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Dita Von Teese (Feat, Sebastien Tellier)

Dita Von Teese

Alabaster face and cherry red lips, curves often outlined by a black satin sheath, Dita Von Teese sings about the power of seduction and the ecstasy of letting go in an album bearing her name, written and composed by Sébastien Tellier. Previously recording with Monarchy and Die Antwoord, though Von Teese stresses she's no professional singer. '...nothing compares to this project with Sébastien Tellier. Having been a fan of his music for a long time, I would go to see him play live in California and, when I performed for the first time at the Crazy Horse in Paris, I invited him because I was such a fan, not daring to imagine that someday he would compose an entire album for me' For his part, Sébastien Tellier has long dreamt of composing for a woman, but was not inspired by any of the professional singers. “When I saw Dita dance to a piece of music I had written for her, I had a feeling that her physical presence and her personality were a perfect fit with my music and I started to compose only for her...My wife, Amandine de La Richardière, wrote some sexy pop lyrics to balance the melodrama of my tragic vision that love always ends - in my songs - in bitterness and regret.” Recorded in Sydney, Los Angeles and Paris, “Dita Von Teese” owes much to the talents of composer Sébastien Tellier, the singing of Dita Von Teese and the art of two instrumentalists—the programmer and keyboard player, John Kirby, famous for his work with Solange, Blood Orange, and Money Mark, and Daniel Stricker, the drummer of the Australian group the Midnight 

STAFF COMMENTS

Patrick says: As far as I'm concerned Sebastien Tellier can do no wrong, and I was delighted to hear the bearded bard was doing a Gainsbourg (not literally) and teaming up with a sultry (occasional) songstress for an LP of sensual pop. Bursting with the beautiful melodies, delicate chord progressions and divine compositions we've come to expect from the Frenchman, coupled with Dita's sexy-stroke-subdued vocals and irresistible Euro-pop production. Imagine Lana Del Rey fronting Antenna during MTV Spring Break.

FORMAT INFORMATION

Coloured LP Info: First 2000 LP pressed on pink vinyl

Record Makers kick off their Sébastien Tellier reissue series with a fresh pressing of the bearded hero's debut LP, "L’Incroyable Vérité". Snapped up by Air as the first signing to their then new Record Makers imprint off the strength of his contributions to the 1998 Source Rocks compilation and the "Lost In Translation OST", Tellier released "L’Incroyable Vérité" in 2001 to marmite effect! Mixed with Mr Oizo (another total joker), the LP shifts between lo-fi electronica, bizarre cabaret, dreamy downbeat and swooning cinematic numbers, throwing a lot of listeners of the scent, but rewarding the real heads with gorgeous songwriting, intelligent lyrics and accomplished instrumentation, mostly played by Sebastien himself. "L’Incroyable Vérité" is an album about life. You can hear a dog singing, a woman screaming, and legs growing. Sébastien Tellier recommends that you listen to his album alone and by candle-light.


FORMAT INFORMATION

LP includes MP3 Download Code.

Fourteen years on from its 2003 release, and ten years on from its first vinyl release, Sebastien Tellier's "Narco OST" gets another run on the black stuff courtesy of Record Makers. Now, while the rest of his ouevre has seen the bearded genius dabble with tropicalia, indulge in lo-fi cabaret, espouse messianic disco and put a synth-y spin on Gainsbourg's sex pop, "Narco" is a straightforward collection of stunning instrumental passages, lazy funk, soaring strings and piano. Tied together by a recurring motif and consistent sound palette, it is a strikingly coherent effort from a man known for wild changes of direction.
But that entire preamble is made largely irrelevant by the following information - the last track on Side B is none other than "La Ritournelle", one of the finest songs ever written and Tellier's crowning glory. If you don't know it, you're in for a life changing treat. Jazzy drums, sublime piano and gorgeous, heart melting strings dance around a core motif for three and a half minutes before Seb dives in with a stunning vocal and takes us home. Bittersweet pop perfection and the perfect end of night record, it's worth the entry fee on its own!

Sebastien Tellier

L'Incroyable Verite

    THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

    12” - 1x 12" 180 Gr, Glossy lacquered sleeve 380 Gr / black printed inner sleeve / Mp3 download card inside

    « L’Incroyable Vérité » is the first album of Sébastien Tellier. His previous discographic publications consist of a participation in the Source Rocks compilation, in 1998, with «Fantino» (used in Sofia Coppola's Lost In Translation film), which was noticed by the magazine Rolling Stone («(…) one of the loneliest sounds you will hear this year», December 1998).

    The album was recorded between September 1999 and March 2000.

    Sébastien plays most of the instruments and produced his album himself. It was mixed by Quentin Dupieux (aka Mr Oizo) and

    Sebastien Tellier in July 2000 with the help of Guillaume Lebraz.

    Sébastien and Mathieu Tonetti wrote the lyrics to the songs.

    «L’Incroyable Vérité» is an album about life. You can hear a dog singing, a woman screaming, and legs growing.

    Sébastien Tellier recommends that you listen to his album alone by candle-light.

    Inspired by the first wave of French house producers, Acid Washed bring us their own take on the ballroom-influence sound with this synth-heavy, arpeggios-set-to-stun electronic disco-house long player for Record Makers. Recorded after going twice around the world, ‘House of Melancholy’ is the soundtrack to Andrew Claristidge and Richard d’Alpert’s recent lives, and one that brings them right back home to France. ‘House of Melancholy’ gives pride of place to strong emotions and melodies. Without ever getting to the shores of electro-pop, the duo puts a little more of real, heavy pop, of 70s Italian variety, of Morricone or Philip Glass soundtracks, and very pure electronics in their dance music. Andrew and Richard surrounded themselves with friends in the recording of this LP: the exceptionally gifted Joakim at the production board, the stentorian Yan Wagner, the too rare Miss Kittin, the swagest Ahmad Larnes behind the mic, the geek comrades Hypnolove, Turzi or La Mverte playing around with keyboards and compressors… ‘House Of Melancholy’ brings the immediate beauty of synthesizers and pure arpeggios curled up around the organic beats spiraling to infinity. ‘House of Melancholy’ is a party, an ode to music which unites body and soul. Acid Washed welcome you to the party.


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