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    Kavinsky is a zombie who came back from the dead after his Testarossa crashed in 1986. His first song, "Testarossa Autodrive", was an instant success, and was followed by two singles. In 2007, he was chosen by Daft Punk to open their now legendary "Alive" tour. In 2011, his track "Nightcall", produced with Guy-Manuel de Homem-Christo, became the theme song for the film "Drive", and consequently a worldwide success. Kavinsky's first album, "Outrun", was released in 2013, followed by a collaboration with The Weeknd on the song "Odd Look".

    “Cameo” is the third and last stepping stone which lead to Kavinsky’s long-awaited new album “Reborn”, out March 25th. Its raging funky beat and syncopated synths offer the most perfect case for American sensation Kareen Lomax to deliver a warm though exhilarating vocal performance. Robot disco guitar bumps all along and that secret recipe everyone knows was invented iin Paris. Yet another humongous track by the and only dead & alive 88.1 to 107.9 FM fiend.


    A1. Cameo
    B1. Cameo (Instrumental)



      Kavinsky is a zombie who came back from the dead after his Testarossa crashed in 1986. His first song, "Testarossa Autodrive", was an instant success, and was followed by two singles. In 2007, he was chosen by Daft Punk to open their now legendary "Alive" tour. In 2011, his track "Nightcall", produced with Guy-Manuel de Homem-Christo, became the theme song for the film "Drive", and consequently a worldwide success. Kavinsky's first album, "Outrun", was released in 2013, followed by a collaboration with The Weeknd on the song "Odd Look".

      In 2022, Kavinsky is back with "Reborn", his second album recorded at the famous Motorbass studio in Paris, due March 25th. While recording it, Kavinsky had this special project to record a sequel to his hit song "Nightcall", which after all sounded almost like a movie scene. This sequel would be called "Zenith".

      Therefore, like in the original, he composed a duet between a girl and a man, but reversed: the verse is sung by the woman, the chorus by the man. Prudence (formerly from the successful duet The Dø) is the female vocalist, Morgan Phalen (who sung with Justice and is the vocalist of the band Diamond Nights) plays the male character along with a special guest: the saxophone. "Zenith" showcases Kavinsky's romantic side on a muted and futuristic sound.


      A1. Zenith
      B1. Zenith (Instrumental) 

      Sébastien Tellier

      My God Is Blue - 2022 Repress

        “Don’t listen to my record, listen to my message, vibrate to my music, let’s merge our dreams, together spreading our combined energy in an immense blue wave that will flood the world - and the truth with emerge.”

        Announcing his long awaited return with this distinct message, Sébastien Tellier bounds back to the forefront of our collective musical conscience with his highly anticipated fourth studio album, My God Is Blue.

        It’s a record whose message is powered by something almighty, by some higher plane, by something much more spiritually significant than anything else the Parisian artist has composed to date. It’s an album harbouring a prophetic philosophy and a vision of ideality, an album whose music seeks to not only entertain, inspire and charm, but also to create a community of like minded individuals searching to follow their dreams, and find their true path in life.

        “I’d finished my tour for Sexuality and needed to recharge and re-motivate myself to go and make a new record,” says Tellier. “But I was a little bit… lost. I was looking for a subject that I was passionate about.” It was this search, this quest for spiritual and musical inspiration that led Tellier to take heed of the advice that “ to be able to make pure music, you have to focus on removing yourself, distancing yourself from your dreams.”

        As such, Tellier began to notice a pattern in his dreams, and one which would go on to become the foundation of his latest oeuvre: “It had a really strong effect on me, I realised that I had blue dreams, I was having blue visions. When I went back to Paris to start making music, I wrote while thinking about what this meant, thinking about blue dreams, about spirituality, about truth.”


        A1. Pepito Bleu
        A2. The Colour Of Your Mind
        A3. Sedulous
        A4. Cochon Ville
        A5. Magical Hurricane
        A6. Russian Attractions
        B1. Mayday
        B2. Draw Your World
        B3. My Poseidon
        B4. Against The Law
        B5. My God Is Blue
        B6. Yes It's Possible

        Sébastien Tellier


          In January 2004, Sébastien Tellier released "Politics", an ambitious album which preaches the defense of the oppressed peoples, in a luxurious dressing. The press went mental, and he was consider elitist and entitled. Nevertheless, "La Ritournelle" is a piece which the whole of France knows, without knowing who sings it. It goes on to be the last ever song played at Manchester’s infamous Electric Chair. Keeping Tellier’s idiosyncratic murmerings etched onto the craniums of whole generation of acid house dads and Balearic wash-outs.

          Sébastien Tellier's live shows reached a kind of artistic summit, a model of intensity and starkness. Tellier then decided to record, on December 30th 2005, an acoustic session of his catalogue accompanied by the pianist Simon Dalmais. The fruit of this session gave birth to this album, "Sessions", intimate and stripped back. "Sessions" is a collection of timeless pieces, stemming from his directory, with sympathy to the authors / composers / performers whom the songs were originally written. This is the first time this album has been released on vinyl.


          1. Bye Bye
          2. La Ritournelle
          3. Black Douleur
          4. League Chicanos
          5. La Dolce Vita
          6. Fantino
          7. Kissed By You
          8. Broadway
          9. Universe
          10. Classic

          Sébastien Tellier

          Politics - 2021 Reissue

          Sébastien Tellier, the first signing to Record Makers, returned after his 2001 "L'Incroyable Vérité" album and his appearance on the soundtrack to Sofia Coppola's "Lost In Translation" with "Politics", a stunning eleven-track CD of almost indescribable cinematic and uplifting music. Produced in Paris by the legendary Philip Zdar (Cassius, Etienne de Crecy), "Politics" is an uncompromising album featuring contributions from artists as diverse as Tony Allen (Fela Kuti), Quentin Dupieux (aka Mr Oizo) and the Bulgarian Symphony Orchestra.

          "Bye-Bye", the first track on the album was originally written as part of the score for Sebastien's starring role in the Quentin Dupieux directed file "Nonfilm", with Tony Allen striking the perfect chord for 'Bye-Bye's rhythms. However after 'Bye-Bye' everything came together for the album - and Tellier began composing music in Phillippe Zdar's studios at 84 Rue Des Martyrs, Paris.

          "Let's give the minorities their say, and show the way to those who have forgotten the roots of our planet's problems! The East Germans should know, and the wetbacks, and those who work themselves into the ground! Say no to stylistic controls, don't fight the rhythm - Tony Allen will be there to support me along with the rest of them", he said.

          And that's what happened: the troops stormed in to defend the Native Americans ("Ketchup Vs Genocide"), the Mexicans ("League Chicanos"), two Africas, one idealized and one torn by civil war ("Wonderafrica" and "La Tuerie"), and a sporty East German who actually misses the Berlin Wall because she hasn't been able to play solo tennis since it's collapse ("Mauer") - in short, the oppressed were finally given a voice and re-ushered into a very personal but also universal "POLITICS".

          This voice is magnified by open, melodious music that is unfettered and full of pleasure. With 'Politics' we blissfully sing of the pleasures of eating bananas under the sun, or of making love with the moonlight. It's that simple. Under Tellier the oppressed fought valiantly in the Martyr Road Studios, right up until 31st May 2003, when Paris' 18th arrondisement was itself stormed - by freak hail, which destroyed all of the artist's equipment. Only the master tapes remained, which, then dripping wet, he was grateful to pass onto Phillippe Zdar for the genial mix that is now 'Politics'.

          And on this album appears Sébastien's masterpiece, the melody that everybody knows, "La Ritournelle"


          A1. Bye-Bye
          A2. League Chicanos
          A3. Wonderafrica
          A4. Broadway
          A5. La Ritournelle
          B1. Benny
          B2. Slow Lynch
          B3. Mauer
          B4. La Tuerie
          B5. Ketchup Vs Genocide
          B6. Zombi

          Six studio albums, four original motion picture scores, and a plethora of side projects... Sebastien Tellier writes with every breath, composes melodies to the whim of his obsessions like his musical peers Robert Wyatt, Todd Rundgren or Ariel Pink. Since Sessions (2006), the first time he covered his own repertoire, Sebastien experienced an international success with Sexuality, and released the great epics of My God Is Blue and L’Aventura, and the bustle of his new role as a father with Domesticated.

          His new album Simple Mind is a lush though very minimalistic resume of some of his most beautiful compositions ; a classic live-recorded album where old and more recent songs will find a confined listener caught in a wave of domestic bliss.

          "Simple Mind is a total rebirth for my music. For this minimalistic live recording, I’m cleansing my own songs so you can (re)discover them in the most pure and intimate way. I want to take you to the closest of my chords, my melodies and my voice in order to share the essence of my art with you. As simple as that. Bisou." - Sébastien Tellier


          A1. Domestic Tasks
          A2. L'amour Et La Violence
          A3. Look
          A4. A Ballet
          A5. Divine
          B1. Intromission
          B2. Fingers Of Steel
          B3. Stuck In A Summer Love
          B4. Comment Revoir Oursinet?
          B5. Ricky L'adolescent
          B6. Against The Law

          Record Makers kick off their Sébastien Tellier reissue series with a fresh pressing of the bearded hero's debut LP, "L’Incroyable Vérité". Snapped up by Air as the first signing to their then new Record Makers imprint off the strength of his contributions to the 1998 Source Rocks compilation and the "Lost In Translation OST", Tellier released "L’Incroyable Vérité" in 2001 to marmite effect! Mixed with Mr Oizo (another total joker), the LP shifts between lo-fi electronica, bizarre cabaret, dreamy downbeat and swooning cinematic numbers, throwing a lot of listeners of the scent, but rewarding the real heads with gorgeous songwriting, intelligent lyrics and accomplished instrumentation, mostly played by Sebastien himself. "L’Incroyable Vérité" is an album about life. You can hear a dog singing, a woman screaming, and legs growing. Sébastien Tellier recommends that you listen to his album alone and by candle-light.


          1/A1. Oh Malheur Chez O’Malley
          2/A2. Kazoo III
          3/A3. Universe
          4/A4. L’Enfance D’Un Chien
          5/A5. Une Vie De Papa
          6/A6. Fin Chien
          7/B1. Grec
          8/B2. Kissed By You
          9/B3. Fantino
          10/B4. Trilogie Femme
          11/B5. Black Douleur

          Fourteen years on from its 2003 release, and ten years on from its first vinyl release, Sebastien Tellier's "Narco OST" gets another run on the black stuff courtesy of Record Makers. Now, while the rest of his ouevre has seen the bearded genius dabble with tropicalia, indulge in lo-fi cabaret, espouse messianic disco and put a synth-y spin on Gainsbourg's sex pop, "Narco" is a straightforward collection of stunning instrumental passages, lazy funk, soaring strings and piano. Tied together by a recurring motif and consistent sound palette, it is a strikingly coherent effort from a man known for wild changes of direction.
          But that entire preamble is made largely irrelevant by the following information - the last track on Side B is none other than "La Ritournelle", one of the finest songs ever written and Tellier's crowning glory. If you don't know it, you're in for a life changing treat. Jazzy drums, sublime piano and gorgeous, heart melting strings dance around a core motif for three and a half minutes before Seb dives in with a stunning vocal and takes us home. Bittersweet pop perfection and the perfect end of night record, it's worth the entry fee on its own!


          A1 La Ballade Du Georges
          A2 Le Démon Pupkin
          A3 Le Château Pupkin
          A4 Le Beguin Begins
          A5 Le Long De La Rivière Tendre
          A6 Dixi
          A7 Pam! Exit La Folle
          B1 Georges Thibault Rouhergues
          B2 Rien De Rien Par Pupkin
          B3 Gus Gracie
          B4 Un Narco En Été
          B5 Pupkin Et Ses Démons
          B6 La Ritournelle

          Sebastien Tellier

          L'Incroyable Verite


            12” - 1x 12" 180 Gr, Glossy lacquered sleeve 380 Gr / black printed inner sleeve / Mp3 download card inside

            « L’Incroyable Vérité » is the first album of Sébastien Tellier. His previous discographic publications consist of a participation in the Source Rocks compilation, in 1998, with «Fantino» (used in Sofia Coppola's Lost In Translation film), which was noticed by the magazine Rolling Stone («(…) one of the loneliest sounds you will hear this year», December 1998).

            The album was recorded between September 1999 and March 2000.

            Sébastien plays most of the instruments and produced his album himself. It was mixed by Quentin Dupieux (aka Mr Oizo) and

            Sebastien Tellier in July 2000 with the help of Guillaume Lebraz.

            Sébastien and Mathieu Tonetti wrote the lyrics to the songs.

            «L’Incroyable Vérité» is an album about life. You can hear a dog singing, a woman screaming, and legs growing.

            Sébastien Tellier recommends that you listen to his album alone by candle-light.

            TRACK LISTING

            A1. Oh Malheur Chez O’Malley
            A2. Kazoo III
            A3. Universe
            A4. L’Enfance D’Un Chien
            A5. Une Vie De Papa
            A6. Fin Chien
            B1. Grec
            B2. Kissed By You
            B3. Fantino
            B4. Trilogie Femme
            B5. Black Douleur

            Inspired by the first wave of French house producers, Acid Washed bring us their own take on the ballroom-influence sound with this synth-heavy, arpeggios-set-to-stun electronic disco-house long player for Record Makers. Recorded after going twice around the world, ‘House of Melancholy’ is the soundtrack to Andrew Claristidge and Richard d’Alpert’s recent lives, and one that brings them right back home to France. ‘House of Melancholy’ gives pride of place to strong emotions and melodies. Without ever getting to the shores of electro-pop, the duo puts a little more of real, heavy pop, of 70s Italian variety, of Morricone or Philip Glass soundtracks, and very pure electronics in their dance music. Andrew and Richard surrounded themselves with friends in the recording of this LP: the exceptionally gifted Joakim at the production board, the stentorian Yan Wagner, the too rare Miss Kittin, the swagest Ahmad Larnes behind the mic, the geek comrades Hypnolove, Turzi or La Mverte playing around with keyboards and compressors… ‘House Of Melancholy’ brings the immediate beauty of synthesizers and pure arpeggios curled up around the organic beats spiraling to infinity. ‘House of Melancholy’ is a party, an ode to music which unites body and soul. Acid Washed welcome you to the party.

            TRACK LISTING

            1. Heartbeat Maker
            2. Fire N’ Rain
            3. Golem’s Dance
            4. Prince Acid
            5. For Your Eyes Only
            6. Gasoline
            7. Hello Universe
            8. Celestial Choirs Of Barbès
            9. Nautilus
            10. House Of Melancholy

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