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PIROSHKA

Piroshka

Love Drips & Gathers

    Bella Union are thrilled to announce the release of Piroshka’s stunning second album, Love Drips And Gathers. The album builds on the acclaim of the band’s 2018 debut LP “Brickbat” and the reputations of former members of Lush, Moose, Elastica and Modern English.

    Piroshka emerged in 2018, four individuals with distinct musical identities but also overlapping histories - a combination that might have unsettled, or even overwhelmed, some bands. But in their case, the bond only got stronger. After “Brickbat” explored social and political divisions by way of what MOJO described as “Forceful, driving garage songs and dream-pop epics”, Love Drips And Gathers follows a more introspective line - the ties that bind us, as lovers, parents, children, friends – to a suitably subtler, more ethereal sound, whilst still revelling in energy and drama.

    “If Brickbat was our Britpop album, then Love Drips And Gathers is shoegaze!” reckons vocalist/guitarist Miki Berenyi, formerly of Lush, a band that effortlessly bridged the two genres like no other. “It wasn’t intentional; we just wanted a different focus. I’ve always seen debut albums as capturing a band’s first moments, when you really have momentum, and then the second album is the chance for a more thoughtful approach.”

    Bassist Mick Conroy (Modern English) agrees. “Brickbat was a classic first album; noisy and raucous. On Love Drips And Gathers, we’ve calmed down and explored sounds, and space.”

    To recap; before Miki and KJ ‘Moose’ McKillop were a couple (and parents), they were pivotal figures on the London-centric 90s indie scene. Likewise, Elastica, whose drummer Justin Welch was part of Lush’s 2017 reunion, whilst Mick had played for both Moose and – on their last ever gig - Lush.

    As Lush Mark II came to an end, Justin persuaded Miki (who’d abandoned music when Lush first split in 1997) to start another band, Piroshka, which in turn reignited Moose’s own long-dormant ambitions. Whilst Justin and Miki were the dominant influence on Brickbat, this time Moose and Mick were given greater control over the production, with invaluable assistance from Bella Union’s in-house engineer Iggy.

    The way Love Drips And Gathers changes shape and dynamic is less a reprise of nineties Brit indie than a transformation into a more shivery, Euro-mantic version with glistening electronic filigrees. The opening ‘Hastings’ sets the tone. Luminous drops of guitar underpin Miki’s becalmed vocal before drums, bass and a Mellotron add pace while the decorative coda features their old pal Terry Edwards on flugelhorn.

    Framed by Mellotron, cello and piano. ‘The Knife-Thrower’s Daughter’ emphatically proves Piroshka can be restrained without losing any essence of drama: the calm before the euphoria pure-pop storm of ‘Scratching At The Lid’. The words ‘ethereal’ and ‘shimmering’ were surely invented for the likes of ‘Loveable’, but the uncanny DNA of ‘V.O.’ is less categorisable – a Bond theme in the making with electro-gliding beats, perhaps? ‘Wanderlust’ and ‘Echoloco’ might be described as Francophile cousins of Lush before the haunting lullaby of ‘Familiar’ segues into the pulsing, rippling instrumental finale ‘We Told You’ - more eighties synth drama than nineties indie, with vocal samples played on what Moose calls, “the Miki-tron.”

    Love Drips And Gathers - named after a line in a Dylan Thomas poem - was inspired by love, family, belonging, memory. Miki and Moose split the eight lyrics, with some poignant overlaps here too. Miki’s ‘Loveable’ looks to Moose; Moose’s ‘The Knife-Thrower’s Daughter’ looks to Miki, but also their daughter Stella and his sister Anna; an empathic, touching embrace of the women in his life.

    Staying within the family, Moose eulogises his late mother (the idyllic childhood seaside trip of ‘Hastings 1973’) and father (the more conflicted ‘Scratching At The Lid’). On ‘V.O.’, Miki pays fond tribute to Vaughan Oliver, 4AD’s legendary in-house art director who died suddenly in December 2019, and who had a particularly close relationship with Lush during their time on the label (like Brickbat, Love Drips And Gathers’ beautiful and enigmatic artwork is by Vaughan’s former design partner Chris Bigg).

    Love Drips And Gathers’ nine tracks will each have its own video (all to be made by Connor Kingsley), with a continuing thread that will eventually create one story. Piroshka’s own story is rooted in family – both those you’re born with, and those (friends) you choose.

    TRACK LISTING

    1 Hastings 1973
    2 The Knife Thrower's Daughter
    3 Scratching At The Lid
    4 Loveable
    5 V.O.
    6 Wanderlust
    7 Echo Loco
    8 Familiar
    9 We Told You

    Piroshka

    Brickbat

      “From the crushed and pulverised skulls of our conquered enemies rises the promise of a new dawn,” Miki Berenyi grins. “OK, no, maybe keep it simple. Clean slate, fresh start - it's all about the music."

      From four individual parts, with distinct musical pasts but also overlapping histories, a new unified chapter begins with Piroshka and the quartet’s thrilling debut album Brickbat.

      The album is named after the word for a missile, which nails the record’s heavyweight lyrics if not the music’s gorgeous, bittersweet and euphoric pop. Think of Brickbat as a wolf in sheep’s clothing – which suits the name Piroshka, the Hungarian take on the wolf-terrorised fairytale hero Little Red Riding Hood - a subtle nod, too, to a certain red hairdo that stood out in the 1990s Brit-guitar-pop scene….

      The four band members are former Lush vocalist/guitarist (and former redhead) Miki Berenyi, former Moose guitarist KJ "Moose" McKillop, Modern English bassist Mick Conroy and former Elastica drummer Justin Welch. The connections between them are a veritably tangled family tree. Before they lived together and raised a family, Miki and Moose were notable figures on the so-called shoegaze scene, while Elastica were Britpop peers. After post-punk pioneers Modern English split for a second time, Mick became a latterday member of Moose, while Justin joined the reformed Lush in 2015. And when Lush required a bassist for what proved to be their final show (in Manchester) in November 2016, Mick stepped in.

      It was the rehearsals for that Manchester show that laid the foundations for Piroshka. “We sounded great!” says Justin. “Like a proper punk band. Mick brings a huge amount of enthusiasm and livens up the room, and I thought, this is the kind of band I want to be in again.” Mick agreed. “I’d seen Lush so many times, it was like playing with old friends. Miki agreed it was good fun too. And with Moose available, we thought, let’s all have a bash, see what happens.”

      Though Brickbat kicks off with a squeal of feedback, the album is far from a proper punk record, with as much sublime delicacy as physical force, with guitars to the fore but also electronic flourishes in all manner of spaces. Combined, they drive the nuggety melodic bombs long associated with Miki’s songwriting. But it wasn’t a foregone conclusion that she would want to join a new band. In the wake of Lush drummer Chris Acland’s unexpected suicide in 1997, his shocked and grieving bandmates felt unable to continue. Miki, in particular, “had to get completely away from music. The gate just shut for me.”

      As a parent with a full-time job, it took Miki until 2015 to agree to reunite Lush, with Chris’ good friend Justin on drums. But it wasn’t to be a permanent arrangement. “After the Manchester show, Justin asked if I’d be up for something else,” Miki recalls. “But I’d never made music outside of Lush, and I’ve never wanted to do anything solo. I have trouble with self-belief, I need someone else to motivate me, and in this case, it was Justin. He sent drum tracks with guitar parts and odd words, so I wrote some vocals and lyrics, which became ‘This Must Be Bedlam’ and ‘Never Enough’. When Mick added bass, it sounded great. When Moose added guitar and keyboards – I’d never written like that before, it was such good fun. I’d always written on my own in Lush.”

      Justin: “The first piece of music I sent Miki sounded like Can, with the odd word, like ‘protest’ and ‘bedlam’. It was a time in the world when everything felt wrong to me.”

      Mick: “We didn’t want Piroshka to sound anything like any of our old bands. When Miki sings, you can’t get away from Lush, but for me, we sound like four people exploring and having fun, knuckling ideas into shape, trying to make them sound new and different.”

      In any case, the blunt, forceful lyrics are many miles from Lush, tapping the current fear and loathing at the heart of society and politics, sometimes viewed through the heightened, anxious prism of parenthood, brutally honest at every turn. Take ‘Village Of The Damned’, the words penned by Moose (alongside ‘Hated By The Powers…’ and ‘Everlastingly Yours’). “It’s about school shootings,” he frowns, “and our reaction to almost being unable to take our eyes off twenty-four-hour news and internet feeds. You’re depressed and appalled by what you see.”

      ‘Heartbeats’ is Miki’s parent-related lyric, “the idea of closeness with your baby, and then as they grow, you have to let them go off into the world.” And what a world awaits them. Both ‘What’s Next’ and ‘This Must Be Bedlam’ were inspired by the mess of Brexit (“the idea of unity versus disunity” says Miki), ‘Never Enough’ rails against greed and inequality and ‘Hated By The Powers That Be’ was inspired by a button badge that Moose found with the slogan Hated By The Daily Mail. “It feels good to be that kind of person,” he declares. “To know we are not alone in being appalled with what’s going on.”

      Miki: “Given what’s happening, it feels weird at this time to not write about how scary things are, and self-indulgent to have come out with anything else. It’s tricky, though, because any kind of protest lyric can easily be preachy and clichéd, while writing about parenthood can sound smug or mawkish. There’s a lot of complexity in each subject. The context is more personal than just ‘The world is shit and you have to do something about it’.”

      Bella Union skipper Simon Raymonde had been one of the first to hear the demos; he instantly signed the band, further entangling the Piroshka family tree - his former bandmate Robin Guthrie (of Cocteau Twins) produced Lush’s debut album, while Raymonde’s current bandmate Richie Thomas (in Lost Horizons) was also a former member of Moose. Raymonde subsequently introduced Piroshka to Paul Gregory of Bella Union labelmates Lanterns On The Lake, who mixed Brickbat (except ‘What’s Next’, mixed by Alan Moulder) and to Fiona Brice (another Bella Union alumni), who wrote Brickbat’s strings arrangements, with Terry Edwards (ex-Higsons, current Blockhead), who played on Lush’s debut album, on brass.

      Together, from feedbacking intro to the beautifully fuggy dream that is the album finale ‘She’s Unreal’, Piroshka and Brickbat are a wonderful and, frankly, unexpected union of proven talent.


      STAFF COMMENTS

      Barry says: There was no way this wasn't going to be good, with such legendary musicians on board, but it really is a perfectly balanced meeting of minds. The shoegaze hypnosis of Lush shines through, along with the spacey 90's throb of Justin Welch's drums keeping things going. It's a brilliantly dynamic mix, and one that is more than the sum of it's considerable elements. A hugely enjoyable and brilliantly written collection.

      TRACK LISTING

      This Must Be Bedlam
      Village Of The Damned
      Never Enough
      Blameless
      What's Next?
      Hated By The Powers That Be
      Run For Your Life
      Heartbeats
      Everlastingly Yours
      She's Unreal


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