Search Results for:

NUN

Reb Fountain

Iris

    RIYL: Patti Smith, Sharon Van Etten, Aldous Harding, PJ Harvey, Nick Cave, Kate Bush

    The perfect extension of her 2020 self-titled record, IRIS elevates Reb Fountain’s music to new heights. Reb effortlessly combines pop elements with her trademark noir folk-punk sound; weaving authentic and anthemic tunes that create an instant and indelible impression. Written during lockdown in 202, Reb has said on the album “Writing a song a day to keep myself grounded and productive during lockdown, IRIS provided me an opportunity to speak my unspoken, to reflect what I have seen and experienced from within and to bear witness.”

    Diving into the deeper meaning of the album’s namesake, Reb says “Iris is in many ways an unsung hero, known as the goddess of the rainbow, sea and sky, she acts as bridge between the gods to humanity with little of her own story known. So many stories go unheard, so many aspects of our humanity are unsung; visibility is a contested and inequitable space where what is essential and of beauty is often ‘invisible’. I wanted and needed to give voice to this essential human spirit; to conjure and hold and commune with the very real, valid and invaluable voices within and around me.”

    The award-winning songwriter, Reb Fountain, is a consummate recording artist and performer; spell-bounding audiences with her music and artistry alike. Throughout 2020, Reb and her all-star band (Dave Khan, Karin Canzek and Earl Robertson) astounded audiences around the country on her sold out album release tour. Reb was born in San Francisco and immigrated with her family from North America to Lyttelton the quiet port town out of Christchurch that’s been fundamental to New Zealand’s alt-folk scene, raising artists like Marlon Williams, Aldous Harding, and Delaney Davidson.

    TRACK LISTING

    SIDE A
    1. Psyche
    2. Foxbright
    3. Invisible Man
    4. Heart
    5. Beastie

    SIDE B
    6. Fisherman
    7. Swim To The Star
    8. Lacuna
    9. Iris
    10. Intermission

    The Courtneys drift back to the sound of the early ’90s, drawing from strong influences including Teenage Fanclub, Pavement, Eddy Current Suppression Ring, and The Clean. Courtney Loove's dreamy guitar riffs add a timeless powerpop element to the punk backbone formed by Sydney Koke's driving basslines, while drummer/lead singer Jen Twynn Payne delivers heartfelt lyrics with a powerful vocal style. These components come together through a passionate collaborative song writing process to deliver a special blend of fuzzy “artisanal grunge”.

    The first Courtneys album (self titled) came out in 2013 on small independent label, Hockey Dad Records, based in the band's hometown of Vancouver, BC, Canada. They have since worked with a number of independent labels including Conquest of Noise in Australia and Waterslide Records in Japan, as well as Burger Records and Gnar tapes in the USA. They have released a number of singles and music videos, and toured throughout Canada and the USA, including spots supporting Tegan and Sara and Mac Demarco. In 2015 The Courtneys made their way to Australia and New Zealand, where they were hosted by Flying Nun Records. Influenced by the legendary label from early on, the group are honored to now be able to call it their home. 

    TRACK LISTING

    1. Silver Velvet
    2. Country Song
    3. Minnesota
    4. Tour
    5. Lost Boys
    6. Virgo
    7. 25
    8. Iron Deficiency
    9. Mars Attacks
    10. Frankie

    Nun

    Nun

      NUN - one of the most powerful bands Melbourne has ever produced, presents their dark-yet-somehow-vibrant vision of electronic pop with their debut self-titled album.

      Nun’s sound flows from sinister drone-orgy and hyperkinetic synth-punk to saturated new wave worship by incorporating huge, gnarling basslines, shimmering analogue synthesiser, punishing drum machine and the most malevolent vocal presence since the Dalek.

      From the first few seconds of opening track ‘Immersion II’, it is clear that the lean minimal buzz of their debut 7” Solvents (on cult Melbourne label Nihilistic Orbs) was merely one sparkling facet of a much more monstrous body of work. Their debut album veers from perfectly crafted electronic pop to intense industrial noise, with singer Jenny Branagan’s scathing lyrical vision always rising to occupy the central point of focus.

      Song structures are simple, considered and direct - everything is fine-tuned to ensure maximum sonic devastation. Synthesisers spit juddering sequences over a dark melodic backdrop that alternates between sinister atonality and serene melancholy, while insistent percussion cracks time beneath Branagan’s formidable vocals which range from sweet 1980s pop and detached gothic intonation, to a terrifying yell as the music requires.
      Nun’s unrelenting aesthetic sense penetrates every aspect of this record, resulting in a remarkably cohesive work of art. The music is danceable and poppy, it’s sad and incisive, it’s fun, aggressive and heavy as hell. Most impressive of all is its immense force; the effortless delivery belying an overwhelming sense of something very heavy and unpleasant looming just beneath the scintillating pop surface.

      Recommended If You Like: Chrisma, Kas Product, Total Control, New Order, Second Layer, Grauzone, Black Bug.


      Ye Nuns

      Nun More Black

        On paper, Ye Nuns are a tribute band. An all-girl celebration of The Monks, proto-krautrock garage punkers formed by a gang of American GIs stationed in Germany who legendarily sported tonsures and nooses on stage. But Ye Nuns are more than a tribute band. Formed by seven London ladies in 2006, Ye Nuns send witchy, six-part harmonies crashing over scratchy guitars, layer on evil fuzz bass and add pounding drums. Lead vocals screech and soar. Electric banjo hacks relentlessly. Vintage keyboard sounds stab. Yet it’s still music that puts grins on faces and gets feet moving.

        In an arena where youth is often prized above talent, a band of seven women north of 35 is virtually unprecedented. Their experience and assured poise shines through on stage. There’s no need for faux-sexy posing or cute apologetic stylings. Members’ other bands include Curve, Mambo Taxi, Thee Headcoatees, Gay Dad, The A-Lines, Echobelly, Joanne Joanne, The Werewandas and The Priscillas.

        Debut album Nun More Black grinds, grooves and assaults. Recorded in two days flat on old-fashioned tape at Gizzard Studios, there are proper tunes, moments of astonishing avant-garde sonic assault and lashings of righteous ire which you can dance to. Again, Ye Nuns are more than a tribute band. “I love watching Ye Nuns! It was fun watching you guys do this! I love Ye Nuns!” Eddie Shaw (original member of The Monks)

        “Conceptually, it’s perfect: an all-female tribute band who play the songs of The Monks while dressed as nuns.” Stool Pigeon

        “The music has a simple, visceral effect delivered with such joy that the crowd in the packed tent are in motion from the first banjo twang to the last organ parp. The Monks’ warped genius has passed by musical osmosis to this unholy sisterhood.” SoundsXP

        “Bad ass garage rock and roll, played with flair, experience and total confidence, and with unexpected psychedelic twists and turns.” TheGirlsAre.com

        Bird Nest Roys were a six piece guitar pop band formed in Auckland, New Zealand in the mid 1980’s. Despite a large geographical distance between their home suburb Grey Lynn and the depths of the south Dunedin, Bird Nest Roys were associated with the ‘Dunedin Sound’ wave of bands that kick started Flying Nun Records. It is Bird Nest Roys knack for off-kilter Kiwi pop and quite literal layered guitars (out of the six person line up, four were holding guitars) that assured the band’s popularity in New Zealand.

        In their short existence of four years, the band produced an EP, full length LP, and a single 7’’, as well as the platform for members to later become pivotal members of The 3D’s and Snapper. Re-issued for the first time is the band's entire previously released discography, as well as unreleased/ unrecorded live material. Presented in a 2xLP gatefold with previously unseen posters, flyers and emphera, as well as on CD.

        TRACK LISTING

        1. Five Weet-bix And Toast
        2. Alien
        3. Loving Time
        4. Jaffa Boy
        5. Bided
        6. Joringel
        7. Me And Me Get Me Need Me Have Me Love
        8. Michael Jones
        9. Who Is The Silliest Rossi?
        10. Love
        11. Wads Of Pork Fat

        Bonus Vinyl LP
        1. Ain’t Mutatin’
        2. Batcave
        3. Severed Days
        4. Cresta
        5. Womcat Stones
        6. Bus Stop
        7. Dorris The Coke Can
        8. Fucker Meat


        Latest Pre-Sales

        133 NEW ITEMS

        E-newsletter —
        Sign up
        Back to top