and boasting all the bells and whistles you could ever wish for, this is the greatest dancefloor jam Madchester never wrote for luck. Flip it for a heater from the other end of the Hacienda spectrum as Australian producer and engineer Mikey Young replaces the bassline with an electronic pulse, strips the percussion back to a roland jack and stretches the track out into the kind of club killer you'd expect to hear Park or Pickering hammering at the end of the warm up. The Aussie closes the set in slamming fashion with a fucking punishing acid techno rework of "Normalisation" which rattles through the wormhole at a dizzying 150 bpm - techno punk at its finest.

                                                        STAFF COMMENTS

                                                        Patrick says: Garnering maximum Piccadilly buzz right now, the combination of Danny Krivit's edit expertise and the slacker punk-funk of Parquet Courts has the old guard reminiscing about their halcyon days at the Hac or blah, and us young'uns reliving the DFA era with endorphin soaked enthusiasm. Chuck in a Mikey Young's Manc house mix and techno punk stormer and you've got yourself a killer kid!

                                                        TRACK LISTING

                                                        Wide Awake! (Danny Krivit Re-Edit)
                                                        Wide Awake! (Club Mix) By Mikey Young
                                                        Normalisation (Collective Witnessing Mix) By Mikey Young

                                                        Marty Baller

                                                        Baller Nation

                                                          A$AB Mob affiliate Marty Baller, started his career out as A$AP Ferg’s hype man, before becoming a serious solo artistic his own right. The last year and a half has seen Baller steadily building up to the release of ‘Baller Nation’ with co signs from A$AP Mob and support tours with the likes of Future. ‘Baller Nation’ is Marty’s second mixtape, following 2016’s ‘Marty G Raw.’ The concise 10 track tape sees Marty upping the stakes, with confident lyrics, big trap beats and an all start features list including A$AP FERG, Rich The Kid, Rob $tone and Smooky Margeilaa. Omerta Inc will be bringing Marty Baller’s ‘Baller Nation’ to vinyl for the very first time, to celebrate the 1st anniversary of the albums original release. Limited to 150 copies pressed onto 180gm cocaine white vinyl. Each copy will be individually hand numbered in gold pen and come housed in a high quality matte finish sleeve with original artwork

                                                          TRACK LISTING

                                                          1. First Quarter
                                                          2. Gladys Knight (ft 5Am & Reese LAFLARE)
                                                          3. Do My Thing (ft Madein-TYO)
                                                          4. I'm On The Moon
                                                          5. Slick Talk (ft Rob $tone)
                                                          6. Like Mike (ft A$AP Ferg, SMOOKY Margielaa & Aexyz)
                                                          7. Send Em My Way (ft A$AP Ferg)
                                                          8. Rambo (ft Rich The Kid)
                                                          9. Nothing Wasted
                                                          10. Throw The Money Away

                                                          Cuts

                                                          Dream Voyager (Inc. Slowdive Remix)

                                                            Following the recent release of the "Exist" EP, Cuts - composer and filmmaker Anthony Tombling Jr - releases "Dream Voyager", with remixes from shoegaze legends Slowdive and Village Green labelmate Ben Chatwin.

                                                            The original’s electric hum, pounding drums and indistinct vocals are reassembled by shoegaze heavyweights Slowdive and Village Green labelmate Ben Chatwin. The former remould the tune inline with their image by adding a pulsating heartbeat and swathes of atmospheric guitar while on the flip Chatwin transforms the tune almost beyond recognition, into a rumbling monster decked with cascading analogue synths and distorted percussion.

                                                            TRACK LISTING

                                                            Dream Voyager (Original Mix)
                                                            Dream Voyager (Slowdive Remix)
                                                            Dream Voyager (Ben Chatwin Remix)

                                                            Various Artists

                                                            Escape To The Red Mountains / Who The Fuck Is Cup Of Tea? Inc. Lockwood

                                                            After teasing our pleasure centres with that excellent sampler and the Studio58 album, Lemonade serve up their newest press of fruits: Lockwood's 'Escape to the Red Mountains' EP. Picking up right where they left off with "Blue Heron" on the sampler, Lockwood's debut EP on Lemonade is a perfect slice of musical escapism. With influences from jazz, house, garage & ambient, Lockwood tell their story about a boy's adventure of becoming a man. Packed with bleeps, bloops, cats in space and broken rhythms, these are  some astral travellin', speakers not handlin', dance floor tremblin' vibrations. Take the trip folks!

                                                            STAFF COMMENTS

                                                            Millie says: This really does have it all, mainly jazz instrumentals but it incorporates different genres seamlessly such as house elements, spoken word, merging an electronic jazz-funk groove and broken beats thrown into the mix too for some good measure. The outcome is brilliant, you’ve got to hear this one.

                                                            TRACK LISTING

                                                            A. Lockwood - Jane's News
                                                            A. Lockwood - What Time Is It ?
                                                            A. Lockwood_Escape To The Red Mountain
                                                            B. Numen Feat Sadu - Chptr 1
                                                            B. Fungku - Nospce/Rip
                                                            B. Yarno & Vicking - Elevator
                                                            B. Title - Froove
                                                            B. Pippin - Tsu
                                                            B. Mambelle & Fungku - Calm Before The Storm

                                                            77:78

                                                            Chilli - Inc. Dubwood Allstars Remix

                                                              77:78, the new project from Aaron Fletcher & Tim Parkin, card-carrying members of the musical kaleidoscope that is The Bees, release Chilli, the latest track to be taken from their debut album, Jellies, which is released on Heavenly Recordings on Friday 6th July.

                                                              There's just 150 copies of this life affirming 7” featuring the original version of Chilli on the A side and on the flip a brilliantly nuts (and soon to be in-demand) remix by Dubwood Allstars. 

                                                              Talking about the track, Aaron said:
                                                              "Chilli is just us being the sort of 70’s dirty ol’ roadhouse blues band that we always wanted to be....dressed in double denim and playing in a desert bar where the chilli is hot as rockets."

                                                              Here’s a quote from Dubwood Allstars:
                                                              "Looking forward to seeing 77:78 ...hope they're as good as when I saw them at The Fillmore in '75, managed to capture this stomping version of Chilli on my Nagra, been in the loft ever since…”


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