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OLIVIA JEAN

Olivia Jean

Raving Ghost

    Raving Ghost is an album populated by mysterious characters in various states of danger – cursed lovers, doomed souls, women deliriously haunted by unseen forces. Over the course of its 11 spellbinding tracks, Olivia Jean amplifies that drama with her wildly melodic take on garage rock, handling each riff with the power and precision she’s previously shown as a member of the Black Belles and as an in-demand session/touring musician who has played with legends like Wanda Jackson.

    Featuring backing from such top musicians as My Morning Jacket keyboardist Bo Koster, Jellyfish co-founder Roger Joseph Manning Jr, and drummers Carla Azar (T-Bone Burnett, Nikki Lane) and Patrick Keeler (The Raconteurs, The Afghan Whigs), the album is a feverish collision of goth- punk, power-pop, and classic garage, charged with an energy so intense that the speakers to several of Valentine Recording Studios’ vintage amps ended up blowing out during the sessions. A stunning evolution of the retro-surf sound featured on Olivia Jean’s critically acclaimed past solo work, Raving Ghost ultimately proves the most magnificently heavy and mesmerizing output yet from an endlessly fascinating artist. 

    STAFF COMMENTS

    Martin says: Olivia Jean presents a sleek, enjoyable mid-point between lo-fi garage rock and melodic goth-pop, all topped with Jean's psychedelic vocals. Brilliantly produced and presented too, classic Third Man.

    TRACK LISTING

    SIDE 1
    1. Raving Ghost
    2. Too Late
    3. Spider
    4. Trouble
    5. I Need You
    SIDE 2
    1. Ditch
    2. Fun
    3. Fate
    4. Orinoco Flow
    5. Godmother
    6. Don't Leave

    Olivia Jean

    Night Owl

      Olivia Jean is back on the beat with her second full-length (and first self-produced) album, Night Owl, due out August 30, 2019 on Third Man Records. The album mines the shared spaces between bubblegum, beach pop undercurrents and fuzzed out garage a la B-52s and Dick Dale, lyrically diving headfirst into the frustrations of perfectionism, mental barriers, obsession and modern heartache. Unlike Bathtub Love Killings on which we found Olivia playing every instrument on the vast majority of the album, Night Owl is decidedly more collaborative, with a studio band of buddies backing up her up. Night Owl is exactly what it sounds like: the wee-hour workings of an artist engrossed in a project, pushing against omnipresent forces of fear and judgment to do exactly what you’ve always wanted to do and be exactly what you’ve known you are. It’s candy-coated and also bittersweet, fully aware and also full-hearted.

      TRACK LISTING

      1. Garage Bat
      2. Night Owl
      3. Shut Your Mouth
      4. Brushfire
      5. In Two
      6. If You Don’t Love Me By Now
      7. Rhinestone
      8. The Hunt
      9. JaanPehechaanHo
      10. Can You Help Me?
      11. Siren Call
      12. I Used To Be Lonely
      13. Perfume
      14. Tsunami Sue

      Bathtub Love Killings is the debut solo LP from Olivia Jean, the multi-instrumentalist who cut her teeth in the Third Man stable backing folks as varied as Karen Elson, Wanda Jackson and Jack White in addition to fronting the much-loved Black Belles. Jean has accrued a lifetime of experience in a few short years, from highlight performances on The Colbert Report, Conan, Late Show With David Letterman and the Grand Old Opry stage to having one of her songs used as the theme for the television series Elvira’s Movie Macabre.

      Produced by Jack White, Bathtub Love Killings showcases Jean as a songwriting force to be reckoned with. Playing damn-near every instrument she could get her hands on, the result is a well-rounded, catchy record that’s chockfull of ear worm moments.

      • Olivia Jean was lead singer, guitarist, main songwriter of the Black Belles (also released by Third Man Records)
      • produced by Jack White, who also plays guitar on “Cat Fight”
      • drums on “Deadly Hex” and “Cat Fight” by Patrick Keeler (the Raconteurs, the Greenhornes)
      • “Green Honeycreeper” features songwriting contribution by Coco Hames (The Ettes, The Parting Gifts)


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