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Various Artists

50 Years Of Hip Hop: The Solo MC Jams (Black Friday 23 Edition)

    THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

    IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).


    Tuff City anthology of early Hip-Hop solo performers with insert 7" half on red, half on yellow vinyl featuring Spoonie Gee, T-SkiValley, Ultramagnetic MC’s featuring Kool Keith, Grandmaster Caz, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint.

    The Solo MC’s kicks off with Harlem’s pioneering Spoonie Gee’s influential “Spoonin’ Rap” from 1979. “Catch The Beat” from T-Ski Valley captures the post-Disco Bronx era of Rap. The side closes with the underground personality Funkmaster Wizard Wiz whose “Knucklehead Rappers” came after he broke from The Undefeated Three. Brooklyn’s Jimmy Spicer delivers a 14+ minute marathon “Adventures of Super Rhyme (Rap).” Grandmaster Caz from Cold Crush is paired with the Fantastic’s Whipper Whip for “To All The Party People” Captain G Whiz from Freddy B’s Mighty Mic Masters closes with his solo 12” track “All The Way Live.” The bonus single features a Kool Keith solo from the Ultramagnetic MCs backed with Grandmaster Caz by himself doing “I’m What Is and You’re What Wants To Be.”

    TRACK LISTING

    1. Spoonin' Rap-Spoonie Gee;
    2. T-Ski Valley-Catch The Beat;
    3. Funkmaster Wizard Wiz-Knucklehead Rappers;
    4. Adventures Of Super Rhymes-Jimmy Spicer;
    5. Grandmaster Caz With Whipper Whip-To All The Party People;
    6. All The Way Live-Captain G. Whiz;

    Bonus 7" Single
    A: Ultramagnetic MC's-Kool Keith Wild;
    B: Grandmaster Caz-I'm What Is Your What Wants To Be

    Various Artists

    50 Years Of Hip Hop: The MC Crew Jams (Black Friday 23 Edition)

      THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

      IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).


      Tuff City anthology of Old School group rap classics half on red vinyl, half on gold featuring Ultramagnetic MC’s, PHD featuring Havoc from Mobb Deep, Flavor Unit featuring Queen Latifah, Spoonie Gee with The Treacherous Three feat. Kool Moe Dee, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint. The MC Crews starts with the innovative scratch legend from the Bronx, Grand Wizard Theodore with the Fantastic Romantic 5. The classic “Can I Get A Soul Clap?” features a live rhythm section. Spoonie Gee with the Treacherous Three (including Kool Moe Dee) is a relentless tour-de-force that popularized the freestyle concept. A much sought-after 1986 remix of the 1980 “High Power Rap” from The Crash Crew closes out the first side. New Jersey is well represented with “Flavor Unit Assassination Squad.” The Flavor Unit produced by 45 King features Lakim Shabazz, Lord Alibaski, Apache, Double J and Queen Latifah at the turn of the 90’s. The Undefeated Three represent the Grand Concourse section of the Bronx with “U-N-D-E-F-E-A-T-E-D.” The bonus single features PHD from Queensbridge with an appearance from Havoc from Mobb Deep. The flip side is a freestyle from Bed-Sty's Freddy B & The Mighty Mic Masters.

      TRACK LISTING

      1. Grand Wizard Theodore & The Fantastic Romantic 5-Can I Get A Soul Clap;
      2. Spoonie Gee With The Treacherous Three-New Rap Language;
      3. Crash Crew-High Powered Rap (Remix);
      4. Flavor Unit Feat Queen Latifah-Flavor Unit Assasination Squad;
      5. Undefeated Three-U-N-D-E-F-E-A-T-E-D;

      Bonus 7" Single
      A: PHD Feat Havoc-Set It Pt. 3;
      B: Freddy B & The Mighty Mic Masters-Bed Stuy Freestyle

      Various Artists

      50 Years Of Hip Hop: The DJ Jams (Black Friday 23 Edition)

        THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

        IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

        Tuff City anthology of Old School DJ scratch classics with insert 7", half on red vinyl, half on blue featuring Davy DMX, Marley Marl, Cool DJAJ, Charlie Chase of the Cold Crush Brothers Tuff City is pleased to present the best possible reissue program of HipHop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint. The DJ’s get going with “Masters of The Scratch” from West Harlem duo Master OC & Krazy Eddie. Legendary Hollis, Queens multi-instrumentalist Davy DMX gives us the classic “One For The Treble.” Crash Crew DJ Darryl C is here with the previously unreleased “Party and Bullspit.” DJ Charlie Chase of the Cold Crush Brothers closes the first side with “We’re Gonna Need A Little Scratch.” Side Two opens with a master mix from the then 16 year old Hot Day from Queensbridge. Also from Queensbridge, genre archetype Marley Marl delivers his theme song “The Man Marley Marl.” DJ Quik aka Beatbox Master Quick delivers a “Scratch Attack.” The 1982 classic “Ah, That’s The Joint” by another early legend DJ AJ closes out the second side. The bonus includes a Ced Gee remix of “The 900 Number,” a signature track from The 45 King backed with “Marley Marl’s Scratch” from Marley Marl with a feature from MC Shan.

        TRACK LISTING

        1. Master O.C. And Krazy Eddie-Masters Of The Scratch;
        2. Davy DMX-One For The Treble;
        3. Daryl Cee AKA Julio- Party And Bullspit;
        4. Charlie Chase-We're Gonna Need A Little Scratch;
        5. Hot Day-Hot Day Master Mix;
        6. Marley Marl-The Man Marley Marl;
        7. Beatbox Master Quik-Scratch Attack;
        8. Cool DJ AJ Aka DJ Scratch-Ah, That's The Joint;

        Bonus 7" Single
        A: The 45 King-The 900 Number (Ced Gee Remix);
        B: Marley Marl-Marley Marl Scratch. 

        Various Artists

        50 Years Of Hip Hop: The Female MC'S (Black Friday 23 Edition)

          THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

          IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

          Tuff City anthology of Female MC's with insert single, half on red vinyl, half on orange vinyl featuring Queen Latifah, Roxanne Shanté, Wanda Dee, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint. The Female MCs commence with a greeting encompassing Dancehall, Rhythm and Patois from the superstar Queen Latifah. The classic Roxanne Wars are represented by Roxanne Shanté “Roxanne’s Revenge,” Sparky D’s “Sparky’s Turn” the pairs “Round One” and Sparky D’s “Sparky’s Profile.” Bronx teenager Traedonya is featured from both sides of her 1987 12” “The Boogaloo” and “Sixteen.” Sweet Tee’s feature on “The DMX Will Rock” closes out the first side. The Jazzy J produced “The Goddess” represents the Hip-Hop side of Wanda Dee, who had a UK House hit with “To The Bone.” New Jersey’s rare recording “(We Are) The Champs” produced by Ultramagnetic’s Ced Gee closes out the second side. The bonus single features Midnight Lace’s entry in the Run-DMC sweepstakes with “What’s Up (With These Girls)” and is backed with Harlem rapper Puffy Dee’s “Joe Blow.”

          TRACK LISTING

          1. Queen Latifah-Greetings From The Queen;
          2. Roxanne Shanté-Roxanne's Revenge;
          3. Sparky DSparky's Revenge (Roxanne You're Through);
          4. Traedonya-The Boogaloo;
          5. Davy DMX Feat. Sweet Tee-The DMX Will Rock (Rap Mix);
          6. Roxanne Shanté With Sparky D-Round One;
          7. Wanda Dee-The Goddess;
          8. Traedonya-Sixteen;
          9. Sparky D-Sparky's Profile 
          10. Nasty Girls-We Are The Champs;

          Bonus 7" Single
          A: Midnight Lace-What's Up WIth These Girls;
          B: Puffy Dee-Joe Blow

          Ol' Dirty Bastard

          Return To The 36 Chambers - The Dirty Version - 2021 Repress

            It's safe to say that hip-hop has never seen an album like Ol’ Dirty Bastard's 1995 solo debut 'Return to the 36 Chambers'. The brief glimpses of ODB's unhinged genius provided by Wu-Tang Clan's landmark Enter the Wu-Tang album two years earlier were begging to be expanded on to a larger canvas, and, with RZA guiding production, the album promised to give Dirty the creative license to make one of the most bizarre, entertaining and original LPs in hip-hop history. With his raspy, drunken flow and dark sense of humor, Dirty fearlessly attacks from all angles, throwing himself fearlessly into punchy rhyme attacks (“Damage,” with GZA), drugged-out party jams (the monster singles “Brooklyn Zoo” and “Shimmy Shimmy Ya”) and bizarre, grimly hilarious fantasies of sex and violence (“Don't U Know” and the R&B-tinged “Sweet Sugar Pie”). Backed by RZA's appropriately gritty, dissonant beats and appearances from the Clan, Return became an instant hit, selling over 1 million copies and earning a Grammy Award nomination for Best Rap Album in 1996. The album stands as a high water mark in the Wu-Tang Clan's collective creative output and was selected as one of the Best 100 Rap Albums by The Source magazine in 1998.


            TRACK LISTING

            1. Intro
            2. Shimmy Shimmy Ya
            3. Baby C'mon
            4. Brooklyn Zoo
            5. Hippa To Da Hoppa
            6. Raw Hide
            7. Damage
            8. Don't U Know
            9. The Stomp
            10. Goin' Down
            11. Drunk Game (Sweet Sugar Pie)
            12. Snakes
            13. Brooklyn Zoo II (Tiger Crane)
            14. Proteck Ya Neck II The Zoo
            15. Cuttin' Headz

            Mammoth Weed Wizard Bastard

            Yn Ol I Annwyn

              ‘Yn Ol I Annwyn’, Welsh for Return To The Underworld’, it is the third part of the trilogy of albums that began with ‘Noeth Ac Anoeth’ in 2015 and 2017’s ‘Y Proffwyd Dwyll’ (which got them nominated for the Welsh Music Prize in 2017). Whilst MWWB as a band, have never been overly visible, they don’t tend to be idle. 2018 saw them release a split 12” with kindred spirits, Slomatics, and being personally asked by Robert Smith of The Cure to play his Meltdown in London. Not to mention playing an international array of dates and other festivals, prior recording this epic third album. So last Summer, along with new bassist Stuart Sinclair, MWWB returned to Skyhammer Studios and Chris Fielding, to create ‘Yn Ol I Annwyn’. The 8 songs that comprise thes album, sees the band delve deeper into their collective influences, embracing full on space rock, atmospheric film soundtracks, melancholic acoustic interludes, psychedelia, cosmic moogs and percussion, moments of introspection and light … and of course, large helpings of doom.


              The fat riffs, big hooks and endless space grooves are all present. Jessica Ball’s voice glides over it all, both sweet and melancholy, yet this time more assured. A myriad of stacked harmonies and layered vocals weave in and out of the tracks, adding an ‘other-worldly’ melodicism to the songs. Here’s what guitarist Paul Michael Davies had to say …“For the 3rd album I wanted to take the band's sound even further but still stay true to what made us start the band in the first place. Personally, I think the doom scene is (thankfully) thriving, but some of the ‘genre’ tropes can be a bit limiting, and we are all about pushing that. So some elements of this album will be something different for the usual doom fan. It’s kind of a nice mix of our usual heavy riffs but with some fresh elements.


              Vocalist Jessica Ball adds … “Album number 3 definitely fits in with the theme of our music evolving, as we’ve been hinting at with the design on our album covers. I feel that we’ve really pushed the boat out on this one, I can’t wait for it to be released!” In fact the album as a whole, is very much a sonic journey into some cosmos on the edge of forever. The short moog piece ‘Tralfamadore’ is your starting point for a voyage that takes in the cosmic space doom of ‘The Spaceships Of Ezekiel’ which manages to mix prog time shifts, heavy riffing, moog licks and catchiness within its 8 odd minutes. Fata Morgana has its rolling almost folk-ish guitar melody on which Jess Ball’s vocals float and shimmer, until it crashes into full on sludge and shoegaze for the second part of the song. ‘Du Bist Jetzt Nicht In Der Zukunft’ is an atmospheric cello and synth soundscape with Ball’s vocal textures weaving and dancing throughout.

              Title track ‘Yn Ol I Annwyn’ is down tuned, fuzz drenched, ethereal. It could almost be pop, if it wasn’t for the strangeness and heaviness that lurks within. Katyusha is a 13 minute plus instrumental. With its many parts and riffs interlocking and changing, it’s a journey in itself. ‘The Majestic Clockwork’ is a chugging leviathan punctuated with cello stabs, staccato vocals, fuzz drones and floating choirs, before riffing out on a moog trip. The album closes with ‘Five Days In The Abyss’ a mix of atmospherics and fat crushing riffs, an ideal way to end our journey … destination … somewhere new. Previous comparisons to Windhand, Yob, Sleep. or whatever, are rendered completely redundant with ‘Yn Ol I Annwyn’. Mammoth Weed Wizard Bastard sound like Mammoth Weed Wizard Bastard, full stop.

              STAFF COMMENTS

              Barry says: From the thrashing, world-crushing drive of tunes like 'Fata Morgana' to the more meditative synth-led cosmic doom (think Wolves In The Throne Room - Celestite vs Mastodon), MWWB have been a whirlwind of riffage and conceptual brilliance since their 2016 introduction, 'Y Proffwyd Dwyll'. things have only gotten heavier and more intricate and this is without a doubt their most earth-shattering outing yet. Essential.

              TRACK LISTING

              A1. Tralfamadore
              A2. The Spaceships Of Ezekiel 
              B1. Fata Morgana
              B2. Du Bist Jetzt Nicht In Der Zukunft 
              C1, Yn Ol I Annwyn
              C2, Katyusha 
              D1. The Majestic Clockwork
              D2. Five Days In The Abyss

              The Fall

              Wise Ol' Man EP

                This 7 track EP features new tracks, remixes and alternate takes of songs from last year’s Sub-Lingual Tablet LP along with a reworking of ‘’No Xmas For John Quays.

                TRACK LISTING

                1: Wise Ol' Man (Edit)
                2: All Leave Cancelled
                3: Dedication (Remix)
                4: Wise Ol' Man (Instrumental)
                5: Venice With Girls
                6: Face Book Troll / No Xmas For John Quay
                7: All Leave Cancelled (X)


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