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Roberto Musci / Giovanni Venosta

Water Messages On Desert Sand

Another great release in the prestigious ReR Recommended vinyl reissue series. "Water Messages on Desert Sand" was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987. Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

Faust

71 Minutes

    With Magma, Faust was one of the most important of all the European groups of the 70's.

    Compiled from "lost" and unreleased material, originally released as "Munich & Elsewhere" on the 10th Anniversary of their disbandment (inc.prophetic pre-dub mixing) as well as most of the unreleased "Faust Party 3" LP.

    Intense, eccentric, hypnotic, a true timeless classic.


    Fred Frith

    Guitar Solos

    Fred Frith has long enjoyed the challenge of solo work. On "Guitar Solos", released by the Virgin subsidiary Caroline in the early 70s, he plays electric and acoustic guitars but in such innovative and challenging ways that the album became a hugely influential benchmark at the time. Utilising multiple pick ups, scrapers and other new techniques for getting sounds out of his instrument it is as far away from conventional guitar music as you can get. It launched Frith's career as a solo improviser of world stature and is an album of great importance.

    Bob Drake

    Skull Mailbox

      Bob Drake was one half of Hail, and still plays bass with ruthless avant progsters The 5UUS. His bizarre series of solo albums, with no one else there to curb his wild imagination, continues with the Skull Mailbox. With this CD Drake has lost it altogether. Strange little picked guitar pieces are the basis for grotesque songs; a seance goes horribly wrong, headless ghosts fly about, and everyone ends up dead, or locked in the cellar, or both. Interjections by massed choir and orchestra suggest a 19th Century comic opera, and influences are as diverse as the Beatles and Henry Cow. Drake's choir-boy vocals and the occasional off-beat heavy riff also cast a glance at prog rockers like Yes or King Crimson.


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