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NYAMI NYAMI

Jacob Mafuleni & Gary Gritness

Atuka Mhondoro 808

    The new 12’’ release from Nyami Nyami records teams up mbira maestro Jacob Mafuleni from Zimbabwe and electro-funk producer Gary Gritness from France, who released a series of 12’’ on Clone records in 2015 and collaborated with Orlando Voorn, Dam-Funk or Los Hemanos.

    Jacob Mafuleni was Chiwoniso’s sideman on vocals and mbira on the label’s acclaimed first release ‘Zvichapera’. He recorded two new tracks in Harare with his wife Martha Thom on vocals and the traditional percussion ocho. Gary Gritness added 808 rhythms and sounds keeping the natural flow of the songs without cutting or sampling the original music. He intuitively produced the talent of Jacob's mbira ceremonies rhythmic patterns on his TR 808 drum machine.

    This natural and respectful collaboration resulted in two already classic ‘afro techno’ tracks Atuka Mondhoro 808 and Chiconi 808.


    Various Artists

    Music From Africa Vol. 2 Shangaan Traditional / Sotho Chant

      The 'Music From Africa' series' comprises two volumes of never-heard South African library music from the early 80s. They were recorded and produced by Johannesburg musician / producer Tom Mkhize and released then on vinyl only to be sent to TV and radio stations, as well as cinema productions (never commercially available). Traditional South African rhythms re-imagined, dubbed-out and disco-fied by this legendary producer! Each side of each volume is an A-side of the original LP's, the B-Sides were only 10/15 seconds loops of the tracks from A-sides designed as radio jingles and there was no interest in keeping them for the reissues. 

      Various Artists

      Music From Africa Vol. 1 Swazi Message / Big Band Bash

        The 'Music From Africa' series' comprises two volumes of never-heard South African library music from the early '80s. They were recorded and produced by Johannesburg musician/producer Tom Mkhize and released then on vinyl only to be sent to TV and radio stations, as well as cinema productions (never commercially available). Traditional South African rhythms re-imagined, dubbed-out and disco-fied by this legendary producer! Each side of each volume is an A-side of the original LPs, the B-sides were only 10/15 seconds loops of the tracks from A-Sides designed as radio jingles and there was no interest in keeping them for the reissues. 

        Following a trilogy of flawless releases, a tribute to the Zimbabwean songstress Chiwoniso, a reissue of some South African library music from the early 80’s, and a collab between the Mbira master Jacob Mafuleni & the French electro-funk producer Gary Gritness, Nyami Nyami drop another “off the beaten track” bomb with the debut LP of South African band BCUC (Bantu Continua Uhuru Consciousness).
        A stone’s throw from the church where Desmond Tutu organised the escape of the most wanted anti-Apartheid activists of Soweto, the BCUC band rehearses in a shipping container-turned-community restaurant, where their indomitable outspokenness echoes in a whole new way. Make no mistake, this buzzing township has lost none of the creative, rebellious energy it had when the “Rainbow Nation”, with its now less-than-vibrant colours, emerged twenty years ago. BCUC found its magic formula in 2013, when they folded a frenzied electric bass into the simple drum-and-vocals mix. And that’s the alchemy of “Africangungungu”, the name they’ve given to their “afropsychedelic” music. Their “incantations” in Zulu, Sotho and English and their funky modulations extend over twenty minutes in a whirlwind of sound reminiscent of Fela’s Afrobeat. Nguni rhythms mix with Tsonga rhythms, the whistles of Bhaca and Shona miners meet the traditional Imbomu horn, while ancestral war songs and Ngoma busuku (night song) choruses mingle with the soul music of singer Kgomotso and the raging rap of Jovi and Luja. “Yinde”, which opens “Our Truth”, means “the road”: a symbol of the distance left to cover towards a fairer South African society. Similarly, “Asazani” (“we don’t know one other”) pleads for a reconciling of all the components of the “Rainbow Nation”. BCUC’s willingness to look these social and identity questions in the face has already led to the banning of one song from their only self-produced EP, which points the finger at a national idol. But neither this event, nor the criticism to which they are exposed by their refusal to belong to a specific movement, can change their minds. “Music for the people by the people with the people” – a people they refuse to box into one community, to circumscribe to one skin colour.


        STAFF COMMENTS

        Patrick says: From the label that brought you the batshit Afro-cosmica of Zimba, comes a red hot modern Afro-beat banger served in three distinct slices. In time honoured fashion each side clocks in at the 20 minute mark, though there are more than enough twists in the tale to keep you on the edge of your dancing feet.


        Latest Pre-Sales

        216 NEW ITEMS

        PREORDER: Mr. Fingers 'Cerebral Hemispheres' https://t.co/7vorF2MqxF Larry Heard follows up that spectacular 12" w… https://t.co/iX5u0MECij
        Sat 17th - 2:56
        A definite hit here @PiccadillyRecs Gonna be on the shop player for some time to come I think..... https://t.co/z203CuoY0F
        Fri 16th - 1:54
        We also got this today, what a lovely surprise with our 7's, thanks @courtneymelba, and @Milk_Records xox https://t.co/Ue6K7DLMVQ
        Thu 15th - 2:42
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