'Quit to Play Chess' is the final studio album of Cola Boyy, who tragically passed away in March 2024 after winning the hearts of neo-disco and funk enthusiasts, from Los Angeles to Paris, from Coachella to London.

After a critically acclaimed EP ('Black Boogie Neon', 2018), a debut album ('Prosthetic Boombox', 2021), and collaborations with the likes of MGMT, Benny Sings and The Avalanches, the self-proclaimed Disabled Disco Innovator was able to finish his new album, groovier than ever.

Without boundaries of styles, tinted with hiphop, R'n'B and drum & bass, and faithful to his very unique flow, Cola Boyy offers one last record in his image: 12 generous, inventive, psychedelic and passionate tracks. An album painting a nuanced yet lyrical portrait of its era, drawing on the diversity of the contemporary world to offer anthems for those who are in lack of them.

The album is a work of goldsmith on the production side, with music craftsmen like Andrew VanWyngarden (MGMT), Jared Solomon (producer of SZA, Lola Young, Remi Wolf, Fousheé...), Nate Fox (Chance The Rapper, Lil Wayne) and Lewis OfMan, who build "Quit to Play Chess" as the most current and genuine project of its author...

TRACK LISTING

1. Blame The Beret
2. Babylon
3. Crushin'
4. Homegirl
5. Busy
6. 800MPH (feat. Wiki)
7. Heroes And Villains
8. Wave
9. Red Carpet
10. Walk Again
11. Top Of The Class
12. Calling

"La Ritournelle" is undoubtedly Sebastien Tellier's biggest song. Since its first release in 2003, it kept growing and circulating throughout the world year after year like a virus. Considered by many as the ultimate love anthem of the 21st century, the song has now infected numerous hearts and lovers, and gained a classic status.

The song is made of 7 epic minutes of a sensual and mesmerizing piano hook, with the late afro-beat maestro Tony Allen on drums, lush romantic strings, Philippe Zdar on the mix, and a heartbreaking lyric at the center of the song that goes:

Oh nothing's going to change my love for you / I wanna spend my life with you So we make love on the grass under the moon / No one call tell, damned if I do Forever journey on golden avenues / I drift in your eyes since I love you I got that beat in my veins for only rule / Love is to share, mine is for you

Since the release, we have received countless love messages. One from a famous DJ who told us he heard the tune while driving on the freeway and had to stop on the side of the road, in tears. Many couples have asked whether Tellier would perform "La Ritournelle" at their wedding ceremony.

It was sampled by The Weeknd for the song on "Kiss Land" (2013) and used in several long feature films. "La Ritournelle": often been copied and covered, but rarely equaled.

For the first time, Record Makers is releasing the song with its most successful remixes on one EP, and a special gift in memory of his genius: Tony Allen's bonus beat, the original drum track, a must have for DJs. Also included: Gilligan Moss' mix, an atmospheric remix and a streaming hit, and Mr Dan's Magic Wand mix, the chorus/verse version of "La Ritournelle", basically "Unfinished Sympathy pt. II", according to the NME.

TRACK LISTING

A1. La Ritournelle
A2. La Ritournelle (Mr Dan's Magic Wand Mix)
B1. La Ritournelle (Gilligan Moss Mix)
B2. La Ritournelle (Tony Allen Bonus Beat)

Sébastien Tellier, the first signing to Record Makers, returned after his 2001 "L'Incroyable Vérité" album and his appearance on the soundtrack to Sofia Coppola's "Lost In Translation" with "Politics", a stunning eleven-track CD of almost indescribable cinematic and uplifting music. Produced in Paris by the legendary Philip Zdar (Cassius, Etienne de Crecy), "Politics" is an uncompromising album featuring contributions from artists as diverse as Tony Allen (Fela Kuti), Quentin Dupieux (aka Mr Oizo) and the Bulgarian Symphony Orchestra.

"Bye-Bye", the first track on the album was originally written as part of the score for Sebastien's starring role in the Quentin Dupieux directed file "Nonfilm", with Tony Allen striking the perfect chord for 'Bye-Bye's rhythms. However after 'Bye-Bye' everything came together for the album - and Tellier began composing music in Phillippe Zdar's studios at 84 Rue Des Martyrs, Paris.

"Let's give the minorities their say, and show the way to those who have forgotten the roots of our planet's problems! The East Germans should know, and the wetbacks, and those who work themselves into the ground! Say no to stylistic controls, don't fight the rhythm - Tony Allen will be there to support me along with the rest of them", he said.

And that's what happened: the troops stormed in to defend the Native Americans ("Ketchup Vs Genocide"), the Mexicans ("League Chicanos"), two Africas, one idealized and one torn by civil war ("Wonderafrica" and "La Tuerie"), and a sporty East German who actually misses the Berlin Wall because she hasn't been able to play solo tennis since it's collapse ("Mauer") - in short, the oppressed were finally given a voice and re-ushered into a very personal but also universal "POLITICS".

This voice is magnified by open, melodious music that is unfettered and full of pleasure. With 'Politics' we blissfully sing of the pleasures of eating bananas under the sun, or of making love with the moonlight. It's that simple. Under Tellier the oppressed fought valiantly in the Martyr Road Studios, right up until 31st May 2003, when Paris' 18th arrondisement was itself stormed - by freak hail, which destroyed all of the artist's equipment. Only the master tapes remained, which, then dripping wet, he was grateful to pass onto Phillippe Zdar for the genial mix that is now 'Politics'.

And on this album appears Sébastien's masterpiece, the melody that everybody knows, "La Ritournelle"

TRACK LISTING

A1. Bye-Bye
A2. League Chicanos
A3. Wonderafrica
A4. Broadway
A5. La Ritournelle
B1. Benny
B2. Slow Lynch
B3. Mauer
B4. La Tuerie
B5. Ketchup Vs Genocide
B6. Zombi

Fourteen years on from its 2003 release, and ten years on from its first vinyl release, Sebastien Tellier's "Narco OST" gets another run on the black stuff courtesy of Record Makers. Now, while the rest of his ouevre has seen the bearded genius dabble with tropicalia, indulge in lo-fi cabaret, espouse messianic disco and put a synth-y spin on Gainsbourg's sex pop, "Narco" is a straightforward collection of stunning instrumental passages, lazy funk, soaring strings and piano. Tied together by a recurring motif and consistent sound palette, it is a strikingly coherent effort from a man known for wild changes of direction.
But that entire preamble is made largely irrelevant by the following information - the last track on Side B is none other than "La Ritournelle", one of the finest songs ever written and Tellier's crowning glory. If you don't know it, you're in for a life changing treat. Jazzy drums, sublime piano and gorgeous, heart melting strings dance around a core motif for three and a half minutes before Seb dives in with a stunning vocal and takes us home. Bittersweet pop perfection and the perfect end of night record, it's worth the entry fee on its own!

TRACK LISTING

A1 La Ballade Du Georges
A2 Le Démon Pupkin
A3 Le Château Pupkin
A4 Le Beguin Begins
A5 Le Long De La Rivière Tendre
A6 Dixi
A7 Pam! Exit La Folle
B1 Georges Thibault Rouhergues
B2 Rien De Rien Par Pupkin
B3 Gus Gracie
B4 Un Narco En Été
B5 Pupkin Et Ses Démons
B6 La Ritournelle

THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

12” - 1x 12" 180 Gr, Glossy lacquered sleeve 380 Gr / black printed inner sleeve / Mp3 download card inside

« L’Incroyable Vérité » is the first album of Sébastien Tellier. His previous discographic publications consist of a participation in the Source Rocks compilation, in 1998, with «Fantino» (used in Sofia Coppola's Lost In Translation film), which was noticed by the magazine Rolling Stone («(…) one of the loneliest sounds you will hear this year», December 1998).

The album was recorded between September 1999 and March 2000.

Sébastien plays most of the instruments and produced his album himself. It was mixed by Quentin Dupieux (aka Mr Oizo) and

Sebastien Tellier in July 2000 with the help of Guillaume Lebraz.

Sébastien and Mathieu Tonetti wrote the lyrics to the songs.

«L’Incroyable Vérité» is an album about life. You can hear a dog singing, a woman screaming, and legs growing.

Sébastien Tellier recommends that you listen to his album alone by candle-light.

TRACK LISTING

A1. Oh Malheur Chez O’Malley
A2. Kazoo III
A3. Universe
A4. L’Enfance D’Un Chien
A5. Une Vie De Papa
A6. Fin Chien
B1. Grec
B2. Kissed By You
B3. Fantino
B4. Trilogie Femme
B5. Black Douleur

Inspired by the first wave of French house producers, Acid Washed bring us their own take on the ballroom-influence sound with this synth-heavy, arpeggios-set-to-stun electronic disco-house long player for Record Makers. Recorded after going twice around the world, ‘House of Melancholy’ is the soundtrack to Andrew Claristidge and Richard d’Alpert’s recent lives, and one that brings them right back home to France. ‘House of Melancholy’ gives pride of place to strong emotions and melodies. Without ever getting to the shores of electro-pop, the duo puts a little more of real, heavy pop, of 70s Italian variety, of Morricone or Philip Glass soundtracks, and very pure electronics in their dance music. Andrew and Richard surrounded themselves with friends in the recording of this LP: the exceptionally gifted Joakim at the production board, the stentorian Yan Wagner, the too rare Miss Kittin, the swagest Ahmad Larnes behind the mic, the geek comrades Hypnolove, Turzi or La Mverte playing around with keyboards and compressors… ‘House Of Melancholy’ brings the immediate beauty of synthesizers and pure arpeggios curled up around the organic beats spiraling to infinity. ‘House of Melancholy’ is a party, an ode to music which unites body and soul. Acid Washed welcome you to the party.

TRACK LISTING

1. Heartbeat Maker
2. Fire N’ Rain
3. Golem’s Dance
4. Prince Acid
5. For Your Eyes Only
6. Gasoline
7. Hello Universe
8. Celestial Choirs Of Barbès
9. Nautilus
10. House Of Melancholy