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OCH

The word Datasal paints inner pictures for most people growing up in Sweden during the 1990’s. The datasal (a classroom for computers) was an ordinary classroom with few changes to fit the school’s 10 newly leased computers. The room represented the change of times in Sweden during this period: the fixed institutions and the awaiting digital flood wave.

The music of Datasal sounds captures the feeling of printing a downloaded picture of your favorite hockey player or music artist or the expectations building up as you wait for the modem to log in to interact with the thousands of users of the internet in 1995. The tracks this release manifests the excitement but also the bit of fright you felt connecting to the world in the mid 90’s - a time when the internet still was fun.

The sound is built around repetitive sequencer loops and programmed beats where electric bass, electric guitar and flute improvise around a theme, creating a sound that is best described as cosmic flute house. Datasal is an harmonic reminder of a time where digital progress seemed less harmful than today.

TRACK LISTING

A1. Talisman 
A2. Taxi 
A3. Max Ernst 
A4. Skjuts 
B1. Genom Det 
B2. Tyst Sol 
B3. Huggtand 
B4. Centralperspektiv 
B5. DC-8 

Dungen

En Är För Mycket Och Tusen Aldrig Nog

    Dungen, torch bearers of Sweden’s rich and fabled history of pastoral psychedelia, return with En Är För Mycket och Tusen Aldrig Nog, the band’s first full-length album since 2015’s Allas Sak. Creating their own critical and fervent, fan-based lane for guitar-powered, melodic and magisterial rock ‘n’ roll when their 2004 album Ta Det Lugnt broke down, and though, global barriers, Dungen have since left a staggering array of albums, and a prodigious live presence, in the embers of their burning wake. En Är För Mycket och Tusen Aldrig Nog (English translation: "One is too much and a thousand is never enough") finds Dungen’s core four members Gustav Ejstes, Reine Fiske, Mattias Gustavsson, and Johan Holmegard in pure form, their now decades deep collaboration in total focus and elevated to new heights unobstructed by the spirits that once haunted and shaped the band’s music.

    TRACK LISTING

    1. Skövde
    2. Om Det Finns Något Som Du Vill Fråga Mig
    3. Nattens Sista Strimma Ljus
    4. Möbler
    5. Höstens Färger
    6. Var Har Du Varit?
    7. Klockan Slår Den Är Mycket Nu
    8. En Är För Mycket Och Tusen Aldrig Nog
    9. Om Natten

    Och

    Pö Om Pö

      Hypnagogia remains one of the most mysterious and haunting daily states of mind. Moments of revelation are wont to traditionally hit us particularly in the hinterland between dream and waking, It’s this particular headspace that’s very much the world of ‘Pö om pö’, the second Rocket Recordings released full-length record from Sweden’s equally mysterious OCH. Pö om pö (meaning ‘little by little’) is a journey further into inner space from ‘II’, the previous Rocket outing (which followed a 2014 cassette only release)

      What’s mapped out here is a trajectory on the kosmische continuum that touches on the terrain of late 70s Sky records style ambience, the more overgrown quarters of Swedish experimental prog and the sun-baked lo-fi DIY cassette culture of the US early ‘00s.Dwelling in a smoke-clouded glow that’s equal parts sunset gold and effects pedal red, OCH have here transcended all influences to creating a tapestry of potent psychotropic sound. A record in which new horizons open up beyond the small hours, and where primeval wah-wah-abetted skronk and mantric folk[1]tinged repetition can collude to reveal new third-eye perceptions. Little By Little, Pö om pö , these forty minutes are here to bridge the chasms between conscious and subconscious, and in style.

      TRACK LISTING

      01. Bolid
      02. Vadstena
      03. Syzyrgy
      04. Silverstjärnan
      05. Isfält
      06. Bråviken
      07. Impetus
      08. Ochra

      Trad Gras Och Stenar

      Tack For Kaffet (Thanks For The Coffee)

        The long-awaited new album from the legendary pioneers of transcendental psychedelic rock music and DIY culture in general. Tack Fur Kaffet (So Long) is a tribute to the deceased band members and dearest friends Torbjirn Abelli and Thomas Mera Gartz. It becomes something of a farewell show for the old Trad, Gras Och Stenar because all the old and new members, including founder Bo Anders, Torbjern and Mera, and Reine Fiske (Dungen, The Amazing), are all contributing to this album. The sounds were captured on tape in their music workshop in the countryside and consists mainly of improvised moments where the sounds travels beyond time and space, something that has been TGS hallmark over the years. 

        Trad Gras Och Stenar

        Gardet 12.6.1970

          Undoubtedly one of the best recordings of legendary Swedish psych-rockers Trad Gras Och Stenar.

          Recorded on June 12 1970 - the sound is just amazing: a stoned lysergic wall of acid guitars jamming away and never letting up, pounding bass, furious drums and mystical howling vocals. A true landmark and cornerstone in Swedish psychedelic music history , there's nothing like this bunch of progressive hippie Swedes reared on minimalism.

          Contains a mind-bending sidelong previously unreleased track, revised liner notes and loads of previously unpublished photo.

          Trad Gras Och Stenar

          Ajn Schvajn Draj

            Trad Gras Och Stenar were amongst the most 'organic' psychedelic bands to a originate in Scandanavia in the 70s. They've been described as one of the best 'heavy-psyche-folk-blues-rock bands ever' by none other than Pavement's Stephen Malkmus. "Ajn Schvajn Draj" sees the band's first recordings for years, recorded between 1998 and 2001, their unique, impressionistic psyche sounds have a timeless quality that cannot fail to impress.


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