Peel explains, “I’m drawn to the patterns around us and the cycles in life that will keep on evolving and transforming forever. Fir Wave is defined by its continuous environmental changes and there are so many connections to those patterns echoed in electronic music - it’s always an organic dis-covery of old and new.” As Delia Derbyshire revealed in 2000 to BBC sound engineer, journalist and academic Jo Hutton: “I like new things that don’t seem new . . . as though they’ve always been there.”
Known more recently for curating and presenting on BBC Radio 3’s Night Tracks, the Northern Irish Emmy-nominated composer and producer’s work is ambitious and forward-looking, adapting and re-inventing new genres and hybrid musical forms. Recent albums include the solo electronic and pop work of Awake But Always Dreaming, which became an ode to her grandmother’s mind as she lived with dementia; the electronic ruralism of Chalk Hill Blue, an album recorded with the poet Will Burns; and the space and the unparalleled vastness of Mary Casio: Journey to Cassiopeia, scored for synthesisers and a 30 piece colliery brass band. In 2019 she composed and recorded the soundtrack for Game of Thrones: The Last Watch which earned her an Emmy nomination for ‘Outstanding Music Composition For A Documentary Series Or Special (Original Dramatic Score)’.
STAFF COMMENTSBarry says: While i'm a big fan of archival synth business, it's often hard to really listen to it in any other situation other than chin-scratching synth-nerdery. I know, i'm a fan of that and while the more esoteric synth explorations are great fun, they have nowhere near the amount of sheer depth and replayability that you get with 'Fir Wave'. A dynamic and cohesive set of rhythmic electronic pieces, moulded with the legendary influence from KPM. Stunning.
1 Wind Shadow
2 Emergence In Nature
3 Patterned Formation
4 Carbon Cycle
2 Fir Wave
3 Reaction Diffusion