THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

An exclusive 45th anniversary double vinyl release of Paste Magazine's #1 synth-pop album of all time 'No 1 In Heaven' by Sparks, and the Sparks-composed-and-produced lost gem 'Is There More To Life Than Dancing?' by Noel.

Released in 1979, the Giorgio Moroder-produced 'No. 1 In Heaven' became the blueprint album for all electronic music to come. The same year, Ron and Russell Mael wrote, produced, and recorded the album 'Is There More To Life Than Dancing?' for LA-based singer Noel. Together these albums showcase the Maels' electronic adventurousness and trailblazing foresight into the next decade. Bands such as Joy Division, Duran Duran, Vince Clarke (Depeche Mode, Yazoo, Erasure), etc. have cited 'No. 1 In Heaven' as infuential to their own work. 

Killer mid '80s 'live digital' tune made at Aquarius Studio, released for the first time ever. A rarity to get Dunkley on this type of rhythm, this one was great to unearth.Comes with a killer dub to boot. Recommended!

STAFF COMMENTS

Matt says: Another from this week's slew of dancehall / dub 7"s from the 80s showcasing the move from analogue to digital production.

TRACK LISTING

A. Want No More
B. Want No More Dub

Limited edition clear 7" with single sided cheetah screenprint 7”.

TRACK LISTING

A. No More Lies

Esmerine presents Everything Was Forever Until It Was No More, its first album in five years, following a celebrated run of Juno Award winning and nominated records throughout the preceding decade. Founded by ex-Godspeed You! Black Emperor percussionist Bruce Cawdron and cellist Rebecca Foon (Saltland, Silver Mt Zion, Set Fire To Flames), the acclaimed instrumental music ensemble and has long embroidered emotive chamber works using threads of post-classical, post-rock, Minimalism, neo-Baroque, jazz, pop and a wide array of folk traditions. Esmerine conjures a distinctive and immediately identifiable sound that consistently defies the trappings of “fusion”, forging emotive cinematic soundtracks under the overriding sonic sensibilities of postpunk grit, Wall-of-Sound, drone and dark ambient. Recorded by longtime co-producer Jace Lasek (The Besnard Lakes), the new album manifestly carries on in this fine tradition. Everything Was Forever Until It Was No More completes Esmerine’s “Anthropocene” triptych: a series of album-length meditations that began in 2015.

[The phrase "Everything Was Forever Until It Was No More" was coined by author Alexei Yurchak in his book Everything Was Forever, Until It Was No More: The Last Soviet Generation, published by Princeton University Press in 2005]

The album grapples with existential tensions between atmosphere and airlessness, seclusion and claustrophobia, forbearance and satiation, scarcity and abundance; it is one of Esmerine’s most restrained and wistful works. Instrumental densities ebb and flow, melding into each other with gauzy timbral warmth, sometimes tracing fleeting tendrils outwards, but always rotating around the saturnine gravitational force of a darkly glowing sonic center. Everything Was Forever Until It Was No More is like a somber forest lit by a closely-orbiting opalescent planet; it could be the alternate score to Von Trier’s Melancholia or Cormac McCarthy’s The Road.

Esmerine planted these compositional seeds before pandemic rooted everyone in place, under the auspices of a grant from the Canada Council for the Arts and a 2019 residency at Le Château de Monthelon in France. Lasek then began documenting the band between lockdowns in various stripped-down configurations with spartan remote equipment at the rural Québec homesteads of Cawdron and Foon, culminating in final sessions at Foon’s converted barn in summer/fall 2021, notably with extensive use of the barn’s resonant acoustic piano. Brian Sanderson appears on his fourth Esmerine album since joining in 2012, continuing to expand the ensemble’s ethnomusicological sensibility and melodic sound palette with guitars, ngoni, ekonting, hulusi, and brass horns of all sorts. Everything Was Forever… also signals the full integration of bassist Philippe Charbonneau, who joined Esmerine as a touring member pre-pandemic and plays throughout the new album, along with sound design contributions via synth, tape echo and other processing. Everything Was Forever Until It Was No More features the pandemic collage artwork of Maciek Sczcerbowksi, in a second Esmerine album art collaboration following their Juno award for Album Package of the Year for Lost Voices in 2015

TRACK LISTING

A1 Blackout
A2 Entropy – Incantation / Radiance / The Wild Sea
A3 Entropy – Acquiescence A4 Hymn For Rob
B1 Imaginary Pasts
B2 Fractals For Any Tonality
B3 Foxtails & Fireflies
B4 Wakesleep
B5 Number Stations

New York vocalist Kosmo Kint joined the Toy Tonics crew. Born in Trinidad and raised in New York City, Kosmo has been part of the recent Brooklyn scene, singing in several projects in NYC before moving to Berlin two years ago. To find like minded people to create new lyrics driven dancemusic.

In Berlin he teamed up with the Toy Tonics boys and now TT boss Kapote and the crew are working with him in Berlin Kreuzberg to find a new R&B & Disco influenced style of electronic dance music.
The first release is a collabo between french talent Mangabey and Kosmo Kint - produced by Kapote.
The 2 songs have a chilled L.A. G Funk Vibe that makes you think about certain Dr. Dre productions from the 90ies combined with some broken beats and 4 to the floor house vibes.
The song might remember some french touch tracks too and some might think about that West London early 2000 "Dego" Vibe maybe. Anyway, its new and there is not a name yet for that style. Let's see where the TT crew will bring Kosmo Kint sonically over the next years.

STAFF COMMENTS

Millie says: New to the Toy Tonics label Kosmo Kint, alongside Mangabey have dipped into all the genres going - Disco, House, R&B, Broken Beat, Funk, Electronic and created two tracks of pure dance music hits. TT bringing the vibes to Piccadilly!

TRACK LISTING

1. Time No More
2. Time No More (Instrumental)
3. Get Lost
4. Get Lost (Instrumental) 

Bridging distinct but closely connected music scenes can open new possibilities. On ‘No More Normal’, Swindle confidently grasps the different sides to the UK music scene. Boasting roots in the boundary-pushing world of Grime & Dubstep, this album marks the next step in the London-raised producer’s expanded vision for his music. It fuses different disciplines together in new and electrifying ways. He connects a group of peers sharing creative common ground, one that centres around the fertile space between UK Jazz, Grime and Hip Hop. The results span from lush, strings-laden soul to voicebox-heavy p-funk – often in the course of one song. “It’s a class photo of 2018,” he says. “I need everyone in this picture.” It incorporates an all-star cast of MC’s in Kojey Radical, Ghetts, D Double E and P Money, to instrumentalists Yussef Dayes, Nubya Garcia, Riot Jazz, and singers such as Etta Bond, Eva Lazarus, Daley and Kiko Bun.

The album was built over a three year period. The opening track “‘What We Do’ became the track that set the scene for each studio session, a way of Swindle explaining what he was setting out to achieve. Featuring an (on paper) unusual combination of R&B singer Daley, Grime legends P Money & D Double E, and an opening speech from Bristol-based spoken word artist, Rider Shafique - “It describes the narrative of the record overall and helped set the agenda for what followed - I made a lot of tracks that were really good that at the end of the day didn’t fit this project”. The resulting work has a pervading sense of triumph against the odds, and a celebration of togetherness at this moment of fragmentation that manages to feel both optimistic and nostalgic. A record that could have only been made in today’s multicultural Britain. “No More Normal is the idea of us doing our thing, our way, with no rules or limitations. It is jazz influenced as much as it is grime influenced. It’s London influenced as much as it is LA influenced. I can work with D Double E and Nubya Garcia, these records are my imagination brought to life in musical form”.

STAFF COMMENTS

Millie says: High energy Hip Hop at its finest, Swindle’s album No More Normal varies from Jazz to Hip Hop, Grime to R&B and just a bit of everything in-between. My personal favourites are ‘Knowledge’ and ‘Grateful’, articulate lyrics and boss beats create this confident and collaborative album.

TRACK LISTING

A1. What We Do (Feat. Rider ShafIque, P Money, D Double E + Daley)
A2. Get Paid
A3. Drill Work (Feat. Ghetts)
A4. Run Up (Feat. Kiko Bun, Knucks, Eva Lazarus + Nubya Garcia)
A5. Coming Home (Feat. Kojey Radical)
A6. Reach The Stars (Feat. Andrew Ashong)
B1. Knowledge (Feat. Eva Lazarus + Kiko Bun)
B2. Take It Back (Feat. D Double E + Kiko Bun)
B3. California (Feat. Etta Bond + Kojey Radical)
B4. Talk A Lot (Feat. Eva Lazarus + Mansur Brown)
B5. Grateful (Feat. Kojey Radical + Rider ShafIque)

This is the soundtrack to the film "No More White Presidents"
“Black Meteoric Star - No More White Presidents” is a multi layered abstract film that I, a White, recently out Trans-Woman completed in January of 2017. For the film I developed what I am calling the “flash film” technique. Initially it was a structural device similar to the chance operations used by composers such as John Cage to get out of the practice of creating “slick” edits or “moves” predetermined by overarching institutionalized aesthetic norms. However, as I worked with it I began to discover that the technique, although certainly “experimental”, has more kinship with craft techniques I have practiced such as beading, knitting, weaving and braiding. Although on the surface it could simply be a long form music video for my Black Meteoric Star project it is in fact a complex of evocative and energetic themes gathered around the necessity for abolition and reparations.

The themes that are “braided” or “beaded” together include a repetitive meditation on death, an assessment of global capitalism as so overburdened by the karma of the triple legacies of slavery, land theft/genocide and imperialism that it can no longer function, an invocation of several of the Orishas prominent in the Regla Lukumi tradition and an exploration of my emerging Trans-Feminine identity. The intention of the film is to open up a territory for exploration and interpretation around our current predicament, allowing the viewer to come to their own conclusions about the specific details and possible solutions, both individually and through discussions with others.

A CMG release - The latest in the Bob Dylan 'Bootleg Series' covers a prolific recording period between 1979 - 1981, where Dylan recorded a x3 album trilogy - "Slow Train Coming", "Saved" & "Shot of Love". 

The Deluxe box-set includes:- A hardcover book with exclusive liner notes & pics, plus... The first two discs contain x30 live songs, with discs 3&4 being rare & unreleased songs. Discs 5&6 are recorded live in Toronto (1980). Discs 7&8 are recorded live @ Earls Court, London, June 1981. Disc 9 is a bonus DVD featuring "Trouble No More" a musical film, plus other extra bonus content.

The Vinyl format has x4 LP Vinyl & x2 CD (featuring the first x2 discs from the deluxe box). The standard CD a x2 CD set (featuring the first x2 discs from the deluxe box).

This collection debuts x14 previously unreleased songs & a multitude of unreleased live performances, rare studio outtakes & more...

TRACK LISTING

Disc 1: Live
1. Slow Train (Nov. 16, 1979)
2. Gotta Serve Somebody (Nov. 15, 1979)
3. I Believe In You (May 16, 1980)
4. When You Gonna Wake Up? (July 9, 1981)
5. When He Returns (Dec. 5, 1979)
6. Man Gave Names To All The Animals (Jan. 16, 1980)
7. Precious Angel (Nov. 16, 1979)
8. Covenant Woman (Nov. 20, 1979)
9. Gonna Change My Way Of Thinking (Jan. 31, 1980)
10. Do Right To Me Baby (Do Unto Others) (Jan. 28, 1980)
11. Solid Rock (Nov. 27, 1979)
12. What Can I Do For You? (Nov. 27, 1979)
13. Saved (Jan. 12, 1980)
14. In The Garden (Jan. 27, 1980)

Disc 2: Live
1. Slow Train (June 29, 1981)
2. Ain’t Gonna Go To Hell For Anybody (Unreleased Song – Apr. 24, 1980)
3. Gotta Serve Somebody (July 15, 1981)
4. Ain’t No Man Righteous, No Not One (Unreleased Song – Nov. 16, 1979)
5. Saving Grace (Nov. 6, 1979)
6. Blessed Is The Name (Unreleased Song – Nov. 20, 1979)
7. Solid Rock (Oct. 23, 1981)
8. Are You Ready? (Apr. 30, 1980)
9. Pressing On (Nov. 6, 1979)
10. Shot Of Love (July 25, 1981)
11. Dead Man, Dead Man (June 21, 1981)
12. Watered-Down Love (June 12, 1981)
13. In The Summertime (Oct. 21, 1981)
14. The Groom’s Still Waiting At The Altar (Nov. 13, 1980)
15. Caribbean Wind (Nov. 12, 1980)
16. Every Grain Of Sand (Nov. 21, 1981)

Disc 3: Rare And Unreleased
1. Slow Train (Soundcheck – Oct. 5, 1978)
2. Do Right To Me Baby (Do Unto Others) (Soundcheck – Dec. 7, 1978)
3. Help Me Understand (Unreleased Song – Oct. 5, 1978)
4. Gonna Change My Way Of Thinking (Rehearsal – Oct. 2, 1979)
5. Gotta Serve Somebody (Outtake – May 4, 1979)
6. When He Returns (Outtake – May 4, 1979)
7. Ain’t No Man Righteous, No Not One (Unreleased Song – May 1, 1979)
8. Trouble In Mind (Outtake – April 30, 1979)
9. Ye Shall Be Changed (Outtake – May 2, 1979)
10. Covenant Woman (Outtake –February 11, 1980)
11. Stand By Faith (Unreleased Song – Sept. 26, 1979)
12. I Will Love Him (Unreleased Song – Apr. 19, 1980)
13. Jesus Is The One (Unreleased Song – Jul. 17, 1981)
14. City Of Gold (Unreleased Song – Nov. 22, 1980)
15. Thief On The Cross (Unreleased Song – Nov. 10, 1981)
16. Pressing On (Outtake – Feb. 13, 1980)

Disc 4: Rare And Unreleased
1. Slow Train (Rehearsal – Oct. 2, 1979)
2. Gotta Serve Somebody (Rehearsal – Oct. 9, 1979)
3. Making A Liar Out Of Me (Unreleased Song – Sept. 26, 1980)
4. Yonder Comes Sin (Unreleased Song – Oct. 1, 1980)
5. Radio Spot January 1980, Portland, OR Show
6. Cover Down, Pray Through (Unreleased Song – May 1, 1980)
7. Rise Again (Unreleased Song – Oct. 16, 1980)
8. Ain’t Gonna Go To Hell For Anybody (Unreleased Song – Dec. 2, 1980)
9. The Groom’s Still Waiting At The Altar (Outtake – May 1, 1981)
10. Caribbean Wind (Rehearsal – Sept. 23, 1980)
11. You Changed My Life (Outtake – April 23, 1981)
12. Shot Of Love (Outtake – March 25, 1981)
13. Watered-Down Love (Outtake – May 15, 1981)
14. Dead Man, Dead Man (Outtake – April 24, 1981)
15. Every Grain Of Sand (Rehearsal – Sept. 26, 1980)

Disc 5 – Live In Toronto 1980
1. Gotta Serve Somebody (April 18, 1980)
2. I Believe In You (April 18, 1980)
3. Covenant Woman (April 19, 1980)
4. When You Gonna Wake Up? (April 18, 1980)
5. When He Returns (April 20, 1980)
6. Ain’t Gonna Go To Hell For Anybody (Unreleased Song – April 18, 1980)
7. Cover Down, Pray Through (Unreleased Song – April 19, 1980)
8. Man Gave Names To All The Animals (April 19, 1980)
9. Precious Angel (April 19, 1980)

Disc 6 – Live In Toronto 1980
1. Slow Train (April 18, 1980)
2. Do Right To Me Baby (Do Unto Others) (April 20, 1980)
3. Solid Rock (April 20, 1980)
4. Saving Grace (April 18, 1980)
5. What Can I Do For You? (April 19, 1980)
6. In The Garden (April 20, 1980)
7. Band Introductions (April 19, 1980)
8. Are You Ready? (April 19, 1980)
9. Pressing On (April 18, 1980)

Disc 7 – Live In Earl’s Court, London – June 27, 1981
1. Gotta Serve Somebody
2. I Believe In You
3. Like A Rolling Stone
4. Man Gave Names To All The Animals
5. Maggie’s Farm
6. I Don’t Believe You
7. Dead Man, Dead Man
8. Girl From The North Country
9. Ballad Of A Thin Man

Disc 8 – Live In Earl’s Court – London – June 27, 1981
1. Slow Train
2. Let’s Begin
3. Lenny Bruce
4. Mr. Tambourine Man
5. Solid Rock
6. Just Like A Woman
7. Watered-Down Love
8. Forever Young
9. When You Gonna Wake Up
10. In The Garden
11. Band Introductions
12. Blowin’ In The Wind
13. It’s All Over Now, Baby Blue
14. Knockin’ On Heaven’s Door

Disc 9: Bonus DVD
Trouble No More – A Musical Film

DVD EXTRAS:
Shot Of Love
Cover Down, Pray Through
Jesus Met The Woman At The Well (Alternate Version)
Ain’t Gonna Go To Hell For Anybody (Complete Version)
Precious Angel (Complete Version)
Slow Train (Complete Version)

Swing / doo-wop post-punk undefinables Frazer King disbanded some time ago, much to the disappointment of the Manchester music appreciators, but the good news is that some members of that sadly defunct outfit have reformed into Shaking Chains. What we get here is a duo of sleazy rocking swing numbers, focused around Jack Mahoney's deep, resonant growl. We start with 'Midnight Oil', grooving with a single-note surf-rock twang and stomping pitch-perfect percussion, twisting and turning like one of Cave's less melancholic numbers. 

'Drunk No More' is a brilliant syncopated psychedelic number, lurching from a barely accompanied acapella into a gutsy rock and roll melody. Groovy but unhindered by genre constraints, this opens up the floodgates for a genre culture clash, and succeeds without flinching. It's bold but eminently listenable, a treat for the ears. 

What is even better, Frazer king fans, is that Nathan was kind enough to drop us in some tapes of 'Idle Class Debris' to give away with the 7", but get down quick, they're limited! 

Last summer, Faith No More treated fans to “Sol Invictus,” the group’s first new studio release in almost 20 years. This year, the band will revisit two classic albums with Deluxe Editions of “King for a Day…Fool for a Lifetime” and “Album of The Year.”

Following its Grammy nominated album “Angel Dust,” Faith No More returned in 1995 with “King for a Day…Fool for a Lifetime.” Recorded at Bearsville Studios near Woodstock, New York, it was the first without longtime guitarist Jim Martin, whose departure had an influence on the direction of the album. The band recorded some of their most progressive and experimental tracks on this album such as “Cuckoo For Caca” and “Ugly In The Morning” along with some of their mellowest such as “Take This Bottle” and “Caralho Voador”.

This release will be available as a double LP on 180 gram heavyweight black vinyl, featuring the remastered original, along with rare bonus tracks, many of which are making their vinyl debut. Among the eight bonus tracks are the b-sides “Spanish Eyes” and “Absolute Zero,” as well as the band’s cover of the Bee Gee’s “I Started A Joke,” which was originally released as a b-side in 1995, and then as a single in 1998.

In 1992, after an extensive period of touring, San Franciscan rockers Faith No More released Angel Dust. The album swings between extremes—aggressive and disturbing, but also beautiful and soothing—showing off every facet of the band’s quirky eloquence on such diverse tracks as “Midlife Crisis,” “Jizzlobber,” “R.V.” and “Small Victory.”

Celebrating the classic albums that helped establish the band’s vital and visceral musical legacy Rhino Records releases a fantastic 2LP Deluxe Edition of Angel Dust. Featuring the original album and an additional disc packed full of rarities related to the album.

Among the tracks featured on the bonus disc is a mix of “Midlife Crisis” by the band’s longtime producer Matt Wallace, a trio of live recordings from a concert in Munich, Germany, as well as covers of the Dead Kennedys’ “Let’s Lynch The Landlord” and the band’s unforgettable take on the Commodores’ “Easy.”

More Faithful' is No Joy’s third full-length for Mexican Summer, and bears the fruits of a band that redefined its work ethic in the gulf of time between recording sessions. The outcome – the juxtaposition of unrest and calm, beauty and chaos, truth and fantasy, in the throes of dimmed amps and hair-whipping guitar goddess rock music – is as unwavering as ever.

But where 'Wait To Pleasure' (2013) balanced textural differences with the freewheeling novelty of the studio environment, 'More Faithful' documents a much more rigorous creative process and performance, one in which the group pushed themselves to new peaks of intensity. All of the record’s 11 songs, in whole or in part, jump at the listener with atypical tunings and key changes, tension from odd time signatures and an upfront rhythmic presence, and the force demonstrated in their live show.

Listen to More Faithful then listen to it again. There is no question that it’s the most forward, throttling record No Joy has made to date, taking their set of influences to the wall in a brazen display of beauty-laced power. At times it’s heavier than anything they’ve done yet, and also their fastest, riffs shooting upward in discord and drifting down in angelic harmonies. Shoegaze and ethereal and alternative rock revivals be damned; More Faithful pushes No Joy to the breaking point. They’ve leveled up.

‘Sol Invictus’, Faith No More’s highly anticipated follow-up to ‘Album Of The Year’, arrives via Reclamation Recordings / Ipecac Recordings.

‘Sol Invictus’ is the band’s first new album in 18 years.

‘Sol Invictus’ was produced by Bill Gould and recorded in the band’s Oakland, California studio.

Faith No More have influenced bands of all genres, including System Of A Down, Incubus, Muse and more.

The single ‘Motherf*cker’ heralded the arrival of the album and was followed by ‘Superhero’. Both songs feature on the album along with eight other brand new tracks.

TRACK LISTING

Sol Invictus
Superhero
Sunny Side Up
Separation Anxiety
Cone Of Shame
Rise Of The Fall
Black Friday
Motherf*cker
Matador
From The Dead

‘No More Shall We Part’ was released in April 2001 and was the eleventh studio record by Nick Cave & The Bad Seeds.

The album came after a 4-year gap from recording, following the much acclaimed ‘The Boatman’s Call’ album and was met with mostly positive reviews.

The album showcases the virtuoso talents of The Bad Seeds, with elaborate instrumental sections on nearly every track. Also, Cave’s lyrics are less obscure than usual and he sings in a wider vocal range than he had previously. Features backing vocals from Kate and Anna McGarrigle.

TRACK LISTING

As I Sat Sadly By Her Side
And No More Shall We Part
Hallelujah
Love Letter
Fifteen Feet Of Pure White Snow
God Is In The House
Oh My Lord
Sweetheart Come
The Sorrowful Wife
We Came Along This Road
Gates To The Garden
Darker With The Day

‘No More Shall We Part’ is the eleventh studio album by Nick Cave & The Bad Seeds, originally released in 2001.

It came after a four year break from recording following the critically acclaimed ‘The Boatman’s Call’ and the massive selling 1998 Best Of.

The album showcases the virtuoso talents of the Bad Seeds, with elaborate instrumental sections on nearly every track.

This CD and DVD version includes the original album in 5.1 surround sound, 7 bonus tracks and 4 bonus videos.

TRACK LISTING

CD:
1. As I Sat Sadly By Her Side (2011 - Remaster)
2. And No More Shall We Part (2011 - Remaster)
3. Hallelujah (2011 - Remaster)
4. Love Letter (2011 - Remaster)
5. Fifteen Feet Of Pure White Snow (2011 - Remaster)
6. God Is In The House (2011 - Remaster)
7. Oh My Lord (2011 - Remaster)
8. Sweetheart Come (2011 - Remaster)
9. The Sorrowful Wife (2011 - Remaster)
10. We Came Along This Road (2011 - Remaster)
11. Gates To The Garden (2011 - Remaster)
12. Darker With The Day (2011 - Remaster)

DVD:
1. As I Sat Sadly By Her Side (2011 - Remaster)
2. And No More Shall We Part (2011 - Remaster)
3. Hallelujah (2011 - Remaster)
4. Love Letter (2011 - Remaster)
5. Fifteen Feet Of Pure White Snow (2011 - Remaster)
6. God Is In The House (2011 - Remaster)
7. Oh My Lord (2011 - Remaster)
8. Sweetheart Come (2011 - Remaster)
9. The Sorrowful Wife (2011 - Remaster)
10. We Came Along This Road (2011 - Remaster)
11. Gates To The Garden (2011 - Remaster)
12. Darker With The Day (2011 - Remaster)
13. Good Good Day (2011 - Remaster)
14. Little Janey's Gone (2011 - Remaster)
15. Grief Came Riding (2011 - Remaster)
16. Bless His Ever Loving Heart (2011 - Remaster)
17. Fifteen Feet Of Pure White Snow (Westside Session) (2011 - Remaster)
18. We Came Along This Road (Westside Session) (2011 - Remaster)
19. God Is In The House (Westside Session) (2011 - Remaster)
20. And No More Shall We Part (Westside Session) (2011 - Remaster)
21. Do You Love Me Like I Love You (Part 11 : No More Shall We Part)
22. As I Sat Sadly By Her Side (2011 - Remaster)
23. Love Letter (2011 - Remaster)
24. Fifteen Feet Of Pure White Snow (2011 - Remaster)
25. As I Sat Sadly By Her Side (2011 - Remaster)
26. And No More Shall We Part (2011 - Remaster)
27. Hallelujah (2011 - Remaster)
28. Love Letter (2011 - Remaster)
29. Fifteen Feet Of Pure White Snow (2011 - Remaster)
30. God Is In The House (2011 - Remaster)
31. Oh My Lord (2011 - Remaster)
32. Sweetheart Come (2011 - Remaster)
33. The Sorrowful Wife (2011 - Remaster)
34. We Came Along This Road (2011 - Remaster)
35. Gates To The Garden (2011 - Remaster)
36. Darker With The Day (2011 - Remaster)
37. Good Good Day (2011 - Remaster)
38. Little Janey's Gone (2011 - Remaster)
39. Grief Came Riding (2011 - Remaster)
40. Bless His Ever Loving Heart (2011 - Remaster)
41. Fifteen Feet Of Pure White Snow (Westside Session) (2011 - Remaster)
42. We Came Along This Road (Westside Session) (2011 - Remaster)
43. God Is In The House (Westside Session) (2011 - Remaster)
44. And No More Shall We Part (Westside Session) (2011 - Remaster)
45. Do You Love Me Like I Love You (Part 11 : No More Shall We Part) (2011 - Remaster)
46. As I Sat Sadly By Her Side (2011 - Remaster)
47. Love Letter (2011 - Remaster)
48. Fifteen Feet Of Pure White Snow (2011 - Remaster)