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P-Sol

Trust / Harlem World

The PS7 label continues to impress a year after first launching with more soul-drenched sounds and lazy grooves. P Sol is again the NYC beat maker behind this 7" which kicks off with the deep, laid back swing of 'Trust'. A range of vocals, from backing tunes to r&b females and smoky males, all coalesce around a most organic groove with hooky pads. 'Harlem World (7" Edit)' then has even more of a noodling funk bassline and deconstructed, slow motion groove full of hip-hop style conscious lyrics and serene string sweeps. Two real heart warmers which will likely sell out, just like all previous releases.

TRACK LISTING

Trust
Harlem World (7" Edit)

Orquesta Del Sol

Rainbow Love

    The roots of salsa in Japan trace back to Latin music pioneers such as Tadaaki Misago’s Tokyo Cuban Boys, who played mambo and rumba post-World War II. However, salsa truly took hold in Japan in the 1970s, catalyzed by the Fania All-Stars’ 1977 tour. Among those captivated was percussionist Masahito “Pecker” Hashida. Known for his reggae contributions through albums like “Pecker Power” and “Rasta Instantané Avec L’Effroyable Pecker,” Pecker’s influence expanded after experiencing the vibrant salsa scene in New York City in 1977. Upon his return to Japan, he spearheaded the creation of Orquesta Del Sol, marking the inception of the salsa genre in Japan.

    Orquesta Del Sol’s popularity soared with performances that encompassed both covers and original pieces. The group’s rise was buoyed by Japanese session drummer Shuichi “Ponta” Murakami, whose participation in 1980 elevated their profile and led to a contract with Discomate, an arm of TBS Group. This label also featured artists like Toshiko Akiyoshi and Junko Yagami.

    The band’s debut album, “Rainbow Love,” was co-produced by Ponta and released in 1981. Apart from a cover of “Rumbambola” by Noro Morales, the album features original compositions performed in Japanese, Spanish, and English. The album cover, illustrated by renowned graphic artist and salsa enthusiast Yosuke Kawamura, mirrored the band’s pioneering spirit.

    Masashi Takahashi, a noted Japanese Latin music specialist, observes in the newly commissioned liner notes that Orquesta Del Sol reflects shades of New Music, a genre linked to city pop. Takahashi notes that the musicians, deeply embedded in Tokyo’s vibrant studio scene, naturally gravitated towards creating a uniquely Japanese salsa sound. This sound, heavily inspired by Nuyorican salsa, has endured over the decades, warranting a worldwide reissue.

    The reissue of “Rainbow Love” marks its first worldwide release on vinyl and digital formats, supplemented by seven bonus tracks previously only available on a CD reissue named “Legend Vol. 1” from the band’s label, Uno Music, in 2000.

    The band recorded these tracks some time after the release of their second album, Harajuku Live in the early 80s when they were offered album deals from many record companies. Four of the tracks were covers of songs of some of the favorite salsa artists of the band members that they performed at the time when they first started.

    Juan Pachanga is a cover of Fania All-Stars included in the album Rhythm Machine, Campanero is a cover of José Mangual Jr. included in the album Tribute To Chano Pozo, Yo Soy La Rumba is a cover of Machito & His Orchestra included in their album Yo Soy La Rumba! and Duerme is a cover of the band Libre included in the album Con Salsa..Con Ritmo Vol. 2- Tiene Calidad.

    All tracks have been remastered, with the original Japanese liner notes now available in English and accompanied by Takahashi’s new insights.

    The timing of this release dovetails with the growing global interest in historic Japanese music, spotlighting the origins of salsa in Japan. Orquesta Del Sol, whose former members later formed the Grammy-nominated group Orquesta De La Luz, have continued to influence the genre significantly. Their debut album remains a cornerstone, inviting new listeners to experience the innovative fusion of Latin sounds nurtured in Japan.

    TRACK LISTING

    Disc: 1
    1. Rainbow Love
    2. One More Kiss Again
    3. Que Alegria
    4. Mundo Cruel
    5. Night Ripple
    6. Get-A-Odyssey
    7. Rumbabola
    8. Dawn

    Disc: 2
    1. Luna De Miel
    2. Campanero
    3. Yo Soy La Rumba
    4. Dame Un Beso
    5. Duerma
    6. Drizzling Rain
    7. Juan Pachanga

    Following up their critically-acclaimed 2024 LP Avoude (5 stars and 'Top of the World' on Songlines, Bandcamp top pick, Le Monde, BBC Radio, Pop Matters and more), Sol Power Sound is proud to present a blistering EP of remixes from the thrilling psychedelic West African outfit, Dogo du Togo & the Alagaa Beat Band.

    Combining iconic traditional Togolese rhythms and melodies, Dogo du Togo’s sound is anchored in the country’s often overlooked, but extraordinary rich cultural history, reflecting the local Vodun religion and traditions that permeate everyday life in Togo.

    For the remixes, Sol Power Sound enlisted a cast of renowned producers to rework the scorching originals into deeper club-friendly burners.

    Captain Planet leads off the A side with a modern and percussive African house groove that will get any room with a pulse up and jumping.

    Sol Power All-Stars ask the question 'what if Prince joined Dogo du Togo in 1983?' and answer with a blistering dance funk track laced with synths, arpeggios, and Moog.

    Rounding out the A-side is Detroit legend John Beltran, who transports Dogo and crew to Bahia for an Afro-Brazilian balearic heat rock. Perfect for your next sunset soiree.

    Blair French, another Detroit icon, leads off the B-side with a deep and organic house groove that works equally well day, night, or early morning.

    Sol Power All-Stars reappear again on side b with their mid tempo groovy Afrobeats flip of Von Na Agbeto, the one track that was not featured on Dogo’s LP.

    TRACK LISTING

    A1. Enouwo Lagnon (Captain Planet Remix)
    A2. Nye Dzi (Sol Power All-Stars Remix)
    A3. Nye Dzi (John Beltran Remix)
    B1. Enouwo Lagnon (Blair French Remix)
    B2. Von Na Agbeto (Sol Power All-Stars Remix)
    B3. Adze Adze (Glenn Echo Dub)

    Celia

    Na Boca Do Sol / A Hora E Essa

      For this edition we reissued two tracks from Celia's awesome, sought after, second self-titled LP from 1972. 'Na Boca Do Sol' was written and arranged by Arthur Verocai and Vitor Martins, the original of which appeared on Verocai's brilliant self- titled album. Fuzz guitar, drums, strings and Celia's vocal combine to create an epic Brazilian masterstroke.

      On the B side 'A Hora e Essa' is the first track from the Celia's second self-titled LP. A lively samba- funk workout, doused in jazzy piano licks, strutting guitars and punchy horns. These two classics were also given a 7" pressing in 1972 on Continental, which is very difficult to get hold of now.

      TRACK LISTING

      Na Boca Do Sol A Hora E Essa

      P-Sol

      This Way / Breathe & Stop

        New York producer P-Sol has hit on a super effective formula for starting the party, stitching together a selection of familiar samples and hooks, adding some beautifully dusty breaks and adding a final sheen of shiny production skills. Both sides of this 7" have a touch of raw 'two turntables' action about them, while remaining impeccably constructed and tight, with the A-side 'This Way' proving to be the slightly speedier and slightly more funk/r&b-flavoured, while 'Breathe & Stop (Abstract Blend)' is the one for the pure hip-hop heads. Both, however, are dynamite in the box, needless to say.

        TRACK LISTING

        This Way
        Breathe & Stop" (Abstract Blend)

        Rose City Band

        Sol Y Sombra

          Rose City Band’s music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of its creation without ignoring the darkness pervading our consciousness. Led by guitarist/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70’s. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Sol Y Sombra digs its heels into insatiable grooves, its parade of catchy songs conjuring a sunset drive through an open desert, both a celebration of a sojourn and a reach for the warmth of home.

          The contrasts of Sol Y Sombra, the musical equivalent of bright stars in a night sky, are to Johnson an inevitability. “With Rose City Band, I'm generally trying to make uplifting music, good time music,” says Johnson. “This time I couldn't avoid the shadow being more of a presence. There's no getting away from it. The shadow is always there. So, I left it in.” Like many genre-breaking private press albums, the melancholia-infused Sol Y Sombra’s contrasts equally enhance moments of joy and movement whilst elevating the music with its honesty and intimacy. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble's buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. For Johnson, the album finds places where the conscious meets the unconscious, the songs emanating the more mercurial and curious aspects of their sonic dream world, using darker hues to paint the panorama around them.

          Sol Y Sombra’s opener “Lights on the Way” is halogen on the highways, a beam of light pressing onward past dashed lines and soaring with Johnson’s guitar work and lush harmonies. The album’s first half is rife with blissful Americana, from upbeat rollicks to ballads dripping with sweet molasses. Walker’s pedal steel speckles the slow-motion shuffle of “Evergreen” with glinting starlight. His playing throughout pairs perfectly with Johnson’s effervescent guitar lines, exuding the casual virtuosity of pedal steel country legends while lending remarkable modern twists to his graceful licks. Across the album, Johnson’s tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist/vocalist Sanae Yamada. Album closer “The Walls” perfectly captures the band’s explorative and expansive songs, Hasenberg’s soulful organ driving the album to an emotionally cathartic conclusion.

          Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson’s music has consistently centered around exploration and discovery. Sol Y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences. Johnson tactfully incorporates new elements with deftness and fluidity, while holding the band’s center intact. “One of my takeaways from making this record is that I spent a lot of energy trying to do things a little different but ended up back where I started in many ways,” notes Johnson. “And that's OK.” Through a delicate balance of the somber and the serene, of subtle evolutions and familiar sounds, Sol Y Sombra makes for a holistically joyous experience, finding solace in both sun and shade.

          STAFF COMMENTS

          Barry says: As you'd expect, any new album from Ripley Johnson and co is bound to be a well written and beautifully produced collection, and the stunning ray of sunshine that is 'Sol Y Sombra' is no different. Hazy slide guitar and warm strummed acoustic beneath airy reverbed vocals and swooning harmonies. for me, their most immediately irresistible outing yet.

          TRACK LISTING

          Lights On The Way
          Open Roads
          Rolling Gold
          Evergreen
          Sunlight Daze
          Radio Song
          Seeds Of Light
          La Mesa
          Wheels
          The Walls

          Cleo Sol has returned with her new project titled ‘Mother’, produced by her longtime collaborator Inflo. The 12-track offering, which includes a few hidden tracks, was inspired by Sol’s journey into motherhood.

          ‘Mother’ is a beautiful soulful album that bares all, a paired down softness to her music accentuates her stunning vocals. It offers a healing energy, full of emotion and elevated optimism, it’s hit just the right spot and what was lacking from this year.

          ‘Don’t Let Me Fall’, the opening track sets the tone for the album, tender and harrowing in the most beautiful sense. Her vocals are really highlighted by the stripped back neo-soul background, letting her voice shine throughout. The love, optimism and wisdom weaved within this song is truly stunning. ‘Promises’ holds the same powerful energy, a subtle catchy chorus drenched in good vibes, proving difficult not to sing along to.

          Another gem, ‘Sunshine’ is a breath of fresh air, a more funk-inspired melody with uplifting compelling lyrics, it embodies what Cleo Sol does best, meaningful messages and the freshest soul around for miles. Love love love this.


          STAFF COMMENTS

          Barry says: Cleo Sol's last LP was a beautiful outing and showed her as one of the finest voices in modern soul. This one sees her taking things down a notch, losing the more effervescent groove in favour of a swooning, restful suite of slow melodies and loungy swing. A stunning follow-up and a perfect display of the other side of her considerable talents.

          TRACK LISTING

          Don’t Let Me Fall
          Promises
          Heart Full Of Love
          Build Me Up
          Sunshine
          We Need You
          Don’t Let It Go To Your Head
          23
          Music
          One Day
          Know That You Are Loved
          Spirit

          Cleo Sol

          Heaven

            Heaven is the follow up to Cleo Sol's second album, Mother, which was released in 2021. In celebration of its two-year anniversary, she tweeted: "Two years since we released mother into the world, thank you for embracing me, and seeing me, writing my truth is sometimes difficult, but it’s freeing, and having you support me pushes me to be brave."

            Thought to be the primary vocalist for the mysterious collective SAULT, Cleo Sol primarily collaborates with producer Inflo. Earlier this year, during London Fashion Week, she joined Alicia Keys as a special guests alongside Little Simz, and performed Simz's track, "Woman".

            TRACK LISTING

            1. Self
            2. Airplane
            3. Go Baby
            4. Heaven
            5. Old Friends
            6. Miss Romantic
            7. Golden Child (Jealous)
            8. Nothing On Me
            9. Love Will Lead You

            Cleo Sol

            Rose In The Dark

              Back in January, Cleo Sol emerged from her winter cocoon with a stirring acoustic ballad entitled "Butterfly." We suspected that a new project would follow, and the London singer-songwriter has delivered exactly what we were hoping for with her new album Rose In The Dark. Comprised of 11 tracks stitched with threads of '70s jazz and '90s neo-soul, Cleo offers the soothing calm that we need in these chaotic times.

              Rose In The Dark opens with the harmonic mantra "One Love" before the jazzy bass line and drum knocks of "Why Don't You" entice us to settle in for a cozy listen. With dulcet horns and doo-wop vocals, the reggae-tinged "Young Love" is a whole mood. Meanwhile, "Rewind" and title track "Rose In The Dark" are steeped in nostalgic overtones. Cleo then proceeds to hypnotize the listener in two different ways – with the seductive sultriness of "When I'm in Your Arms" and the heartfelt devotion of "Sideways."

              "Butterfly" passes the acoustic baton to the album's next two tracks – "Sure of Myself," a down-tempo ballad with lush harmonies, and "I Love You," an aching, Rhodes-driven tune that seamlessly segues from sparse to layered composition. The vintage jazz-soul vibes of closing track "Her Light" deliver a cinematic finale to this incredible selection of authentic soul music.

              It's hard to believe Cleo had doubts about releasing the project. In a transparent post, she admits, "I've been going back and forth with whether there will be a right time to release music this year, as I always go with trusting my heart and it hasn't felt quite right." She continues, "But this is bigger than me, and I always have to remind myself I'm simply a vessel...so my album is here for u to listen to, to uplift you, move you or be your backing track vibes whilst we are all moving through this moment."

              TRACK LISTING

              1. One Love 01:19
              2. Why Don't You 03:48
              3. Young Love 04:24
              4. Rewind 02:23
              5. Rose In The Dark 03:46
              6. When I'm In Your Arms 05:35
              7. Sideways 03:12
              8. Butterfly 03:19
              9. Sure Of Myself 03:38
              10. I Love You 02:57
              11. Her Light 04:04

              Cleo Sol

              Gold

                The fourth Cleo Sol masterpiece and the second album of 2024. Gold is another spiritual and soulful masterclass full of love, courage and optimism.

                TRACK LISTING

                1. There Will Be No Crying
                2. Reason
                3. Things Will Get Better
                4. Only Love
                5. Please Don’t End It All
                6. Lost Angel
                7. Desire
                8. In Your Own Home
                9. Life Will Be
                10. Gold

                Sol Power Sound returns with an EP of two blistering (and rare) island disco cuts remixed by Bosq and the Sol Power All-Stars that will make you forget that summer has come to a close. Officially licensed from the estate of Nappy Mayers, who wrote and produced both originals, both tracks capture Nappy’s exquisite sound that dominated the Trinidadian discotheques in the late 1970s and early 1980s but never received the international acclaim they deserved.Bosq, a long-time friend of the label, leads things off on the A-side with his fiery dance floor flip of Nadie La Fond’s “Three Way Situation.” In his classic yet understated style, Bosq adds just enough, enhancing the captivating groove, while preserving the true essence and of the original. Using both vocal and dub parts Bosq turns up the funk and transforms the tune into a blistering modern disco cut that works equally well on the beach, in a dark club, or at your favorite underground afterhours.On B1, the Sol Power All-Stars present an extended disco dub of the 1980 Nappy Mayers tune “Let Yourself Go.” The Sol Power crew opts to work with the b-side version of the original, which bypasses the lead vocal and instead focuses on the synth-bass led groove, an unforgettable chorus, and powerful disco horns. Toss in some chopped up flute, guitars, and synth and you’ve got yourself a party. And did we mention drums and perc? Don’t miss the massive soca break that will take you straight to a carnival jam in the islands.Alongside remastered extended 12” versions of both original vocal cuts, Trini Disco Dubs highlights the genius of Nappy Mayers, a legendary Caribbean songwriter, producer, and performer, through the lens of modern producers who are at the top of their game.

                TRACK LISTING

                A1. Nadie La Fond - Three Way Situation (Bosq Disco Special)
                A2. Nadie La Fond - Three Way Situation (12" Version)
                B1. Nappy Mayers - Let Yourself Go (Sol Power All-Stars Disco Dub)
                B2. Nappy Mayers - Let Yourself Go (12" Version)

                Gastr Del Sol

                We Have Dozens Of Titles

                  Like a bolt echoing back from the blue, We Have Dozens of Titles restrikes the iron of Gastr del Sol, plunging the listener (that’s us!) back into the maelstrom of their all-too-brief (-but-ultimately-long-enough-to-change-everything-incisively) passage of 1993-1998 via an assembly of previously uncollected studio recordings and beautifully captured unreleased live material.

                  Gastr del Sol’s music was of the transformative variety – or was it transfiguration they were up to? Or transmigration? Flux was key, to be sure. David Grubbs formed Gastr from the final lineup of Bastro; on Gastr’s del Sol’s debut, The Serpentine Similar, Grubbs, Bundy K. Brown and John McEntire downshifted from a thrashing electric outfit into a droning, acoustic-based one. Following this, the lineup shifted again, decisively – Brown and McEntire departed to focus on the project to be known as Tortoise, and Jim O’Rourke arrived, pairing with Grubbs to make a sequence of unpredictable leaps across genre and practical approach alike, over three LPs and a pair of EPs that threatened the passage of musical time as we knew it in the mid-90s.

                  We Have Dozens of Titles contains nearly an hour of previously unreleased live recordings, alongside another near-hour of studio recordings culled from previously uncollected singles, EPs, and compilations. At long last, vinyl purchasers will hear the full range of “The Harp Factory on Lake Street”, “Dead Cats in a Foghorn”, “Quietly Approaching” and “The Bells of St. Mary’s” for the first time EVER on vinyl – all of it, live and studio alike, lovingly mastered and remastered by Jim O’Rourke, and packaged in a three LP box set with a wicked Roman Signer image on its removable lid, interior printing on the box bottom and inner sleeves for each LP with performance credits for all the songs.

                  As much as Gastr del Sol’s albums showcase a group eminently at home in the studio, they were inclined to thoroughly reinvent their compositions in performance. While reviewing live tapes for this compilation, the studio versions of most things felt more and more definitive, with the exception of the live takes included here, which essay startling new qualities in pieces that have been in the public ear for several decades.

                  The majority of these live performances come from a miraculous find in the CBC archive – a broadcast-quality recording of Jim and David from the 1997 Festival International de Musique Actuelle de Victoriaville. This was the last time they performed together as Gastr del Sol, during which several still-gestating Camoufleur pieces were presented in radically different forms and Jim played organ on a track from David’s first solo album, the concert-closing, band closing (and now album-closing) version of "Onion Orange”.

                  The studio recordings included were originally released by the Red Hot Organization, God Mountain, Table of the Elements, Sony Japan, Teenbeat and Drag City. Studios utilized in the making of the material were Idful Music Corporation, Kingsize Soundlab and steamroom. The extended company of players on these numbers includes Jeb Bishop, Bundy K. Brown, Steve Butters, Gene Coleman, Thymme Jones, Terri Kapsalis, John McEntire, Günter Müller, Bob Weston and Sue Wolf – a virtual “what’s who wha'?!?” of Chicago’s hothouse scene in those times.

                  We Have Dozens of Titles revisits the slow-burning incendiaries of Gastr del Sol, finding, once again and after so much time elapsed, another, further set of reinventions from a group who continues to change the way we hear music.

                  TRACK LISTING

                  1. The Seasons Reverse (live)
                  2. Quietly Approaching
                  3. Ursus Arctos Wonderfilis (live)
                  4. At Night And At Night
                  5. Dead Cats In A Foghorn
                  6. The Japanese Room At La Pagode
                  7. The Bells Of St. Mary’s
                  8. Blues Subtitled No Sense Of Wonder (live)
                  9. 20 Songs Less
                  10. Dictionary Of Handwriting (live)
                  11. The Harp Factory On Lake Street
                  12. Onion Orange (live)

                  Estrella Del Sol

                  Figura De Cristal

                    RIYL: Grouper, Mabe Fratti, Eartheater, HTRK, Julee Cruise, Julia Holter, Ana Roxanne, Carla dal Forno, James K, Ydegirl.

                    In the chaos of our every day, it can be difficult to find time for pause. Knee-jerk reactions have become the norm, while the instantaneous fog clouding our culture urges us to move along, to step away from the present moment. Mexico City-based songwriter and instrumentalist Estrella del Sol wanted to craft a space where there is finally room to breathe, and time to arrange the patchwork of our reality. On new album Figura de Cristal, she encourages fragility, and celebrates the delicacy of our ever-evolving selves.

                    Estrella del Sol is known for her work in shoegaze band Mint Field, hailed for their tender exploration of sentimentality and grief. While Mint Field propel their themes with oozing, amplified guitars and commanding vocals, del Sol’s solo work blossoms in a quieter, more electronic space. “I wanted to experiment more with my vocals and mainly synth sounds, always trying to find a different sound,” she explains. The result is a patient and nurturing collection of songs that remind us of the importance in taking our time.

                    Her first solo album, Un espacio de lo imaginario, released in 2020 and recorded in the first two months of the pandemic, introduced del Sol’s ethereal side. Expansive vocal dynamics dance carefully through gentle melodic structures, showcasing the intimacy of del Sol’s solo arrangements. Figura de Cristal builds upon this intimacy, adding a blanket of subdued yet glittering drones, haunting electric guitars and celestial vocal textures. It was written, recorded and produced entirely by Estrella del Sol at her home in Mexico City, with cello contributions by experimental composer and personal friend Mabe Fratti and mixed by Mint Field bassist Sebastian Neyra.

                    The album includes field recordings of Estrella del Sol’s surroundings, namely her neighborhood in Mexico City. By including these miniature portraits of her reality, Figura de Cristal acts as a kaleidoscopic interrogation into what it means to be alive, and how others figure into the images we create for ourselves. By using the recordings, del Sol says “the album could feel familiar to my reality at that particular moment.” Enmeshing them into the album’s ambient arrangements, Figura de Cristal threads together the familiar and the fantastical. It’s a reminder of the coexistence of multiple realities.

                    When making the LP, Estrella del Sol wanted to create a soundtrack that could replicate the calming notion of a sunset-stroked evening, or the pink tones of a quiet morning. The title track, “Figura de Cristal,” replicates the grace of these moments, teaching us to lend ourselves that same grace and gentleness, even during the most difficult days. “This album became a reminder to me that I have to take care of myself and that If I don't, I can break like a crystal figure,” she explains. “I have to learn to empathize with myself and the people surrounding me. That everyone's perspective of reality is different and there's no true answer.”

                    Figura de Cristal is an album about curiosity, and the merit in embracing our vulnerabilities. There is not one single reality, or experience, but instead an infinite range of truths. Through improvisational techniques and dynamically droney sonic textures, Estrella del Sol asserts the joy in following your instincts, rather than following the rules. Figura de Cristal rids itself of rigid structure or certain form, bending to a liminal space that declares joy in the unknown, and an exhale in the unfamiliar.

                    TRACK LISTING

                    1. Ver A Través De Tus Ojos
                    2. Tangible
                    3. Figura De Cristal
                    4. No Existe Respuesta
                    5. Adentro De Mis Sábanas
                    6. Corriente De Agua
                    7. Sólo Yo Puedo Cuidarte
                    8. Suspendidos
                    9. Acompáñame

                    ‘Sol Invictus’, Faith No More’s highly anticipated follow-up to ‘Album Of The Year’, arrives via Reclamation Recordings / Ipecac Recordings.

                    ‘Sol Invictus’ is the band’s first new album in 18 years.

                    ‘Sol Invictus’ was produced by Bill Gould and recorded in the band’s Oakland, California studio.

                    Faith No More have influenced bands of all genres, including System Of A Down, Incubus, Muse and more.

                    The single ‘Motherf*cker’ heralded the arrival of the album and was followed by ‘Superhero’. Both songs feature on the album along with eight other brand new tracks.

                    TRACK LISTING

                    Sol Invictus
                    Superhero
                    Sunny Side Up
                    Separation Anxiety
                    Cone Of Shame
                    Rise Of The Fall
                    Black Friday
                    Motherf*cker
                    Matador
                    From The Dead


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