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PENNY RIMBAUD

Peter Vukmirovic Stevens & Penny Rimbaud

S LENCE

Composer, pianist and producer Peter Vukmirovic Stevens has teamed up with the prolific punk poet Penny Rimbaud to create ‘S LENCE’, a contemporary experiment of balance between piano and spoken word.

Released on One Little Independent avant-garde subsidiary Caliban Sounds.

Rimbaud’s apocalyptic and dramatic narration is delivered with vivid fervour, while Stevens uses an elegant, emotive approach to counter it. Both find harmony in juxtaposition.

Lyrically, Rimbaud explores a terrain he’s spent much of his later career addressing themes of antimilitarism and the grim details of historic conflict. War is a disturbing, monstrous entity across his poetry, with deeply descriptive prose placing his listener in the dirt itself. As befits his anarcho past, a lot of the writing discusses authority, with the relationship between the privileged and marginalised investigated fully. Wrestling oneself from under the boot of power and the radical fight for freedom may well be his wheelhouse, but here Penny Rimbaud is accompanied by something completely new. The solo compositions from Peter Vukmirovic Stevens were written specifically for these expressive tirades.

TRACK LISTING

S Lence
Paper Devils
Not They
Of Summer’s Passing
In Silence
S Lence II
Within Dark Streams
Shadows
Pity In The Poetry
I Am The Enemy
S Lence III

Penny Rimbaud

HOW?

Co-founder of '70s/'80s anarchist punk band Crass, activist, poet, novelist, painter and philosopher Penny Rimbaud has recorded a live recital of ‘How?’, backed by jazz cellist Kate Shortt. ‘How? Is a reinterpretation of Allen Ginsberg’s classic 1954 poem ‘Howl’ wherein Penny, like Ginsberg before him, seeks to challenge the establishment and encapsulate the righteous anger and frustrations of a generation.

In January 2003, alongside a jazz quartet, Penny performed ‘Howl’ as his first gig at London’s Vortex Jazz Club. Ginsberg’s poem was chosen because it had been seminal in Penny’s development as a writer and because it seemed so well suited to a jazz setting. After the show, he was asked to do a repeat performance as part of that year’s London Jazz Festival. After happily agreeing, he reached out to the copyright holders expecting the process to be a mere formality, but it wasn’t. HarperCollins Inc is owned by News International, the militarist, industrialist, nationalist wing of media-magnate Rupert Murdoch. 

TRACK LISTING

1. Part I
2. Part II
3. Part III
4. Part IV


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