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ROB

'Legendary genre-bending, multiple Grammy and Emmy-winning artist and producer Robert Glasper releases his newest project, Fuck Yo Feelings. It is the result of a 2-day session in which Glasper invited musician friends to stop by the studio and organically create together, the final result being this mixtape which sonically documents the lost art of improv and on the spot collaborations that can only come from authentic relationships and true artistry. 

STAFF COMMENTS

Patrick says: Unstoppable jazz gee Robert Glasper makes expert use of his stacked Rolodex here, inviting a whole load of talented MFs for a two day session of improv action. Rather than sounding rushed or unfinished, this double LP is vital, immediate and punchy AF, traversing jazz, hip hop and broken beat with ease.

TRACK LISTING

A1. Intro (feat Aaron Crockett)
A2. This Changes Everything (feat Buddy & Denzel Curry, Terrace Martin & James Poyser) 
A3. Gone (feat YBN Cordae & Bilal & Herbie Hancock)
A4. Let Me In (feat Mick Jenkins)
A5. In Case You Forgot
B1. Indulging In Such
B2. Fuck Yo Feelings (feat Yebba)
B3. Endangered Black Woman (feat Andra Day & Staceyann Chin)
B4. Expectations (feat Baby Rose, Rapsody & James Poyser)
C1. All I Do (feat SiR, Bridget Kelly, Song Bird) 
C2. Aah Who  (feat Muhsinah & Queen Sheba) 
C3. I Want You
C4. Trade In Bars Yo (feat Herbie Hancock)
C5. DAF Fall Out
D1. Sunshine
D2. Liquid Swords
D3. DAF FTF
D4. Treal (feat Yasiin Bey)
D5. Cold

Robin Richards, principle composer in the band Dutch Uncles announces Castel, his debut solo EP. A stunning six pieces, Castel draws on everything from Gregorian chanting to Steve Reich-esque minimalism and rhythm-led musique concrète. Robin Richards: ""Toompea" is set during the Estonian fight for independence, and is an exploration of the impact political that Soviet oppression in the Baltics had on native artists in the 70s and 80s. It's written in three movements, and named it after the ancient castle which houses the parliament of Estonia."

STAFF COMMENTS

Matt says: We always knew Robin Richards was one wacked-out quirky weirdo (in the best sense!), but this proves it! Completely uncategorizable but genius in every way!

TRACK LISTING

1. Cofi
2. Arvo
3. Gefail Yr Ynys
4. Toompea
5. B-R
6. Llongau Caenarfon

Matana Roberts

Coin Coin Chapter Four : Memphis

    Matana Roberts returns with the fourth chapter of her extraordinary Coin Coin series - a project that has deservedly garnered the highest praise and widespread critical acclaim for its fierce aesthetic originality and unflinching narrative power. The first three Coin Coin albums, issued from 2011-2015, charted diverse pathways of avant modern composition - Roberts calls it "panoramic sound quilting" - and ranged sequentially from large band to sextet to solo, unified by Roberts' archival and often deeply personal research into legacies of the American slave trade and ancestries of American identity/experience. Roberts also emphasizes non-male subjects and thematises these other-gendered stories with a range of vocal and verbal techniques: singspeak, submerged glossolalic recitation, guttural cathartic howl, operatic voice, gentle lullaby, group chant, and the recuperation of various American folk traditionals and spirituals, whether surfacing in fragmentary fashion or as unabridged set-pieces. The root of this vocality comes from her dedication to the legacy of her main chosen instrument, the alto saxophone.

    On Coin Coin Chapter Four: Memphis, Roberts convened a new band, with New Yorkers Hannah Marcus (guitars, fiddle, accordion) and percussionist Ryan Sawyer (Thurston Moore, Nate Wooley, Cass McCombs) joined by Montreal bassist Nicolas Caloia (Ratchet Orchestra) and Montreal-Cairo composer/improviser Sam Shalabi (Land Of Kush, Dwarfs Of East Agouza) on guitar and oud, along with prolific trombonist Steve Swell and vibraphonist Ryan White as special guests. Memphis unspools as a continuous work of 21st century liberation music, oscillating between meditative incantatory explorations, raucous melodic themes, and unbridled free-improv suites, quoting archly and ecstatically from various folk traditions along the way. Led by Roberts' conduction and unique graphic score practice, her consummate saxophone and clarinet playing, and punctuated by her singing and speaking various texts generated from her own historical research and diaristic writings, Coin Coin Chapter Four is a glorious and spellbinding new installment in this projected twelve-part Gesamtkunstwerk

    TRACK LISTING

    1. Jewels Of The Sky: Inscription
    2. As Far As Eyes Can See
    3. Trail Of The Smiling Sphinx
    4. Piddling
    5.Shoes Of Gold
    6. Wild Fire Bare
    7. Fit To Be Tied
    8. Her Mighty Waters Run
    9. All Things Beautiful
    10. In The Fold
    11. Raise Yourself Up
    12. Backbone Once More
    13. How Bright Theyshine

    Robert Forster

    The Evangelist - Reissue

      Following the 1989 break-up of the Go-Betweens, the band he had formed at college in 1978 with his friend Grant McLennan, Robert Forster embarked on a solo career, releasing four albums under his own name between 1990 and 1996, before reforming The Go-Betweens in 2000.

      After the death of bandmate Grant McLennan in 2006 Robert released, this, his 5th solo album in 2008, including the last three songs he wrote with Grant. 

      Rob Burger

      The Grid

        R.I.Y.L. Harmonia, Roedelius, Cluster, Dustin O’Halloran, Goldmund, Popol Vuh, Brian Eno.. Rob Burger’s talents as an arranger, composer, and keyboardist have been nurtured by morethan two decades of contributions to a diverse roster of recognizable names, at the very least including John Zorn, Laurie Anderson, and Iron & Wine with whom Burger presently records and tours.

        His new album The Grid combines neo-classical soundscapes, ‘70s kosmische, and jaunts of 20th-century exotica into a completely unique genre-quilt that synopsizes his long musical trek through multiple cities, scenes, and sounds. A lifelong musician, Rob began learning piano at age four and would go on to study under jazz luminaries Max Roach, Archie Shepp, and Yusef Lateef at the University of Massachusetts. As if his formal education weren’t impressive on its own, his informal one consisted of frequent visits to New York City creative hubs The Knitting Factory, and The Kitchen, where Burger became a fly on the wall to the likes of Arthur Russell, David Byrne, and Laurie Anderson (Burger would go on to contribute to Anderson’s 2010 album Homeland). Anderson appears on The Grid’s ninth track “Souls of Winter”).

        With the avant-garde door having long been kicked open, Burger relocated to the Bay and made a lasting impression upon the area’s music scene with his group Tin Hat Trio, while furthering his session and film-score work adjacently. When that group disbanded in the early ‘00s Burger found himself back in NYC where playing a Neil Young tribute show would entwine his path with that of Sam Beam (Iron & Wine). From then on, Burger has been an inextricable component of Beam’s live band and discography. Somewhere in the interim the growth of Burger’s family and his yearning for quieter climes led him to Portland, Oregon, where he built a studio, amassed an enviable collection of vintage keyboards, and began sowing the seeds of The Grid. Burger’s mysteriously upturning chord-changes express depth and melancholy without ever fully straying from a sense of curiosity and charm making the somber moments believable and palatable, as indicated in the album’s first moments. The Grid rolls in on a cloud bank of old-world sorrow with its piano and accordion prologue “Alternate Star,” but by the initial note of the second-track “Harmonious Gathering” all the sonic elements, dusty drum machines, choral keyboard patches, and rubberized synth bass seem to be smiling in glorious unison. This song, as well as the title track that shortly follows it, hint at what it might sound like if Harmonia had stayed intact and were scoring A24 films. 

        David Ian Roberts

        Travelling Bright

          “Travelling Bright is a quietly exceptional album, dreamy and intimate, but borne up on rich elaborate arrangements... [David writes] Deeply introspective songs and renders them in rich orchestrated widescreen…Dreamlike soliloquies, steeped in mythology and the natural landscape, and presented with an airy spaciousness that carves out avenues for the mind to wander” - UNCUT MAGAZINE

          ‘Travelling Bright’ is the very pretty new album from David Ian Roberts, released on Welsh label Cambrian Records. The album feels like a real artistic statement, a double LP, full of ambition from the Cardiff based songwriter. David’s lyrical imagery find parallels between our emotional landscapes and the natural world.

          TRACK LISTING

          1. A Million Winds
          2. Sending Out Fires
          3. Lulling A Greener Man
          4. Amber
          5. Travelling Bright
          6. John Says
          7. The Holloway
          8. Carillon
          9. Grail
          10. Winter Sun
          11. Glass Bead Game
          12. The Old King Of Sunsets

          'Inferno' is acclaimed Australian singer-songwriter Robert Forster's first solo album in four years - his second album over the last eleven years. Forster only makes records when he feels he has the songs - on 'Inferno', he has nine he totally believes in.

          They range from the exhilarating top ten pop of 'Inferno (Brisbane In Summer)', the beach shack groove of 'Life Has Turned A Page', via 'Remain's 1977 New York strut, to finish in a way that this concise, brilliant, drama and wit filled album only can - on the big build epic 'One Bird In The Sky'.

          'Inferno' was made in Berlin in 2018, during the hottest German summer in decades. Noted producer/engineer Victor Van Vugt (Beth Orton 'Trailer Park', P J Harvey 'Stories From The City, Stories From The Sea'), recorded the album; the first time he and Forster had worked together since Van Vugt engineered Forster's debut solo album classic 'Danger In The Past' in Berlin in 1990.

          'Inferno' in its making is a perfect mix of the familiar and the new. Also working with Forster again, are Brisbane based multi-instrumentalists Scott Bromley and Karin Bãumler from 'Songs To Play' (2015), while new recruits are drummer Earl Havin (Tindersticks, Mary J. Blige) and keyboardist Michael Muhlhaus (Blumfeld, Kante). Four musicians from the corners of the world, who, with Van Vugt's bold and beautiful production, sound like a band of the ages. In front of them, Forster delivers the best vocal performances of his career.

          STAFF COMMENTS

          Barry says: Encompassing all of the best melodic aspects of some of the greatest songwriters to date (Forster's vocal drawl sounding not entirely unlike Morrisey's at points), Forster manages to be both poignant and accessible all at once. Shimmering acoustic guitar and crisp production come together to accentuate the country-folk-indie at every turn. A wonderfully written and brilliantly conceived outing.

          TRACK LISTING

          1. Crazy Jane On The Day Of Judgement
          2. No Fame
          3. Inferno (Brisbane In Summer)
          4. The Morning
          5. Life Has Turned A Page
          6. Remain
          7. I'll Look After You
          8. I'm Gonna Tell It
          9. One Bird In The Sky

          Rob

          Rob

            The Accra-born pianist and frontman only released a few albums in small quantities, yet two of them are among the most sought-after records from 70’s Africa. This was the first.

            So what do we know? After learning his craft in Benin and playing with the likes of Orchestre Poly-Rythmo de Cotonou, ROB returned to Accra to write his own material and find a sound. Hooked on the driving funk and raw soul of stars such as James Brown and Otis Redding, he would often imitate his heroes on his father’s piano during school holidays.
            The title track sets the pace with a JBs-like rhythm, ROB almost shamanic with his sparse yet commanding vocal. The organ and wah-wah guitar spin us out before those imperious horns bring us back in.
            And what better way to close this set than with ‘More’, swept up in a call and response between Rob and his backing singers as a ‘Blow Your Head’ synth flares and the brass blasts. Good times guaranteed. As the man himself says, “Funky music is in my blood. What you hear is the coming out of my mind.” No one sounds like Rob, because there is no one like Rob.

            STAFF COMMENTS

            Patrick says: Mr Bongo come through with an official reissue of one of the finest Afro-funk records ever - Rob's 1977 self titled winner. Arguable the hottest Ghanaian record of all time!

            TRACK LISTING

            Funky Rob Way
            Forgive Us All
            Boogie On
            Just One More Time 
            Your Kiss Stole Me Away
            More

            “Hello. I’m Robert Ellis, The Texas Piano Man. I wanted to take a moment to say a few words about this record and what you might expect from it. ‘Texas Piano Man’ is a collection of songs specifically written for my piano driven Rock & Roll band from the great state of Texas. Myself and the guys bring these songs to you in the very spirit of Texas itself; loudly, confidently, over the top, larger than life, at times deadly serious and yet always with a wink and a smile. We invite you to come on in, stay a while, and when you leave take with you the spirit of these songs, the spirit of Texas, and the spirit of The Texas Piano Man himself. Adios!” - Robert

            STAFF COMMENTS

            Barry says: From the grand, cinematic soundtrackery of Elton John or off-kilter college-rock keyfoolery of Ben Folds, Robert Ellis skilfully weaves heartfelt piano minimalism into grand classic rock opuses (opii?) within the space of a couple minutes. Perfectly constructed and brilliantly conceived rock and/or roll.

            TRACK LISTING

            Fucking Crazy
            When You’re Away
            Nobody Smokes Anymore
            Passive Aggressive
            Father
            There You Are
            Let Me In
            Aren’t We Supposed To Be In Love
            Lullaby
            He Made Me Do It
            Topo Chico

            Robert Hood

            Internal Empire

              The ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, ‘Internal Empire’ marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.

              TRACK LISTING

              1. Intro
              2. Master Builder
              3. Parade
              4. Within
              5. Minus
              6. Internal Empire
              7. Home
              8. Multiple Silence
              9. Spirit
              Levels
              10. The Core
              11. Chase

              Danielle Lewis

              Live Forever

                Singer-songwriter Danielle Lewis emerges from the shadows to give her hauntingly delicate vocals the exposure they deserve on this stunning mini-album. Newquay born and Cardiff based Danielle's goal for 'Live Forever' was clear. She wanted to create music that was honest and authentic, and yet she didn't want to be an artist who was afraid to explore and innovate. Danielle's vocals hauntingly float around as though free from the confines of vocal range and breath control, traversing phrases with a delicacy rarely found in singers who possess vocal power as strong as she does. Super Furry Animals' Cian Ciaran is currently producing a remix of Danielle's title track 'Live Forever', and the amalgamation of Cian's psychedelic rock vibe and Danielle's make for an extremely exciting collaboration..

                Robin Van Velzen (Bambi Davidson)

                Robin Van Velzen

                After thoroughly pleasing our ears with a little woodland Balearic and motorik folk as part of Bambi Davidson, German musician Robin Van Velzen arrives on 9pm with a gorgeous solo debut. Stripped back and strung out, the self titled set boasts eight cryptic guitar ballads, as in debt to the gloomy poetry of Leonard Cohen as the sultry dub production of Lee Scratch Perry. Atmospheric, evocative and intimate, this moonlight music comes from a true bedroom troubadour.

                STAFF COMMENTS

                Andy says: Beautiful, reflective, late night vibes permeate this gorgeous record from the Bambi Davidson guitarist and singer. The perfect blend of mood and melody.

                TRACK LISTING

                Demon
                Maandag
                Navy Blue
                Lay Down In The Dark
                Gershwin
                Nude
                Leave The Lights On
                Phoney

                Alasdair Roberts, Amble Skuse & David McGuinness

                What News

                  For his twelfth solo album - ‘What News’ - and his fourth album focused exclusively on the performance of traditional songs, Alasdair Roberts has chosen a typically unusual and eclectic pair of collaborators: Amble Skuse and David McGuinness.

                  On past albums ‘No Earthly Man’ and ‘Too Long In This Condition’, Alasdair relied on his deep connection to the songs to anchor often exploratory arrangements that would locate the hundreds-years-old songs in a contemporary milieu. The resulting works are magnetically compelling and have been powerfully acclaimed down the years. For his first project in this vein since 2010, Alasdair was inspired by Scottish singers such as Jeannie Robertson, Lizzie Higgins, Duncan Williamson, Elizabeth Stewart and Sheila Stewart. He had a desire to sing and not so much to play, so he asked early music scholar and Concerto Caledonia director David McGuinness (a previous collaborator) to play keyboard accompaniment for these songs, upon which Alasdair would not be playing guitar.

                  This was provocative: Alasdair was counting on David to respond to a counter-intuitive suggestion with surprising, idiosyncratic playing. David was challenged but up to the task. He started with the choosing of appropriate instruments, which he found at the University of Glasgow: an 1844 grand pianoforte and a ‘Mozart-style’ fortepiano of relatively recent vintage - the types of instrument they call in Holland ‘brown pianos’ (as opposed to the ‘black’ sound of the modern Steinway). To these, David added his own circa-1920 Dulcitone, a Glaswegian keyboard that plays tuning forks instead of strings.

                  During the process of developing the arrangements, David hit upon an idea for an additional collaborator: sonologist Amble Skuse, whose work involves interactive, electronic performance treatments. This provided a third plane for the project and thus triangulated, they were able to crystallise an approach involving a very open soundstage: David’s keyboard, Alasdair’s vocals and Amble’s structural soundscaping. This makes for beautiful and driven music that has no analogue in Alasdair’s catalogue - for while he has consistently pursued the dynamic fusion of songs from hundreds of years ago in a modern and progressive context, he hasn’t worked with a keyboard as the central instrument. The beauty of the conception is evident throughout, with immaculate engineering capturing all the nuances of David and Amble’s work. Alasdair’s singing embodies previously unheard capacities in his ever-evolving catalogue of song and he also contributes a powerful guitar obbligato and solo on ‘The Dun Broon Bride’ - no doubt in response to the fine work of his collaborators.

                  TRACK LISTING

                  The Dun Broon Bride
                  Johnny O’ The Brine
                  Young Johnstone
                  Rosie Anderson
                  The Fair Flower Of Northumberland
                  Clerk Colven
                  Babylon
                  Long A-Growing

                  Robert Cohen-Solal

                  Les Shadoks (50th Anniversary Edition)

                  WRWTFWW Records is delighted to announce the release of the complete soundtrack of cult French animated TV series Les Shadoks (1968-1974) by Robert Cohen-Solal, available for the first time ever in its entirety. Right in time to celebrate the 50th anniversary of Jacques Rouxel and René Borg’s legendary television cartoon, this collector’s item comes in two versions: a limited edition 12" + 7" vinyl album housed in a high glossy gatefold and with an exclusive Shadok drawing by Robert Cohen-Solal, and a digipack CD. Both versions are cut and mastered from the original reels under the supervision of the artist, and contain liner notes in French and English.

                  Electro-acoustic pioneer and eminent member of the illustrious GRM (Groupe de recherches musicales, the French equivalent of the BBC Radiophonic Workshop), Robert Cohen-Solal has explored music and sound alongside luminaries such as Bernard Parmegiani, Pierre Henry, Luc Ferrari, and Iannis Xenakis, and is responsible for numerous projects in the field of applied music, soundtracks (documentaries, shorts etc.), and experimental recordings. His work on Les Shadoks is simply extraordinary - a fascinating and bizarre collage of wacky electro pop (à la Jean-Jacques Perrey), drones, musique concrète, classical, and dadaist sound experiments seamlessly mixing into a cohesive and cinematic listening experience. The ideal soundtrack for what will remain one of the weirdest animated TV series ever created!

                  A true literary, cultural and philosophical phenomenon in France, Les Shadoks caused a sensation while airing between 1968 and 1974. Its unique combination of Alfred Jarry-style surrealism, off-centered British humor, and US comic strip inspiration, all brought to life by illustrated bird-like creatures (reminiscent of Paul Klee’s La machine à gazouiller), left a lasting mark, making the term Shadok an often-used satirical expression to describe policies and attitudes considered to be absurd.


                  STAFF COMMENTS

                  Patrick says: Les Shadocks are a new one to me, but a cursory listen and glance over the sales notes suggests a definite Clangers vibe, mais en Francais. That's right, an interplanetary animation soundtrack from the home of musique concrete - totally bonkers in the most charming way.

                  TRACK LISTING

                  A1 Introduction
                  A2 C’était Il Y A Très Très Très Longtemps
                  A3 Cosmogol 999 Carburant De La Fusée Gibi
                  A4 Au Fond Du Cosmos
                  A5 Le Lancinant Voyage Dans L’espace
                  A6 Les Humeurs Géophysiques De La Planète Shadok
                  A7 Le Devin Plombier Soigne Un Shadok Malade
                  A8 La Machine à Pomper Dite Cosmopompe
                  A9 Le Professeur Shadoko Parle De Son Invention
                  A10 Shadok à Bicyclette Dans Une Route Et Sur Et Sous Et Dans Des Escaliers
                  B1 Thème Gibi Classique
                  B2 Air Gibi Hot
                  B3 Air Gibi Sériel
                  B4 Menuet Variation
                  B5 Départ Solennel De La Shadokaravelle
                  B6 Sérénade à Gégène
                  B7 Faux Départ
                  B8 Fête Gibi Et Errance Des Shadoks Dans L’espace
                  B9 Fuite Dans L’espace
                  B10 La Planète à Poissons
                  B11 Guerre Musicale
                  B12 Ambiance Nouilles
                  B13 Difficile De Cuisiner Dans L’espace !

                  Bonus 7"
                  A1 Arrivée Des Shadoks Sur Terre
                  B1 Fuite Des Shadoks

                  Robert Earl Thomas

                  Another Age

                    It’s a debut that plays the part without succumbing to it, more pastel romantic comedy than sepia historic drama. There are stylistic nods to Springsteen and Dire Straits, Arthur Russell’s more folk-leaning output, the various collaborations of Tom Petty & Jeff Lynne. But Thomas seems intent on conveying his specific take on these things over emulating them; you get the impression that he’s just as inspired by karaoke renditions of “I’m On Fire” or “Romeo and Juliet” as he is by the originals. And the stories he tells are full of intimate moments and observations: a walk home from a lover’s apartment, a long night drive back upstate, a quiet Wednesday morning existential crisis; musings as to the significance of a Winona Ryder portrait on the wall of a stranger’s bedroom; the sense of discovery that comes with being young in a city with a new person, and the sense of loss when that novelty is gone. Another Age is indoor music at its most expansive, rock and roll held at arm’s length

                    TRACK LISTING

                    01. Another Age
                    02. I Remember
                    03. Cryin’
                    04. The Weather
                    05. Wednesday Morning
                    06. Winona Forever
                    07. My Fault
                    08. What Am I Gonna Do
                    09. Word Of Mouth

                    Woodkid & Nils Frahm

                    OST: Ellis (Feat: Robert De Niro)

                      For the first half of the twentieth century, Ellis Island stood as the gateway to America. For some twelve million people, it was their first encounter with the land they hoped to call home.

                      Directed by acclaimed artist JR, ELLIS tells the story of one such migrant. Starring Robert De Niro, the film winds its way through the crumbling hallways of the abandoned Ellis Island hospital complex, now home to JR’s Unframed art installation. It’s a place that reverberates with the hopes and fears of those who passed through it, the echoes especially resonant today. Entwined with the narrative is a score composed by Woodkid, performed and co-written by Nils Frahm. The delicate piano motifs of Winter Morning I culminate in a crescendo of strings, while the harmonium swells on the B-side are the foundation for De Niro’s narration: an encomium for those who shaped modern America.

                      There’s perhaps never been a more fitting time for this story, with all the proceeds going to the Sea Watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees. 

                      Nils Frahm: ‘The opportunity to work on JR´s fantastic short film ELLIS came through my good friend Yoann aka Woodkid. We agreed on recording the piano parts in my studio in Berlin and so it happened that JR and Woodkid were guests at Durton studio on a wonderful late summer day in 2015. We managed to record all the crucial elements that day. The music fell in our laps and melted with the images: a wonderful experience. The film has stuck in my head ever since; it moved my heart and changed my soul.

                      A couple of weeks later I had to cancel a trip to Brussels because of a terror warning; all events got cancelled and I stayed home, having an unexpected day off. I felt rather depressed that day, thinking that the Europe I knew was already gone. I sat down at the harmonium, listened to Robert De Niro’s voice and played for the rest of the day. The result is ‘Winter Morning II,’ the B-side of the ELLIS soundtrack release.

                      Robert says it all in 17 minutes. We are not facing a refugee crisis. We are facing a crisis because we do not embrace, we do not sympathise and we cannot give up fear. Art can encourage so I hope this project will help fight the fear in all of us.’

                      Yoann Lemoine, aka Woodkid: ‘Ellis is my second collaboration with JR after the New York City Ballet piece for Les Bosquets. I initially wanted this piece to sound like it was recorded on an old piano that we found in the ruins of Ellis Island, in the restricted area that is not open to the public, where JR pasted the pictures on the walls for the film Ellis.

                      I had worked with Nils before and I wanted him to create a sound for this piano part that I composed that was extremely gentle and organic. I wanted the listener to hear the mechanisms, the breathing of the instrument. I wanted it to be imperfect, to sound like a ruin, a trace, an echo, the way the pastings on the walls seem to be ghosts, almost imperceptible.

                      After a few rehearsals, Nils stripped down my piano parts and we removed almost all orchestration around the piano. He then worked on the extended version that is his interpretation of my piece, with Robert de Niro’s vocals. Because this film and this recording is historically meaningful, it was important for us to create this piece as an echo to the immigration situation in Europe, and decided to release it in support of Sea Watch.’

                      ABOUT JR: JR is the pseudonym of a French artist, director and photographer whose identity is still unknown, and who has been described as the 'French Banksy’. His large scale black-and-white portraits are among the most iconic in contemporary street art, drawing our attention to stories that might otherwise be forgotten. Unframed, which features prominently in both the film and the album booklet, does just this, memorialising through photographic prints those who came through Ellis Island. ‘Trying to see and understand our past better,’ he says, ‘is a good way to understand what’s going on right now and maybe face our future.’ May 29th will see JR and Nils Frahm collaborate again when Nils and Erased Tapes peer Ólafur Arnalds take part in his takeover of the world famous Louvre museum in Paris.

                      Hologram Teen

                      Marsangst

                        Hologram Teen is releasing a 2-track single on 7" vinyl via London's Happy Robots Records. This is the solo electronic motorik disco project of Morgane Lhote, former long-term keyboard player of Stereolab. Originally from Paris, Morgane moved to London when she was 20 and spent 12 years there. Then she moved to NYC and, nine years later, moved to Los Angeles. Her name is known to many for her work as keyboard player in the seminal indie kosmische act Stereolab, having recorded and performed with the band during their imperial phase between 1995 and 2001, when they released a series of career defining albums including ‘Emperor Tomato Ketchup’ and ‘Dots and Loops’. Fans of Common will also be able to find Morgane on the Sgt Pepper inspired sleeve for his Electric Circus album. She followed her time in Stereolab with a stint in The Projects and, from 2005, played in Garden with members of Simian Mobile Disco before starting the Hologram Teen project.

                        FOR LOVERS OF: French house, Etienne de Crecy, Deadmaus5, ESG, Umberto, Yello, Add N to X, Death in Vegas, Stereolab, Ghostbox Records, Goblin and Italian Zombie Horror Soundtracks.




                        Robert Plant & Alison Krauss

                        Raising Sand - 2022 Vinyl Repress

                          From its embryonic, conceptual stages - well before any music materialized - the mere idea of "Raising Sand" held infinite fascination for both its creators and those around them. As word spread of an impending musical collaboration between Robert Plant and Alison Krauss, imaginations ran wild. Two artists, each at the pinnacle of their respective pantheons, Robert and Alison have seemingly little in common. But just below the surface, an elemental understanding flowed between them, waiting to be tapped. Mutual admirers for some time, Plant and Krauss first performed together at a concert celebrating the music of Leadbelly. That great man's sound - spry and playful, yet marked by an undercurrent of torment and loss - is a keyhole into the sound world unlocked on "Raising Sand". After their initial collaboration proved promising, Plant and Krauss brought producer T Bone Burnett into the fold to help them investigate a more sustained, full-scale project. Charged with selecting both supporting musicians and material that would illuminate the connection between these two unique artists, Burnett succeeded wondrously. Built on a shared core of modal blues and country soul, filtered through alternating layers of unadorned tenderness and thick, shifting textures, the sounds on "Raising Sand" extend well beyond anyone's expectations.

                          TRACK LISTING

                          1 Rich Woman 4:05
                          2 Killing The Blues 4:17
                          3 Sister Rosetta Goes Before Us 3:25
                          4 Polly Come Home 5:39
                          5 Gone Gone Gone (Done Moved On) 3:34
                          6 Through The Morning, Through The Night 4:03
                          7 Please Read The Letter 5:55
                          8 Trampled Rose 5:34
                          9 Fortune Teller 4:32
                          10 Stick With Me Baby 2:51
                          11 Nothin' 5:35
                          12 Let Your Loss Be Your Lesson 4:02
                          13 Your Long Journey 3:55

                          Robert Tomaro

                          Slime City OST

                            * Limited to 1,000 LPs worldwide on black wax
                            * Housed in deluxe heavy weight Stoughton tip-on sleeve
                            * Includes insert with extensive liner notes by both Robert Tomaro & Gregory Lamberson

                            Slime City is the debut film by cult horror director and author Gregory Lamberson. The story follows Alex, who after moving into his new apartment is seduced by his neighbor and soon turns into a melting ghoul who is forced to kill innocent victims in order to maintain a normal human physique.

                            Slime City debuted in 1988 and spent months in the NY midnight movie circuit, at the tail end of the grindhouse era. Lamberson creatively made a great film with intense special effects with very limited money and a small crew of dedicated movie fans.

                            A huge part of what makes Slime City so fantastic is it's wildly creative score, which was composed by the now PHD, and current Music Director of the Beloit Janesville Symphony, Robert Tomaro. Rob's score is unlike any horror soundtrack past or present. In Robert's own words, the music is "perhaps what you might get if you locked Igor Stravinsky, Johnny Rotten and Bernard Hermann in a hotel room and didn't let them out until they wrote something together." The score is most certainly slimy as the film's title would leave you hoping for. Very much classically written, but with a serious mix of punk guitar work and weirdo avant-garde synth. A truly unique composition.




                            Seven years since Robert Forster's last album The Evangelist (2008). Seven years since one of Australia's most respected singer-songwriters released what was widely regarded as his best solo album, and one that more than lived up to the many high points of his legendary band The Go-Betweens. Seven years for fans and critics alike to ask, what the hell was he doing?

                            Quite a lot, as it turns out. Record producer for acclaimed albums by Brisbane bands The John Steel Singers and Halfway. An extended stint as a music critic for the Australian periodical The Monthly that was so well received, a collection of his writings was published as 'The Ten Rules Of Rock And Roll' in 2009 - and was reissued, revised and updated in 2011. Curator and compiler of G Stands For Go-Betweens. Volume 1 - the first of three lavish boxset compilations charting the career of an Australian music icon, of which he was founding member, singer and songwriter.

                            Still ... seven years. Long time, musically speaking. Time for writing songs, time for gathering musicians, time spent preparing for what was to be the next chapter of his musical life – a refreshed creative direction that took shape as the new album Songs To Play. Ten very different Robert Forster songs recorded on a mountain top half an hour from his Brisbane home, in an analogue studio, with a troop of young musicians: talented multi-intrumentalists Scott Bromley and Luke McDonald (from The John Steel Singers), Matt Piele (drummer from his touring band), and violinist and singer Karin Baumler.

                            "I had originally envisaged the gap between my last album and my new one as five years," Robert says. "I wanted time to pass, for there to be a cut-off. I knew what happened next would be the start of something new."

                            "Five years became seven."

                            The resulting album is really nothing like he's ever done before, although it retains many of the qualities we know from his songwriting: highly melodic, with incisive, witty lyrics attuned to real people and real lives. The surprise will be the spirit of the record, its sense of adventure and fun - especially after the meditative reflections of The Evangelist (recorded a year after the death of The Go-Betweens co-founder Grant McLennan). Seven years has brought a bolder, wilder approach to sound ... and a set of truly inspiring compositions. Pop songs. Five minute epics. A bossa nova tune. Singer-songwriter classics. Add the more experimental and detailed production assistance of Bromley and McDonald and no wonder - from the album's opening lines on the super-charged Learn To Burn - Forster is bursting to get out and tell his story. Time's a sequence and you wait for changes. Problem is you know I've got no patience. I've got no desire to be the fourth person in line.

                            Seven years in the making. And worth every minute.

                            The Far Out Monster Disco Orchestra Feat. Jose Roberto Bertrami

                            The Far Out Monster Disco Orchestra

                              THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                              A super disco project to celebrate RSD 2014 and Far Out Recordings 20th year! Made with love by Far Out's Favourite artists including late legend 'Maestro Jose Roberto Bertrami', along with 'Arthur Verocai', 'Alex Malheiros' & many of Rio's finest musicians including a full orchestra. This has been recorded & mastered to give you the full vinyl experience & is the first album of an ongoing series. The record was produced in the best studio in Rio de Janeiro, with all old equipments including 2" Ampex tape, Neve compressors, SSL desk and needless to say all the best delicate treatments to retain that analogue feel and sound along the way to this release.

                              TRACK LISTING

                              LP 1:
                              Mystery (FOMDO Feat Arthur Verocai) /
                              Keep Believing (Can You Feel It)
                              A Disco Supreme (FOMDO Feat Arthur Verocai)
                              The Last Carnival
                              LP 2:
                              Vendetta
                              Keep Believing (Can You Feel It) (SS Translation By Theo Parrish) Special Radio Edit
                              Don't Cha Know He's Alright (JR Bertrami / J Davis) /
                              Freefall (JR Bertrami / JDavis) /
                              Mystery (Instrumental) (A Verocai / J Davis)

                              Vikesh Kapoor

                              The Ballad Of Willy Robbins

                                Following a spur-of-the-moment cross-country trip with a pair of fiery European girls, Vikesh Kapoor left school for a brief yet inspiring stint as a mason’s apprentice. The America he had previously known resided narrowly between his childhood home in rural Pennsylvania and the New England university he left home for. Alongside his parents’ own immigrant struggles, these experiences quickly witnessed Kapoor to the scope of the American dream.

                                A few years later, Kapoor performed at Howard Zinn’s memorial service in Boston, in front of Zinn’s family and colleagues (including Noam Chomsky). Roused by Zinn’s lifelong battle against class/race injustice, Kapoor spent the next two years in Portland, Oregon working on his full-length debut record. The Ballad Of Willy Robbins, a concept album loosely based on a newspaper article, chronicles the brutal but hopeful story of a working class man who slowly loses everything: ambitions, health, family and shelter. It’s a worker’s tale, less specific to the blue-collar life as it is about anyone struggling to make something of themselves.

                                Co-produced by Adam Selzer (M. Ward) and features Nate Query (Decemberists, Black Prairie), Jeff Ratner (Langhorne Slim) and Birger Olsen (Denver).

                                THE NEW YORKER: “a series of sharply etched portraits of struggling Americans that points back along a road of socially conscious songs. Woody Guthrie is standing at the head of that road”

                                Eugene S. Robinson & Philippe Petit

                                Last Of The Dead Hot Lovers

                                The unique pairing of Oxbow’s feisty vocalist with self-proclaimed “musical tour guide” Philippe Petit return to pick over the carcass of a dying relationship

                                Vinyl on heavyweight 180 gram black vinyl in gatefold sleeve with die cut inner pocket and printed inner dust cover.
                                CD in gatefold sleeve with lyric insert.
                                Released following Eugene’s appearance with the Oxbow Orchestra at Supersonic festival

                                Introducing vocalist Kaisa Meow The second release in a trilogy from Robinson-Petit following The Crying of Lot 69 LAST OF THE DEAD HOT LOVERS, a secondary installment in the tryptic of modern and highly specialized anomie brought to life by vocal lyricist EUGENE S. ROBINSON and musical tour guide PHILLIPPE PETIT, covers an unspecified disaster at the centre of a failed and failing relationship. Equal parts "Whose Afraid of Virginia Woolf ?" and the last 16 hours of a love affair, LAST OF THE DEAD HOT LOVERS also features the estimable KASIA MEOW in a duet with Robinson that radiates all the best parts of homicidal suicides.

                                File Under: Experimental / Spoken Word For Fans of: Oxbow, Tom Waits, Swans, The Enablers, William Burroughs.

                                Chris Rose's Robust Worlds has impressed us since first glimpse. He was actually barefoot, if you can believe that, and his set had the feel of a way more lysergic Kevin Ayers. It was freezing fucking cold and I'm pretty sure he wore a Hawaiian shirt. His debut LP is called Emotional Planet, and it's deceptively simple. Voice, guitar, some noisey shit, whatever. His playing is sick - fluid, unforced, warm, soothed and soothing. It's a bath you don't want to exit. Seriously, if yr going to play guitar, play it like he does. With a trick in his back pocket and a Heavy Moon on his mind, Rose utilizes the sort of neo-noir narratives that you hear thru Neil Michael Hagerty, James Jackson Toth, Kurt Vile and other keen observers. Handguns, b&e, two-lane black tops, love, lust, and hard drugs. Life: summed up!

                                Oren Ambarchi & Robin Fox

                                Connected

                                  Presenting a new collaboration featuring Oren Ambarchi on guitar, the electronics of Robin Fox, and both performing on various other instruments. The music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned Australian contemporary dance company Chunky Move for their Connected production.

                                  "Chunky Move's artistic director Gideon Obarzanek was drawn to the organic and deeply musical qualities of Ambarchi's work and the digital, almost scienti?c quality of Fox's sound. Over a process of many weeks these two aesthetics were merged. Working both in the Chunky Move studio and Head-gap studio in Melbourne, new works were forged from both digital and analog sources.

                                  "This release brings together two of the most extraordinary artist/musicians working in Australia today. Both are renowned internationally for their individual practices, and here they join forces to produce powerful music that fuses Ambarchi's legendary guitar sound with Fox's mathematically rigorous tones and textures. This fusion results in sound works that stretch in scope from the sublime and spacious to the intensely dense and foreboding. Treading a precarious line between music and abstract sound, between organic and inorganic tones, this collaboration is a must listen for anyone interested in contemporary soundworks.

                                  Robes

                                  Welcome Worn / Haitian Miracle

                                  Robes debut release. Ace eightiesesque indie-friendly electro-pop, treading a similar to path to Cut Copy et al. A two song 7" single pressed on clear vinyl.

                                  STAFF COMMENTS

                                  David says: Ace eightiesesque electro pop, treading a similar to path to Cut Copy et al.

                                  A supercombo team-up between Simon Lord (ex Simian) and Rafter Roberts, the Roberts & Lord duo present their Asthmatic Kitty debut, ‘Eponymous’.

                                  Roberts’ rough and grimy (yet complexly arranged) analog backing tracks paired with Lord's clean, digitally-recorded vocals gives these songs a tricky kind of depth that is immediately engaging. This effortless juxtaposition reigns throughout the album.

                                  Influenced by nonsense verse poets like Ivor Cutler and Edward Lear, Lord gives us a simple, light-hearted return to innocence, the sweaty exuberance of a dance party with all your friends around you.

                                  TRACK LISTING

                                  1. Mosquito
                                  2. Wild Berries
                                  3. Bottom Of The Bottle
                                  4. Windmill
                                  5. Oblique
                                  6. Knots
                                  7. Menuhin
                                  8. Purple Doves
                                  9. We Rise, We Fall
                                  10. Interior Demon
                                  11. Spem
                                  12. The Same Love

                                  Introducing Manchester based electronic band Rubika. Currently taken to heart by Manchester’s new music fanatics and club promoters, Rubika bring to the dancefloor echoes of Russian legends Kino and a love affair with contemporaries Magnetic Man and Das Pop. Irena (vocals) from Odessa swapped nights outs in Ukraine underground dance clubs Palladium & Moloko for Manchester, England to study fashion and search out a musical collaborator. Slava (synths) from Minsk arrived in Manchester accompanied solely by a battered Moog and his MicroKorg. Enrolment at the University of Salford, a chance encounter with Irena at Victoria Station and all night recording sessions in Slava’s bedroom studio joined by his DJ friend Luke on drums brings us up to date with Rubika.

                                  Rubika say: “Our songs are a perfect balance between our Russian musical influences and our British tastes,” Slava pin-points. “There’s our love of European dance music, big electro tunes from the underground clubs. But the mood of our music is very inspired by Manchester. That sort of rainy, melancholic northern England romanticism”.

                                  If you've already checked out the Salem, Zola Jesus, Balam Acab and OoOOo releases, plus the "F*>K Dance, Let's Art" compilation you'll already be aware of the whole 'witch house', 'ghost step' and 'drag' sound that's been eminating from (mostly) America this year. These new genres combines elements of electronica, industrial, hip-hop, goth and shoegaze, with fractured beats, eerie, melancholic vocals and layers of doomy synth noise all combining to bring us a new sound for 2010. In association with Disaro Records, "Isvolt" features nine acts from across America, Europe and Australia, all of whom have previously only released on ultra-low run, self distributed CD-Rs or DVD-R / VHS or sold out 45s. Dark and murky, like the damp walls in and unfinished cellar, these acts will, as my nanna might have said, give you the willies.


                                  TRACK LISTING

                                  1. †‡† (Ritualzz) - Misery Walk
                                  2. Party Trash - Sky Clad
                                  3. Fostercare - Cold Light
                                  4. //TENSE// - Versus Man
                                  5. Modern Witch - Your Life A Movie
                                  6. Mater Suspiria Vision - Ritualz Of The Crack Witches
                                  7. Horse MacGyver- Nod
                                  8. White Ring - IxC999
                                  9. Raw Moans - Nectarine

                                  Alasdair Roberts & Friends

                                  Too Long In This Condition

                                  The follow up to 2009’s critically acclaimed "Spoils", this new album by the Glasgow based ‘Wyrd Folk’ artist is a collection of traditional ballads and follows a recent front cover feature in The Wire magazine (March 2010).

                                  Following 2009’s critically acclaimed "Spoils", this new album (his 6th overall) is Alasdair’s third collection of traditional material. Credited to Alasdair Roberts & Friends, it features a stellar cast of international musicians who perfectly complement his raptly personal versions of the songs recorded. Roberts has toured extensively in the UK and beyond, and recently completed a solo European tour opening for Joanna Newsom. This followed a front cover feature in the March 2010 edition of The Wire. "Too Long In This Condition" has been licensed for UK/European release from the Drag City label.

                                  TRACK LISTING

                                  1. The Daemon Lover
                                  2. Young Emily
                                  3. Long Lankin
                                  4. The Two Sisters
                                  5. Little Sir Hugh
                                  6. Kilmahog Saturday Afternoon
                                  7. The Golden Vanity
                                  8. The Burning Of Auchindoun
                                  9. The Lover’s Ghost
                                  10. What Put The Blood On Your Right Shoulder, Son?
                                  11. Barbara Allen

                                  Wayne Robbins & The Hellsayers

                                  All You Need To Sleep

                                  It is now three years since Dell’Orso heard rough mixes of these album tracks when Wayne Robbins & The Hellsayers visited the U.K to tour with their friends, Band Of Horses. At that point The Hellsayers were over from their home town Asheville, North Carolina to promote their debut album "The Lonesome Sea", a country-cosmic rock jewel Dell’Orso discovered via a Beachwood Sparks fan site.

                                  Picking up from where their debut left off, Wayne describes "All You Need" as 'the night album, about the wee small hours'. Far heavier than its predecessor, the album has already been described as 'an atmospheric blend of Buffalo Springfield harmonies and Sonic Youth guitar blasts', lap steel guitar jostling with piles of Yo La Tengo distortion.

                                  Like "The Lonesome Sea" this album was recorded in a school bus repair shop (though bizarrely not the same one) with no heating in the dead of winter. The albums gestation was hampered by the familiar tale of lack of resources, but also a terrier determination to mix such a dense record littered with dozens of vocal tracks and guitar overdubs perfectly.

                                  Eventually the band mixed the album with Mitch Easter particularly known for his work on early REM records, with the exception of the crestfallen "Rowboat Of Stone" which Cian Ciaran from Super Furry Animals has put his magic to (Cian having recently mixed albums by Sibrydion and El Goodo for Dell’Orso).

                                  Appropriately since this album was finished The Hellsayers have recently recorded an EP with Brent Rademaker from Beachwood Sparks which will appear later in the year.

                                  'Genuinely inspired merging of pre-electric and post psychedelic Americana. Neil Young and Giant Sand provide pointers, but Wayne & co chart a spry, original course' - Uncut Magazine.

                                  STAFF COMMENTS

                                  Darryl says: Sweet and summery indie-Americana infused with occasional Sonic Youth-esque distortion blasts. Recommended.

                                  TRACK LISTING

                                  1. C#7
                                  2. I Saw An Angel
                                  3. All Roads Lead To Helen
                                  4. The Island Of Malta
                                  5. The Devil Has A Map
                                  6. Rowboat Of Stone
                                  7. The Lonesome

                                  In the true maverick spirit of being modern young men with modern young fringes and fresh open minds Rob The Rich say they are influenced by what they are currently listening to, which happens to be Rihanna, Beyonce, Yeasayer, Arcade Fire and Phoenix. More specifically Rob The Rich say, "We think Born Ruffians and Beirut are really good and like to think we have a wee bit of both in our quietly aggressive tropical pop music." Wise words indeed. And it is this very tropical pop music which has seen them nab support slots with Jack Penate, Pete & The Pirates, Everything Everything and other such fragrantly inventive spirits.

                                  Miles Benjamin Anthony Robinson

                                  Miles Benjamin Anthony Robinson

                                  Debut album from singer songwriter Miles Benjamin Anthony Robinson. Produced by Chris Taylor (Grizzly Bear) with the help of Kyp Malone (TV on the Radio). In Kyp's own words 'Miles Benjamin Anthony Robinson is my favourite songwriter right now... His songs are given flesh and blood in a way that most rock music now doesn't allow time for...'. Contains singles "Buriedfed" and "Woodfriend".

                                  Robert Wyatt

                                  EPs

                                    "EPs" is a box set containing five separate EP length CDs which document different stages in Robert's career and contain material that never appeared on his original albums. The CD set includes extensive liner notes by Robert Wyatt, the original "Shipbuilding" promo video and a remix EP of tracks from Robert's 1997 album "Shleep". The five EPs are housed in individual slipcases and come with a 16-page booklet all designed by Robert's wife Alfie Benge, the inspiration behind much of his work.

                                    Robert Wyatt

                                    Old Rottenhat

                                      "Old Rottenhat" is my favourite Robert Wyatt album, one that you can play again and again and still get something new from it. Partly it's the understated manner in which he baldly confronts such diverse political issues as the genocide in East Timor, the flaws in American political ideology and the dangers inherent in rampant nationlism. All burning issues for Wyatt in 1986 and yet still relevant today. Partly its the moody keyboard work enhancing Wyatt's voice at his most melancholic and fragile. It's an album from one of the most talented artists to emerge from the 60s prog / psychedelic era. Brilliant.

                                      Robert Wyatt

                                      Dondestan (Revisited)

                                        Originally released in 1991, "Dondestan" was remixed, resequenced and reappraised in the studio in 1998 as "Dondestan (Revisited)". Robert Wyatt claimed he 'ran out of words' so by basing half of "Dondestan"'s tracks on her beautifully fragmented lyrics he began a song writing collaboration with wife Alfie Benge that flourishes to this day. It remains a difficult and openly political statement from one of the most honest and committed artists of his generation.

                                        Robert Wyatt

                                        Theatre Royal Drury Lane

                                        This was Robert Wyatt's first gig after being confined to a wheelchair following a fall from a fourth-storey window. He focuses on selections from his classic Rock Bottom album - a blend of scowling jazz and intimate rapture. An unqualified delight. It's Wyatt's only official live recording of an amazing set from 1974 featuring players such as Mike Oldfield, Julie Tippetts, Fred Frith, Hugh Hopper and Pink Floyd's Nick Mason, as well as having a comedy intro by one John Peel.

                                        Robert Wyatt

                                        Rock Bottom

                                          Originally conceived as the songs that would form Matching Mole's third studio album, Wyatt was forced to adjust his whole recording / band / personal ethos after the accident which broke his spine in 1973. Featuring a line-up that includes Soft Machine's Hugh Hopper, Laurie Allen from Gong and Mike Oldfield, "Rock Bottom" was issued in 1974 and is a haunting and yet intimate collection, at times painful and emotionally raw, at others elegiac and full of hope and love. A genuine classic.

                                          Robert Wyatt

                                          Ruth Is Stranger Than Richard

                                            Robert Wyatt's second release for the Virgin label has lost none of its power and mystery and remains one of the greatest albums of his career. Featuring the cream of the British jazz scene as well as Laurie Allen (Gong), Fred Frith, Brian Eno and Bill MacCormick (who played alongside Wyatt in Matching Mole) it is a perfect musical statement full of originality, musicianship and imagination. Includes the classic "Soup Song".

                                            Rob Marr

                                            Addicted To Drama

                                            "Addicted To Drama" is Rob Marr's debut. Produced by Lou Reed's musical director Rupert Christie and Gorillaz bassist Al Mobbs, these four stunning tracks offer up a thick slice of Rob's unique take on love triangles, safety pins and dirty weekends. With its dynamic use of piano-based melodies, soaring harmonies and eloquent lyrics, "Addicted To Drama" is as crisp as a freshly laundered pillow case.

                                            Amp Fiddler & Sly & Robbie

                                            Inspiration Information

                                            Strut launch a new series, "Inspiration Information", which sees the label take a break from their usual (excellent) compilations, and come up with a series of studio-based works instead. The series brings together current artists and producers with their musical heroes for a mouth-watering one-off collaboration. With each album centred around an intensive five-day writing and recording session, the emphasis is on spontaneity, musicianship and an open A&R brief. The series kicks off with Detroit soul maverick Amp Fiddler in a head-to-head collision with reggae legends, Sly & Robbie. Arriving at Anchor Studios in Kingston, Jamaica, armed only with a handful of acoustic vocal ideas, Amp and the Riddim Twins recorded the album in just three days during June with overdubs laid down a week later in Detroit. The result is a confident, laid back set that brings a whole new twist to Amp's trademark vocal style: Sly builds innovative digital and live rhythms, Robbie underpins the tracks with solid bass foundations and original generation guests 'Sticky' Thompson (percussion) and Dalton Browne (guitar) add plenty of colour. Back in Detroit, Amp knitted together the finishing touches, adding extra keys and backing vocals. The tracks are never predictable, at times echoing Sly & Robbie's 80s days with Island Records at Compass Point studios, at others structured around more mood-based keyboard pads and new patterns re-inventing the established dancehall template.

                                            Kotki Dwa

                                            Robin's Clogs

                                              Kotki Dwa are a Buckinghamshire trio comprising brothers Alex and Tristan Ostrowski and their close friend Tom Walker. Together they preside over a happy and at times chaotic collision of guitar, bass, drums and multitude of electronic gadgetry and gizmos that fashions their beautiful and unique indie bounce-pop sound.

                                              Robert Wyatt

                                              Comicopera

                                                Robert Wyatt's first release for Domino is a modern classic, a widescreen vision of love songs, political statement and beautiful haunting melody. More light and live sounding than its predecessors, "Comicopera" is the sound of a group of musicians and friends (Anja Garbarek, Paul Weller, Brian Eno, Annie Whitehead, Seaming To, Monica Vasconcelos etc) playing in the room together. Wyatt is openly a fan of 'tunes', and the deep influence of songs such as "Raining In My Heart", covered on his last record, has perhaps had an impact on the melodies and compressed structures of these new performances: "Comicopera" feels like Wyatt's pop album. But the depth of the journey here, from start to finish, is magnificent, stopping off along the way for the sublime steel pan and sax battle of "On The Town Square", or for "Out Of The Blue", the frantic song of bomber versus bombed, featuring Brian Eno's sampled voice replayed by Wyatt on synthesizer, seems only to be expected in an album as enjoyable and ambitious as this.

                                                Coldcut Feat. Robert Owens

                                                Walk A Mile In My Shoes (Timo Garcia & The Cheshire Catz / Tom Belton Remixes)

                                                  This second set of "Walk A Mile In My Shoes" remixes are also on a house tip, but head straight to the main room of the club. First up is Timo Garcia & The Cheshire Catz (of Berwick Street Records "Into The Light" fame - big with Pete Tong) version on a hypnotic electrohouse tip, mostly instrumental but with a couple of vocal breakdowns. On the flip things go funky disco-house with Tom Belton's rework.

                                                  Megarider

                                                  Dance Le Robotic

                                                    Megarider are Salfordian ex-performance artist Heather Pasero and French former indie pop god Denis Pasero. Previously known as electronic outfit Majic, their live sets and their recordings produced by Chris Nagle (New Order, Chameleons…) and Martin Desai (Badly Drawn Boy, Andy Votel…) were met with great acclaim. A boring and complicated year-long legal battle to gain independence from Pleasure Records failed and therefore prevented them from releasing any Majic material. Hence the fresh start with Megarider. Megarider has a new rockier sound, mixing synth-pop basslines (New Order, Suicide, Sigue Sigue Sputnik) with loud guitar attacks (Pixies, My Bloody Valentine) in a new live set-up that is not unlike Transvision Vamp or Blondie. This four track EP follows a single on Twisted Nerve's Jukebox series and a self released 7" last year.

                                                    Robert Wyatt

                                                    His Greatest Misses

                                                      Currently selling for silly money on eBay, Domino have unearthed a limited quantity of this much sought-after collection of Robert Wyatt’s greatest moments. Previously released only in Japan as a limited edition, this 17 track album is the perfect introduction to the music of Robert Wyatt. This is the first real definitive collection featuring 17 of Robert's greatest all-time solo material recordings to date and includes the much sought after and requested "Shipbuilding" which has never previously been on an album and has only been available as part of the EPs box set. Also includes his only other hit single from 1974 - "I'm A Believer".

                                                      Skill 7 Stamina 12

                                                      Robotics With Strings

                                                        This is the debut album from underground post-punk group Skill 7 Stamina 12. It fuses punk, disco, krautrock and jazz influences and will appeal to fans of A Certain Ratio, Can, Gang Of Four, Massacre, Stereolab and Arthur Russell. Skill 7 Stamina 12 have strong ties with the London art scene and feature a Dutch chanteuse who sings in a range of languages, underpinned by fearsomely tight rhythmic arrangements.

                                                        Rocket Science

                                                        One Robot

                                                          Another single from their "Contact High" album.

                                                          I Am A Robot And Proud

                                                          Grace Days

                                                            Based in Canada, I Am Robot And Proud is the name Shaw-han Liem works under to create his singular brand of hypnotic, beguiling electronic pop music.

                                                            After six years away, Robert Wyatt finally returns with a new album. Eclectic and superb as ever, Wyatt is joined by amongst others Paul Weller, Dave Gilmour, Brian Eno and Phil Manzanera. "Cuckooland" is a subtle, eclectic, evocative record of beauty and true originality, deriving its inspiration from jazz, diverse music and cultures from around the world, politics, human relations, hopes and fears. Wyatt's originals nestle comfortably next to a few cover versions across these 16 wonderful tracks.

                                                            Robin Holcomb

                                                            The Big Time

                                                              Robin Holcomb is a genre-defying singer/songwriter similar in many ways to Jane Siberry, who mixes folk and classical elements in her songs and layers a jazz sheen over them. Clever, literate lyrics and vituoso piano work makes "The Big Time" another intelligent and at times daring collection featuring contributions from artists of the calibre of Bill Frisell, Kate and Anna McGarrigle and husband Wayne Horowitz. Two traditional folk songs "A Lazy Farmer Boy" and "Engine 143" are included in the twelve tracks on display here but their treatment is anything but traditional and as with most of her own compositions they feature arrangements that have an edge and intelligence about them that makes this album rather special.

                                                              Robert Wyatt

                                                              Shleep

                                                                "Shleep" is almost a resume for Robert Wyatt's entire solo career. This 1997 release has tracks that would nestle snugly on his early solo albums like "Rock Bottom" and "Ruth Is Stranger Than Richard" or on Eno / Matching Mole / Henry Cow albums of the 80s. "Shleep" is one of his most satisfying releases on so many levels; the variety, the production, the musicianship and above all Wyatt's vocals recorded to perfection.

                                                                TRACK LISTING

                                                                Heaps Of Sheeps 4:56
                                                                The Duchess 4:18
                                                                Maryan 6:11
                                                                Was A Friend 6:09
                                                                Free Will And Testament 4:13
                                                                September The Ninth 6:41
                                                                Alien 6:47
                                                                Out Of Season 2:32
                                                                A Sunday In Madrid 4:41
                                                                Blues In Bob Minor 5:46
                                                                The Whole Point Of No Return 1:25

                                                                Robert Wyatt

                                                                Nothing Can Stop Us

                                                                  Originally released in 1982, "Nothing Can Stop Us" compiles the first four singles Robert Wyatt issued for Rough Trade. The A-sides were all cover versions, ranging from Chic's "At Last I'm Free" to his version of the unofficial Cuban anthem "Caimanera" ("Guantanamera") and a haunting version of "Strange Fruit" depicting the lynching of three young black men in the US in the 1930s and made famous by Billie Holiday. The other tracks include Wyatt's most political recordings including the spine-tingling "Born Again Cretin" or "The Red Flag" and shows him at his uncompromising best.

                                                                  Robert Pollard

                                                                  Motel Of Fools

                                                                    Robert Pollard (of Guided By Voices fame) with a newly recorded (December 2002) seveen-track mini-LP steeped in pop gems and sound collages.

                                                                    Robbie Fulks

                                                                    The Very Best Of

                                                                      14 all new, frightfully rare, or altogether unreleased tracks.

                                                                      Jimmie Lee Robinson

                                                                      ...All My Life

                                                                        Jimmie Lee is a champion of the old acoustic roots blues style. "...All My Life" is an acoustic testament to his commitment to simple, direct and honest blues playing.

                                                                        Robert Earl Keen

                                                                        Gravitational Forces

                                                                          Robert Earl Keen is the latest Lost Highway artist this year to release a top Americana album folowing in the footsteps of Lucinda Williams on the same label. This has the same bittersweet flavour as Williams' "Essence" with that wistful nostalgic sound that a lot of these alternative country players seem to be becoming increasingly fond of.

                                                                          Robbie Fulks

                                                                          Couples In Trouble

                                                                            A collection of 12 songs, each of which, as the title suggests, documents a tale of two people in crisis. Mostly country / bluegrass songs but occasionally deliving into pop and rock. Very good!

                                                                            Robert Berry

                                                                            The Wheel Of Time

                                                                              Robert Jordan's epic series of fantasy novels, "The Wheel Of Time" is one of the most successful, longest running and most closely followed of all the works in this genre. Berry has been a member of Asia and this neo-prog creation is an imaginary soundtrack which reflects the drama and action of the books.

                                                                              Robert Lucas

                                                                              Built For Comfort

                                                                                Lucas is a big fella and his style of blues roots music is a real throwback to the golden age of the Blues with covers of Willie Dixon, Elmore James and Robert Johnson songs all featured here. What is exceptional is his acoustic slide playing and his real blues growl of a voice. This 1992 reissue is one of his best.


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