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OM

Mr. Ho

000 Baby - Om Unit Remix)

For the first Klasse Wrecks release of 2024, the label looks back to 2020 and a previously digital only track from label co-owner Mr. Ho. During the first lockdown of covid Mr. Ho released '000Baby' as part of the digital 'Homeboys' EP alongside Luca Lozano. An alternative version popped up on the 'Michaelsoft' album in 2021 but the much lauded original has never seen the light of day on wax....until now. The first 10" on Klasse Wrecks also features a suped and sped up interpretation from Om Unit, who expertly increases the pressure with deft 808 bass subs, a half time swagger and dubbed out atmospherics.

TRACK LISTING

A. 000 Baby
B. 000 Baby (Om Unit)

Om

Gebel Barkal / Version - 2023 Reissue

    Reissue of the 2008 Sub Pop single.

    This was the first OM recording to feature Emil Amos on drums.

    TRACK LISTING

    Gebel Barkal
    Version

    Och

    Pö Om Pö

      Hypnagogia remains one of the most mysterious and haunting daily states of mind. Moments of revelation are wont to traditionally hit us particularly in the hinterland between dream and waking, It’s this particular headspace that’s very much the world of ‘Pö om pö’, the second Rocket Recordings released full-length record from Sweden’s equally mysterious OCH. Pö om pö (meaning ‘little by little’) is a journey further into inner space from ‘II’, the previous Rocket outing (which followed a 2014 cassette only release)

      What’s mapped out here is a trajectory on the kosmische continuum that touches on the terrain of late 70s Sky records style ambience, the more overgrown quarters of Swedish experimental prog and the sun-baked lo-fi DIY cassette culture of the US early ‘00s.Dwelling in a smoke-clouded glow that’s equal parts sunset gold and effects pedal red, OCH have here transcended all influences to creating a tapestry of potent psychotropic sound. A record in which new horizons open up beyond the small hours, and where primeval wah-wah-abetted skronk and mantric folk[1]tinged repetition can collude to reveal new third-eye perceptions. Little By Little, Pö om pö , these forty minutes are here to bridge the chasms between conscious and subconscious, and in style.

      TRACK LISTING

      01. Bolid
      02. Vadstena
      03. Syzyrgy
      04. Silverstjärnan
      05. Isfält
      06. Bråviken
      07. Impetus
      08. Ochra

      Om

      BBC Radio 1

        Recorded live at BBC Radio 1, Maida Vale, May 3rd, 2019.

        The songs continue to evolve; two each from the classic OM releases Advaitic Songs and God Is Good, encompassingly recorded and mixed with the pristine quality that BBC engineers (and OM) bring to recorded sound.

        TRACK LISTING

        Gethsemane 11:17
        State Of Non-Return 8:22
        Cremation Ghat I 3:43
        Cremation Ghat II 5:37

        Konx-Om-Pax

        Ways Of Seeing

          On "Ways Of Seeing" Konx-om-Pax has switched up the mood and hit gold. He has made an album that is filled with joy and sunshine, saturated with the classic feel of Berlin techno. Tom Scholefield has moved on from the dark ambient and brittle rave of the first two Konx-om-Pax albums, which were a reflection of his hometown Glasgow's electronic music scenes. After a recent move to Berlin, the textures of Glasgow's musical strains have fused into an accessible and friendly mix of poppy melodic electronica built from a stricter 'less is more' sound palette, closer in spirit to the music of his adopted city. It is also a record which was made in opposition to recent music he has been hearing, in particular the troubled, dark and noisy experimental music coming out of Berlin. Tom wanted to focus on more joyful qualities, making this a record imbued with warmth and happiness, a panacea to the darkness and disorientation all around in 2019. Having a social scene full of producers has also influenced the album.

          The opening track "LA Melody" came from staying with Ross Birchard (Hudson Mohawke) at his house in LA, hanging out in the glorious sunshine with him and Lunice working on tracks. 'Initially Ross asked me to write some melodies to use in a project he was producing, but I ended up liking it so much I decided to keep the riff. I generally write music alone, but being around other producers gave me a certain excited energy that reminded me of after-parties back in Glasgow where Ross and myself spent our youth together. Spending time in Clark's studio also helped me improve my workflow and sequencing the album by seeing the way he does things'. On "Säule Acid" he collaborates with Silvia Kastel and in "I’m For Real" the vocals of Glaswegian DJ / producer Nightwave filter around the track. Stripped away to just the good bits, "Ways Of Seeing" is a pleasure to listen to. 


          TRACK LISTING

          01/ LA Melody
          02/ Säule Acid (ft. Silvia Kastel)
          03/ Paris 5am
          04/ I'm For Real (ft. Nightwave)
          05/ Rez
          06/ Optimism Over Despair
          07/ Earthly Delights
          08/ Missing Something
          09/ Day Dreams
          10/ Magenta One
          11/ The Paleontologist

          Om

          Conference Of The Birds

            Comprised of two songs that build on Om's use of cyclical rhythm, riff and vocal intonation, the duo's new album "Conference Of The Birds" blends metal, doom, chant, drone, dub and psychedelia. The band's lyrics expound upon the structure of the universe, potentiality and freedom from the physical body. Engineered by Billy Anderson and produced by the band, "Conference Of The Birds" progresses beyond their debut, "Variations On A Theme", with more fully realized songwriting and production. Om is Al Cisneros and Chris Hakius, rhythm section of legendary sludge and stoner rock pioneers, Sleep.

            Another fierce and unique act from the depths of the Glasgow underground appear on Optimo Music with their debut Green Door studios recorded four track EP. Keyboard player Jim McKinven was previously in Altered Images, worked for many years in Martin Rushent's Genetic Studios, was in One Dove and previously appeared on Optimo Music as one half of Organs Of Love. He is however but one component of this transgenerational band. They describe their music far better than we could - "Seedy Electronica, consisting of 2 Basses, Electronic Drums, Synths and Dark Vocals. Inspired by the avant-garde that influenced the electronic music scene of the late '70's and early '80's.”


            TRACK LISTING

            Magick! 
            I Killed My Boy
            Soft Hell 
            The Red Eyed Raven

            Though "Say You Love Me" wasn't "Om" Alec Khaoli's first solo recording, the 1985 EP solidified the bass player and songwriter's standing as one of South Africa's most consistently innovative pop auteurs. He built a career on ubiquitous rock, pop and soul hits with groundbreaking bands like the Beaters, Harari and Umoja. But Khaoli's seemingly endless fountain of music continued outside these ensembles, where he usually played bass and contributed songwriting and vocals. Khaoli released several successful solo works while he made records with Umoja and worked on other productions with friends.
            This creativity was aided by Khaoli's own recording studio. He was the first South African to have a privately-owned studio. As black artists were forced to record during lunch breaks and didn't get sufficient access and time in the white-owned studios, having his studio allowed Khaoli to develop in his own way. Hence his productive output during the 80's and early 90's, releasing 5 LPs with Umoja and 5 solo LPs, along with numerous singles and EPs. There's something broad and dynamic about the almost epic pop sound Khaoli creates on "Say You Love Me". Being the first South African to take control his recording process and thereby free himself from one of apartheid's many strictures, he took his vision of music to new realms and made timeless music for the dance floor in the process. 

            STAFF COMMENTS

            Patrick says: Another rarity reissued by the erm...awesome... Awesome Tapes From Africa, kicking off with the emotional pop of "Say You Love Me", a shoulder rolling love song which could easily have found its way onto the end credits of many an 80s buddy movie. "Make Me Your Lover" fuses a little Paul Simon style songwriting with traditional African styles (oh the irony), while "Crosslines" is an oddball synth funk freakout a la Herbie Hancock. Last but not least we feel the force of the show-stealing "Enjoy It", a dreamy bit a Afro-cosmic for the Balearic crowds.

            TRACK LISTING

            1. Say You Love Me
            2. Make Me Your Lover
            3. Crosslines
            4. Enjoy It

            You might be familiar with Konx-om-Pax previous work without already being aware of it. His real name is Tom Scholefield, he’s from Glasgow, and as a 3D film director and graphic artist he’s made videos for locals Hudson Mohawke and Mogwai as well as Martyn, Jamie Lidell, Kuedo and Lone, created sleeve artwork for Oneohtrix Point Never, Rustie, King Midas Sound and others, plus he has toured with Mogwai as a DJ.

            So how on earth does he find the time to make music, or the energy? Tom explains that he makes music to chill out, a form of creative self medication. In contrast to his bright, synthetic and colourful artwork and videos, his music is more mossy and analogue. Often beatless, personal and located in a transporting surrealism, it's sometimes inspired by the idea of rescoring films and TV. 'Glacier Mountain Descent', for instance, is a re-imagining of the start of Werner Herzog’s 'Aguirre'. At other times tracks are inspired by nostalgia for childhood feelings, while watery immersion is a running theme, and a sense of Scottish surrealism is another. Tom started out making tracks in his teens, copying the synth lines he’d heard on prog house CDs, before graduating to a deep fascination with Jeff Mills and Drexciya’s hermetic imagery and alien funk after hearing them on John Peel’s show. This led him to creating lo-fi techno, then DJing and promoting events at art school, which developed his knowledge, driving him to formulate an aesthetic of unpolished, textured and emotive music. 'Regional Surrealism' works largely like a film. Vignettes like 'Isotonic Pool' transition into larger more dramatic pieces like the deep 'At Home With Mum and Dad' which takes an early Aphex sounding ambient track and fills it with odd drama. 'Sura-Tura-Gnosi-Cosi' featuring mysterious U.S. artist Steven Retchard is full of tape-hiss and unsettling spoken word, while 'Zang-Tumb' - with guitar played by Mogwai’s Stuart Braithwaite - works in bruised and twisted Ash-Ra Tempel territory. Elsewhere 'Slootering' finds a sweet spot between Drexciya and Oneohtrix Point Never, while 'Lagoon Leisure' lets you get lost in musique concrete space and drops. Later on 'Hurt Face' rubs static and raw electronic textures together and 'Chambers' follows it up with a sunny glow. The album finishes on the water-themed 'Let’s Go Swimming' which indulges in a slow-motion nostalgia, sending you away happy.

            TRACK LISTING

            01. Intro
            02. Isotonic Pool
            03. At Home With Mum And Dad
            04. Twin Portal Redux
            05. Sura-Tura-Gnosi-Cosi (Feat Steven Retchard)
            06. Zang-Tumb (ft Stuart Braithwaite)
            07. Glacier Mountain Descent
            08. Pillars Of Creation
            09. Slootering
            10. Lagoon Leisure
            11. Hurt Face
            12. Chambers
            13. Silent Reading
            14. Let's Go Swimming

            OM

            Advaitic Songs

              Where ‘God Is Good’ was the first step in a more ornate and sophisticated direction for OM, ‘Advaitic Songs’ achieves a level of composition that would’ve been impossible to foresee. There remains the singularity of purpose that is the core of all OM records, but no single reason can account for this comprehensive nature of their evolution.

              On this album the core primary sound of OM remains, yet everything reaches further and becomes more of itself. Whatever drone-doom camp that OM had previously been placed in has been decimated by the sheer imagination and expansive quality of this recording. For a band that has continually followed its own course, and stood alone in its sound and approach, ‘Advaitic Songs’ for certain, is the band’s most focussed, progressive document.

              ‘Advaitic Songs’ has been mastered for greatest fidelity on 45 rpm double vinyl, achieving fullness, high definition and depth out of every consecutive moment.

              STAFF COMMENTS

              Darryl says: Breaking away from the shackles of the doom genre - OM now tread a more varied, progressive and sophisticated path. That's not to say they don't ROCK anymore though, they can still shake the core of the earth at the drop of a hat!

              OM albums are rituals, personal convictions transcripted into verse. Playing the music is visceral, emotional, a catharsis of soul and spirit. As ever, dynamic relationships and the slow building of mood are attenuations that shape the structures of "God Is Good". With careful microscopic increase, the energy grows through the four songs, leading towards moments that one could interpret as… Revelation? Oblivion? Awakening?

              Om

              Pilgrimage

                Limited Repress!

                The legendary rhythm section of Sleep: Chris Hakius and Al Cisneros deliver a new classic album recorded by Steve Albini!!! "Pilgrimage" is Om's third album (first on Southern Lord). Four songs featuring Om's unique use of riff, cadence and chant. Lyrical themes address the processes of mind, psychic reality, astral and causal planes of being, and the nature of the soul. Motifs that were initiated on the band's previous album are continued here unabated.

                This version of Pilgrimage comes packaged in a Stoughton gatefold jacket.


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