‘Grieving’, with its trunk-rattling double drums and searing electric Clavinet, imagines a rhythmic meeting of The Meters, post-‘Bitches Brew’ Miles and Can, before dissolving into a smoky, time-smeared coda that is a direct descendent of Lee ‘Scratch’ Perry’s headiest Black Ark productions, while ‘Collected Water’ is a mournful, pointillistic improvisation between Taylor’s drifting guitar loops, Ralston’s loping double bass, and the melodic dancing between Daniel Clarke’s chiming piano figures, J.C. Kuhl’s insistent saxophone and Reggie Pace’s subtle, circular percussion.
‘Bury the Bell’ is a shimmering, Alice Coltrane-inspired piece for guitar, clarinet and orchestra that spins off into stardust. The album concludes with ‘George the Revelator’, a lush devotional epic built atop the on-the-one drumming of J.T. Bates that shakes and rolls with psychic, psychedelic fervour.
‘Revelators’ is a testament to the telepathic and soulful musical interplay between Taylor and Ralston. “We only ever talked about what emotion we were going for,” Ralston recalls. “We never talked about gear or fidelity.”
Taylor echoes this sentiment, elaborating, “This record is about grief. Grief, and whatever comes after. We were looking for a way to communicate that musically.”
TRACK LISTING
Grieving
Collected Water
Bury The Bell
George The Revelator