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PO PO

Dead Pioneers

Po$t American

    ‘PO$T AMERICAN’ is the second full-length album by Dead Pioneers. Written in February and recorded in July, it pre-empts the 2024 American election but wraps up the fears and frustrations as eloquently and, crucially, humorously as the band’s 2023 self-titled debut.

    “Currently, we are amidst the gross existence of capitalism, colonialism, white supremacy and the many oppressive forces that have come to inform everything around us,” says vocalist and songwriter Gregg Deal. “The title ‘PO$T AMERICAN’ informs a collective disenfranchisement and disillusionment to the so-called American dream, while moving forward with hope of a desired designation of unity outside those that would use us for their own capitalistic power grab.”

    The aural palate is broadly the same, but it feels expanded, stronger somehow: drawing on the confrontational writing of Rage Against The Machine, the unapologetic voice of Chuck D and Public Enemy, the storytelling of Johnny Cash, the evolution of IDLES and punk stalwarts including Black Flag, Rollins Band and Dead Kennedys.

    Overall, the resulting feeling across the new album is one of cautious optimism: “Although we didn’t expect the political relevance to become more relevant, we have no illusions to the American dream, or to where we seem to be going. But we have hope that we can get to a better place for people to have what they need.” It is an album that speaks to and for this precise time and place; that perhaps could not exist at any other time. It is an album for now.

    Dead Pioneers emerged as a dynamic extension of vocalist Gregg Deal’s performance art, seamlessly blending music with critical cultural commentary. Rooted in the same themes of identity and resistance that define his visual work, the band’s sound acts as a powerful platform for addressing the complexities of Indigenous experience.

    Deal harnesses the raw energy of punk and alternative influences to challenge prevailing narratives, using lyrics that provoke thought and evoke emotion. Just as his performance art confronts the legacies of colonization and systemic marginalization, Dead Pioneers - completed by Josh Rivera and Abe Brennan on guitars, bassist Lee Tesche (Algiers) and drummer Shane Zweygardt - engages audiences in a visceral dialogue about survival, resilience, and reclamation of voice.

    This musical endeavour not only amplifies Deal’s artistic vision but also creates a space for collective expression and solidarity, inviting listeners to reflect on the intersections of culture, history, and identity in a contemporary context. Through Dead Pioneers, Deal continues to assert that art, in all its forms, can be a powerful vehicle for activism and change.

    “Being embarrassed to be a white American has never been a bigger visceral, laugh filled, joy than when I’m listening to Dead Pioneers. If you think truth needs a great soundtrack… look no further than Dead Pioneers.” - Shepard Fairey

    “Dead Pioneers is one of one. Injecting new life into punk rock with an indigenous perspective and an important message. They are beautiful people and great musicians and we can’t wait to go on tour with them as soon as possible!” - The Interrupters

    “Imagine if the fucking Vikings or the Mayflower never made it across the Atlantic and One Mocassin’s grandkids electrified the lute his ancestors found in the rubble of the Mayflower that crashed on the rocks. There would be no Minutemen or Fugazi, only DEAD PIONEERS!” - Jeff Ament, Pearl Jam

    TRACK LISTING

    A.I.M.
    PO$T AMERICAN
    My Spirit Animal Ate Your Spirit
    Animal
    Pit Song
    The Caucasity
    Mythical Cowboys
    Dead Pioneers
    White Wine
    Juicy Fruit (Ode To Chief Bromden)
    STFU
    Bloodletting Carnival
    Love Language
    Fire And Ash
    Working Class Warfare
    Untitled Spoken Word No. 2

    Och

    Pö Om Pö

      Hypnagogia remains one of the most mysterious and haunting daily states of mind. Moments of revelation are wont to traditionally hit us particularly in the hinterland between dream and waking, It’s this particular headspace that’s very much the world of ‘Pö om pö’, the second Rocket Recordings released full-length record from Sweden’s equally mysterious OCH. Pö om pö (meaning ‘little by little’) is a journey further into inner space from ‘II’, the previous Rocket outing (which followed a 2014 cassette only release)

      What’s mapped out here is a trajectory on the kosmische continuum that touches on the terrain of late 70s Sky records style ambience, the more overgrown quarters of Swedish experimental prog and the sun-baked lo-fi DIY cassette culture of the US early ‘00s.Dwelling in a smoke-clouded glow that’s equal parts sunset gold and effects pedal red, OCH have here transcended all influences to creating a tapestry of potent psychotropic sound. A record in which new horizons open up beyond the small hours, and where primeval wah-wah-abetted skronk and mantric folk[1]tinged repetition can collude to reveal new third-eye perceptions. Little By Little, Pö om pö , these forty minutes are here to bridge the chasms between conscious and subconscious, and in style.

      TRACK LISTING

      01. Bolid
      02. Vadstena
      03. Syzyrgy
      04. Silverstjärnan
      05. Isfält
      06. Bråviken
      07. Impetus
      08. Ochra

      Po Po

      Bummer Summer / Teen Dreamz

      Shoaib and Zeb of Po Po zero in on a sound that combines live instrumentation with electronic programming cranked out on an old tower PC. This single gives a perfect look into the crosshairs of that Po Po world with two very different tracks. "Bummer Summer" is a no brainer of radical weirdness, one of Po Po’s poppiest and prettiest tracks, despite the title and lyrics that may or may not say 'I’ll watch you die.' It’s one of those feel good feeling bad songs that sounds best soaked in 97 degree humidity… Or looking at the sky from a prone position on the roof of a car… Or zoning the hell out somewhere for no good reason. And what’s more, it sounds like a lost demo gem from The Jesus And Mary Chain’s "Darklands" / "Automatic" period. The intro to "Teen Dreamz" on the flip sounds like a duet between the Hammer of Thor in Hell and a 5000 watt call-to-prayer minaret speaker that’s been screwed down to negative speed. It was called “Epic Intro Song” for a while for a reason; stick around for the drop. After a minute, the uniquely heavy "Teen Dreamz" falls into a mind numbing half time beat while Zeb’s falsetto vocals roll around with the drones from the intro, and the whole thing makes you feel like you just ate a pound of mushrooms while listening to The Stranglers’ "Meninblack" album. This might not even be a 'dance' record, but you’ll just have to work that out for yourself.



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