Search Results for:

NDEYA

Jon Hassell

The Pentimento Trilogy

To coincide with the release of a new album of music from Jon Hassell, Ndeya have put together a triple disc anthology of all three albums in the series: 'Listening To Pictures', 'Seeing Through Sound' & 'Music Is Invisible'.

TRACK LISTING

1. Dreaming
2. Picnic
3. Slipstream
4. Al Kongo Udu
5. Pastorale Vassant
6. Manga Scene
7. Her First Rain
8. Ndeya
9. Fearless
10. Moons Of Titan
11. Unknown Wish
12. Delicado
13. Reykjavik
14. Cool Down Coda
15. Lunar
16. Timeless
17. Blue Ba-Ya
18. Club Gris-Gris
19. Broadway Boogie-Woogie
20. Electric Forest

Jon Hassell

Music Is Invisible (Pentimento Volume Three)

The third part in Jon Hassell’s 'Pentimento' trilogy captures the much-missed artist performing as part of a trio with Rick Cox and John von Seggern in London in 2015, in what would turn out to be his final ever concert. Carefully edited and mixed by Jeff Rona into something much more than a traditional ‘live album’; themes, motifs and riffs from his critically adored albums 'Listening To Pictures' and 'Seeing Through Sound' occur throughout these unique, semi-improvised mutations, making this a fitting final volume in the late career renaissance of the 'Pentimento' series.

It contains a liner note essay by Jon Hassell that inspired the title, whilst the cover utilises Leh C’est Beau, a classic painting by Jon’s close friend Mati Klarwein, familiar to music fans through his striking 1970s album sleeves for the likes of Miles Davis and Santana.

‘Pentimento’ is defined as “the appearance in a painting of earlier images, forms, or strokes  that have been changed and painted over”, a methodology that Jon applied in a musical sense throughout his career, refining and developing his approach over time.

Alongside the release of 'Music Is Invisible', Ndeya have also put together a triple disc anthology of all three albums in the series.

TRACK LISTING

1. Blue Ba-Ya
2. Club Gris-Gris
3. Broadway Boogie-Woogie
4. Electric Forest

Jon Hassell

Further Fictions

Further Fictions is a double CD anthology of the music on the vinyl editions (as well as over-arching title for the reissue campaign as a whole), with a disc devoted to each album in hardbound book style packaging, and an extensive booklet containing sleevenotes and archival images.

TRACK LISTING

DISC ONE
The Living City
1 Ituri
2 Alchemistry
3 Adedara Rising
4 Mashujaa
5 Paradise Now
6 Nightsky

DISC TWO
Psychogeography
1 Aerial View
2 Neon Night (Rain)
3 Cityism Superdub
4 Harambe
5 Freeway
6 Cuba Libre
7 Midnight
8 Waterfront District
9 Favela
10 Emerald City
11 Cloud-Shaped Time

Jon Hassell

The Living City

The Living City captures the Jon Hassell Group in September 1989 performing as part of an audio-visual installation inside the World Financial Center Winter Garden in New York City, with Brian Eno mixing the band live.

TRACK LISTING

A1 Ituri
B1 Alchemistry
B2 Adedara Rising
C1 Mashujaa
C2 Paradise Now
D1 Nightsky

Jon Hassell

Psychogeography [Zones Of Feeling]

Psychogeography is a situationist re-thinking of the 1990 City: Works Of Fiction album, a carefully edited sequence of alternate takes, demos and studio jams put together by Jon Hassell in 2014 using Debordian philosophy as his guide.

TRACK LISTING

A1 Aerial View
A2 Neon Night (Rain)
A3 Cityism Superdub
B1 Harambe
B2 Freeway
B3 Cuba Libre
C1 Midnight
C2 Waterfront District
C3 Favela
D1 Emerald City
D2 Cloud-Shaped Time

Jon Hassell

Seeing Through Sound (Pentimento Volume 2)

“Listen as if you were being told a secret” - Federico Fellini

A companion piece to 2018’s Listening To Pictures, this second volume in the pentimento series presents eight new tracks by the music visionary, continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing. Pentimento is defined as the “reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over” and this is evident in the innovative production style that ‘paints with sound’ using overlapping nuances to create an undefinable and intoxicating new palette.

In classic Hassell fashion, the title can be interpreted in a myriad of ways, but perhaps the most pertinent at the moment is the human instinct to sing and play through a rain of difficulties. A future blues of indeterminate and ever-shifting shape. The album is buffered by two 8-minute plus epics at the beginning and the end - the hypnotic “Fearless” with it’s metronomic, almost Can-like rhythm, and blurry, noir-ish texture of sound emerging like car headlights from the fog; mirrored at the end of the record by the beautiful sci-fi lullaby of “Timeless”, a track with a gaseous, billowing quality as electronic clicks and bubbles float over a landscape of shimmering, glacially paced complexity. The bridge between those two worlds is no less compelling, from the frantic, spidery IDM sketch of “Reykjavik” to the collapsed-time ballad of “Unknown Wish”. Whilst containing seeds of classic ‘fourth world’ fusion, this record finds the artist still questing to create new forms and mutations of music, a thrilling window into what music could sound like in a world to come.

STAFF COMMENTS

Barry says: In essence experimental electronic music, but with a rich and evocative seam of cohesive melody and rhythm woven through it's core. Programmed percussion and sequenced synths lend a sense of drive to the otherwise floating new-age-electronic swirls. It's amazing how many influences can be skilfully brought together in the right hands, and Hassell has those hands.

TRACK LISTING

1. Fearless
2. Moons Of Titan
3. Unknown Wish
4. Delicado
5. Reykjavik
6. Cool Down Coda
7. Lunar
8. Timeless

Fully remastered from the original tapes and available on vinyl for the first time in 42 years, and CD for the first time in 30 years. Sleevenotes by Jon Hassell and Brian Eno. Back in record shops on the day of the 2020 vernal equinox, the second release on Hassell’s own Ndeya label.

Hailed as one of the 50 best ambient albums of all time by Pitchfork, Vernal Equinox was the first commercially released work by Jon Hassell, originally put out by Lovely Music in 1977. It is also the debut of a pioneering new form of music that would become known as “fourth world”: a subtle blend of field recordings, electric jazz, ambience and global music influences. Hassell’s trademark FX-soaked trumpet is carefully embellished by a studio ensemble including the master Brazilian percussionist Naná Vasconcelos and David Rosenboom on synth. The result is a quiet, meditative and highly original work of outstanding beauty.






TRACK LISTING

Side 1
1. Toucan Ocean (3:50)
2. Viva Shona (7:05)
3. Hex (6:22)
4. Blues Nile (9:52)
Side 2
1. Vernal Equinox (21:54)
2. Caracas Night September 11, 1975 (1:55)


Latest Pre-Sales

221 NEW ITEMS

E-newsletter —
Sign up
Back to top