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R%C3%B3IS%C3%ADN MURPHY

Peter Murphy

Peter Live-Volume 1-Covers (RSD24 EDITION)

    THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

    IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.



    Róisín Murphy

    Hairless Toys - 2024 Reissue

      Róisín Murphy’s album, ‘Hairless Toys’, marked a significant return after an eight-year hiatus, during which she delved into personal and collaborative explorations.

      Departing from her disco-infused past, the album takes a quieter and more personal approach, evident in tracks like ‘Gone Fishing’, inspired by 1980s ball culture.

      Murphy’s understated delivery, notably on ‘Evil Eyes’ and the expansive ‘Exploitation’, creates a sophisticated and meditative atmosphere, avoiding the pitfalls of mere tastefulness.

      Quirks, such as the synth bass in ‘Uninvited Guest’, coexist seamlessly with the album’s cohesive mood.

      TRACK LISTING

      1. Gone Fishing
      2. Evil Eyes
      3. Exploitation
      4. Uninvited Guest
      5. Exile
      6. House Of Glass
      7. Hairless Toys (Gotta Hurt)
      8. Unputdownable

      Róisín Murphy

      Take Her Up To Monto - 2024 Reissue

        Roisin Murphy’s ‘Take Her Up To Monto’ stands out as an adventurous exploration, showcasing Murphy’s ability to both expand her sonic palette and maintain her distinctive style.

        In this album, Murphy presents ‘Mastermind’, a disco epic that mirrors the expansive, shapeshifting quality of ‘Toys’ and echoes the grandeur found in her 2012 marathon single, ‘Simulation’. Despite the brevity of ‘Whatever’, it retains the intimate allure that distinguished her previous work.

        Unlike the seamless journey of ‘Hairless Toys’, ‘Take Her Up To Monto’ offers a wilder ride. Murphy surprises listeners by steering them in diverse directions with little warning. The track ‘Thoughts Wasted’ encapsulates this diversity, seamlessly transitioning from sleek to lush to lamenting.

        Throughout, Murphy pushes her signature sounds to extremes, delivering an engaging and unpredictable experience.

        TRACK LISTING

        1. Mastermind
        2. Pretty Gardens
        3. Thoughts Wasted
        4. Lip Service
        5. Ten Miles High
        6. Whatever
        7. Romantic Comedy
        8. Nervous Sleep
        9. Sitting And Counting

        John Murphy

        The Guardians Of The Galaxy Holiday Special (Original Soundtrack) (Black Friday 23 Edition)

          THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

          IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).


          The Guardians Of The Galaxy Holiday Special is the soundtrack to the television special released on Disney+ in November 2022. The album features an original score composed by John Murphy, plus two songs performed by Old 97’s and Kevin Bacon. Available for the first time on vinyl, this color splatter LP is being released exclusively for RSD Black Friday 2023.Releasing internationally in line with the US/Canada RSD release - 2-Colour Splatter Vinyl

          Róisín Murphy

          Hit Parade

            One of music’s most innovative artists, Queen of Electronic Music and the Avant-Garde, Róisín Murphy is back with a much anticipated new album - her sixth - in collaboration with the legendary producer DJ Koze. Hit Parade sees the idiosyncratic trailblazer masterfully spanning genres such as disco, soul, pop and house. Róisín Murphy is a multifaceted and Mercury nominated singer, songwriter, producer, fashion icon, creative director, podcast host and screen actor 

            TRACK LISTING

            1. What Not To Do
            2. CooCool
            3. The Universe
            4. Hurtz So Bad
            5. The House
            6. Spacetime
            7. Fader
            8. Free Will
            9. You Knew
            10. Can’t Replicate
            11. Crazy Ants Reprise
            12. Two Ways
            13. Eureka

            Róisín Murphy

            Róisín Machine - National Album Day 2021 Edition

              Re-press of 2020’s hugely successful and critically acclaimed LP “Róisín Machine” in limited edition 2LP gatefold splatter vinyl for National Album Day 2021 release by Skint Records.

              2020’s Róisín Machine” was Murphy’s first full-length project since 2015’s Mercury Nominated “Hairless Toys” and 2016’s equally revered “Take Her Up to Monto” and perhaps her best yet if the adulatory reviews are anything to go by. The likes of Guardian and the Independent garlanded the record with Album of the Week sobriquets, while Metro, The Arts Desk, Daily Star and NME gave it a full 5 stars and everyone from Uncut to Classic Pop to Evening Standard giving breathless 4-star reviews. “Roisin Machine” was universally recognized as one of the albums of the year, further cemented by 6 (SIX!) consecutive A-list records at BBC6 and slots at Sunday Brunch and – most hallowed of all – Graham Norton where she performed “Murphy’s Law” on the premiere episode of his 28th season.


              TRACK LISTING

              LP 1
              Side A:
              Simulation
              Kingdom Of Ends
              Side B:
              Something More
              Shellfish Mademoiselle
              Incapable

              LP2
              Side C:
              We Got Together
              Murphy’s Law
              Game Changer
              Side D:
              Narcissus
              Jealousy

              Major Murphy

              Access

                Jacki plays bass and sings in Waxahatchee’s band. Katie Crutchfield of Waxahatchee, who wrote the album bio, describes lead single 'Access' as “a conduit for the grand and complex structures Bullard builds throughout the album. It’s as much a personal plea for patience and humility as it is a pep talk for setting the bar high and working hard to ascend.”

                Access, the second album by Major Murphy, out April 02, 2021 via Winspear, is an album born out of being at a crossroads. It’s also, without question, an album to blast at an unruly volume to soundtrack an experience one might have standing at that crossroads. It’s remarkably cohesive - a striking relic in an age where ardent and true “album-making” is a fading art form full of heavy rock’n'roll sounds and textured atmospheres fused with pro-idea, hyper-creative jittery warmth. In nine songs, it somehow takes a listener backwards and forwards at once, reckoning with intrinsic anxieties while conceptualizing a fantastical and vibrant happening, soothing in its familia familiar, occasionally childlike tone.

                Behind the sturdy and poetic architecture lies a story of new parents, navigating uncertainty and seeking a sense of agency in the new unknown. Throughout Access, songwriter Jacob Bullard recounts memories of teaching his young son to breathe through his nose and laments missing his son and his partner and bandmate Jacki Warren.

                On “In the Meantime”, Bullard expresses the timeless anxiety of recent parenthood, written in the wake of the terrifying experience of their son suffering from lead poisoning. While the title track “Access” is as much a personal plea for patience and humility as it is a pep talk for setting the bar high and working hard to ascend. Together with Brian Voortman and Chad Houseman, the Grand Rapids, Michigan four-piece makes a laudable case for pushing forward against a pervasive resistance. Katie Crutchfield (Waxahatchee).

                TRACK LISTING

                1. Access
                2. Attention
                3. IntheMeantime
                4. Unfazed
                5. Real
                6. Rainbow
                7. TearItApart
                8. Flower
                9. Blind

                "Róisín Machine" is the culmination of a rich, decades long partnership between Murphy and one of her most trusted collaborators Crooked Man aka DJ Parrot. Although packed to the rafters with masterclass singles, including “Simulation”, “Jealousy”, “Incapable”, Narcissus” and “Murphy’s Law”, it is also an ingeniously and seamlessly edited listening experience, designed to be listened to in one uninterrupted sitting, from start to dazzling finish.

                From the intoxicating disco-funk of “Incapable”, to the quintessential “Narcissus” which crystallised New-Disco and established a high watermark for the genre, to “Murphy’s Law”, a 70s inflected stomper, “Roisin Machine” offers up everything you could ask for on an exquisite plate. Added to the familiar tunes are five new songs, including the Dalek-funk of ‘We Got Together’ and the fantastical “Shellfish Mademoiselle”. An album that works perfectly on the home sound system but also comes alive in a basement sweatbox, it impeccably sits alongside Murphy’s stellar cannon of work released across 25 boundary pushing, trailblazing years, a career encompassing iconic music, directorial, art and fashion moments.


                STAFF COMMENTS

                Mine says: Róisín Murphy has always had that certain indefinable something; a self-assured demeanour that although grandiose never seems pretentious. Perky and eccentric, but always charming - someone you can look up to in an artistic way but equally just want to take out for a pint and a bit of banter. Add to her showmanship, incredible voice and pop sensibility the musical genius of long-time collaborator Richard Barratt aka Crooked Man / DJ Parrot and you end up with an irresistible mix of shimmering disco strut, pulsating synths and thumping club beats.

                ‘Róisín Machine’ seems like the culmination of and logical conclusion to Murphy's 25-year career - from her time as one half of Moloko through to collaborations with the likes of Boris Dlugosch, Maurice Fulton and Crooked Man - but at the same time feels new and exciting and oozes with confidence, as if Murphy is only just getting started. “I feel my story is still untold, but I'll make my own happy ending...” are the revealing opening words of the album which has been a decade in the making.

                Even though every song on the record is a standalone winner that would feel at home on most dancefloors, the album also works extremely well as a whole, with one track seamlessly blending into the next. It therefore equally lends itself to an afternoon on the sofa - headphones on, choice of drink in hand and dreaming of a time when we can finally hear it blasting through the speakers of our favourite clubs. Luckily, there is a wealth of lockdown video content by Murphy herself that will keep us entertained until then!

                TRACK LISTING

                Simulation
                Kingdom Of Ends
                Something More
                Shellfish Mademoiselle
                Incapable
                We Got Together
                Murphy’s Law
                Game Changer
                Narcissus
                Jelaousy

                Various Artists

                The Jazz Room Compiled By Paul Murphy

                  UK jazz dance hero Paul Murphy teams up with BBE Music to deliver his first compilation on the label: a blazing selection of up-tempo jazz titled ‘The Jazz Room’. Lauded by none other than Gilles Peterson as “the original messenger of jazz who found almost every dancefloor classic”, Paul began DJing in 1970s London. His passion and unique playing style placed him at the epicentre of an emerging jazz-dance scene in the city, popping off in spots like The Horseshoe (aka Jaffas), The Wag, The 100 Club, The Blue Note and The Electric Ballroom, where he founded the now famous ‘Jazz Room’, after which this album is named. Paul’s influence on UK Jazz culture simply can’t be overstated, from his short-lived but much beloved imprint Paladin Records to his unswerving support of home-grown talents such as Working Week, Morrissey Mullen & Paz. As a DJ, his musical selections still live large in the memories of those who experienced them. As Coldcut's Jonathon More put it “Paul Murphy used to play the most frenzied and far out funky jazz at my Meltdown warehouse parties”. ‘The Jazz Room’ nicely encapsulates the reason so many greats feel moved to wax lyrical about Paul Murphy’s ear for dance-floor jazz, which is very clearly undimmed after decades behind the decks. Deftly mixing contemporary sounds with trusted bullets that his 1980s audiences will remember well, these tracks are vibrant and potent, with a couple of fiery live recordings thrown in for extra energy and sweat.

                  TRACK LISTING

                  Disc: 1
                  1. Emnete (Live)
                  2. Boogie Stop Shuffle
                  3. Mambo De La Pinta
                  4. 4Beat Cha ChaCha
                  5. Yatra-Ta

                  Disc: 2
                  1. Koumba Fri Fri
                  2. African Mailman
                  3. Zombie
                  4. Foot In The Door
                  5. Sorrow, Tears And Blood
                  6. Smells Like Teen Spirit
                  7. Tribute ToMulatu

                  Major Murphy

                  No. 1

                    Major Murphy is set to release their debut full-length No. 1. Those who caught feelings for “Mary,” the plaintive single released in November of 2017, may be pleased to find that the single is no outlier in this album. Brimming with jangly guitar, bright riffs, synth-sheened grooves, and commanding backing vocals, No. 1 reimagines 1970s radio rock with bristling sensitivity for our present era. Not quite pastiche, the lyrics of songwriter Jacob Bullard come from millennials’ unique cache of societal anxiety and ego-crises. On one hand, the technicolor and mechanized world of No. 1 is unmistakably ours: we are over-stimulated and pressured, confused and frustrated. On the other, Bullard heaves up worries seeded in adult selfhood and relationships, working for answers beyond life’s many brief and manic vanities.

                    The album’s musical sensibilities catch all this with A-side’s sudden velocity and mechanical repetitions, and B side’s encouraging grooves and contemplative soft-rock. The sound is rich and evocative, owing in large measure to bassist Jacki Warren’s faculty for harmonic structure. Drummer Brian Voortman’s keen responsiveness to melodic progressions and emotional shifts make for concert-like, energetic recordings--in fact, most of No. 1 was recorded live, capturing how naturally Major Murphy makes music together. When Major Murphy tours, they travel in a light-blue Dodge van and make a memorably caring and playful threesome. On stage, they’re a tight and assertive performance.

                    “This album is kind of an experiment,” says Bullard, “We wanted to see what would happen if we recorded in a studio instead of at home. We wanted to extend the idea of capturing our live dynamic a little further.” The result is an album that holds the kinetic charge of these three musicians. With precise control and live versatility, they never quite let the tension out. Even their dreamy soft-rock tracks have moments that feel utterly urgent, as if something dear were at stake. And isn’t there? 

                    TRACK LISTING

                    1. No. 1
                    2. Who I Will Be
                    3. Mary
                    4. Radi-Yum
                    5. My C. C. Blues
                    6. Step Out
                    7. One Day
                    8. Jesus
                    9. When I Go Out
                    10. Lisa, Robbi, And Me

                    Róisín Murphy

                    Take Her Up To Monto

                      ‘Take Her Up To Monto’ is the follow up to Róisín’s critically acclaimed Mercury Prize nominated album ‘Hairless Toys’ and is billed as her most daring and creative yet.

                      Never an artist to stand still, ‘Monto’ features everything Murphy has always done but seen afresh, boasting disco fancy, dark cabaret, the sonorities of classic house and electronica and the joy and heartbreak of pure pop drama resulting in her most magnificent song structures so far.

                      The follow on from Roisin’s Mercury Prize nominated ‘Hairless Toys’ album last year, Róisín is at her most creative peak yet.

                      Released on embossed CD / double LP with digital download.


                      Father Murphy, one of the most mysterious and enigmatic musical entities to emerge from Italy in recent years, presents their fifth full-length via The Flenser. This dark psychedelic / industrial cabaret is a religion-themed concept album titled Croce (“Cross” in Italian), one side representing suffering and sacrifice and the flip reflecting what comes after—the end of suffering, resurrection, or perhaps oblivion. The work was recorded by John Dieterich in Albuquerque, NM, and mixed by Greg Saunier.

                      From the shadowy atmospheres of Croce spring forth unexpected blurts of impossibly catchy noise pop, at times operatic like some twisted musical detailing the trials and tribulation of the crucifixion. Male and female vocals by Freddie Murphy and Chiara Lee intertwine over distorted blasts of guitar crunch, anchored by stuttering, homebuilt percussion. This sound is textural and nuanced yet noisy and chaotic, carefully sculpted into jagged shards of fragmented pop.

                      A-side closer “In Solitude” is an appropriately dour slab of murky miserablism that sounds like a slow sonic death, a haunting dirge that dissolves into that ineffable space between the record’s two sides; the netherworld, the afterlife, Purgatory. But Father Murphy erupts from this stygian blackness with the second half of Croce—the light to the A-side’s dark. “Long May We Continue” retains a doom-like approach at first, stringing a field of metallic shimmer and junkyard percussion together into a spare framework over which dramatic male vocals soar. The female counterpart responds like some demonic Greek chorus, delivering a sense of warmth. Finale “They Won’t Hurt You” is all majestic pipe organ, a stirring and stately court music, lush and lovely and epic, the sound of rebirth: redemptive and restorative, a return from the beyond, arisen from the grave, ascended into the heavens, the sounds drifting upwards, beyond the galaxy, the universe, into the unknowable infinity.

                      “… a fascinating listen… an unapologetic venture into head music and contains some powerful compositions. It’s steeped in a sense of reverence, but one that looks below, rather than expecting anything from above.” —Drowned In Sound.

                      “The oddball psychedelic chamber pop the Italian duo exhales will creep you out with drones, lullabies, and anguished vocals all competing for frontrunner spot in your next nightmare. Perfect.” —Terrorizer.


                      TRACK LISTING

                      1. Blood Is Thicker Than Water
                      2. A Purpose
                      3. So This Is Permanent
                      4. In Solitude
                      5. Long May We Continue
                      6. All The People Yelling Fire
                      7. We Walk By Faith
                      8. They Won't Hurt You

                      Julie Murphy

                      Lilac Tree

                        "Lilac Tree" is Essex girl Julie Murphy's follow up to the highly acclaimed "Black Mountains Revisited" which was a Mojo album of the month. Eliza Carthy's favourite singer Murphy is a natural, her songs flow effortlessly and these ten new tracks will gain her even more fans.


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