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RISES

Joe Hisaishi

The Wind Rises (Soundtrack Album)

    Discover the original soundtrack of the anime The Wind Rises by Studio Ghibli, composed by the renowned Joe Hisaishi, who also conducted the Yomiuri Nippon Symphony Orchestra throughout 2013. The album is presented in a double vinyl format and includes the theme song "Hikouki Cloud" by Yumi Arai. The use of instruments such as the bayan and balalaika makes it one of Studio Ghibli’s most sumptuous scores.

    TRACK LISTING

    1. A Journey (A Dream Of Flight)
    2. A Shooting Star
    3. Caproni (An Aeronautical Designer's Dream)
    4. A Journey (A Decision)
    5. Nahoko (The Encounter)
    6. The Refuge
    7. The Lifesaver
    8. Caproni (A Phantom Giant Aircraft)
    9. A Heart Aflutter
    10. A Journey (Jiro's Sister)
    11. A Journey (First Day At Work)
    12. The Falcon Project
    13. The Falcon
    14. Junkers
    15. A Journey (Italian Winds)
    16. A Journey (Caproni Retires)
    17. A Journey (An Encounter At Karuizawa)
    18. Nahoko (Her Destiny)
    19. Nahoko (A Rainbow)
    20. Castorp (The Magic Mountain)
    21. The Wind
    22. Paper Airplane
    23. Nahoko (The Proposal)
    24. Prototype 8
    25. Castorp (A Separation)
    26. Nahoko (I Miss You)
    27. Nahoko (An Unexpected Meeting)
    28. A Journey (The Wedding)
    29. Nahoko (Together)
    30. A Journey (A Parting)
    31. A Journey (A Kingdom Of Dreams)
    32. Hikō-ki Gumo (ひこうき雲) By Yumi Matsutoya

    Six Organs Of Admittance

    Companion Rises (Twig Harper Remix)

      Six Organs of Admittance extend their annum of unlikely delights - begun in March 2024 with ‘Time is Glass’, the first new Six Organs of Admittance album in four years, and joined in June with the most unlikely awesome collab of 2024: Shackleton and Six Organs of Admittance, ‘Jinxed by Being’ - with the release of ‘Companion Rises (Twig Harper Remix)’, which expands the zone of disbelief simply by being the third Six Organs-branded release in one year. Also, by pushing the boundaries in all the manners that matter - psychologically, spiritually, philosophically and sonically - into a new dimensional space.

      ‘Companion Rises’ dropped in February 2020. Its new techniques in sound generation called for an aggressive new moment, with heavy Six Organs touring scheduled for the year ahead. Yeah...flash forward to 2023! As Ben Chasny picked up the pieces following the Big Blink, he had to think of what could have been, like: “What would ‘Companion Rises’ sound like if I had known how crazy the world it was built for was gonna be?”

      By then, Six Organs had moved on - both ‘Time is Glass’ and ‘Jinxed by Being’ were in the works - but here was a thought: ‘Companion Rises’ was a record about the weirdness of California. Right then, Twig Harper was touching down in Cali after stints in Baltimore and Chicago. Ben had been onboard with Twig’s shit since the days when Nautical Almanac burst out of Michigan like an engorged, inflamed, screaming blood vessel. And Twig’s chaos sense has evolved and refined in amazing ways over the years (see releases on Hanson Records, Thrill Jockey, Planam, Open Mouth, Primordial Void, Radical Documents, Ha Ha Ha Cassettes and Twig’s own Heresee label), so when Ben asked him if he would do whatever he wanted, it felt like full circles were colliding when Twig said yeah!

      Once Twig had measured out the physics of ‘Companion Rises’, most of his Remix was done up in his van where he, otherwise homeless, was living. When he got the stems from Ben, he just started working it out right there, rather than spending the time finding a place to live. It’s more fun running signal through his Ableton DSP rack, always. And it worked out well - he’ll probably move a bunch more times in his life, but this record is forever.

      With the Twig Harper remixes, the maximal qualities of original ‘Companion Rises’ DNA are evoked via omission: to recreate the implied construction of Six Organs’ spirit realm, Twig isolated source sounds, triggered new data off those sounds, then edited the new readouts. To the naked ear, it sounds to be a highly stimulating new example in modern electronic minimal classical music. The assiduous Organs-head will no doubt find a few Easter eggs here, but mostly, this is new dimensional space made of the not-so-old one.

      ‘Companion Rises (Twig Harper Remix)’ is like two journeys in one, juxtaposing Twig’s new-to-Cali musings with Six Organs’ original borne-andbread wanderings. Play them back to back, they play fresh through and through. Or play ’em on top of each other and wait for the moment of concision to arrive. And now it sounds as weird as Ben wanted; maybe almost as weird as the world outside today.

      TRACK LISTING

      Pacific (Twig Harper Remix)
      Two Forms Moving (Twig Harper Remix)
      The Scout Is Here (Twig Harper Remix)
      Black Tea (Twig Harper Remix)
      Companion Rises (Twig Harper Remix)
      The 101 (Twig Harper Remix)
      Haunted And Known (Twig Harper Remix)
      Mark Yourself (Twig Harper Remix)
      Worn Down To The Light (Twig Harper Remix)

      Johnny Flynn & Robert Macfarlane

      The Moon Also Rises

        Johnny Flynn’s sixth album, and the second co-written with his friend Robert Macfarlane gathers songs that Johnny and Robert have written together since finishing their first joint album, Lost In The Cedar Wood (2021). At its heart are the oldest themes of all: death and renewal, darkness and light. The first five tracks are songs of burial, shadows and memory, while the final four are songs of awakening, light and love. The album turns around a central song, ‘The Sun Also Rises’, which stands with a foot in both dark and light.

        Fuses poetry, story, landscape, history, nature and myth into a series of rich, strange songlines that criss-cross time and place, joining winter to spring, ancient to present and birth to death. As the Sun sets, so the Moon rises as its echo; as one light dies, another, altogether different light is born.

        Partly recorded in an old Methodist chapel –now the home of Johnny and Rob’s friends, Cosmo and Flora Sheldrake.

        Produced by Charlie Andrew (Alt-J, Marika Hackman).

        BIOG
        Johnny Flynn is a singer, composer, musician and actor. His musical releases to date include the studio albums A Larum (2008), Been Listening (2010), Country Mile (2013), Sillion (2017) and Lost In The Cedar Wood (2021). He has released two full live albums, Live in Washington DC (2014) and Live at the Roundhouse (2018) and various EPs and soundtracks. As well as touring the world with his band, Johnny regularly composes music for film, TV and theatre –– including work for period instruments at the Globe Theatre. Johnny’s recent acting projects include Hangmen and True West (for which he also composed the music) on stage and Emma, Beast and The Dig on film. He is currently appearing as Richard Burton in Jack Thorne’s sell-out play The Motive and the Cue, directed by Sam Mendes.

        Robert Macfarlane is a writer of books about nature, people, place and landscape including Underland (2019), Landmarks (2015), The Old Ways (2012) and, with Jackie Morris, The Lost Words (2017) and The Lost Spells (2020). He also writes films (inc. Mountain and River, both starring Willem Dafoe), operas, plays and screenplays, and collaborates widely, including with artist Stanley Donwood, and musicians Cosmo Sheldrake, Jocelyn Pook and Karine Polwart. His work has been widely adapted for film, stage, television, radio, dance, music and performance, and his books have been published in more than thirty languages. In 2023 he was awarded the inaugural Weston International Award for Non-Fiction.


        STAFF COMMENTS

        Barry says: A rousing collection of songs from the neo-folk troubador Johnny Flynn (whose Detectorists theme is forever etched in my brain) and frequent collaboration partner Robert Macfarlane. It's a warming, bucolic selection that's every bit as beautiful as 2021's stunning 'Lost In The Cedar Wood'.

        TRACK LISTING

        Side A
        1. Uncanny Valley
        2. Song With No Name
        3. Burial Blessing
        4. No Matter The Weight
        5. Coins For The Eyes
        Side B
        6. The Sun Also Rises
        7. The Wild Hunt
        8. Through The Misty With You
        9. Year-Long Winter
        10. River, Mountain And Love

        Mustafa

        When Smoke Rises

          Muslim poet and songwriter Mustafa presents his debut project, ‘When Smoke Rises’, via his own Regent Park Songs label.

          Mustafa’s two singles to date - ‘Stay Alive’ and ‘Air Forces’ - have been met with adoration from fellow artists, critics and fans and serve as a near-perfect introduction to an important new voice in music. Both songs are included on ‘When Smoke Rises’ alongside ‘Ali’. They exemplify a style Mustafa himself describes as “inner city folk music” that finds musical inspiration in the folk greats such as Joni Mitchell, Bob Dylan and Richie Havens but channelled through the contemporary lens of Mustafa’s modern-day Toronto.

          Mustafa was moved to release his own music following the loss of close friends to gun violence. Much of his music is addressed to those departed friends and to his Toronto neighbourhood, Regent Park; a vehicle to honour and affirm the concerns of his community while providing sonic solace for those looking to make sense of their own loss.

          The video for ‘Stay Alive’ prominently features footage of Regent Park, one of the first housing projects in North America and one of the biggest redevelopment projects on the continent. Mustafa’s experience of seeing the blocks, community and culture that raised him transform into something unrecognizable is a story that is playing out in neighbourhoods across the world - the inner city from which his folk songs are born.

          STAFF COMMENTS

          Barry says: Gorgeous downbeat grooves, twinkling piano and shimmering acoustic guitars all coalesce into an organic sounding but perfectly produced backdrop to Mustafa's intoxicatingly smooth vocals. Falling somwehere between neo-soul, R&B and swimming in airy electronic beats, this is a wonderful listen and a great sign of what's to come.

          TRACK LISTING

          Stay Alive
          Air Forces
          Separate
          The Hearse
          Capo (ft. Sampha)
          Ali
          What About Heaven
          Come Back

          Papa M

          A Broke Moon Rises: Music For Four Acoustic Guitars By Papa M

            Late 2016’s ‘Highway Songs’ brought Papa M back to us, after many years of silence and several harrowing dances with death for his Id-ego/host body, David Pajo. Now, two years on down the road, we’re all here again to witness ‘A Broke Moon Rises’.

            ‘Highway Songs’ was a necessarily cathartic experience in all phases. Afterwards, with no tour dates forthcoming (partially due to lousy clubs and their lack of wheelchair-accessible stage doors), it felt good just to play for fun again, like being in the practice space instead of the psych ward - a much healthier change of pace than some might guess. David blew it out; all the different styles he’s played in over the years, from folk-blues to metal, electronic, pop, Bollywood... all of it. When the spasms subsided, however, a back-to-roots sediment remained in the bottom of the bowl, which he read as a motive for a new Papa M album done with all acoustic instruments. That’s how there’s nothing electric about ‘A Broke Moon Rises’. Even the drums are acoustic.

            The five songs of ‘A Broke Moon Rises’ find David focusing his technique in unknown directions, to find out what he can do with them. When that happens, he finds himself on the very spot where Papa M music becomes alive. As the quietly funereal march of the opening track resonates with a spare drum beat, we are completely transfixed into the open spaces around the guitars.

            David’s been engineering and mixing his records for years, so the sensation of his sound-thoughts doesn’t entirely surprise us, even in their latest, acoustic anointment. Layers of guitars curl and unfurl, falling away from the centre with feathery softness. Slide figures cut through the progressions with a rusty glide. Arpeggiations flicker with light, leading into a change that’ll break on ones ear like a small revelation. Even the sound of Papa M playing in the room, leaning forward or untouching the strings, provides textural byplay in created space. ‘A Broke Moon Rises’ is meditative in the most active sense, with the unquiet mind leaping from place to place in a static, spartan theatre. All of which action makes hypnotic music, perfect for listening.

            The album’s title is based upon his son’s observation of a half-moon one evening (when his son was 29) and it helped infuse the record with an essential feeling, which draws to a decidedly tasty conclusion with David taking on an Arvo Pärt piece. After years of fascination with the music, listening in passivity, he finally decided to do something about understanding it by playing it himself. If you’re wondering, that’s the key to ‘A Broke Moon Rises’.

            TRACK LISTING

            The Upright Path
            Walt’s
            A Lighthouse Reverie
            Shimmers
            Spiegel Im Spiegel

            Rises

            EP #002 - The Rock

              Second release in this series of three limited edition EP's from Rises. The five track EP kicks of with "Saved My Skin" with its simple drums pounding a lazy beat and guitars playing intricate rhythms amidst crackles and feedback, all topped with fragile vocals. "The Rock" is a more straight forward fuzzy, lo-fi strummed acoustic song, while "Has It All Come To This" is a huge soaring epic, with heavy guitar reminiscent of Radiohead at their noisiest. On the B-side, "Sunday Nite" is a gentle slowie with strummed acoustics, while "She Told Me" has heavy guitars building and building until they finally reach their peak and sink into a gentle fade out. Stunning!


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