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Omena label boss Tooli delivers three tracks all inspired and dedicated to Tompkins Square Park.

Two of the UK's unsung heroes NY*AK and Mark Hand transform the title track into a 15 minute journey with plenty twists and turns.

After the Swedish grammy-award winning "Sunday" and the 2017 EP 'Ta Paus', here is the third and last part of the 'Hemma'-trilogy.
The end of an exploration of HNNY's home ('hemma' in Swedish) where he both lives and makes all of his music.

Named after a turning point in the life of the artist, the EP is a deeply personal record about being at and away from your home. D
estinations and places fly by in and between tracks, with the track titles giving more hints about the journey.

Omena travels south of the Mediterranean Sea, antique maps and compass in hand, for the release of Parviz's Zerzura EP.

An expedition to the eponymous mythical oasis, west of the Nile river, stirring "the passion of men", as St-Exupery would put it.
Four songs of romance and reverie, taking you through a dizzying jazz journey, full of twists and turns; starting with emboldened trumpets, only to end on a handful of quaint piano notes.
As dusk settles upon the dunes, the mirage has now vanished, and the forlorn hope turns into a soul-searching journey.

Sofa Talk already showed us his prowess on the refined label Banoffee Pies. He is bringing that delicate balance between bubbly jazz and deep house to the well known Omena label. 
Four tracks of gentle house with bubbles of jazz, funk and broken beat. All of if propelled by some deep house beats creating a perfect mix for a gentle dancefloor warmer. 

'Balancing Acts' is a double feature including the more dancefloor oriented Prequel mix. Keeping faithful to the original, puts more emphasis on the beats to keep things going. 

This ep will sit well among fans of Herbie Hancock, Kaidi Tatham and any Banoffee Pies follower. 


Sil says: Nice and classy. Champagne rather than beer is the drink to order when you listen to this 12". The Prequel mix is gorgeous and so it is 'Scissors and Shapes' with its flirtations jazz licks. Great stuff!

With an album on Kerri Chandler's Kaoz Theory plus EPs on his Madhouse and Madtech imprints, Benson Herbert and Leo Picking - aka Voyeur - are steadily making their mark on the house music legacy. Keeping that old school flame burning in the modern age takes a supreme grasp of poise and flair, as the genre competes with ADHD-fuelled kids, max'ed-out headroom and a plethora of splinter styles all utilizing the latest VSP / DSP processing trends.

With that said, the "Awakening" EP is quite an accomplished effort. The title track updates templates set out by afro-house luminaries such as Osunlade and Joe Clausell and is full of rampant vocal chants & whoops, a full percussion troupe and is set alike via deep throbbing stabs and unrelenting buoyant energy.

"Mundunugu" is a more spiritual affair, tailor made for Francois K's section and Body&Soul on a Sunday. Deeeep congas, suspended pads and tribal vox transport us into everlasting heart of house music, always beating from its natural core.

Casino Times muscle in on remix duties, aptly constructing a brand new vibe off the "Awakening" stems. The pair keep a heavy percussion presence but thoroughly intoxify the rest of the mix with long analogue fx sweeps, bleep melodies and squiggly lead lines - excellent!

Sneaking in before close of disc is bonus track "The Nomos", which, like the first two tracks, will keep any afro / rhythmic-centric house-inclined dancefloor satisfied, invigorated and ready to dance! 


Sil says: Gents and ladies, 'Mundunugu' is da bomb. Tribal house without going full on. It is restrained and groovy. The vocal samples brings it all together. The rest is as good but this one is my fave. I am getting one.

Fresh from a debut on 100% Silk, Berlin artist Westcoast Goddess continues to set forth a vision of psycho-spiritual house music with this debut release on Omena.

"Springtime Forever EP" consists of 4 tracks dating from 1998 to the present, each representing a joyful season of the artist's heart.

Beginning with the Roule-indebted "Summer Song '98" - coursing with searing strings, flanging hooks and a loose house beat, this instantly transports the listener to a better time; before fear, surveillance and narcissism really grabbed hold of our society (Dave's just informed by that there was plenty of narcissism in the late 90s... but hey ho - ed).

"Better The..." is a highly musical number, with interplay between various synthesized elements, a stomping house beat and some brilliant keyboard solos. It has that getting-towards-the-end-of-the-session exuberance that you need when the DJ's only got a few records left to play and should find itself soundtracking a thousand 'lights-on' moments across clubland.

"No One Has 2 Know" sees an authentic NY house banger rolled out with aplomb. Complete with vocal, pumpin houz beats and tight synth stabs it's a no brainer for any main room or festival crowd.

"Blisstonia Babies" completes the set with another high end show boater; rich piano chords paired with lavish synthlines, trilling keys and arm-raising strings; an absolutely stonking house anthem with spine-tingling musicality and fathoms-wide smiles throughout. Nothing has embodied the feel good spirit of house music as much as this track this year! Massive.

As always, Ivo Kiusalaas has provided the label art.

Seb Wildblood's Omena LP, "The One With The Emoticon" gets remixed by a plethora of new and established talent from the global dance music village. Coastal house groovers Telephones are first to engage, imbuing "Wet Plants" with those crystalline blue skies and windswept hair styles that's fast become their standard. Tailor made for speedboat rides across the Adriatic! New girl Yu Su has previously released on cult labels Arcane and PPU. Here she coaxes "The One With The Emoticon" into the bedroom for a delicate and sensual rubdown that sounds super dreamy. Stockholm head and Studio Banhaus director, Kornel Kovacs is enlisted for a deliciously tasty retake of "Wet Summer"; injecting some radiance and futurism into its stems via some well synthesized sounds and disjointed rhythms. Finally, DK puts "Interlude" into the clouds via synth-choir vox, ascending keyboard parts and sumptuous pads; placing the track above the midday haze, gently riding the thermals without a care in the world. Amazing stuff here.

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