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MULE MUSIQ

Bodycode

A New To Bloodmoon

Alan Bodycode invited his favorite female singer Niqe into the studio to produce two classy, ear-catching electronic house tracks with strong vocal focus.

"Moving On" is an unusual beast that'll instantly prick the ears of the more extraverted. It's a playful, sexualized palette, with yearning vocal part from Nige paired with a kinda electrohouse groove that's both sleazy and fun.

"The Way" deploys those patented Mule beats -
heavily compressed digital percussion and rib-shaking kicks. Add a few staccato synth stabs and a warm pad glow and you've got that slice of late night tribal house that you know's gonna smash the dancefloor. Nige leaves it a little longer for her vocal to grace the track; adding to the sublime and hypnotic nature of this late night jam. Top drawer stuff as always from Mule. 


Wareika

Water, Sky, Sun, Wood

Wareika return to Tokyo's Mule Musiq. Florian Schirmacher, Henrik Raabe and Jakob Seidensticker's tro have flirted with the label previously on remix duties but this is their first full length proper. Known for multi-textured, minimalist electronic music, on this release Wareika edit down what began as an unplanned four hour jam session. Electric piano, guitar, conga, MFB Tanzbär, MFB Dominion 1, OB-6, Jupiter 6 and Manikin Mellotron synthsizer are all used in the composition yet with this advanced array of instrumentation there's an air of simplicity and minimalism that sweeps through the album. Serene, meditative and mesmerizing in equal measure, there's just enough thrust to carry these tracks through into a club environment also. Tracks take on shimmering, multidimensional forms, propelled by a steady 4/4 and peppered with an assortment of analogue fx. It's a beautifully executed piece, edited cleanly and concisely so you get all the energy and pleasure of that initial four hour jam session condensed into a handy one hour package. Excellent! 


STAFF COMMENTS

Sil says: Without a doubt and by a mile my favourite record so far this year. This feels as good as taking a swim in the Pacific watching a waterfall meander its way to the sea. This is a mesmerizing journey. Buy on sight. An absolute diamond this album is.

NYC producer Marcos Cabral coming correct with three choice weapons from his private arsenal. On the A-side we have "Pest Control", the title track and EPs dark, techy opus. Cabral's industrialized rhythms permeate through the entirity of the track, vast machines driven into frazzled intensity through repetitive processes and a monster workload. "In The Red" features fellow noise maker Entro Senestre and draws indesipherable vox backwards through an engine room flanger before rearranging with skeletal beats and glitching synth bleeps. Final track, "Standing On The Corner" sees Cabral capably explore the realms of blissed out, late night deep house; tipping his hat to the THC-soaked sounds of Vancouver along the way. Ace!




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