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REAL GONE MUSIC

Various Artists

Oceans Eleven - Music From The Motion Picture (Limited 20th Anniversary Black & Red Cornetto "Roulette Wheel" Vinyl Edition) (RSD21 EDITION)

    THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JULY 17TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

    IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).


    Cannily blending composer David Holmes' electronica jazz-funk with old-school orchestral artists like Percy Faith, Arthur Lyman, and Quincy Jones--not to mention a vintage Vegas shot of Elvis--the soundtrack to the 2001 thriller Oceans Eleven is like the overstuffed olive in Steven Soderbergh's cinematic cocktail. For its vinyl debut on its 20th anniversary, Real Gone Music is spinning this platter the only way it could be spun: on cornetto, red and black "roulette wheel" vinyl limited to 2500 copies. Comes inside a jacket and printed inner sleeve sporting production stills. RSD shoppers, place your bets!

    Keyboardist Carn's 1971 debut record for Black Jazz introduced his stylistic wrinkle of adding lyrics to jazz classics like John Coltrane's "Acknowlegement (A Love Supreme)," Horace Silver's "Peace," and Wayne Shorter's title track, all sung by the gorgeous, thrilling voice of his wife Jean Carn. A crack outfit of drummer Michael Carvin, saxophonist/flautist George Harper, trombonist Al Hall Jr., trumpeter Bob Frazier, and bassist Henry Franklin (himself leader of two treasured Black Jazz releases) backs the couple.

    TRACK LISTING

    1. Welcome
    2. Little B’s Poem
    3. Moon Child
    4. Infant Eyes
    5. Passion Dance
    6. Acknowledgement (A Love Supreme)
    7. Peace

    Doug Carn Ft. The Voice Of Jean Carn

    Revelation

    Aside from McCoy Tyner's "Contemplation," John Coltrane's "Naima," and René McClean's "Jihad," Doug Carn himself takes the composing reins on this masterful 1973 release, which further integrates Jean Carn's ethereal yet soulful vocals into the his impressive stylistic vision. And this time the band includes such heavyweights as trumpeter Olu Dara, bassist Walter Booker, and drummer Ira Williams. All of Carn's albums for Black Jazz are classics; this one might just be first among equals.

    TRACK LISTING

    1. God Is One
    2. Power And Glory
    3. Revelation
    4. Naima
    5. Fatherhood
    6. Contemplation
    7. Feel Free
    8. Time Is Running Out
    9. Jihad

    Tim Buckley

    Look At The Fool

      The list of '60s and '70s singersongwriters is long and full of legends; but perhaps the most talented of that very talented bunch was Tim Buckley. Certainly when it came to singing Buckley was at the very top; his range was unmatched, capable of covering several octaves and acres of emotion in one breath, from sweet, tenor tenderness to hoarse, cracking anguish.

      And his songwriting showed a similar wide range; in the course of eight short years Buckley went from baroque, psychedelic folk rock to jazzy, even avant-garde ravings to blue-eyed soul. This extreme eclecticism, of course, worked against Buckley commercially. But it's also one of the reasons why his reputation has steadily grown in the years since his untimely death in 1975.

      Countless listeners only familiar with his early Elektra albums have found themselves floored by his later output. Which is where we find ourselves with 1973's Sefronia and 1974's Look at the Fool, the last two records Buckley released during his lifetime and probably the two most controversial albums of his career. Long-time fans decried these records as sellouts, and indeed their soft '70s funk feel is jarring to those used to his more adventurous work. But Buckley proves himself to be one helluva R&B singer on these albums, which deserved a much larger audience than they got (by this time Buckley was on Frank Zappa and Herb Cohen's label DiscReet).

      Now, Real Gone Music is proud to present both Sefronia and Look at the Fool on vinyl for the first time since the late '80s, in versions newly remastered from the original master tapes by Bill Inglot. These releases mark a significant upgrade in sound from what's heretofore been available, and to celebrate, we're offering each of these records in two different versions: for audiophiles, a limited edition of 400 copies in 180-gram black vinyl, and for collectors, a limited edition of 300 copies in colored vinyl (Red for Sefronia and Blue for Look at the Fool). It's high time these albums were reappraised; these vinyl releases show them at their very best!

      STAFF COMMENTS

      Andy says: Tim Buckley gets funked up again on what would be the final album of his life. Mega

      TRACK LISTING

      Look At The Fool
      Bring It On Up
      Helpless
      Freeway Blues
      Tijuana Moon
      Ain’t It
      Peculiar
      Who Could Deny You
      Mexicali Voodoo
      Down In The Street
      Wanda Lou

      Tim Buckley

      Sefronia

        The list of '60s and '70s singersongwriters is long and full of legends; but perhaps the most talented of that very talented bunch was Tim Buckley. Certainly when it came to singing Buckley was at the very top; his range was unmatched, capable of covering several octaves and acres of emotion in one breath, from sweet, tenor tenderness to hoarse, cracking anguish.

        And his songwriting showed a similar wide range; in the course of eight short years Buckley went from baroque, psychedelic folk rock to jazzy, even avant-garde ravings to blue-eyed soul. This extreme eclecticism, of course, worked against Buckley commercially. But it's also one of the reasons why his reputation has steadily grown in the years since his untimely death in 1975.

        Countless listeners only familiar with his early Elektra albums have found themselves floored by his later output. Which is where we find ourselves with 1973's Sefronia and 1974's Look at the Fool, the last two records Buckley released during his lifetime and probably the two most controversial albums of his career. Long-time fans decried these records as sellouts, and indeed their soft '70s funk feel is jarring to those used to his more adventurous work. But Buckley proves himself to be one helluva R&B singer on these albums, which deserved a much larger audience than they got (by this time Buckley was on Frank Zappa and Herb Cohen's label DiscReet).

        Now, Real Gone Music is proud to present both Sefronia and Look at the Fool on vinyl for the first time since the late '80s, in versions newly remastered from the original master tapes by Bill Inglot. These releases mark a significant upgrade in sound from what's heretofore been available, and to celebrate, we're offering each of these records in two different versions: for audiophiles, a limited edition of 400 copies in 180-gram black vinyl, and for collectors, a limited edition of 300 copies in colored vinyl (Red for Sefronia and Blue for Look at the Fool). It's high time these albums were reappraised; these vinyl releases show them at their very best!

        STAFF COMMENTS

        Andy says: Tim Buckley had long since left his pure folk roots behind, but to get the groove and swing this late on was a startling new chapter for him and his fans. This has his glorious take on Fred Neil's "Dolphins" on it: worth the price of admission on its own.

        TRACK LISTING

        Dolphins
        Honey Man
        Because Of You
        Peanut Man
        Martha
        Quicksand
        I Know I’d
        Recognize Your Face
        Stone In Love
        Sefronia—After Asklepiades, After Kafka
        Sefronia—The
        King’s Chain
        Sally Go ‘Round The Roses




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