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RYAN DAVIS AND THE ROADHOUSE BAND

Ryan Davis & The Roadhouse Band

New Threats From The Soul

    2023’s 'Dancing On The Edge' was quickly beloved by those who stumbled upon it, earning high praise from publications like Pitchfork & The Line Of Best Fit, who deemed it a “remarkable, endlessly rewarding debut.” His second album, 'New Threats From The Soul', reckons mightily with the perplexities of human efficacy and agency in an absurd and debased world. This probably sounds hopelessly plodding and severe. It is not—not remotely. It’s a shit-ton of fun. The songs are all earwigs; the arrangements genuinely thrilling, enlivening efforts by the crackerjacks that comprise the sprawling Roadhouse Band. Each trip through the record reveals more of the depth and breadth and tangle of its tapestry.

    Across 'New Threats…', Ryan manages near-rhymes that a hundred years’ worth of monkeys labouring at Chat GPT-enabled typewriters couldn’t achieve: “bromeliad” and “necrophiliac”; “urinal” and “de Chirico.” Kinky Friedman lamented that people thought his funny songs were sad and his sad songs were funny, when they were both simultaneously. Like the Kinkster, Ryan can make you laugh through a lump in your throat. In his formidable crew of harmony singers there are four of the most gifted lyricists & vocalists to currently walk among us—Catherine Irwin, Will Oldham, Lou Turner, Myriam Gendron— which testifies to the profound heft of his writing (these folks don’t often sign up to sing pap).

    'New Threats From The Soul' is a masterclass in reducing the sublime to the prosaic, immensity to infinitesimally, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam, rubbish heaps of fragments and shards. We, especially, are jerry-rigs of bubblegum and driftwood, inconsistencies and incoherencies, dead dreams and necrophagous hopes, “mismeasurements between the place where [we are] and the place where [we] could have been,” although somehow not—miracle of miracles—bereft of simple joys, as Davis sings on today’s single.

    The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe, just not for us. 'New Threats…' suggests that maybe, just maybe, something like redemption is possible, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn.

    STAFF COMMENTS

    Barry says: Organic sounding flickers of acoustic guitar and snappy percussion underpin the beautifully harmonised vocals and swooning slide guitar. While there are moments of thoughtful minimalism, it merely offsets the jubilant melodic intensity of the rest of the LP. Beautifully uplifting and summery sounds throughout.

    TRACK LISTING

    1. New Threats From The Soul
    2. Monte Carlo / No Limits
    3. Mutilation Springs
    4. Better If You Make Me
    5. The Simple Joy
    6. Mutilation Falls
    7. Crass Shadows At Walden Pawn

    Ryan Davis And The Roadhouse Band

    Dancing On The Edge

      "At the frayed bottom-edge of Indiana – just a moderate bike ride north of Louisville, Kentucky – multi-instrumentalist, artist and songwriter Ryan Davis’’ Americana-noir soundwaves have been emanating for years in a myriad of forms. As driving force for the lauded State Champion, long-running member of Tropical Trash, administrator of the esoteric and excellent Cropped Out festival, and lone proprietor of the Sophomore Lounge label, Davis lays down his first proper ‘solo’ release with Dancing On The Edge, a rich, 2LP tapestry of tunes that absolutely glows over seven expansive cuts. It’s a pure collage of modernity and heritage.

      After a period of introspection spent re-immersing himself in his drawing & painting practice, as well as his newfound delvings into instrumental music, Davis’ sea change was imminent. “I wasn't sure I would ever make another record of ‘song’ songs,” he says, “but last year I started writing again and it eventually took the shape of the record at hand. I worked painstakingly hard on the material. It felt virtually impossible to complete for a bulk of the time I spent trying to enter into it, but the process pulled me out of a strange place. I was eventually able to live inside of the songs enough to understand the world within them – to ultimately help shape them into what I understood them to be.” Indeed, there’s a load of inspiration captured in the grooves with Ryan’s unfiltered, folk-traditioned approach to poetic twists-of-tongue meeting head on with sublime instrumentation.

      TRACK LISTING

      1. Free From The Guillotine (08:22)
      2. Learn 2 Re-Luv (06:03)
      3. Flashes Of Orange (09:56)
      4. Bluebirds In A Fight (07:07)
      5. Junk Drawer Heart (06:25)
      6. A Suitable Exit (09:20)
      7. Bluebirds Revisited (03:57)


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