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OH SEES

Cover of Orc - 2025 Reissue by Oh Sees.

Oh Sees

Orc - 2025 Reissue

DEATHGOD RECORDS

    The Oh Sees wasted no time in racing headlong into nightmarish battle with the mighty 'Orc', clawing even farther up the ghastly peak stormed so satisfyingly by their previous 'A Weird Exits'. The band is in tour-greased, anvil-on-a-balance beam, gut-pleasingly heavy form, nimbly braining—with equal dashes of abandon and menace—on this fresh batch of bruisers and brooders, hypnotically stirred into to the cauldron of chaos you’ve come to expect.

    On 'Orc', fresh blood Paul Quattrone joins Dan Rincon to form a phalanx of interlocking double drums, alternately propelling and fleet-footing shifting ground to pinion John Dwyer’s cliff-face guitars to the boogie. Tim Hellman keeps it swinging like a battle-axe to the eyebrows. The tunes veer toward the violence of their live shows, with a few tasty swerves into other lanes: heavy to lush, groovy to stately. Throughout, it remains sinister in its swaggering skulk, manic in its fuzz-fried fugues. They hit all the sweet spots the heads foggily remember, and there’s plenty to sweat over if you just hopped into the sauna.

    More evil…more complex…more narcotic…more screech… more blare…more whisper…there’s even more Brigid. Less “Thee,” but more of everything else.

    TRACK LISTING

    1. The Static God
    2. Nite Expo
    3. Animated Violence
    4. Keys To The Castle
    5. Jettisoned
    6. Cadaver Dog
    7. Paranoise
    8. Cooling Tower
    9. Drowned Beast
    10. Raw Optics

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    Cover of Floating Coffin - 2025 Reissue by Thee Oh Sees.

    Thee Oh Sees

    Floating Coffin - 2025 Reissue

    DEATHGOD RECORDS

      We all know the type: prolific bands that commit every loose thought, stray idea and 90-second song fragment to tape. Bands that pay no attention to little inconveniences like “release cycles” or “self-editing,” and instead decide that quantity equals quality, creating a discography more labyrinthine, imposing and—ultimately—exhausting than the cast of creatures in a sci-fi novel. Here is why none of that applies to THEE OH SEES. Because each of the dozen-plus albums they’ve released since 2004 possesses a distinct personality and represents a different point along the path of JOHN DWYER’s slow transformation from auteur of woozy, bare-bones four-track psychedelia to goggle-eyed garage rock marauder backed at long last by a band that both shares and stokes his singular vision. Because drop a needle on any record and—to their great credit—it takes several songs before you’re convinced it’s Thee Oh Sees. The seasick hundred-bottles-of-rum shanty 'What the Driven Drink', from 2007’s delirious 'Sucks Blood' exists in a different galaxy than the rollercoastering 'Chem-Farmer' from 'Carrion Crawler / The Dream'; the doomy doo-wop of 'Blood on the Deck' hardly seems like the product of the same band that delivered the yelping 'Ruby Go Home' in 2009.

      TRACK LISTING

      1. I Come From The Mountain
      2. Toe Cutter - Thumb Buster
      3. The Floating Coffin
      4. No Spell
      5. Strawberries
      6. Maze Fancier
      7. Night Crawler
      8. Sweets Helicopter
      9. Tunnel Time
      10. Minotaur

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      Cover of Mutilator Defeated At Last - 2025 Reissue by Thee Oh Sees.

      Thee Oh Sees

      Mutilator Defeated At Last - 2025 Reissue

      Deathgod Corp

        Here we have another batch from Thee Oh Sees for your absorption—nine muscular tunes primed to pummel. Whilst 'Drop' was more schizophrenic, ranging from heavy to whimsical and back; 'Mutilator Defeated at Last' has more in common with the monolithic hugeness of 'Floating Coffin'. With only two brief reprieves from its onslaught, this record is made to be played loudly and demands bodily sacrifice.

        Despite the plutonium heavy feel, Thee Oh Sees continue to be omnivorous. Synths and acoustic guitars wind throughout the album like veins of gold through granite. Any and all that stands in its way will be devoured and assimilated. This is the sound of a band doing what they do best.

        TRACK LISTING

        1. Web
        2. Withered Hand
        3. Poor Queen
        4. Turned Out Light
        5. Lupine Ossuary
        6. Sticky Hulks
        7. Holy Smoke
        8. Rogue Planet
        9. Palace Doctor

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        Cover of Carrion Crawler - 2025 Repress by Thee Oh Sees.

        Thee Oh Sees

        Carrion Crawler - 2025 Repress

        In The Red

          What’s the first thing you think of when someone mentions Thee Oh Sees? Probably their riot-sparking live show, right? Visions of a guitar-chewing, melody-maiming John Dwyer careening across your cranium, rounded out by a wild-eyed wrecking crew that drives every last hook home like it’s a nail in the coffin of what you thought it meant to make 21st-century rock ’n’ roll? Yeah, that sounds about right. But it misses a more important point—how impossible Thee Oh Sees have been to pin down since Dwyer launched the project in the late ’90s as a solo break from such sorely missed underground bands as Pink and Brown and Coachwhips. (While Dwyer still records songs on his own, Thee Oh Sees is now a five-piece featuring keyboardist / singer Brigid Dawson, guitarist Petey Dammit, drummer Mike Shoun and multi-instrumentalist / singer Lars Finberg.) That restlessness extends to everything from the towering, thirteen-minute title track of 2010’s Warm Slime LP to the mercurial moods of 2008’s The Master’s Bedroom Is Worth Spending a Night In. Now, Thee Oh Sees chase the home-brewed symphonies of Castlemania with the scrappy, high-wire hooks of Carrion Crawler / The Dream. Originally envisioned as two EPs, it was cut live to tape in less than a week at Chris Woodhouse’s Sacramento studio in June, reflecting the battering-ram bent of the band’s live show better than any bootleg ever could. “As I’m sure most would agree,” explains Dwyer, “Castlemania was more of a vocal tirade. This one’s meant to pummel and throb.” That it does, whether one blasts the slow, speaker-bruising build of “The Dream,” the sunburnt organs and dovetailing guitars of “Crack in Your Eye” or the interstellar instrumental “Chem-Farmer,” a perfect example of what happens when one takes a well-oiled machine—a gang of rabid road warriors, really—and adds a second, groove-locked drum set to the mix. To listen is to realize that Dwyer’s music is as manic as the underground comic inclinations of his artwork; colorful and confusing in a way that’s more than welcome. It’s downright refreshing, like a slap in the face at 5:00 in the morning. Or, as Dwyer puts it, “You have to leave a mark somehow.”


          TRACK LISTING

          1. Carrion Crawler
          2. Contraption/Soul Desert
          3. Robber Barons
          4. Chem-Farmer
          5. Opposition
          6. The Dream
          7. Wrong Idea
          8. Crushed Grass
          9. Crack In Your Eye
          10. Heavy Doctor

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          Cover of Live At LEVITATION by Thee Oh Sees.

          Thee Oh Sees

          Live At LEVITATION

          The Reverberation Appreciation Society

            Back in 2012, Thee Oh Sees made their first appearance at Austin Psych Fest, performing an electrified set at Emo's East. The first of many Levitation appearances down in Austin, this show has been mixed by John Dwyer and mastered for vinyl by JJ Golden. Now immortalized on glorious 12" colored wax. "I think this was our first time at levitation but our millionth time in the amazing and tough as nails city of Austin, Texas. Brigid Dawson, Mike Shoun, Petey D and myself had already laid the live show out in front of crowds here, so it wasn't our first rodeo and certainly not my last. Our love is obvious here as we bring forth a short but sweet set of hits and deep cuts. This is also the version of the band with Lars "Fingers" Finberg of Intelligence fame as second banana drummer. So enjoy some primal and sensual double drumming and as a side note, no one died at this show. Thanks as always to Levitation for making shit happen" - John Dwyer 


            The first Austin Psych Fest was held in March 2008, and expanded to a 3 day event the following year. The event quickly developed into an international destination for psychedelic rock fans, with lineups spanning the fringes of indie rock, from up-and-comers to vintage legends, and capped off with headline performances from co-founders The Black Angels, along with Tame Impala, The Flaming Lips, The Brian Jonestown Massacre, Thee Oh Sees (in various forms) and many more. LEVITATION helped spark a movement, inspiring the creation of similar events across the globe and a burgeoning psych scene that would soon ignite. The series captures key moments in psychedelic rock history, and live music in Austin, Texas, pressed on beautiful limited edition colorful vinyl pressings - each an eye popping visual representation of the music contained within. The artists and sets showcased on Live at LEVITATION have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at LEVITATION annually from all over the world.

            TRACK LISTING

            1. The Dream
            2. Devil Again
            3. Tidal Wave
            4. Enemy Destruct
            5. Robber Barons
            6. Block Of Ice
            7. Meat Step Lively
            8. Minotaur

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            Cover of Warm Slime - 2023 Reissue by The Oh Sees.

            The Oh Sees

            Warm Slime - 2023 Reissue

            In The Red

              Warm Slime is the tenth studio album by Thee Oh Sees, originally released on May 11, 2010.

              The album is the fourth to be released under the name Thee Oh Sees, and is the band's tenth studio album, overall.

              The album's liner notes state that the album was "recorded live at 606th street in San Francisco in one day, one week after the gay pride parade 2009 on a tascam 388". 606th Street in San Francisco was, at the time, the location of Club Six, a hip hop club where John Dwyer worked. Dwyer described Club Six as "A big, airy room with a nice wooden stage, hardwood floors and really high ceilings. I gave them $500 to record in the room for 12 hours." The whole album was recorded "live" with no overdubs in an attempt to recreate the feeling of the band's live performances. Mike Donovan, the leader of Sic Alps, was the only guest musician on the album. Donovan was a past collaborator that had appeared on OCS' 2005 album 3&4, on which he provided vocals for the song "Burning Beauties". Like the majority of the band's catalogue, Warm Slime was recorded and mixed by Chris Woodhouse.

              Much attention was drawn to the album's title track. At over thirteen and a half minutes long, it was the lengthiest song the band had ever released. Dwyer claimed that he had wanted to record a long format song like Can's "Yoo Doo Right", The Doors' "When the Music's Over", and Iron Butterfly's "In-A-Gadda-Da-Vida".

              John Dwyer – vocals, guitar, tape
              Petey Dammit – bass
              Brigid Dawson – organ, percussion, vocals, Wurlitzer
              Mike Shoun – drums
              Mike Donovan – fuzz guitar, percussion

              One of the BIG faves in the Oh Sees catalogue!

              TRACK LISTING

              1. Warm Slime
              2. I Was Denied
              3. Everything Went Black
              4. Castiatic Tackle
              5. Flash Bats
              6. Mega-Feast
              7. MT Work

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              Cover of Putrifiers II EP by Thee Oh Sees.

              Thee Oh Sees

              Putrifiers II EP

              In The Red

              What’s the first thing that comes to mind when someone mentions Thee Oh Sees? Probably their riot-sparking live show, right? Visions of a guitar-chewing, speaker-smothering, tongue-wagging John Dwyer careening across your cranium, chased by a wild-eyed wrecking crew that drives every last hook home like it’s a nail in the coffin of what one thought it meant to make 21st century rock ’n’ roll?

              Yeah, that sounds about right. But it misses a more important point—how impossible Thee Oh Sees have been been to pin down since Dwyer launched it in the late ’90s as a solo break from such sorely missed underground bands as Pink and Brown and Coachwhips. That restlessness extends to everything from the towering, thirteen-minute title track of 2010’s Warm Smile LP to the mercurial moods of 2008’s The Master’s Bedroom Is Worth Spending a Night In. And then there’s the home-brewed symphonies of Castlemania and the high-wire hooks of Carrion Crawler / The Dream, which dropped a second drum set among sunburnt organs, dovetailing guitars and rail-jumping rhythms.

              If one prefers a slightly more subtle musical awakening, there’s always Putrifiers II, the latest in a long line of Oh Sees albums that expands the group’s sound well past your friendly neighborhood garage band. So while the space-odyssey nods of “Wax Face” actually sound like they’re meant to melt one’s ears straight off, the record’s full of deviant detours, from the poison-tipped string parts and Eno-esque engineering of “So Nice” to the groove-locked Krautrock inclinations of “Lupine Dominus.”

              The most noticeable element may be Dwyer’s melodies, however, as they reveal a softer side to his songwriting, one that makes perfect sense considering just how disparate his dust-clearing influences are. Scott Walker, The Velvet Underground, The Zombies and the experimental Japanese act Les Rallizes Denudes are but a small taste of what informed Thee Oh Sees this time around, as Dwyer returned to the multi-instrumental ways of Castlemania— full-band sessions for another record are already underway—and rounded out a fuller, drier sound with drummer / engineer Chris Woodhouse and special guests like Mikal Cronin (sax), Heidi Maureen Alexander (trumpet, vocals) and K Dylan Edrich (viola).

              TRACK LISTING

              1. Wax Face
              2. Hang A Picture
              3. So Nice
              4. Cloud #1
              5. Flood's New Light
              6. Putrifiers II
              7. Will We Be Scared?
              8. Lupine Dominus
              9. Goodnight Baby
              10. Wicked Park

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              Cover of Sucks Blood - Reissue by The Oh Sees.

              The Oh Sees

              Sucks Blood - Reissue

              Castle Face

                Long overdue vinyl repress of the sixth The Oh Sees album, and indeed, the first Castle Face release Yes! the sixth THE OH SEES album (from 2007!) and their first for their own label Castle Face. Now reissued on Black Vinyl for the first time in an age..has a DL included … . Produced by KELLEY STOLTZ using all green energy (no joke), the album serves as a half-way point between the band's Cool Death of the Island Raiders album and their most recent material. we got some right now, dig in!

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                Cover of Orc by Oh Sees.

                Oh Sees

                Orc

                Castle Face Records

                The newly shorn Oh Sees waste no time in racing headlong into nightmarish battle with the mighty Orc, and wouldn’t ya know it, they’ve clawed even farther up the ghastly peak last year’s A Weird Exits stormed so satisfyingly. The band is in tour-greased, anvil on a balance beam, gut-pleasingly heavy form, nimbly braining with equal dashes of abandon and menace on this fresh batch of bruisers and brooders, hypnotically stirred into to the cauldron of chaos you’ve come to expect from, ahem, Oh Sees. Fresh blood Paul Quattrone joins Dan Rincon to form a phalanx of interlocking double drums, alternately propelling and fleet footing shifting ground to pinion Dwyer’s cliff-face guitars to the boogie. Tim Hellman keeps it swinging like a battle-axe to the eyebrows. The tunes veer towards the violence of their live shows, with a few tasty swerves into other lanes… heavy to lush, groovy to stately… throughout it remains sinister in its swaggering skulk, manic in its fuzz-fried fugues… they hit all the sweet spots the heads foggily remember, and there’s plenty to sweat over if you just hopped into the sauna. Ew. More evil…more complex… more narcotic… more screech…. more blare…. more whisper… there’s even more Brigid. Less “Thee”, but more of everything else.

                TRACK LISTING

                01 “The Static God”
                02 “Nite Expo”
                03 “Animated Violence”
                04 “Keys To The Castle”
                05 “Jettisoned”
                06 “Cadaver Dog”
                07 “Paranoise”
                08 “Cooling Tower”
                09 “Drowned Beast”
                10 “Raw Optics”

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                Cover of Thee Hounds Of Foggy Notion - Reissue by Thee Oh Sees.

                Thee Oh Sees

                Thee Hounds Of Foggy Notion - Reissue

                Castle Face

                  “Thee Hounds of Foggy Notion / Live Performances Sans Stages And Whatnots With Thee Oh Sees (2008), is a film we made just over a decade ago, and this record is the soundtrack. I loved making it, and I love all that were involved. I’m honestly blissed-out proud to hear over the years that it somehow is loved by so many others, too. “I first met John Dwyer on Flag Day. I was blown away by a trio of roving Coachwhips guerrilla street shows that climaxed at the the scenic vista parking lot high above San Francisco atop Mt. Sutro. Amongst the gathered uninitiated hordes of souvenir sweatshirt selling families, and puzzled elderly global tourist translators, and a white weirdo tuxedo wedding party, was the sonic corruption of the Coachwhips...I’m certain that this exact event was the idea seed for Thee Hounds Of Foggy Notion, and that it saved my life a little bit. “When JPD asked me to consider making a video for Thee Oh Sees with the sole stipulation that he didn’t want to do anything fake-y to playback, my head started swimming. What we mutually agreed upon was to essentially reprise Flag Day, and film Thee Oh Sees performing live, but not on stages. “I rented a 15-passenger van, a generator, and the minimal cinematic equipment my trusted cinematographer friend James Wall deemed we needed. Everything sound wise was JPD territory and went through an ancient mixing board that Johnny had housed within a Samsonite suitcase. We ran all the plate mics from the drums, and the li’l pedestal mics from the amps through this old mixer, and we all believed that all would be well and swell.” — Brian Lee Hughes

                  TRACK LISTING

                  1. The Gilded Cunt
                  2. Island Raiders
                  3. Ship
                  4. Block Of Ice
                  5. Curtains
                  6. Dumb Drums
                  7. We Are Free
                  8. Thee Hounds Of Foggy Notion
                  9. Make Them Kiss
                  10. Golden Phones
                  11. If I Had A Reason
                  12. Highland Wife’s Lament
                  13. Dreadful Heart
                  14. Ghost In The Trees
                  15. Iceberg
                  16. Second Date

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                  Cover of The Cool Death Of Island Raiders (Reissue) by The Oh Sees.

                  The Oh Sees

                  The Cool Death Of Island Raiders (Reissue)

                  Castle Face

                    Announcing a reissue of The Oh Sees - The Cool Death of Island Raiders
                    We here at Castle Face are not afraid to get our shins dirty mucking around in the stacks and we’re well aware of an out-of-press gap of Oh Sees releases right before 2006 when we started the label with Sucks Blood. We’re rectifying that and first among these is The Cool Death of Island Raiders, a particularly dusty gem that we think merits another look.

                    Kicking off the record with what should have been the hit of the summer that year but for the hard C in the title, "The Gilded Cunt" seems to clearly preface Oh Sees’ later psych skewed pop sensibilities. At the time it was an obvious jam and I recall being floored by its shuffling beauty. Chirping birds, gently lapping tempos and the nascent harmonization of Bridgid Dawson and Dwyer detail what I consider to be a definitive highlight of their early quiet period of the band. The tree hangs heavy with Patrick Mullins’ handiwork, manning the musical saw, drums, and an assortment of home made electronics. It seemed a bit radical to be so quiet about it but the tunes are total earworms among the assorted drones, cut up bits of tape noise, and mellow front porch vibes, and the whole thing hangs together in a lovely hand-made way, helped in no small part by Dave Sitek’s production (he would later work on Master’s Bedroom as well). “

                    We flew Brigid out a fresh woman and literally sent her home on a plane with a trash bag of her clothes” says John. Evidently the whole record was accidentally erased at some point right around when the photo on the back of the jacket was taken, which makes it all the more remarkable that the result sounds so casually and confidently careworn. 

                    TRACK LISTING

                    1. The Gilded Cunt
                    2. The Dumb Drums
                    3. Turn Offs
                    4. Losers In The Sun
                    5. Drone Number One
                    6. Island Raiders
                    7. Cool Death
                    8. Broken Stems
                    9. We Are Free
                    10. Drone Number Two
                    11. You Oughta Go Home

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                    Cover of Smote Reverser by Oh Sees.

                    Oh Sees

                    Smote Reverser

                    Castle Face

                    Crack the coffers, Oh Sees have spawned another frothy album of head-destroying psych-epics to grok and rock out to. Notice the fresh dollop of organ and keyboard prowess courtesy of Memory Of A Cut Off Head-alum and noted key-stabber Tom Dolas, while the Paul Quattrone / Dan Rincon drum-corps polyrhythmic pulse continues to astound and pound in equal measure, buttressed by the nimble fingered bottom end of Sir Tim Hellman the Brave and the shred-heaven fret frying of John Dwyer, whilst Lady Brigid Dawson again graces the wax with her harmonic gifts.

                    Aside from the familiar psych-scorch familiar to soggy pit denizens the world over, there’s a fresh heavy-prog vibe that fits like a worn-in jean jacket comfortably among hairpin metal turns and the familiar but no less horns-worthy guitar fireworks Dwyer’s made his calling card. Perhaps the most notable thing about Smote Destroyer is the artistic restlessness underpinning its flights of fancy. Dwyer refuses to repeat himself and for someone with such a hectic release schedule, that stretching of aesthetic borders and omnivorous appetite seems all the more superhuman!

                    TRACK LISTING

                    1. Sentient Oona
                    2. Enrique El Cobrador
                    3. C
                    4. Overthrown
                    5. Last Peace
                    6. Moon Bog
                    7. Anthemic Aggressor
                    8. Abysmal Urn
                    9. Nail House Needle Boys
                    10. Flies Bump Against The Glass
                    11. Beat Quest

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                    Cover of Drop by Thee Oh Sees.

                    Thee Oh Sees

                    Drop

                    Castle Face

                    Our lad John P. Dwyer has been lancing eardrums with Thee Oh Sees in an ever-escalating flurry of records for the past six years. Since the release of The Master’s Bedroom Is Worth Spending a Night In announced a new loud era (and excepting a few momentary detours into home-baked territory - Dog Poison and Castlemania, for example), Dwyer and company have pummelled a bit harder each time out, cementing their reputation as a live force to be reckoned with and leaving legions sweaty and bruised in the process. Late last year, after years of relentlessly touring the world, the word got out… Dwyer’s moving to Los Angeles (fear not, still California!) and Thee Oh Sees are taking a much-needed hiatus with a shifting of gears ahead and a new album on the way. This is that album.

                    Drop was recorded in a banana-ripening warehouse (no joke) with hair-farming studio warlock Chris Woodhouse playing drums; it’s also graced with the presence of talented gurus Mikal Cronin, Greer McGettrick and Casafis adding horns and vocals. The result pushes the familiar polarities of the group farther outward than ever before. Opener “Penetrating Eye” might be the heaviest Oh Sees song yet, “Transparent World” and “Put Some Reverb On My Brother” foam with seasick fuzz, and yet the ballads, like the harpsichorded “King’s Nose” and the lush and stately closer “The Lens,” extend their oeuvre into mellotronic, far-out pop with delicacy and grace.

                    This schizophrenia heralds the man and the band into an unseen future in classic Dwyer fashion - restless energy harnessed into exquisitely crafted jams, with an emphasis on the pensive and the paranoid in turns.

                    TRACK LISTING

                    1. Penetrating Eye
                    2. Encrypted Bounce
                    3. Savage Victory
                    4. Put Some Reverb On My Brother
                    5. Drop
                    6. Camera (Queer Sound)
                    7. King's Nose
                    8. Transparent World
                    9. The Lens

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                    Cover of Sucks Blood by Thee Oh Sees.

                    Thee Oh Sees

                    Sucks Blood

                    Castle Face

                    John Dwyer and his Oh Sees (aka OCS) reissue the "Suck Blood" album on his own Castle Face imprint. Produced by Kelley Stoltz using all green energy (no joke), the album serves as a half-way point between the band's "Cool Death Of The Island Raiders" album and their most recent material. Thee Oh Sees are the underground punk rock of 2009!!

                    TRACK LISTING

                    1. It Killed Mom 02:42
                    2. Sucks Blood 03:42
                    3. Iceberg 02:58
                    4. The Gouger 01:53
                    5. You Make Me Sick, Oh Yeah 03:41
                    6. [Untitled Drone #] 01:30
                    7. The Killer 03:50
                    8. Ship 02:42
                    9. What The Driven Drink 02:05
                    10. Invitation 03:14
                    11. Golden Phones 03:30
                    12. [Untitled Drone #2] 01:39

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