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Barreca / Leimer

Dual Mono

    Dual Mono is the third Barreca | Leimer collaboration. The process used for producing Dual Mono was designed to destabilize established habits and predilections in favour of responding to the music in at least subjectively new ways. It was also designed to reduce the illusion of control, to become more responsive to and accepting of unpredicted outcomes, and to give the music- as much as possible - a voice less tampered with. Each piece for Dual Mono was authored by only one of the participants, the other receiving MIDI data and being limited to revoicing the composition. With a general goal of maintaining a result that was somewhat, though not purely, minimalist in sympathy, each piece was then assembled in its final form by the originator, now limited to controlling relative levels, crossfades, editing and processing. The final fifteen pieces that span two CDs embrace a range of emergent, generative and traditional forms that express a calm, informed ambience amid unsettled, shifting soundscapes. Of an earlier collaboration, Textura stated “the sheer density of sound presented in representative settings such as ‘Loess’, ‘Talus’, and ‘Oram’ is incredible, and one comes away from Field Characteristics convinced that the claim regarding the hundreds of sounds involved in the recording’s presentation is clearly fact, not hyperbole.” Barreca | Leimer.

    Barreca | Leimer

    Field Characteristics

      Field Characteristics derives from the Marc Barreca | K. Leimer performance produced by Steve Peters for the Wayward Music series, presented 14 November 2014, at the Chapel performance space in Seattle. The audio originated from hundreds of independently recorded digital, electric, acoustic and found sounds. These fragments were edited, layered and reprocessed with Pro Tools and Ableton Live. The performance consisted of manipulating and mixing both live and prepared audio. Utilizing the same sources as well as recordings of the performance, Field Characteristics represents a further extrapolation of the material. CD includes an 8-page booklet of images used in the performance. Field Characteristics followed the first Barreca | Leimer album, Premap, released in 2014.

      Steve Peters

      Airforms (Chamber Music 10)

        Chamber Music is an ongoing series of site-specific sound works made entirely from a single recording of the empty space in which they are presented. An hour of “silent” room tone is recorded when no people are in the building; this is heavily filtered to extract drones derived from the room’s resonant frequencies. This is the only sonic material used, and there is minimal electronic processing involved. Airforms was made in 2013 as a birthday gift for Steve Roden, who provided two hours of empty room tone recorded in his bubble-shaped “Airform” house designed and built by architect Wallace Neff in 1946. The first hour was used to make the drones, and the second hour to make the bell-like tones, and the two are here superimposed. Certain Roden-inspired compositional strategies were devised to generate indeterminate structures. “This is literally chamber music – sound artist Steve Peters records the ambient resonances of empty rooms, which he then turns into site-specific installations exhibited in the same locations. The latent acoustic potential of the space is brought out into a more tangible form. For the most part, stony sonorities are all that can be heard: long, looming tones that unfold incredibly slowly...these are broken by moments of vivid detail: sounds like dropping water, or the soft report of a sonar, gather and disperse, apparently randomly – though after a while they almost recall Morse code.” —The Wire

        Released in 2015, The Grey Catalog departs from Leimer’s typical obsessions with understatement and homogeneity to range freely across rhythmic, melodic and disassembled forms. Incorporating percussion, electric guitar and bass as well as found sound, digital and analog synthesis and sampled instruments, The Grey Catalog spins off multiple intimations of musical forms.

        “A resplendent soundworld rich in keyboards, strings, guitar, bass, and electronics is presented throughout, and it quickly becomes apparent that describing Leimer’s material as ambient proves to be a bit of a misnomer. Yes, the tempo is typically slow and the music far from frenetic, but the amplitude of sounds within a given arrangement makes for an always arresting listening experience...the sensibility that comes through the tracks feels as much Eastern as Western, given the material’s meditative bent and lulling rhythmic flow.” – Textura.

        K. Leimer

        Land Of Look Behind (Remastered & Expanded)

        The Land of Look Behind soundtrack returns to vinyl in a remastered and expanded edition that includes a download of three previously unheard and unreleased tracks from the original sessions. Alan Greenberg, who wrote and directed this film documenting the funeral of Bob Marley, provided K. Leimer with location tapes which were used to originate many of the rhythmic patterns for Land of Look Behind. Loops of the monologues and phrases that exhibited more distinctive cadences and pacing, the words, glottal stops, clicks and coughs of witnesses were used as cues for the percussion instruments. In effect, speech became the organizing principle of the musical score. By eliminating the accuracy of click tracks, musicians were prompted to rove through the inconsistent intervals of the voice-derived patterns. Also included is a four-page insert featuring an essay by Paul Dickow.

        K. Leimer founded Palace of Lights in 1979. Leimer’s early work has recently been reissued by Autumn and RVNG, and his early cassette work is in the critically acclaimed VOD box set American Cassette Culture. Leimer has been actively producing music since the mid 1970s — his current catalog includes seventeen albums plus two collaborative albums with Marc Barreca.

        Leimer’s work is included in the collection of The British Library.

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