The crucial Mr K is back with a special repress for Record Store Day 2024. This one throws it back to his two superb edits of Kratwerk's 'Trans Euro Express' which is cited often as the start of techno. Side A offers stripped-down, bare drum bones, with naked drums shaped into futuristic fusion, while Part II adds synthetic context. Deconstructing Kraftwerk's original sci-fi masterpiece at a slow, smouldering pace, it presents a classic in an entirely new light. This release unlocks doors of serious DJ creativity and should be snapped up quickly before it's gone again.

STAFF COMMENTS

Patrick says: You don't need me to tell you how good "Trans Europe Express" is. However, this cheeky little percussion edit from the masterful Danny Krivit extends the dancefloor ecstasy of that metallic drum break into THE GREATEST DJ TOOL ever. Buy two copies and lock into the robot rhythm.

TRACK LISTING

Trans-Europe Express (Mr K 7" Beats)
Trans-Europe Express (Mr K 7" Part II)

Mr Bongo keep the hits coming with a welcome reissue of Burnier & Cartier's self-titled LP, which has soared to the top of many a wantlist after appearing in many a setlist and sample-jam. A gorgeous set which touches on MPB, soul, jazz, disco and boogie, the LP has been championed by the likes of Jazzanova, Floating Points and Hunnee while Andres and KDJ and Kaytranada have all slammed it into the MPC and made good use of these exquisiste grooves. The perfect marriage of breezy South American rhythms, sunkissed melodies and smooth vocals, the album is a testament to the songwriting talents of the duo and the production and arrangement expertise of Arthur Verocai and Luis Bonfa.
Remastered for 2018 and presented in replica artwork, this Brazilian fusion gem is finally available without securing a second mortgage.

TRACK LISTING

So Tem Lugar Pra Voce
Aldeia Global
Lejos De Mi
Lembrando Ed Kleiger
Deixa Mudar
Parte Capital
Mirandolina
Ai E Que Ta
Aventura Espacial
Barranco
Europanema
Marcante

Belgian DJ and producer Gratts have joined forces with London-based vocalist Mr. Beale to follow up on to success of their well-received 'Sun Circles' release last year. Here, on the sublime 'Submerge Me', they are in fine form once more with a brooding sound that features the uniquely mesmerising mantras of Beale and plenty of raw, compelling and percussive grooves that fully lock you in and get you going. Versatile Records' own Gilb'r then steps up on the flip and manages to take things even deeper with some fine liquid dub excursions to complete a top 7"

TRACK LISTING

Submerge Me (Original Version)
Submerge Me (Gilb'r Remix)

Dripping with groove and swagger, this album skates between jazz-funk, cosmic disco radiance, beat-laden slow-jams and conscious psychedelic soul. Having played with the likes of George Benson and Lou Donaldson in the '60s, alongside releasing a string of albums on Columbia and Blue Note, 'Funk Reaction' sees Smith move into late '70s disco-funk-tinged territory.

Originally released on Sonny Lester's Groove Merchant Records successor, Lester Radio Corporation, the album feels more like a collaborative band orientated project as opposed to a solo artist outing. Featuring some elite session players of the time, including Steve Gadd on drums, guitarist Lance Quinn and bassist Bob Babbitt , the album is tied together expertly by songwriter, arranger and conductor Brad Baker.

It's worth the price tag alone for the superb disco-funk nugget 'Funk Reaction'. Other highlights include the only Lonnie Smith penned track on the album 'All In My Mind', that shines with a beautiful Stevie Wonder-esque quality and the slick guitar- led floater 'When The Night Is Right', written by and featuring guitarist Richie Hohenburger. Elsewhere, 'For The Love Of It' and the Brad Babbitt written 'Babbitt's Other Song' serve up classic jazz funk favours, both featuring stellar tenor saxophone from Eddie Daniels.

As a whole, the album is a superb example of Lonnie Smith's ability to merge jazz with elements of funk, soul, disco and beyond, experimenting with ideas whilst broadening the scope of both his audience and appeal. Fans of The Blackbyrds, the CTI / Kudu stable and '70s George Benson will dig this!

TRACK LISTING

1. Funk Reaction
2. For The Love Of It
3. Babbitt's Other Song
4. It's Changed
5. When The Night Is Right
6. All In My Mind

From the stylist behind David Bowie's Ziggy Stardust look, an electrifying peek behind the curtains during a legendary chapter of pop culture history. 'Suzi Ronson was there as Bowie transitioned from suburban folkie to world superstar and genius. Few can offer such insight, and tell this fascinating story with such verve.' HANIF KUREISHISuzi Ronson was working in a Beckenham hair salon in the early seventies when Mrs Jones came in for her weekly shampoo and set.

After being introduced to her son David and his wife Angie, Suzi finds herself at the Bowies' bohemian apartment and is soon embroiled in their raucous world. Having crafted his iconic Ziggy Stardust hairstyle, Suzi becomes the only working woman in David's touring party and joins the Spiders from Mars as they perform around the globe. Amid the costume blunders, parties and groupies she meets her husband-to-be, Mick Ronson, and together they traverse the absurdities of life in show business, falling in with the likes of Iggy Pop, Bob Dylan and Lou Reed along the way.

Dazzling and intimate, Me and Mr Jones provides not only a unique perspective on one of the most beguiling stars of our time but also a world on the cusp of cultural transformation, charting the highs and lows of life as one of the only women in the room as it happened.

Last year whilst DJing with miche at Shapes festival in the snow- capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers' all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full- swing feel- good vibes, in a beautiful, spontaneous moment nobody could have planned for.

Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio's 2014 release 'The Brazil Connection'. Masterminded by the German Grammy award- winning Berman Brothers , the project was born out of their deep love of Brazilian music. "Our goal was to bring the Brazilian joie de vivre to iconic performances by well- known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?" the brothers reflect.

Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil's most influential composers Tom Jobim. "Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim's famed rhythm section. It was magic; everything just fell into place."

There's no question that the original of 'Lovely Day' is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil's finest musicians, rework Bill's soul- fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill's vocals perfectly into the new arrangement.

Joy-injected horns and bouncing double bass blend with the smile- inducing samba flavour of Pretinho da Serrinha's cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs. The perfect end-of-the-night track, mood lifter or soul warmer, remakes don't get much better than this.

TRACK LISTING

Bill Withers & Studio Rio - Lovely Day (Studio Rio Version)
Bill Withers & Studio Rio - Lovely Day (Studio Rio Instrumental Version)

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

If 2022's The Children Of Scorpio was the debut album that turned people onto the world of Project Gemini aka Paul Osborne, Colours & Light is the body of work that will be buried deep into their hearts.

It is a majestic album, bringing together the worlds of folk rock, psych soundtracks and hazy cinematic funk.

A growing confidence and ease emanate from the writing and production of this sophomore LP, bolstered by the reception to his standout debut. "It's a more layered and diverse record" Paul mentions, "with a more outward-looking, global sound, born out of the records I was listening to and the musicians I was lucky enough to collaborate with". It feels relaxed yet self-assured, with a kaleidoscope of sounds that twist together in a mesmerising fashion.

The theme of the album developed naturally through the lyrics Paul began writing. A creative process both plagued and fed by insomnia, nourished by relationships, entwined in emotions, nights out, nights in and the after-effects on the human condition. Relatable themes yet seen through the prism of a soundscape that takes in many a different culture and scene. From acid folk to psych-funk, Francophile elements to Anatolian and Eastern inspirations, all interlocking and rotating as one.

Drawing inspiration from those he admires, Colours & Light radiates with collaborations. The title track, which tips its hat to a live 1973 TV version of Pentangle's 'Wedding Dress', features the folk rock, guitar brilliance of Jack Sharp from Wolf People/Large Plants.

Elsewhere, two tracks are blessed by the sultry, smokey French vocals of Gloria's Wendy Martinez, 'Extra Nuit' and 'Entre chien et loup'. The former echoes Paul's love of classic French psych-pop from the late '60s and early '70s and artists such as Laurance Vanay, Calcium, Leonie, and Serge Gainsbourg. Martinez's sublime vocal work nestles perfectly within Paul's psych-folk-funk productions, as her Gloria partner, Alexis Morel (aka Kid Victrola) sprinkles a dose of entrancing guitar line magic on proceedings.

The list of collaborations extends further with Raz and Markey Funk, drummer Tony Coote and percussionist Paul Elliott all featuring. Regular collaborator and underground icon Barrie Cadogan (Little Barrie) returns along with Bert Page from The Cromagnon Band, who between them provide a hit of whacked-out, fuzzed-up country guitar and Moog madness respectively on 'Lost In The Woods (Bacchanal)'.

Rounding off the record Paul's daughter, Olivia Osborne, supplies the keyboard intro on the penultimate track 'Twilight'. Dorian Conway from The Soundcarriers (whose bandmate Paul Isherwood returns on mixing duties) then layers echoing heavy flute parts to magically capture the psychedelic sunrise images brought to mind. Balancing light and shade on this record, there is beauty and tension all wrapped up in Paul's vivid and visceral, storytelling gift. A majestic album, bringing together the worlds of folk rock, psych soundtracks and hazy cinematic funk. The follow up to 2022's critically acclaimed debut album, The Children Of Scorpio.

TRACK LISTING

1. The Sun Devil Prelude
2. Colours & Light
3. Extra Nuit
4. The Last Midnight
5. Lost In The Woods (Paranoia)
6. The Sun Devil
7. Entre Chien Et Loup
8. Lost In The Woods (Bacchanal)
9. Seven Seconds To Sunrise
10. After The Dawn
11. Twilight
12. The Sun Devil Coda

A cosmic coming together that sees two of Luke's secret weapons, re-edited and re-contextualised by the man himself to provide optimal dancefloor euphoria. A stalwart of the underground for nearly 40 years, Luke has become an appointed leader of the late night disenfranchised, with an unquestionable ability to pick records that make minds tick. Not least through his two E Soul Cultura compilations released on Mr Bongo over the past two years.

A taste that traverses genres as much as it does emotions and decades, who better to give an insight into the tracks he has chosen to edit, than the man himself. "I've been an avid collector of afro-beat house, techno and underground black heart disco since before the basement soul days of Electric Chair 30 years ago. Both these bombs were very much holy grail finds, plucked from the last four decades of digging in random crates of dusty vinyl all over the world."

First up, Thandi Zulu & The Young Five's interpretation of Pure Energy's early '80s disco power play - 'Love Game'. With a distinctive South African synth bass and killer keys combo, Luke explains the original has this "bonkers alchemy of heavy machine soul, uptempo rawness and a majestic disco evangelism", making it ripe for a re-edit.

On the B side, Lionel Pillay's Jazz dancer 'Plum'. "The original was a relentless 18- minute raw jam", Luke states, "which despite its late '70s South African origin kinda reminded me of a 1986 Chicago piano House record".

"These edits strip the tracks back and rebuild them, giving them more sonic weight with that looped up drum jacking militancy from the days of Chicago, combined with a boosted sense of transcendental, psychedelic, cosmic disco. They have always had such an explosive reaction on so many dancefloors including the heavier electronic club, so it felt only right to reshare them".

STAFF COMMENTS

Matt says: Two sneaky cuts from Lord Luke's studio cache. There's no stopping him at the moment!

TRACK LISTING

1. Thandi Zulu & The Young Five - Love Games (Luke Una Edit)
2. Lionel Pillay - Plum (Luke Una Edit)

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour.

16 years since the release of his classic album “Ninja Tuna”, the record will be released for the first time on vinyl in the form of a deluxe 3LP black biovinyl housed in a greyboard gatefold sleeve and featuring infinity peelable tuna sticker on the cover.

TRACK LISTING

A1. Test The Sound (Extended Version)
A2. Music Takes Me Up (with Alice Russell)
A3. Donkey Ride (with Quantic)
B1. Hairy Bumpercress
B2. Whiplash
B3. Nice Up The Function (with Roots Manuva)
C1. Bang The Floor (with Danny Breaks)
C2. Get On Down
C3. Hold On (with Andreya Triana)
D1. Give Up To Get
D2. Kalimba
D3. Zen (with Skuff & Inja)
E1. This Way (with Pete Simpson)
E2. Stockport Carnival
E3. Fix That Speaker
F1. Bunch Of Keys (LP Edit)
F2. Rocking Chair
F3. Nice Up The Function (Remix Instrumental)

The second in the Mr Bongo series opening the vault on classic recordings from the fabled Groove Merchant Records catalogue This time the spotlight turns to the Hammond B3 organ maestro Lonnie Smith, as Mr Bongo proudly present a reissue of his cosmic jazz-funk journey, 'Afro-Desia'.

Originally released in 1975, this much- loved album was produced by Groove Merchant label owner Sonny Lester and features the mysterious 'Compliments Of A Friend' on guitar. Considering Smith was part of George Benson's quartet in the '60s, that not so discreet veil appears to have been lifted on who this 'friend' might be. However, presumably due to contractual reasons, Benson had to remain covert for this recording. The lineup doesn't stop there though, with the likes of legendary bassist Ron Carter and Grammy award winning saxophonist Joe Lavano joining the outft.

An album of two parts, the frst side sees Lonnie Smith in a spaced-out, cosmic jazz funk setting. The opener 'Afrodesia' is a funk fexing, steamy groover. Greg Hopkins and Lavano trading off on trumpet and sax respectively, as that bassline walks its way over futtering jazz percussion and off- kilter electronics. 'Spirits Free' is an epic 15-minute free-wheeling jazz-funk workout. A mind melting trip that rises and falls, in parts spacey and serene, with Smith's organ playing complimented by stretched out horns. Before long it opens out into unconstrained fuid sections that do its title proud. Pure '70s jazz-funk at its most stellar.

Side B takes a more classic soul-jazz favour, with touches of Latin spice. 'Straight To The Point' kicks off with a carnival zing, full- frontal horn and organ lines providing a fery party punch. It's a swinging jazz cut that used to receive spins by DJs at Russ Dewbury's Jazz Room's sessions in Brighton in the '90s.

Finally, 'Favors' and 'The Awakening' close out the release. Two sure shot, quintessential Lonnie Smith fring Hammond grooves. Each conjuring up images of packed out, smokey jazz bar jams, every player letting loose with masterful improv sections to whip the crowd up into a frenzy. A truly wonderful album, and an archetypal release showcasing the height of jazz musician excellence from this era.

TRACK LISTING

Afro- Desia
Spirits Free
Straight To The Point
Favors
The Awakening

The wonderful Mr K is back with more edit magic on his own Most Excellent label, this time adding his own spin to 'Wela Wela', a hard edge and raw funk cut from Black Blood, a band of musicians from central Africa but who were based in Belgium. This one was never a hit back in the day for some reason but is built on a killer groove that Mr K reworks and tweaks for more suitable dance floor deployment. It was formerly on his Grass Roots record but now makes its way to a handy 7". On the flip is 'Komi Ke Kenam (Fish & Funjee)' which has tough breaks and funk bass that will ensure 'floors get down and dirty.

TRACK LISTING

Wela Wela
Komi Ke Kenam

Originally released in 1975, this much- loved album was produced by Groove Merchant label owner Sonny Lester and features the mysterious 'Compliments Of A Friend' on guitar. Considering Smith was part of George Benson's quartet in the '60s, that not so discreet veil appears to have been lifted on who this 'friend' might be. However, presumably due to contractual reasons, Benson had to remain covert for this recording. The lineup doesn't stop there though, with the likes of legendary bassist Ron Carter and Grammy award winning saxophonist Joe Lavano joining the outfit.

An album of two parts, the first side sees Lonnie Smith in a spaced-out, cosmic jazz funk setting. The opener 'Afrodesia' is a funk flexing, steamy groover. Greg Hopkins and Lavano trading off on trumpet and sax respectively, as that bassline walks its way over futtering jazz percussion and off- kilter electronics. 'Spirits Free' is an epic 15-minute free-wheeling jazz-funk workout. A mind melting trip that rises and falls, in parts spacey and serene, with Smith's organ playing complimented by stretched out horns. Before long it opens out into unconstrained fluid sections that do its title proud. Pure '70s jazz-funk at its most stellar.

Side B takes a more classic soul-jazz favour, with touches of Latin spice. 'Straight To The Point' kicks off with a carnival zing, full- frontal horn and organ lines providing a fiery party punch. It's a swinging jazz cut that used to receive spins by DJs at Russ Dewbury's Jazz Room's sessions in Brighton in the '90s.

Finally, 'Favors' and 'The Awakening' close out the release. Two sure shot, quintessential Lonnie Smith firing Hammond grooves. Each conjuring up images of packed out, smokey jazz bar jams, every player letting loose with masterful improv sections to whip the crowd up into a frenzy.

A truly wonderful album, and an archetypal release showcasing the height of Jazz musician excellence from this era.

TRACK LISTING

1. Afro-Desia
2. Spirits Free
3. Straight To The Point
4. Favors
5. The Awakening

For the third release in our Mr Bongo Cuban Classics series, we reissue the iconic 1974 debut album by the mighty Grupo Irakere. Led by Chucho Valdes, son of Cuban pianist and bandleader Bebo Valdes, the band would go on to become of the most influential and successful groups emanating from Cuba in this period. Their debut 'Teatro Amadeo Roldan Recital' is an in-demand and incredible Afro-Cuban, jazz-funk masterpiece originally landing on Cuba's state-owned imprint, Areito.

One of the jewels of the album is the beast of an opener, 'Bacalao Con Pan'. A heavy dancefloor Latin-funk burner, with ripping Wah-Wah guitar, a blistering mix of Latin percussive elements and horns firing on all cylinders. It's a song which builds and breaks with an energy and power that still lights up the dance to this very day.

The album is a varied bag of tricks, traversing moods, styles and genres whilst melding traditional rhythms with more contemporary mindsets. Take the delectable downtempo ballad 'Danza Naniga' or 'Valle Picadura' that starts on a similar tip, before erupting into a horn heavy heater. Move through to find 'Taka Taka Ta' where Afro-Cuban jazz, call and response vocals and brain-busting organs marry in steamy unison.

Elsewhere, continuing this melting pot of musical influences, the prog/psychedelic rock leaning 'Quindiambo', expertly combines traditional Latin music with psych rock in a similar way to Santana. 'Misaluba' is another highlight, a cover version of a song by the British-Italian based group Cyan, written by Mario & Giosy Capuano, making it their own with this tripped-out, percussion-rich makeover.

As debuts go, Grupo Irakere's 'Teatro Amadeo Roldan Recital' is about as good as it gets and gives a snapshot of Cuba in the mid '70s, with a band that were destined for big things.

TRACK LISTING

Side 1
1. Bacalao Con Pan
2. Danza Naniga
3. Valle Picadura
4. Taka Taka Ta

Side 2
1. La Verdad
2. Luisa
3. Quindiambo
4. Misaluba

‘Mr. Machine’ is a record that put them alongside names as Steve Reich and Philip Glass, but with considerably more groove. More than anything, Daniel, Jan and Paul are keen that the Brandt Brauer Frick Ensemble are not written off as a curiosity.

“Often people focus a lot on this whole "cross-over" aspect,” says Brauer. “We wish people would simply notice we have good chords, melodies etc. and take the music as it is. Because we make it the way we feel, and not for other, let's say purely conceptual reasons. Some only seem interested in how it’s made. Some reviewers perceive us as minimal techno, some as modern classical, some as nu jazz and so on. But we don’t divide the world into techno and nontechno.”

STAFF COMMENTS

Barry says: A rhythmic, hypnotic selection of classical instrumentation and cyclic music-concrete riffs, underlaid by pulsing bass and snapping jazzy percussion. It's dance music made by nature, or like that bit in Spaced where tyres does the 'everyday raving' bit.

TRACK LISTING

1. Mr. Machine
2. Bop
3. You Make Me Real
4. Pretend
5. Mi Corazon
6. On Powdered Ground (Mixed Lines)
7. Teufelsleiter
8. 606 ‘N’ Rock ’N’ Roll

Mr Bongo reissue series exploring the incredible back catalogue of Sonny Lester's iconic Groove Merchant record label. First up, the spellbinding funk-fuelled, soul jazz album 'Simba', by guitar maestro O'Donel Levy.

Baltimore-born, Levy was already well regarded as one of the best up-and-coming jazz guitarists at the time of Simba's release. Having toured with George Benson and Jimmy McGriff, as well as featuring on McGriff's Black Pearl album on Blue Note, he went on to sign with Sonny Lester's Groove Merchant. Produced by Lester himself and recorded over two back-to-back days of sessions in 1973, Simba features a who's who of '70s session players. The album features the legendary studio drummer Steve Gadd, Cecil Bridgewater on Flugelhorn, bass by Tony Levin and arrangements by Manny Albam.

A masterclass in tight yet effortlessly funk-driven rhythms, the tracks showcase these musicians at their zenith. Album opener 'Bad, Bad, Simba' wouldn't have been out of place on a Lalo Schifrin '70s car chase soundtrack. Levy's playing is brilliant, bright and slick, with an infectiously exuberant energy that is complimented perfectly by Gadd's supreme drumming. 'Playhouse' serves up another vibrant offering, Wah Wah guitars, horns and flutes duelling it out in a fast-paced fashion.

The cinematic thread continues throughout, yet with the tempo taken down a notch. 'Sierra Lonely' and 'Sad, Sad, Simba' head into lush ballad territory, with superb arrangements by Albam and beautiful playing by Collins and Bridgewater on Flugelhorn. Here Levy shines without taking any limelight, as the players synergize to a relaxed perfection. 'Nigerian Knights' closes the album flawlessly, showcasing once more Levy's understated yet magnetic flow on the guitar.

Every track on 'Simba' is a winner. As with CTI Recordings of the same era, the feel and textures of Sonny Lester's productions have that pre-emptive, hip-hop aesthetic, which later producers would rework and reimagine. This album is expertly balanced, deftly arranged and magically executed, ebbing and flowing with a cool buoyancy that just grooves and grooves.

TRACK LISTING

1. Bad, Bad, Simba
2. Kilimanjaro Cookout
3. Playhouse
4. Sierra Lonely
5. Sad, Sad, Simba
6. Joni
7. Nigerian Knights

For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped- out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy- wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress.A long way from his funk and afrobeat album 'Back To Rhythm', reissued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn't pull any punches.

For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka.

The album has become highly sought- after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag.

We are delighted to present an officially licensed re- issue of this underground Japanese rock rarity.

TRACK LISTING

1. Wanyamana Mapambazuko
2. Na Tu Penda Sana
3. Vita
4. Pygmy

The Galaxy Sound Co. is now up to number 41 in their buy-on-sight 45s series, this time with '1$ Bin Breaks'. It's another vital 45 rpm that packs a lot in with plenty of epic sound sources that you will recognise and love from some of your favourite hip-hop joints. Artists like Pete Rock & C.L. Smooth, Puff Daddy, De La Soul, Ghostface Killah, J Dilla, Redman and Alicia Keys have called upon the sounds you will hear here from original artists like Odessa, Milt Jackson With The Ray Brown Big Band, Issac Hayes and many more. File this one under essential breaks, library sounds and jazz nuggets.

TRACK LISTING

Side 1
"Sakura"
"On The Hill"
"Enchanted Lady"

Side 2
"Survival"
"Sunrise"
"A Few More Kisses To Go"
"Go On & Cry"

New from California born Taylor FreelsTaylor Freels aka Liquid Earth and we gotta say, this is some of the freshest house music we've heard for a while!

Quirky and squelchy in parts, deep and dubby in others, but with a raw carnival spirit running through; it's built for the big soundsystems and outdoor parties, and, as yet, is still deliciously underground. 

"Beat Girl Beat Boy" twists minds and wiggles hips with its amalgamation of filter house, botchit breaks and daft vox - fun yet hefty enough to get the crowd bumping. "Funk Patrol" deploys squashed funk licks to another almost-new-school-breaks rhythm section that should keep b-boys and fans of Skint, Les Ryhthm Digitales and even Armand Van Helden (there's a bit of "Ultrafunkula" in there if you ask me!) more than happy. 

"Bug Collector" on side B takes things a bit more bassbin orientated, taking cues from US legends like Murk and Todd Terry, with a proggy edge binging it back to mid 90s UK influences. Finally, "The Wind Up" concludes with an anthemic, foundation shaking warehouse wobbler. Full frontal bass, rave stabs, Sheffield bleeps and brick busting rhythms certifying this one as an absolute banger! 

STAFF COMMENTS

Matt says: I got this in solely cos it sounds like the kinda turn-of-the-millennium house and breaks that I used to buzz off 20-25 years ago. Not in a retro perverse way; it's just got that funky, stylish spirit that screams of a time more innocent yet decadent than our current climate.

TRACK LISTING

A1. Beat Girl Beat Boy
A2. Funk Patrol
B1. The Bug Collector
B2. The Wind Up

Wonderful edit king Mr K is back with more of his superb scalpel work on his own Most Excellent Unltd label. This latest 7" tackles some mighty original material in the form of Stevie Wonder's gloriously uplifting 'If You Really Love Me.' It is just as life-affirming and joyous in Mr K's hands with some extra drum weight and drawn-out grooves that will energise any dancefloor. On the flip is 'Time Of The Season' which taps into some golden funk and soul with soaring vocals and big horns over a killer, infectious bassline.

STAFF COMMENTS

Matt says: Danny K's at it again with another double headed 7" tackling heavyweights Stevie Wonder and Chaka Khan. The king of the edit doesn't shake at the pressure - giving them both the kind of professional service they deserve.

TRACK LISTING

I'm Here Again
Time Of The Season

For the first Klasse Wrecks release of 2024, the label looks back to 2020 and a previously digital only track from label co-owner Mr. Ho. During the first lockdown of covid Mr. Ho released '000Baby' as part of the digital 'Homeboys' EP alongside Luca Lozano. An alternative version popped up on the 'Michaelsoft' album in 2021 but the much lauded original has never seen the light of day on wax....until now. The first 10" on Klasse Wrecks also features a suped and sped up interpretation from Om Unit, who expertly increases the pressure with deft 808 bass subs, a half time swagger and dubbed out atmospherics.

TRACK LISTING

A. 000 Baby
B. 000 Baby (Om Unit)

For the second instalment in our Cuban Classics series, we proudly present this sought-after slice of sublime Afro-Cuban jazz from 1976. It comes courtesy of one of Cuba's most influential acts, Grupo Irakere. Foundedin 1973 by Chucho Valdes (son of the Cuban pianist and bandleader Bebo Valdes) the group was home to many of Cuba's finest musicians over the years. With an electrifying style and sound, they mixed traditional Cuban music with jazz, funk, and rock.

This self-titled album includes the much-loved, dancefloor heavy-hitter 'Chequere-Son', a Latin- jazzfunk masterpiece with Cubanized bebop- flavoured horn lines, lush keys, and '70s hip swagger.

Though 'Chequere- Son' is the keystone of the record, the album is laced with brilliance at every turn, from the Carlos Santanaesque channelling 'Iya' with its percussive Latin power, to the sultry, slick and passionate '38 1/2'. Elsewhere, the absorbing, ever- building energy of 'Juana 1600' and steamy vocal dancer 'Xiomara' are also highlights of this incredible album.

Pressed on Cuba's state led Areito Records, the album was well received internationally, garnering distribution in Finland on Love Records, in Italy on Phase 6 Super Stereo, and also in the Dominican Republic, Mexico and Venezuela. A cherished Afro-Cuban triumph, this album has been crying out for a reissue and we're delighted to make that happen.

TRACK LISTING

1. Chequere- Son
2. 38 1/2
3. En Nosotros
4. Juana 1600
5. Moja El Pan
6. Este Camino Largo
7. Xiomara
8. Iya

Mr. X is a young new talent from northern Jersey, USA who takes it to the raw underground with driving electronic stabs and a deep pulsating bassline with swinging beats and unique perc sounds that pop in and out abruptly within the arrangement on the track entitled “The Curse”. “The Underground” has a hooky flip flop keys action happening with vocals saying 'Thank You' creating a hypnotizing groove which is fast becoming synonymous with Mr. X's style. The B-side of the 12” starts with a steaming revisit to “The Curse” giving it another lease of life on the dancefloor along with the sample hits and catchy groove on “B-Side Only” created only in the way Mr. X can to make you jump on the dance floor. All hot club bombs, all fire!

Early support from Honey Dijon, Kenny Dope, Anané, Luke Solomon, Melvo Baptiste, Joseph Capriati, & Louie Vega. 

STAFF COMMENTS

Matt says: New material from Louie Vega's camp that follows the delicious lineage of deep, soulful, tribal-tinged house that's emanated from New York and the surrounding areas for over 30 years.

TRACK LISTING

A1. The Curse 
A2. The Underground 
B1. The Curse (Revisited) 
B2. B Side Only 

Ten years of work. Twenty releases released. Thirty million pounds banked. It's a year for irrelevant milestones for Mr Ben & the Bens, as they return with a new album, which is just over forty minutes long.

On 'Good Day for Drying' Ben airs out songs that have dwelt in his head for a while. Songs that have been waiting for a day when they can be put out there, on show, and left subject to the volatile weather of public opinion.

Having been written some time ago, many of these songs were test-driven during solo gigs throughout Sheffield in the first half of 2022. A week in the Tesla Studios in Meersbrook with Glover and the bulk of it was there. Nobody honestly knows what mastering is (trade secret), but that happened, and now you can listen to it.

TRACK LISTING

1.When They Hear Your Name 03:25
2.Tendrils 03:13
3.Walking Away 02:22
4.Are You Talking To Me? 01:50
5.I Am Your Friend 04:18
6.Prancer 02:29
7.It's Happening Again 03:27
8.Hey Blues 03:12
9.Nape Of My Neck 02:48
10.Glover's Lane 02:36
11.Apple Cart Undertakers 04:58
12.Common Flu 03:26
13.Lender 03:19

This Brazilian library funk beauty is the soundtrack to Carlos Imperial's 1975 film of the same title. Echoing European soundtrack maestros such as Roy Budd and Ennio Morricone, but with a Brazilian swagger, Ze Rodrix's score is a sublime gem that needs rediscovery.

Rich in 70's soundtrack cool, the score is packed with orchestrated jazz, chase scene- funk, breaks, psychedelic freakouts and plenty of drama. The loose and quirky break- beat jazz- funk of 'Assalto' feels almost tailor- made for today's hiphop production aesthetic. The opening drum break of 'Esconderijo' is a sampler's dream and has already been reinterpreted by the Turkish Rapper Anil Piyanci, as well as Brazil's DJ Caique.

Carlos Imperial wrote liner notes and was an actor, filmmaker, television presenter, and media figure. His film 'O Esquadrao da Morte' is a violent heist movie starring Beto Bandeira, Claire Chevalier, and Baby Conceicao; in the vein of exploitation films and gritty, raw B- Movie cinema of the day. Both the film and album share striking, macabre artwork by artist Benicio. The instrumentalist, arranger, and singer- songwriter Ze Rodrix has worked with the cream of Brazilian music, having written songs covered by the greats, including Quarteto Em Cy, Ronald Mesquita, Elis Regina, Karma, and Celia, to name just a few. His written arrangements have graced the music of Luli Lucinha E O Bando and Helio Matheus. He was a member of the iconic group Som Imaginario and played piano and synthesizer on Secos & Molhado's classic 1973 album.

Mr. Bongo are super pleased to make this dusty treasure available again. It is a wonderful soundtrack score that more than holds its own with its European and American counterparts of the era.

TRACK LISTING

1. Esquadrao Da Morte
2. Um Homem E Um Homem E Um Homem 
3. Chorinho Pro Tio
4. Tema De Amor
5. Bolero De Mangaratiba
6. Motoqueiros 
7. Mundo!
8. Assalto
9. Esconderijo
10. Rhumba

Nevermen is a leaderless trio made of Tunde Adebimpe (TV On The Radio), Adam "Doseone" Drucker, and Mike Patton (Faith No More, Mr Bungle). They are artists of a certain distinction who've made name by way of sonic fearlessness, singular talent, and an ability to capture both adoration and imagination while hurling good noise at the void.

TRACK LISTING

1. Mr Mistake (Boards Of Canada Remix)
2. Mr Mistake (Boards Of Canada Remix Instrumental)

A fusion of traditional Latin and Afro-Cuban rhythms meets disco, jazz, and funk, with hints of 70s soundtrack productions, this much- loved cult album featuring nine predominantly instrumental tracks is a real treasure that deserves a much wider appreciation. One look at the trippy artwork and you know it is going to be special.

Originally released in 1977 on Areito Records, a sub-label of the state-owned label Egrem, it has become one of the rarest (even in Cuba) and most in- demand albums to come from the label. It is the sole album from Grupo Los Yoyi and was composed, orchestrated, and produced by the mysterious, Jorge Soler Leo.

After Castro ring-fenced Cuba with an embargo on, among other things, Western music, the 'Yoyi' album had a sound more left of centre than what was normally allowed to be recorded there at the time. It subtly and covertly flirts with disco, jazz-funk, and electronic sounds coming from the US and Europe. It is probably best known for the space funk, bubbly club cut 'Paco La Calle'. A track that was edited in 2008 by the fantastic DJ / producer, Nick the Record, and one that is guaranteed to set a discerning dancefloor alight. However, 'Yoyi' is far from a onetrack album. Other highlights include, 'Banana', with its call and response trombone and horn section, squelchy keys, pulsating breaks and percussion, and a loose, floating vocal arrangement. 'Tu No Me Puedes Conquistar' is a beautiful, bouncing plodder with a variety of instruments interchanging as the track progresses. 'Ruta 30' takes things in a straighter Latin direction, which we are accustomed to from Cuba at that time, yet it is still full of personality, treats and vigour. Take our word for it, this album is strong throughout.

This is one of our favourites and most beloved albums to come out of Cuba and is the perfect flagship for our Cuban Classics Series. Look out for plenty more to come real soon.

TRACK LISTING

Mr Beatnick & Richard Greenan present their debut full length collaboration, "Coasty". Brought together by their twin residencies on NTS Radio, the duo have forged distinct paths in respective scenes over the last decade - as producers, DJs and label heads of imprints Mythstery and Kit Records.

The strength of their partnership is built on contrasting styles; Mr Beatnick's sound orbits the woozier fringes of house and hip-hop, while Richard Greenan has settled in the cracks between ambient, textural experimentation and the avant-garde. Here, these approaches coalesce in unexpected ways - with violin, harp, guitar and saxophone finding themselves serrated by volleys of percussion and punchily melodic bass.

With much of the music recorded during the pair's residency in Margate, the album documents a weekend toasted and skewed progressively sideways. The opening salvo of cascading synth muscle ("Goodnight Mush") and fragmented acoustic stepper ("Superb Crafty Gardens") could evoke Devo and Pete Rock breaking fried toast over a dirty fry up. Side A's pop sensibilities peak on the lucidly string-laden "Harbour Arms", complete with pristine guest vocal by bb sway.

Then, like the work of a pair of pissed beavers, things start to get pretty weird. Familiar structures ferment laterally, from the midi swamp-hop of "Bellows of the Earth", to the cooked techno-funk stylings of "Bronze Pears". "How to Draw Roger" offers a magma-like credits roll, the sun's purple yolk poached over a hoppy sea of amber.

TRACK LISTING

1. Goodnight Mush
2. Superb Crafty Garden
3. Harbour Arms (feat. Bb Sway)
4. Bellows Of The Earth
5. Sad Brasstard
6. Bronze Pears
7. To Sea Is To Be
8. How To Draw Roger

Minas 'Num Dia Azul' is a sublime slice of private press bossa nova meets jazzy MPB perfection.

Warm and bubbling with youthful spirit, the music is simultaneously loose in swagger, yet slick and tight. The album was originally released in 1983 and reflects the great music coming out of Rio at the time, yet 'Num Dia Azul' wasn't recorded in Rio, but actually in the USA.

Recorded in North Carolina just after Patricia and Orlando Haddad had graduated from the North Carolina School of the Arts, the record was only released for the Brazilian market on their own Blueazul Records imprint. As with most private press labels, they could only afford to have it pressed in small quantities. To add to its later obscurity, hundreds of copies were also destroyed in a house fire. They say cream always rises to the top, and fast forward to the 2010s, the word amongst collectors and DJs was spreading about this mythical under-the-radar recording. People from across the globe were contacting Patricia and Orlando for more information, hoping to secure themselves a copy. Luckily the original tapes had remained with the artists and were in great condition, so in 2016 the pair ran a successful Kickstarter campaign to have it remastered and repressed.

For this Mr Bongo 2023 re-issue, we have tried to keep it as close to the original 1983 version as possible, both in the packaging and audio presentation. The CD version comes with bonus tracks. We are super proud to keep Patricia and Orlando's serene recordings in the circulation that they deserve to be. One for fans of Brazilian artists such as Burnier & Cartier, Edu Lobo and Joyce. We are sure those fans will lose themselves in the alluring textures of 'Num Dia Azul'.

Lush, private press bossa nova & jazzy MPB from 1983.

For fans of Burnier & Cartier and Joyce. Audio.

TRACK LISTING

Num Dia Azul
Sinal Verde
So Danco Samba
Calma Mulher
Cancao Da Chuva
Samba Walk
Choro Sambaiao
Ipanema (1981)
Samba Walk (1981)

With two critically acclaimed albums and a swathe of award-winning production turns under their belt, Ana Frango Eletrico present their most confident and accomplished work to date: "Me Chama De Gato Que Eu Sou Sua / Call Me They That I'm Yours"

Gesturing to a tradition of Brazilian boogie music, but bouncing with modern pop ebullience, the album sees the Rio artist evolve from a captivating upstart into a surefooted scene leader in full stride.

At just 25, the prolific artist and producer has already garnered worldwide admirers. Ana's sophomore "Little Electric Chicken Heart" was nominated at the 2020 Latin Grammys. Since then, standalone singles have received the WME Best Music Producer Award, recognising Ana's deep passion for music production - a passion which has led to collaborations with nascent Brazilian stars Dora Morelenbaum, Illy and Sophia Chablau. Most recently, Ana was hailed for their co-production of Bala Desejo's 2022 Latin Grammy-winning album "Sim Sim Sim".

The new album finds Ana at their most assured and full voiced. Album opener "Electric Fish", with funky bass and shimmering backing vocals, sets a buoyant tone. "Boy of Stranger Things" is its bombastic counterpart. It's the grooviest Ana has ever sounded. And the most brazen. Lyrically, where Ana was once oblique on personal matters, they are now forthright - lucidly exploring their gender identity, citing accessible cultural references, and often singing in English.

'I started this album in 2021 with the intention of showing, in means of sound, understandings and feelings about queer love, subjectively exposing myself,' the non- binary artist states - before qualifying that though 'feeling was its driving force, the album is really about musical production.'

'There's so many references to different decades,' Ana explains. 'Seventies drums with eighties processing ... Going back, getting beyond ... Testing the limits of organic sounds'. Characteristically playful, on Me Chama, Ana takes vivid and rewarding detours through funk-inflected R&B ("Dela") and art pop ("Dr. Sabe Tudo"). "Nuvem Vermelha" is a cinematic chanson with lush strings that recalls Arthur Verocai. Then, "Coisa Maluca" loafs with the indie insouciance of Canadian slacker Mac Demarco. Later, "Let's Go Before Again", is a full-on drum machine workout evocative of Stereolab.

TRACK LISTING

Electric Fish
Dela
Nuvem Vermelha
Coisa Maluca
Boy Of Stranger Things
Camleo Azul
Insista Em Mim
Let's Go To Before Again
Debaixo Do Pano
Dr. Sabe Tudo

The Brazilian composer, pianist and producer, Mario Castro Neves and his group, Samba S A's self-titled album from 1967 is oozing with class.

It possesses that archetypal 60's bossa nova, jazz, samba sound. We'd place it up there with Sergio Mendes at his finest, Tambo Trio or Milton Banana. It's a breezy ride that touches on easy listening at times, but it holds it together with a cool swagger. Biba and Thais Do Amaral's vocals are on point, with a relaxed delivery that compliments the tracks with the sublime beauty a la vocal groups such as Quarteto Em Cy, who Biba also sang with, as well as with Antonio Adolfo's e A Brazuca. Also appearing on the record is bassist extraordinaire, Novelli who worked with Milton Nascimento, Nelson Angelo E Joyce, Airto, and many of the greats of Brazilian music of the time.

The album has long been a favourite with DJs and collectors over the years, with songs selected for compilations by Gilles Peterson and Nicola Conte. One of the centrepieces of the album, 'Candomble', has been sampled by Cut Chemist on his track 'Povo De Santo'. The song 'Nana' is punchy and light with dancefloor- jazz appeal. The gloriously catchy 'Vem Balancar' is a brilliant bossa shuffler. A superb listen throughout, the album sticks to a framework but delivers in spades.

Though released on the major- label RCA Victor, original copies are elusive, sought-after items with a price tag to match. For this reissue, we have opted for the Mono master, mirroring the original 1967 Brazilian pressing. Instantly familiar, the album has a welcoming feeling of nostalgia and is something that stays with you from the first listen.

A sublime bossa nova and samba rarity from 1967.

Includes 'Candomble', as sampled by Cut Chemist.

For fans of early Sergio Mendes and Quarteto em Cy.

TRACK LISTING

Candomble
Yearning Lovers
Nana
De Brincadeira
Bye Bye Blackbird
E Nada Mais
Keep Talking
Vem Balancar
Once More
Morte De Um Deus De Sal
Ta Por Fora
Corcovado

"Mr Beast" is the band's fifth album and the follow-up to 2003's "Happy Songs For Happy People" and was recorded in the band's new Castle Of Doom studio in Glasgow. As the title suggests, this is a record of considerable size and weight - a monster creation that started out as a return to the heady, bone-crushing volume and intensity of earlier recordings, and then mutated into a many headed, many mooded beast. It opens with "Auto Rock" - whose sweetly melancholic, central piano motif is gradually engulfed by a swell of fulsome guitars and pummelling drum beats - and closes with lurching, psych-rock behemoth "We're No Here". In between are eight future Mogwai classics, including the heads-down "Glasgow Mega-Snake", where what must surely be a dozen guitars swarm around a molten metal core like crazed killer bees, the drum machine-driven country gospel of "Acid Food", which features pedal-steel guitar, the wintry splendour of "Friend Of The Night" and the impossibly poignant "I Chose Horses", featuring guest vocalist Tetsuya Fukagawa (of Japanese hardcore band Envy) and a keyboard contribution from composer/arranger Craig Armstrong. Whether light and lean or dark and monstrous, however, these songs underline Mogwai's belief that to have meaning, rock needs both mass and monumentality. If "Mr Beast" has one thing, it's presence.

Compiling the follow-up to a very successful first album is always a tricky task, but just 12 months since the release of volume one in the 'With Love' series, miche has excelled himself once again with another glorious, deep dive into the world of rare soul0

15 tracks of independently released music, created by magnificent artists with stories to tell and primed for rediscovery.

The ambition to celebrate under-the-radar artists has remained, but instead of a facsimile of volume one, what we have here is a selection shaped by life changes. Volume two is for the dancers; still soulful, still ultra- rare and slept- on records from the USA, Chile, Brazil and beyond, but the dynamics of the collection have shifted slightly. It represents a move from being immersed in a week in week out environment of beautiful, soulful music in a cosy, dimly lit hi- fi bar to playing livelier, more energetic, dancefloor-focused music in nightclubs. This volume will get you on your feet, make you move and unleash whatever it is that makes you get down.

One of the jewels in the crown of this compilation is a joyous, anthemic gospel version of Stevie Wonder's 'As' by The Family Tree (a project produced by the fantastic Julius Brockington). We are also treated to a rare and sought- after Pennsylvanian funk / AOR bomb by Maxwell, a stunning modern soul tune 'High On You' by Freedom, and self-released Brazilian 45s by Banda 22 and Ze Da Lata. P.J. City's 'Straight Forward (Non- Stop)' is gospel- disco perfection, and we also have 'Dame Solamente Amor', a sublime, soul beauty from Chile by Rogers Mitchell. Many of these artists featured in this compilation aren't household names, but they deserve their moment to shine, to be heard, loved and appreciated for their artistry.

As miche says it, "I hope this compilation helps in some way to keep this glorious music alive and play a part in connecting generations of music lovers from the worldwide soul family. As always, it has been made 'With Love'."

A connoisseur's selection of lost and rare modern soul, disco gospel, boogie, jazzy AOR, and Brazilian gems.

TRACK LISTING

Billy Boomer - I Like What She's Doing
P.J. City - Straight Forward (Non-Stop)
Maxwell - Realize
Cecil Lyde - I'll Make It On My Own
Mixed Generation Enterprize - Take To The Sky
Mark Meadows - You And Me
Alice Cohen & Fun City - Save The Best 'Til Last
Banda 22 - A Luz Que Brilha Meu Viver
Ze Da Lata - Misterio Brilhante
Rogers Mitchell - Dame Solamente Amor
The Eleventh Commandment - Then I Reach Satisfaction
Billy Boomer - You Can't Hide
Freedom - High On You
The Lost Family - Blow My Mind
The Family Tree - As 

Singer-songwriter Dora Morelenbaum is one of the stunning voices at the forefront of Brazil's exciting new musical wave Her sublime 'Vento De Beirada' EP takes you on a trip into the sensuous sounds of Dora's world. On first hearing her music, we were reminded of the transformational moment when we first discovered the Brazilian singersongwriter, Joyce. The music is completely new to you, yet instantly familiar, like rediscovering a past love.

Dora is a member of the Brazilian Latin-Grammy-winning superstar quartet Bala Desejo; a trailblazing light opening up Brazilian music to a whole new audience outside of the country. 'Vento De Beirada' EP showcases a different sound to the riotous, joyful, avant-garde Tropicalia sound of Bala Desejo. This solo set takes a more dream- like, downbeat, MPB stance. It is firmly contemporary, yet you can also trace the lines of influence back to idols such as Gal Costa and Maria Bethania.

The EP is comprised of four tracks that have already garnered critical acclaim following their digital release. It starts with the tender and gentle 'Japao', which was inspired by the melodies of the legendary Japanese composer, Ryuichi Sakamoto. Sakamoto once collaborated with Dora's musician parents, Paula and Jaques Morelenbaum, when she was young. 'Do a Do' is drenched in lush, sweeping strings that were arranged by her father himself, and is co- written by Dora and Tom Veloso of the band, Donica. There's further collaboration on the EP, including production from one of the lynchpins and stars of the current Rio scene, Ana Frango Eletrico. Fellow Bala Desejo band member, Lucas Nunes, contributes towards the production, writing, and guitar with Guilherme Lirio also on production, guitar, and bass. Whilst Bala Desejo's Ze Ibarra penned the song 'Vento De Beirada' with Lucasand Victor Vasconcellos. The four- track EP has been cut to 12" and mastered for vinyl by Joker (Liam McLean). With crystalline beauty and a breezy sense of ease and serenity, sounding classic yet contemporary. This release serves as the perfect introduction to an extraordinary talent.

The sublime solo EP from a member of the Latin-Grammy award winning superstar quartet, Bala Desejo.

Taking us on a sensuous ride into the world of one Brazil's most exciting new voices.

For fans of Gal Costa, Joyce, Maria Bethania.

TRACK LISTING

Japao
Vento De Beirada
Avermelhar
Do A Do

Daniel Ogren is one of the key artists in Sweden's contemporary, underground music scene. He has already accrued quite the back catalogue, both as a member of the sensational quartet Dina Ogon and also as a solo artist with eight albums already under his belt.

'Fastingen-92' was originally released as a limited-edition vinyl pressing in 2020 on the independent label Sing A Song Fighter Records (the same label that first introduced us to Dina Ogon's music). The album came to our attention after hearing Daniels' solo band performing live at the Stockholm Jazz Club, Fasching. The band featured Love Orsan and Christopher Cantillo of Dina Ogon fame (who also records with the incredible Sven Wunder), and their sensational genrebusting set blew us away. It convinced us that this now out-of-print album needed to reach a wider audience.

'Fastingen-92' doesn't sit in one genre, it draws from Daniels's love of South American folk music, soul, Nordic folk music and film soundtracks, resulting in something unique, dreamlike and transformational.

It features 'Idag', an epic, beautiful, cinematic song that introduces the ethereal vocalist Anna Ahnlund. 'Idag' has gained a cult following and Daniel has stated that it was the spark that started the Dina Ogon project. Tracks like 'Annalena' and 'Kristinehamn by Night (for Christopher)' sound like a new club sound that hasn't yet been invented (which Nicola Cruz would spin in his DJ sets), mysterious, hypnotic, and engaging. Other songs like 'Maj (for Tintin)' and 'Picasso' venture into blissed- out Scando- Balearic realms. Daniel's love of nature and the inspiration he draws from the geographic environment of the Swedish countryside can be felt in these tracks, they take you to other places and times and are simultaneously familiar, ancient and alien.

Alongside the collaborations with Anna and Christoper, the album features Josefin Runsteen playing the drums on 'Idag' and Swedish musicians Edvin Nahlin and Ulrik Ordin. The majority of the album was played, recorded and mixed by Daniel. For the Mr Bongo edition, we have added the bonus track 'April' which was previously only available digitally. 'Fastingen - 92' is a truly remarkable record that gets into your soul, so please delve in!

TRACK LISTING

Annalena
Hjalmarsfjorden
Idag
Kristinehamn By Night (for Christopher)
Maj (For Tintin)
Picasso
Levi
Oktober (For Lo)
April

Legendary DJ and edit king Mr K is back on Most Excellent Unlimited with the latest in their essential collaborative series. As always this is a slab of wax that offers up two gorgeous cuts that have been skilfully cut down to a maximum 7" 45rpm format. The first is Luther Vandross's 'Funky Music (Is a Part of Me)' which David Bowie later reworked to become one of his many hit singles 'Fascination.' In its original form, it has rickety soul grooves and lavish stings next to the soaring vocals. The tune second is Zulema's 'Giving Up' which has a dramatic intro, Mr K remasters it and allows the rolling piano, great string ensemble and guitar sounds to really cut through clearly. Two bonafide dancefloor delights.

TRACK LISTING

Funky Music
Giving Up

In partnership with London-based DJ and digger, Miche, the series will feature his latest discoveries, as well as choice cuts, taken from his 'With Love' compilations. For the inaugural offering, we take a trip to hazy San Francisco, California, in 1977. Smoke, Inc. were an emerging band in the Greater San Francisco Bay area and a regular fixture in the buzzing live music scene. They had a strong following and were in rotation in most of the Bay area clubs, as well as opening for numerous prestigious acts such as Sly & The Family Stone, Taj Mahal, The Pointer Sisters and Toots and The Maytals. Members of the group worked with Jimi Hendrix, Stevie Wonder, Frank Zappa, Martha Reeves & The Vandellas, and many others considered the cream of the crop of the music world.

Smoke, Inc. featured Roy Schmall on keyboards and vocals, Stan Terry on lead vocals and harmonica, Michael 'Ollie' Schotka, on bass and vocals, Keith Stafford on drums and vocals, and Archie Williams Jr on guitar. They went on to release one 12" EP and two 7" singles. One of those 7's included 'Waitin' For Love'. It was first released in 1977 and came out on the band's own self-titled imprint. It has gone on to become their rarest and most sought-after recording, now fetching up to an astonishing GBP2,500 on Discogs. It is a breezy, feel- good, modern/ crossover soul beauty, with an infectious sing-along chorus, floaty flute solo, and packed with pure, uplifting dancefloor energy. The B-side features a cover version of the Holland Dozier & Holland- penned classic 'It's the Same Old Song', made famous by the Four Tops.

Miche enthuses, "I included this gem on my first 'With Love' compilation and knew that it deserved its own dedicated reissue complete with original artwork. I'm delighted to get the chance to make that happen for this incredible, soulful AOR glide from a band that is well due another round of appreciation. It's very rare, and consequently very expensive, so here it is for you all to spin and add to your record collections."

46 years since its original release, it is our privilege to help Roy and the gang's light shine once again and let a whole new audience relish the beautiful sounds of 'Waitin' For Love'.

TRACK LISTING

Waitin' For Love
It's The Same Old Song

Deluxe 20th anniversary edition of the classic Mr. Scruff album. 2LP (blue / red vinyl) with iconic artwork by Mr. Scruff & Airside plus infinity peelable trouser sticker on the cover to reveal silver and gold foiled 20th anniversary trousers. 

Our review from 2002
Brilliant and long awaited third LP from the Stockport man. It combines favourite Scruff flavours of quirky breaks ("Come On Grandad", "Champion Nibble"), funky hip hop ("Vibrate" with Braintax), soulful grooves ("Come Alive" with Niko) and sea shanty sillyness ("Ahoy There" is "Shanty Town" continued, even down to the Michael Aspel 'Ribena Sights & Sounds Of The Sea' samples) with added (nu) jazz stylings (loads of these tracks have been played by Gilles Peterson on his 'Worldwide' show). Check "Beyond" with Seaming To, or great intrumentals like "Giffin", "Shelf Wobbler", and "Sweet Smoke". All in all I think it's even better than its predecessor! Essential!

TRACK LISTING

A1. Here We Go
A2. Sweetsmoke
A3. Come Alive (feat. Niko)
A4. Shrimp
B1. Vibrate (feat. Braintax)
B2. Ug
B3. Shelf Wobbler
C1. Valley Of The Sausages (feat. Sneaky & Seaming To)
C2. Champion Nibble
C3. Come On Grandad
D1. Beyond (feat. Seaming To)
D2. Giffin
D3. Ahoy There!

"Curating and ordering the tracks for a Mr Bongo Record Club is always special You're reminded of the feelings you had when sitting at home with a cassette player on pause trying to compile the perfect mixtape to impress the latest object of your affection, or that friend with whom you share a musical kinship and spark off each other's latest discoveries. Hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight.

Here, for volume six, we present recent finds and treasured classics from Brazil, Sweden, the USA, South Africa, Portugal, Japan, Trinidad and Tobago, and Canada. We have included selections by the Brazilian rising star Dora Morelenbaum as well as from heritage-Brazilian musicians and vocalists Hareton Salvanini, Copa 7, and Mirna. There's also the wonderful Brazilian- not- Brazilian take of 'Ye Me Le' by Hazel Scott And The Braza Brasil, plus sublime gospel from the New York Community Choir. We've picked disco and soul rarities by General Lee and Ash Soul, Inc., and for the first time on vinyl, an incredible psych- pop song by the illustrious Matthew Tavares. There are cuts from some of our favourite contemporary Swedish musicians, Sven Wunder and Dina Ogon too."

TRACK LISTING

Dora Morelenbaum - Japao
New York Community Choir - I'll Keep My Light In My Window (12" Mix)
General Lee - Pleasure
The Drive - Africa Bossa
Chiemi Eri - Okosa-Bushi
Manny Corchado And His Orchestra - Pow-Wow
Sven Wunder - Easy Going
Dina Ogon - Bakom Glaset
Vee Gees - Talkin
Mave & Dave - Do You Really Want My Love
Hazel Scott And The Braza Brasil - Ye-Me-Le
Ines Soares - Um Amor Para Toda A Vida
Hareton Salvanini - Estrada
Copa 7 - Copa Sete No Samba
Mirna - A Volta
Dina Ogon - Tombola 94
Unknown Artists - I Do You Love
Ash Soul, Inc. - I Do Love You
Ponderosa Twins Plus One - Bound
Matty - Blood
Shira Small - Eternal Life

A pianist, songwriter, producer, and vocalist from New York he is a mystical figure for record collectors, one of those artists where if you found an old dusty record with Don's name on it, you'd buy it on sight. He is best known for his 1982 magnum-opus, the eponymous album that featured the all-time classics 'Heart's Desire' and 'Holding You, Loving You'. He also collaborated with other greats such as Bernard Wright, Weldon Irvine, Roy Ayers, and Lenny White.

We couldn't believe it when Chicago DJ/ digger/ producer, Marc Davis, told us there was a vault of unreleased Don Blackman material. Marc had reached out to Don's children, Irene and Kyle, in 2019, building a relationship with Kyle with whom he shared a musical affinity. To Marc's delight, Kyle confirmed that there was indeed a treasure trove. As Kyle described it, "In 2013, shortly after my dad's passing, my sister and I collected all of his possessions and put them in a storage unit. I came across forty years' worth of music history. Hundreds of cassettes, CDs, Disks, reel- to- reels, paperwork, photos and VHS tapes. It took about ten years to organise and digitise everything. All of this magic was almost thrown away in the trash, never to be seen, never to be heard forever."

Two tracks were selected, 'Your Love Makes Me Crazy' and 'Say You'll Be Mine'. 'Your Love Makes Me Crazy' is as funky as it gets, with infectiously catchy vocal hooks, and a serious jam, whereas 'Say You'll Be Mine' is a classy, soulful boogie, instrumental number, that shows off Don's masterful piano playing. Both tracks warrant full attention and capture a master at work. He was also a one-man show when it came to production, playing all of the instruments when recording these tunes in his home studio in South Jamaica, Queens.

On first hearing the tracks, Marc knew he wanted to extend the songs and enlisted fellow Chicago legend, Tone B. Nimble, to work on the project with him. Their extension/ edit of the songs was conducted in a way that was respectful and true to how the tracks were originally recorded by Don. They extended and resequenced the groovy parts of the songs organically for the DJs and dancers.

The final words on this release are best coming from Kyle, "We are very excited and thrilled to continue to share all of this unreleased magic with the world. We hope that this music will help, heal, and inspire a new generation of artists to never give up, and to strive for what their hearts desire."

TRACK LISTING

Say You'll Be Mine
Your Love Makes Me Crazy

Without question, Gal Gosta is one of the all-time greats

An inspirational, iconic figurehead in Brazilian music, her outstanding career ran from 1967 up until 2022 when we sadly lost her. Making her mark initially as one of the principal figures in the Tropicalia movement of the 60s, she remained a trailblazing beacon that lit the way for decades to come. Gal continued to record and play live throughout her life, influencing and collaborating with the current cream of the Brazilian music world, such as Ze Ibarra, Rubel and Tim Bernardes.

'India' is a post-Tropicalia masterpiece that was originally released in 1973 on the Philips record label. It features a stellar line-up of musicians including Gilberto Gil, Arthur Verocai, Dominguinhos, Rogerio Duprat and Tenorio Jr. amongst others.

The album's iconic, controversial cover art was banned by the Brazilian military dictatorship upon its release, which resulted in it being covered up and wrapped in a blue plastic bag when sold in record shops. It is one of Gal's strongest albums, consistently exceptional throughout and the perfect starting point for those unfamiliar with her rich catalogue. It includes the incredible 'Pontos De Luz', one of our favourite Brazilian songs of all time, and famously sampled by Kaytranada on 'Lite Spots'. There's also the accordion- led scorcher 'Relance', which still rocks discerning dancefloors to this day. A wonderful album from start to finish, touching on MPB, folk, jazz, funk and rock with strong Tropicalia and Nordestino influences throughout.

For its 50th anniversary, we knew we had to do something special, so we enlisted the sensational mastering and lacquer- cutting engineer Miles Showell from Abbey Road to cut a half-speed master for a beautiful spacious sound. The album is housed in its original replica gatefold cover with an OBI. There is also an insert with an interview, and an A2 poster exclusive to this release.

RIP Gal Maria da Graca Penna Burgos Costa, your light shines on.

TRACK LISTING

India
Milho Verde
Presente Cotidiano
Volta
Relance
Da Maior Importancia
Passarinho
Pontos De Luz
Desafinado

"My Bed Is An Island" is the third single from The Chesterfields new album "New Modern Homes". A live favourite on the recent tour dates, the vinyl 7inch version is limited to 300 copies worldwide and comes in a luxurious package of a classic 90s style indie fold-out sleeve in a memory game style, and two inlays including a full discography plus an album souvenir insert, designed by the Terrible Hildas.

The illustrious, London-based duo Kit Sebastian, aka Kit Martin and Merve Erdem, return with a limited edition 7" single.

It features 'L'addio', a breakbeat driven, sultry ballad, and 'Hayat', a hazy, psychedelic scorcher that delves into the band's Turkish and Azerbaijan influences.

'L'addio' saw the band perfecting their production and orchestration, with strings, horns and double bass, and an Italian synth found in a French dump.The music was greatly influenced by Italian soundtracks and Italian female singers, such as Mina or Rita Pavone.The track announces itself with a break that is guaranteed to get samplers twitching. The tone of the melody and lyrics is heartfelt and aching. It has a beautiful, intimate sadness like the closing scenes to a love affair, and it exquisitely rides over the slow, psych-funk-dramatic backing track. The lyrics are inspired by a flatopposite Merve's window that's occupied by drug addicts, with many guests coming in and out every night. Merve elaborated "Being both neighbours and strangers, and with the boredom of a post- tour everyday domestic life and a pinch of urban voyeurism, it was hard not to wonder what was happening in that flat. The words imagine an addict before her/his golden shot as if it's a love relationship between them that comes to an end."

Having spent much of 2022 touring and writing, 'Hayat' was the first original composition the band recorded since their October 2021 album, 'Melodi'. Here we see them weaving a psychedelic tapestry of Mugham melodies, organ- driven grooves, and jazz- pop harmonies in classic Kit Sebastian fashion. Recorded to Fostex 1/4" tape, the essence of the production is perfectly balanced between being brand new and retro, which is a feat very hard to pull off.

'Hayat' is sung in Turkish and the title translates as 'Life' in English. The song examines our desire to find one's place in the world and the provisionality of existence. Merve's searching lyrics ask"Where are you? Where is the universe?".Her vocal delivery perfectly reflects the lyrical focus, its texture is probing and ethereal, almost as if sung from looking above us.

STAFF COMMENTS

Matt says: Absolutely perfect for summer, "Hayat" has an air of Khruangbin and Surprise Chef about it, albeit with a wild Turkish keyboard solo halfway through. L'addio drapes long dresses and dim lights over its late afternoon haze - a sexy poolside smoocher to top of a perfect day paddling in the shallows with your loved one.

We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album.

Blending lo- fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection.It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7" singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away from the music industry hubs of Rio de Janeiro and São Paulo, making this record insanely difficult to find, even in Brazil. Added to the scarcity factor is the magical nature of the recording, which has naturally resulted in a hefty price tag to match. Original copies have become a prized, collector's item.

The elusive Brazilian band leader and keyboard player, Guilherme Coutinho is a true cult artist. He passed away in 1983, at the age of just 41, and during his career he only seems to have appeared on a handful of marvellous records, which makes them all the more special. This album feels individualistic and distinctive from other albums of the day. Listening back to vocalist Elinho's (aka Hélio Rubens de Oliveira) delivery, it sounds not too dissimilar to some of Belle & Sebastian's songs. 'Guilherme Coutinho E O Grupo Stalo' is rich in charm, quirky and playful. It feels cinematic, soothing and benefits from being heard in its entirety. A proper album experience.

A mythical album from 1978, blending Lo-Fi Brazilian tropicalia, jazz, funk and MPB to unique perfection.

A prized, collector's item.

TRACK LISTING

Atalaia
As Feras
Foicera
Rio Corrente
Macareu
Fuga
Flauta de Bambu
Tema Pro Alvarito

É Soul Cultura Vol. 1 seemed to land at exactly the right moment. Post-lockdown, optimism was back on the rise and the dance floors swelled again. For many listeners, Manchester based DJ Luke Una's intriguingly woven pattern of new, old, rare and under-discovered music from around the world became the soundtrack to rejuvenated positivity. Piccadilly Records (that's us!) made the release their top compilation of the year, with Rough Trade placing it as their number two. The enthusiasm from the industry was mirrored by record buyers and demonstrated that in the right hands, moving through genres, tempos and decades can make perfect musical sense.

This second volume gives another opportunity for Luke to share his journey of the past four decades of staying up late and getting transcendental whilst listening to holy grail music as the city slept. It at times ventures into the deeper, spiritual, soulful, downtempo, experimental aspects of his tastes. From the conscious, street soul fusion gospel of Veronica Mickie's 'Lost Children', to an excursion into Swiss, psych, progressive rock in the form of Pyranha, then onto the classic Indian music-inspired electronic workout of Andi Otto's 'Bangalore Whispers'. Luke hints at his softer side in Avis; a sweet, obscure cover version of Minnie Riperton's 'Baby, This Love I Have', as well as championing local heroes in the shape of Manchester's Yargo and their driving, obscure, proto-house belter, 'Marimba'. There's also Japanese, electronic, slo-mo heaviness from 1979, courtesy of Bach Revolution. House music is integral to the É Soul sound and is represented by Nav Aktah's deep remix of Mr Scruff, and then there's Isis 'In Essense'; a track of such majestic brilliance that it has never left Luke's record bag.

The selection is eclectic, global, and plucked from different times and spaces. In theory, perhaps they shouldn't work together, but there is a mysterious link that makes them gel as a whole. That's what Luke does best. He creates a sort of musical alchemy, unifying the diverse.

STAFF COMMENTS

Barry says: There's a reason Luke's first compilation was such a massive hit in the shop, and Volume 2 takes all of the afterparty energy of the first and stretches the outer limits of the sound field into more spiritual, off-piste excursions. Perfectly collated, researched and presented.

TRACK LISTING

Real Thing - Children Of The Ghetto
Avis - Baby, This Love I Have 
Veronica Mickie - Lost Children
Rare Silk - Storm (Arp Duppy Chip Mix)
LFO - Shove Piggy Shove
Bach Revolution - D.E 108
Andi Otto - Bangalore Whispers (feat. MD Pallavi)
Unnayanaa & Irfan Rainy Feat Ibtisam - Taht Min Aini (Alberghina Remx)*
Michael De Albuquerque - We May Be Cattle But We All Got Names
Pyranha - Clepsydre
Yargo - Marimba
Okyerema Asante & Black Fire - Play A Sweet Rhythm On Them Drums (feat. Plunky)
Mr. Scruff Feat. Nke - Giffin (Taken Re-edit Speechless Dub Mix)
Isis - In Essense
Frank Hatchett - Malibu Nites

* Vinyl Only Track.

A band who are at the forefront of Rio de Janeiro's artistic renaissance, they channel influences of Brazilian 60s Tropicália, 70s psychedelia and MPB to create a nostalgic, yet joyfully, avant-garde sound. The band is comprised of four distinct characters, each one an incredible talent in their own right and each with impressive credentials in the Brazilian Independent music scene. Central to the resurgent Rio de Janeiro musical community, the quartet of Dora Morelenbaum, Julia Mestre, Lucas Nunes and Zé Ibarra thrive in a group dynamic. They formed Bala Desejo to play collaboratively for a festival date in 2021, but when that show became a victim of pandemic shutdowns the idea for an album project materialised.

'Sim Sim Sim', which translates into English as 'Yes Yes Yes', weaves through a fusion of genres, taking twists and turns as it progresses. There is Tropicália, MPB, rock, samba-canção soul-funk and reggae in the mix. It possesses many of the qualities of a classic album from Brazilian music's golden era of the 60s and 70s, but also manages to sound very now, which is not an easy task to pull off. As solo musicians, they have worked and collaborated with Brazilian icons Gal Costa, Caetano Veloso and Milton Nascimento to name but a few. Bala Desejo feels like a natural extension of what came before, taking the baton from these luminaries, adding their unique spin and moving the sound forward. When we first heard Bala Desejo, we were blown away. Their epic theatrical live shows leave audiences stunned and they are the band we had always been hoping to find. A modern- day Novos Baianos or Mutantes, but definitely not an imitation. They celebrate their influences, but are an innovative group, and consequently, they have created one of the finest records to come out of Brazil in recent years. A truly sensational debut!

TRACK LISTING

1. Embala Pra Viagem
2. Baile De Mascaras (Recarnaval)
3. Lua Comanche
4. Clama Floresta
5. Dourado Dourado
6. Nana Del Caballo Grande
7. Nesse Sofa
8. Lambe Lambe
9. Passarinha
10. Sim Sim Sim
11. Muito So
12. Cronografia (O Peixe)

MPC grooves meet modular textures downtown on Mr Beatnick's "Joy in Variation", his third and most floor-focussed album to date. Steeped in the language and form of hip hop production techniques and shaped by his musical education propping up the wall of London clubs like Plastic People in the early noughties, the album offers eight playful dancefloor experiments in poly-rhythm, tempo-change and the colourful palettes opened up by modular synthesis exploration.

From the swing and bump of "Joy In Variation" and "Shuffle the Bud", to the tempo-switching beatdown of "Shapeshifter", vintage boogie-funk on "When This Is Over" and even a playful take on Tangerine Dream's 1983 staple "Love On A Real Train", this is a varied set designed to hit hard enough for club play, but stay chilled enough for deeper home listening.

"Joy In Variation" is further evidence of why Mr Beatnick's late noughties cuts like "Synthetes" and "Ice Cream Strut" continue to stay close to the boxes of discerning djs after all this time, and why his NTS Radio show has built such a dedicated following over the last decade.

TRACK LISTING

1. Joy In Variation
2. Shuffle The Bud
3. Poseidon
4. Wave Cascade
5. When This Is Over
6. Chime Of The Healer
7. Shapeshifter
8. Love On A Real Train

Mr. Confuse returns with a brand new series of 7Inches on Confunktion Records.

"No Time To Snooze" is a heavy up tempo funk tune with a disco feel. On the flipside "Break It Loose" catches your ear with a nice melody and a smooth breakdown part. Both songs feature heavy funk drums, a powerful horn section, funky guitar and driving Rhodes sound. Just the right sound for funkateers, organic sound lovers, disco heads and b-boys.

Don't miss this release on Confunktion Records as the 7 Inch vinyl version is limited to 300. Be quick on this one!

TRACK LISTING

1. No Time To Snooze
2. Break It Loose

The one and only Mr K sure does know how to cook up a masterful edit. Here he heads into gospel territory with the latest 7" in Most Excellent Unlimited's collaborations with him. Both of these tunes are appearing on 7" vinyl for the first time here and have long been staples of the sets of Danny Krivit. His 'Churchapella' edit of Madonna's 'Like A Prayer' is as holy and steamy as it gets with the whole thing sure to uplift and energise any crowd. On the backside is a superb edit of the Clark Sisters slinky rare groove gem 'Ha-Ya (Eternal Life).' It's a slightly slower tune but one that makes just as much of an impact.

TRACK LISTING

Like A Prayer (Churchapella Edit)
Ha-Ya (Eternal Life)

The popularity of Brazilian music from the 60s, 70s and 80s has experienced quite the renaissance; artists such as Gal Costa, Gilberto Gil, Arthur Verocai, Joyce et al, have become household names to an international audience passionate about global sounds.

However, even for die- hard fans and collectors of Brazilian music of the past, discovering contemporary Brazilian artists is not always easy, nor accessible. But, if you know where to look, you will see that there is a resurgence well underway that can be epitomised by an exciting new wave of Brazilian artists beginning to break through and gather momentum overseas. It's with thanks to Sound and Colours, a website devoted to promoting Latin American music and culture, that we can help shine a light on one particular collective, bursting with creativity and camaraderie.

'Hidden Waters: Strange and Sublime Sounds of Rio de Janeiro' is compiled by Joe Osborne (founder of specialist Brazilian music platform Brazilian Wax) and Russ Slater (editor at large of Sounds and Colours). Focusing solely on the 'Rio Scene', rather than taking on the mammoth task of tackling Brazil as a whole, this collection presents 20-plus ground-breaking artists selected from Rio's resurgent music scene. By presenting a snapshot into the pulse of the city and the vibrant musicians that live in it, 'Hidden Waters' collates tracks from a wide spectrum of musical genres from the avant-garde edge to bossa nova, samba, Candomblé, lofi rock, jazz and funk.

'Hidden Waters' showcases musicians such as iconic Rio mainstays Negro Leo & Ava Rocha, Brazilian jazz upstart Antônio Neves, critically lauded Avant- pop trailblazer Thiago Nassif, breakthrough artists Ana Frango Elétrico and Letrux, lofi psych rocker Lê Almeida, plus the Latin Grammy-winning Bala Desejo who are set to explode onto the world stage. The music featured on 'Hidden Waters' is unequivocally Brazilian, swelling with samba, bossa nova, funk, and jazz. But it's within the album's blend; from sunny psychedelia to dusky synth- pop via experimental electronics, that marks the compilation as the sound of modern, multicultural Rio.

This comprehensive compilation comes with album artwork designed by Rio music's leading album artwork designer, Caio Paiva. It features essays by professor and music critic Bernardo Oliveira and music journalist Leonardo Lichote, plus extensive notes on each track by the artists themselves.

Featuring ground-breaking artists from Rio's resurgent music scene, intent on bringing an avant-garde edge to bossa nova, samba, jazz and funk.

TRACK LISTING

Ana Frango Elétrico - Saudade
Pedro Fonte - Clichê
Bala Desejo - Lua Comanche
Ava Rocha - Boca Do Céu
Exército De Bebês - Avós Da Experiência
Thiago Nassif - Soar Estranho (feat. Arto Lindsay, Vinicius Cantuária & Gabriela Riley)
Negro Leo - Mulato
Mari Romano - Amélie
Rosabege - Sigo Num Site Mármore
Dora Morelenbaum - Vento De Beirada
Cadu Tenório & Juçara Marçal - Candombe - La Cacundê Iauê
Jonas Sa - Gigolô
Troá - Bandeide
Marcelo Callado - Simbora (feat. Silvia Machete)
Ovo Ou Bicho - Moços
Lê Almeida - Apreço Antigo
Vovô Bebê - Briga De Família (feat. Ana Frango)
Joana Queiroz - Dois Litorais
Raquel Dimantas - Flecha Azul
António Neves & Thiaguinho Silva - Das Neves
Letrux - Dorme Com Essa
Os Ritmistas - Sambolero

Lofi heavyweights Phlocalyst and Mr.Käfer unite again for the second volume of their joint project "Now / Again" on Melting Pot Music.

But wait a minute … is it really appropriate to label "Now / Again II" Lofi? If you follow one of the relevant playlists, you have heard some tracks by our two friends for sure and yes they are heavyweights within that scene (check their numbers). But what about the music? "Now / Again II" is far cry from sad piano loops, fake vinyl crackles and played out SP-404 effects (or whatever the racoon in you associates with Lofi).

Let's call "Now / Again II" contemporary smooth Jazz rooted in soulful Hip-Hop instead. Executed with a great ear for strong melodies, sophisticated arrangements and an everlasting love for blue notes. You won't regret it.

TRACK LISTING

1. Sunny Side Up
2. One Or Two
3. Pictures That Stay
4. Resources
5. Keep On Track
6. Slow Pace
7. Some New Soul
8. Helium
9. Like Children
10. Free Tones (feat.Sátyr)
11. Ventilator
12. Echoes

Jorge Ben is surely one of the world's greatest all-round musical artists He is internationally renowned and vastly influential as a vocalist, musician, performer and phenomenal songwriter. Famed for penning 'Taj Mahal', which was the source for Rod Stewart's 'Do You Think I'm Sexy?', and also 'Mas Que Nada', one of Brazil's most iconic anthems, Jorge Ben is a powerful musical force. A simple glance at his impressive back catalogue reveals a master of his craft, with a depth and quality that is seldom paralleled. For 'Tudo Ben' we take a side-step, focusing on Jorge Ben's songs that have been performed by other artists. Complied by Mr Bongo, Greg Caz and Sean Marquand, this collection features the Brazilian legends Elza Soares, Claudette Soares, and Wilson Simonal, alongside prodigious artists such as Marijô, Os Brazoes, and Doris Monteiro to name but a few. The selection covers a wide range of genres including samba, bossa nova, MPB and batacuda workouts. Many of the songs featured have become staples in Mr Bongo DJ sets over the years and are some of our most loved classics. As with many of history's great songwriters, Jorge Ben's songs transcend genres and styles, they can be covered and reinterpreted, yet the quality of the writing holds up to the standard of the original. In the dark days of the mid to late 2000s when the end of vinyl seemed inevitable, Mr Bongo released 'Tudo Ben' on CD only. Years later, they finally get to put this right and present it for the first time on vinyl with alternative artwork by Mr Krum.

TRACK LISTING

Tracks: Salinas - Tenha Fé, Pois Amanhã Um Lindo Dia Vai Nascer
Elza Soares - Pulo, Pulo
Sonia Santos - Speed
Osmar Milito - Rita Jeep
Wilson Simonal - Zazueira
Osmar Milito - Quem Mandou
Doris Monteiro - Se Você
Quiser Mas Sem Bronquear
Wilson Simonal - Que Pena
Osmar Milito - Morre O Burro, Fica O Homem
Os Originais Do Samba - Lá Vem Salgueiro
Os Brazões - Carolina, Carol Bela
Wilson Simonal - Crioula
Claudette Soares - Eles Querem É Amar
Os Incríveis - Vendedor De Bananas
Wilson Simonal - Brasil, Eu Fico
Cyro Aguiar - Rei Do Maracatu
Wilson Simonal - Resposta
Elza Soares - Mas Que Nada
Wilson Simonal - País Tropical
Os Originais Do Samba - Cadê Tereza
Marijô - Fio Maravilha
Os Originais Do Samba - Tenha Fé, Pois Amanhã Um Lindo Dia Vai Nascer
Os Brazões - Que Maravilha
Os Mutreteiros Grilados - Cosa Nostra
Os Originais Do Samba - Falador Passa Mal

Originally released under the title 'Samba Esporte Fino', its release and
subsequent international acclaim dovetailed with Seu Jorge's ascent into movie stardom. He is probably best known outside of Brazil for his work on Wes Anderson's 2004 flm 'The Life Aquatic with Steve Zissou', in which he played a starring role and his Portuguese covers of David Bowie records were a highlight of the soundtrack. Having initially found fame thanks to his standout performance as Knockout Ned in the revered movie 'City of God'. 'Carolina' would cement his global fame and launch an illustrious musical career that has earnt him a Grammy nomination. Co-produced by Mario Caldatto of Beastie Boys and Planet Hemp fame, the album presented a vibrant, contemporary combination of samba and funk, backed by guitar, bass, drums, percussion, and horns. It kicks off with one of Seu's most loved tracks 'Carolina', an anthemic feel-good classic with timeless energy, ending in a sing-along crescendo. Other highlights included the Brazilian- Funk of 'Mangueira' reminiscent in places of Tim Maia with its 80s inspired vibe, and the catchy jazzy-samba of 'Tu Queria' which always ignites the dance foor.

The enticing and exotic samba 'Redondo Sambao' is pure Brazilian fire. With beautiful female vocal-group arrangements, floating flutes and vibrating rhythms, this song oozes charm. Its only downside being that it is over far too soon. Originally released in 1967 on a compact 7" on the Som Maior imprint, to our knowledge, the group sadly only had a couple of releases. 'Brasileiro' is taken from Jorginho Telles' self- titled 1971 album and also featured on a 7", both released on Copacabana Records. The track switches between a hoarse male vocal crooner and a rough and raw psych-guitar, RnB dancer: totally magic!

TRACK LISTING

1. As Meninas - Redondo Sambao
2. Jorginho Telles - Brasileiro

Rubinho E Mauro Assumpção's 'Perfeitamente, Justamente Quando
Cheguei' has to be up there as one of the fnest Brazilian-psych-folk-MPB
records we know. Unfortunately, it's very hard to fnd in the wild; even on digging trips to Brazil, an original copy rarely shows up, and when it does, it comes with a hefty price tag.

This highly sought- after rarity was released on the Brazilian label Tapecar
Records in 1972 and is the one and only album by the sensational pairing of
Rubinho and Mauro Assumpção. Effortlessly blending folk, MPB, funky- psych, rock, and relaxed, swaggering samba, this record ought to be heralded as a true Brazilian classic. However, maybe due to its scarcity and the previous reissue predominantly being only available to the Brazilian market, it has not had a chance to fully shine and fnd the wider audience it deserves.

Through our reissuewe hope to put things right. Fans of records by Milton Nascimento and Lô Borges are sure to enjoy the same magic and allure in 'Perfeitamente, Justamente Quando Cheguei'.

In addition to being the album's songwriters, Mauro Assumpção took on the role of producer and Rubinho was co- producer as well as playing piano, organ, acoustic guitar and performing vocals. The record features the drummer Gegê who worked with Milton Nascimento, Edu Lobo, Nana Caymmi, Dom Um Romão and more. It also features guitarist Rick Ferreira, who played with Erasmo Carlos, Gal Costa and other greats. Rounding off the players on the album are Darcy Da Cruz and Formiga who have graced many a fne recording on horns. 'Perfeitamente, Justamente Quando Cheguei' is a truly stunning work that washes over you with beauty. Delve in and savour.
Brazilian-psych-folk-MPB at its finest - this highly sought-after rarity from 1972 is the one and only album by the sensational pairing of Rubinho and Mauro
Assumpção. A true Brazilian classic.

TRACK LISTING

1. A Montanha
2. Bloco Da Visao
3. Os Olhos
4. Sozinho Nao Estou
5. Dobra A Esquina Para Ver O Sol
6. Debandada Geral
7. Quero Companheira
8. Voce Falou
9. Quale A Sua
10. Pe Na Estrada
11. Ta Tudo Ai
12. No Mundo Da Lua
13. Quando Cheguei

This one takes us back! We originally reissued Waltel Branco's 'Meu
Balanço' in 1995, it was one of the frst releases to come out on Mr Bongo
It is a much-requested title with original copies becoming ever more-scarce and the price tag increasingly rising, so it feels ftting to present this stunning record once again for all to enjoy. Waltel Branco was born in Paranaguá, Brazil in 1929 and died in Rio de Janeiro in 2018. During his triumphant career he accumulated an impressive musical portfolio. A true maestro who from the 1950s onwards appeared on productions as a guitarist, writer, conductor, composer, and arranger. He worked with some of the greats of Brazilian music including Elis Regina, Dom Um Romao, Bossa Três, Marcos Valle and Tony Bizarro to name just a few. 'Meu Balanço' was originally released on CBS Records Brazil in 1975. It is Brazilian big band, orchestrated jazz-funk at its finest. Echoing the library and film productions created in Europe and the USA at the time, it also displays the hallmarks of Waltel's heritage with distinct threads of Brazilian favour running throughout. The musicians on the record include under- the- radar players that were the backbone of the Brazilian music industry in the 1970s including Luizão Maia on bass, Edmundo Maciel on trombone and Paulinho Braga on drums. The album firts between jazz-funk, cinematic library excursions, breaks and beats, easy- listening, and 70s cop show instrumentals. It is a breezy ride into Waltel's world, wonderfully nostalgic and of another time and place, yet snippets of the production echo the beats of contemporary hip-hop iconic artists such as Madlib, knxwledge and The Alchemist. Brazilian jazz-funk at its finest from an iconic composer.

TRACK LISTING

1. Luar Do Sertão
2. Sonho No Céu
3. Meu Balanco
4. Lady Samba
5. Apenas Um Coração Solitário
6. Jael
7. Walking
8. Satiricon
9. Carmen
10. Meiguice
11. Petit Fils
12. Zoraia

Number 95 in the Brazil45 series sees things take an excursion into samba.

'Mar Afunda', what a track! Instantly addictive with its relaxed guitar and Cuica samba- rock beauty and mighty- fine vocal arrangements by Os Novos Crioulos. Taken from their collectible self-titled album that was released on Pirata Records in 1976. Its a track that always works its magic on the dancefloor.

Supersom T.A. keeps things uplifting with its female/ male paired vocal arrangements, key stabs and Cuica. 'Brasileira Roxa' is rich in breezy sunshine vibes. A beautiful slice of feel-good samba that was originally released in 1972 on a compacto 7" via Fermata Records.

TRACK LISTING

Os Novos Crioulos – Mar Afunda
Supersom T.A. - Brasileira Roxa

Number 94 in the Brazil45 series is one for the Brazilian boogie lovers out there.The vocal and instrumental group Os Carbonos from Sao Paulo had a long career that straddled the 60s, 70s and 80s

'Pássaro Selvagem' is taken from the latter years of their career. Its a bass driven, boogie- funk groove (with a bassline not too dissimilar to Queen 'Another One Bites The Dust') that is Brazilian boogie at its finest. Taken from the B-side to a 7" campacto released in 1981 on Copacabana records, its proven to be a favourite of Luke Una and we foresee it becoming a staple in your DJ box for years to come too.The B-side comes from one of our all-time favourite artists, the mighty Sandra Sa. Sandra is a wonderful vocalist, her intense and recognisable style is one of THE voices of the Brazilian boogie golden era. Check out her classic album 'Vale Tudo' (MRBLP230) on Mr Bongo for further proof of her credentials here. 'Palco Azul' is also taken off a 7" single from 1981 and is a feel-good dancefloor groover with punchy brass stabs, warm keys and uplifting chord changes. It contains all the right elements that we have come to associate with that knockout late 70s / early 80s Brazilian sound.

TRACK LISTING

Os Carbonos - Passaro Selvagem
Sandra De Sa - Palco Azul

Hailing from 1964 and originally released on the iconic Copacabana
Records, 'Um Balanco Pra Voce' by Os Rouxin is is one of the oldest releases featured in the Brazil45 series. This quirky, shufing bossa nova / exotic number was penned by the fabulous Arnaud Rodrigues and is taken from a fve-track 7" Compacto that features tracks that the group performed on television shows.The funky, soulful MPB 'O Viajante' by Wal Sant'ana is a long-time favourite here at Mr Bongo. Originally released on 7" by RGE Records in 1974, this male lead with female backing vocals groover is a sure- fre hit on the dancefoor and is equally enjoyable on headphones or at home. Uplifting, good vibes by the amazing Wal Sant'ana, whose vinyl output may have been small, but was certainly mighty.

TRACK LISTING

1. Os Rouixinois - Um Blanco Pra Voce
2. Wal Sant'Ana - O Viajante

We have to be honest, we don't know much about the mysterious Brazilian artist, Guto, we stumbled upon his 'Para Viver' album on Arlequi Records from 1979, by chance, during a digging trip to Sao Paulo. Once the needle dropped, we were hooked by 'Transito Livre', a charming MPB number with cool chorus changes and all-round soothing vibes. Light and breezy, and all the better for it. Tony Nunes' 'Por Favor' shifts things up a few gears. It's a racing Hammond organ and wah-wah guitar-led funky groover. At just over two minutes long, 'Por Favor' doesn't mess about. It's pure energy fring on all cylinders. It was originally released in 1973 on Odeon Records, but the track has more of a 60s psyche ModRnB feel and sensibility to it.

TRACK LISTING

1. Guto - Transito Livre
2. Tony Nunes - Por Favor

With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of "E-Soul Cultura".

It's best described by Luke himself, who writes: "As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33BPM pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again." For anyone who has enjoyed his epic 5 hour shows on Worldwide FM, you know what to expect from the man who is Luke Una. Variety and quality all the way. 

TRACK LISTING

1. Robson Jorge & Lincoln Olivetti – Eva
2. Chene Noir - Le Train
3. Metropolis - Every Time I See Him
4. The Brand New Heavies Featuring N'Dea Davenport – Stay This Way (The Lunar Dub)
5. Typesun - The P.L. (Extended Edit)
6. King Errisson - Space Queen
7. Yusef Lateef - Robot Man
8. Daniel Humair, Francois Jeanneau, Henri Texier - Le Cyclope
9. Airto Moreira - O Galho Da Roseira (The Branches Of The Rose Tree)
10. Francisco – Wache
11. Nar'Chiveol - Apocalypse Now Ho
12. On - Southern Freeez
13. Soylent Green - After All

On this 7" Mr Bongo presents two lost jazz tracks by the trombonist and Horace Tapscott-collaborator, Lester Robertson

Lester has worked with some of the greats of jazz including Gerald Wilson, Anita O'Day, Lionel Hampton and Roy Porter Sound Machine on the classic 'Jessica' album. Lester was a member of Horace Tapscott's The Pan- Afrikan Peoples Arkestra and features on the iconic underground jazz albums 'The Call' and 'Live At I.U.C.C.'. The Arkestra was set up in 1961 in Los Angeles and over the years has included wonderful, inspirational musicians such as Adele Sebastian, Kamasi Washington, Dwight Trible, Phil Ranelin, Arthur Blythe, Jesse Sharps and Nate Morgan.

These two recordings have recently been discovered on an archived master tape that little information on it other than Lester's name and the track titles. Sadly, the other players on the tracks aren't credited on the tape, so a line-up can't be 100% confirmed. Still, the magic of what they laid down in the session pays testament to their artistry. First up is the lively popping track 'Akirfa' in which Lester gets space to let rip and exercise his talents. On the flip is the euphonious 'Untitled Ballad', a mellifluent lullaby for an end-of-the-day wind-down.

Lost for a while, but thankfully not forgotten, these beautiful recordings finally get their chance to shine.

TRACK LISTING

Akirfa
Untitled Ballad

Mr Scruff designed t-shirt featuring step by step instructions for all you aspiring DJs out there.
Learn from the master.....

Some records just stop you in your tracks, they resonate with you and feel instantly familiar like an old friend, even on the frst listen SOYUZ's third album 'Force of the Wind' is one of those records.

It holds all the trademarks, beauty, and eccentricities of classic Brazilian recordings, from the 60s and 70s, that we have come to love. Think artists such as Milton Nascimento, Lô Borges, Burnier e Cartier, Arthur Verocai et al. But this record wasn't made in Brazil and is in fact a brand-new release.

SOYUZ (which translates as 'union') is a creative collective from Minsk, Belarus, led by composer, arranger, and singer, Alex Chumak, multi-instrumentalist, Mikita Arlou, and drummer, Anton Nemahai. SOYUZ's previous albums explored and reimagined the legacy of jazz-oriented, non-English-language pop music of the 20th century.

For their third album, there is a stronger focus, and it is infuenced by 70s Música popular Brasileira and building bridges from it to present-day Belarus. Alex notes that from the moment he frst encountered Brazilian music, he found in it a kind of concentrated emotion that felt as if it were familiar to him from his childhood. This non- verbal emotion and connection between the listener and musician echoes in the music, regardless of understanding of the language the album is recorded in.

TRACK LISTING

1. Song With No Words
2. Offscreen
3. I Knew It (feat Kate NV)
4. Glance
5. How Are You (Como E Que Vai Voce) (feat Sessa)
6. Beige Days
7. Morning Moon
8. Force Of The Wind
9. Weather Report

Glenn Fallows and Mark Treffel released their frst album, 'The Globefower Master Volume 1', on Mr Bongo in September 2021.With its lush, warm and timeless productions paying homage to classic 60s and 70s soundtrack composers, it was very well received and struck a chord with the scene's connoisseurs Louder Than War emphatically stated, "It's impossible not to like The Globefower Masters Vol. 1.", with Gigwise echoing that praise "slickly compelling retro vibes". The Globefower Master Vol. 2 is the slightly edgier and more grown-up sequel to Mark and Glenn's 2021 debut album. For this excursion, the Brighton-based duo wanted to lean a little further into their European flm soundtrack infuences, with particular inspiration mined from the works of Stefano Torossi, David Shire, and Roger Webb. This expansion of their sound builds upon the rich tapestry of cinematic funk a la David Axelrod, Serge Gainsbourg and Morricone that fashioned Vol. 1.Here, the arrangements, melodies, and harmonies have been refned; only what is needed is left. Pulled into its vortex for the ride. This record doesn't pull any punches. The recordings are drenched in visual imagery; they stimulate the senses and invite the imagination to roam. Ethereal, hazy memories of lost summers are triggered; the beauty of listening to music when driving along a deserted road in the Italian countryside lined with cypress trees heading towards the sun, and beyond. As the musical journey progresses, we even take a voyage to another planet. Whether these memories are real or constructed recollections of scenes from flm and television, the tracks evoke a feeling of nostalgia and comfort. Like all the best music, 'The Globefower Masters Vol. 2' takes us out of ourselves even if it's only temporarily. To consolidate the shape of the sound, drummers Timmy Rickard and Ollie Boorman (who also featured on Vol. 1) and John Maiden (Tricky collaborator) sprinkled their magic and forged their stamps onto the recordings. Collaborating with other talented musicians contributed to the picture Mark and Glenn wanted to paint. The 'Globefower Master Vol. 2' is a ftting tribute to the music they love and care deeply about and a glorious addition to their musical world.

TRACK LISTING

1.  Vibe Sharp 
2.  Echo The Oread 
3.  Remember Empathy 
4.  Calico Suite 
5.  Ely To Chi 
6.  Orquesta Es Vedr 
7.  A Voyage North
8.  Moogs Over Jupiter 
9.  Convention IV 
10.  Darkness Beneath 
11.  Walked For Days

The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes

For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped- out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy- wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress.A long way from his funk and afrobeat album 'Back To Rhythm', reissued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn't pull any punches.

For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka.

The album has become highly sought- after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag.

TRACK LISTING

Wanyamana Mapambazuko
Na Tu Penda Sana
Vita
Pygmy

Having just released a new single 'Our Songbird Has Gone' with Mr. Mellow's Music (28 years since their last record release), The Chesterfields are back with another single, this time a Double-A side featuring 'Mr Wilson Goes To Norway' (a follow up to 1987's 'Oh Mr. Wilson!'), with Simon on vocals, and 'Year On The Turn' on the flip, with Helen on vocal duties. These two tracks have been lifted from their forthcoming album 'New Modern Homes', which will follow in September, via Mr. Mellow's Music

A new compilation series kicks off with an absolutely belting double LP that features a selection of hard-to-find records (some impossible to find) and some that have been hiding in plain sight all along.

They all share common qualities, being that they are beautiful, soul quenched songs that sing of love, peace and unity."With Love: Volume 1" has been compiled by Miche and presents a curated selection of rare Brazilian, gospel, modern soul and jazz-fusion fire. We have Brazilian rarities by Alcione and Quientaessencia, UFO gospel by Keith Chism & Light, the jazz-funk / AOR sounds of City Lites taken from a Radio Station album, and the anthemic feel-good emotional soul of Belita Woods to name but a few.

Tracking down artists and musicians from the past is an art form. Like a seagull swooping for treats, sometimes the prizes are easily found, and at other times, it's the result of very late nights trolling through Facebook profiles, message boards, hitting dead ends and following red herrings, and yet still the search goes on. This compilation is a true labour of love with all the artists tracked down and licensed by Miche. It has long been an ambition of the London based musical connoisseur to compile an album, and like anything that requires craft, care, and knowledge - it takes time. There are many twists and turns in the hunt for those records that make your jaw drop.

A sublime selection of glorious modern soul, Brazilian rare gems and groovefuelled gospel. Featuring hard-to-find records, some impossible to find, and some that have been hiding in plain sight all along.

TRACK LISTING

South Funk Blvd. - Skying High (Getting Off On Your Lovin')
Ad Libs - Don't Need No Fortune Teller
Atlantis - Hung Up About You
Smoke Inc. - Waitin' For Love
Mandisa - Summer Love
City Lites - Now You've Gone Away
Papaya - Favela
Alcione - Este Mundo Tem
Quintaessencia - Serrado
Superior Elevation - It Was September
Keith Chism & Light - My Life And Song
Belita Woods - Magic Corner
Spare Hare - Ain't No Doubt About It
Sammy Acuna - Never Found A Girl
Sweet Mixture - House Of Fun And Love

38 years after taking their first tentative steps into the world of independent pop fame, The Chesterfields are back with a new album and live dates this September. New Modern Homes sees the band reuniting with producer John Parish who produced their debut album Kettle in 1987.

Founder member Simon Barber (bass, vocals) is joined by Andy Strickland (lead guitar, also known for his work with The Loft and The Caretaker Race), who briefly featured with the band in 1987, and more recent additions Helen Stickland (guitar, vocals) and Rob Parry (drums).

Musically the sound is an updated version of the music they made 30 odd years ago.

Mr Jukes is the solo moniker of Bombay Bicycle Club frontman Jack Steadman, who released his first solo album, God First, in 2017. The album featured contributions from legends such as Charles Bradley, De La Soul and Horace Andy, alongside a collaboration with Barney Artist, who Jack had quite simply stumbled upon on a Spotify playlist and never forgotten. The track was a standout and planted the seed for The Locket, a full length Jukes & Barney collaborative project released in 2021.

Barney’s music takes the vibrance of jazz infused hip-hop but with a London feel. Growing up in Forest Gate, East London, Barney balances conscious themes with old school grooves to create something instantly likeable, like the artist. He’s a larger than life presence, fun to be around and a searing, peerless talent too. A collaborator by nature, Barney grew up around Tiana Major9 and Jay Prince and has made music with Tom Misch, Loyle Carner, Alfa Mist and Jordan Rakei. 

TRACK LISTING

Side A:
1. Eternal
2. Air To Your Hidden Long
Side B:
3. 93
4. Run Away
5. Sacred Symphony 

Sounding simultaneously from the past, the present, and the future, the debut album 'MLDE' by Marxist Love Disco Ensemble seeks to eradicate both the trite from disco and the sobriety from political music.

Half poetic, half tongue-in-cheek, this stunning compact eight-track album is infuenced by Eastern European and Mediterranean 70s disco records.

In the words of band member Paolo, ''it was written in response to hearing 'I love America' by Patrick Juvet. The song prompted the question: why does disco, a genre originally created by oppressed minorities, eventually become synonymous with American capitalist excess?" MLDE seeks to break this connection.

Merging disco, post-disco 80s pop, and boogie into the fold, 'MLDE' was recorded using only analogue instruments, giving it warmth and space. Recorded on cassette, ¼ and ½ inch tape, this gives moments of lo-fi abstraction between the beats of an aggressive, tight drum kit. Instruments used for this recording range from saxophone, trumpet, harpsichord, guitar, and rare analogue synthesisers. The bass sound is shaped by early 80s boogie records, whilst the influence of artists such as Hamlet Minassian can be heard in some of MLDE's more driving disco outings, such as 'Hues of Red'. In the tradition of Soviet vocal group records, which the band has studied, some songs are sung by a vocal quartet in homage to this tradition.

The format and message of pop and disco are commonly viewed just to entertain and move bodies around a dancefloor; however, lyrically, the subjects range from dialectical and historical materialism, class struggle, Marxist theory and praxis, as well as the concept of Marxist disco music.

Adding the icing to the cake, mastering don Joker aka Liam McLean dusted the album with his magic, giving the songs space where the room is needed, as well as the kick and punch demanded by the modern dancefloor.

Recorded using only analogue instruments and mastered by Joker

TRACK LISTING

1. Dust
2. Brumaire
3. Material
4. Manifesto
5. 1905
6. Hues Of Red
7. Hide And Seek
8. Engineers

This previously unreleased album by the Horace Tapscott Quintet was unearthed from master tapes in the Flying Dutchman archives. Recorded in 1969 it was intended to be a follow-up album to the classic 'The Giant Is Awakened' which was released that year.

The iconic pianist and composer Horace Tapscott was one of the most unique and important figures in LA's jazz world. This lost recording was produced by one of the pivotal figures in jazz, Bob Thiele, a leading behind-the- scenes star who worked with many of the greats in jazz, such as Quincy Jones, Duke Ellington, John Coltrane, Della Reese, Shirley Scott, Gil Scott-Heron, the list goes on. His name can be seen gracing, arguably the best, Impulse! releases and those released on his own Flying Dutchman imprint set up in 1969.

Joining Horace for this three-track, deep, heavy, avant-garde session is the same stellar cast featured on 'The Giant Is Awakened'; Arthur Blythe on Alto Sax, Everett Brown Jr on Drums, with David Bryant and Walter Savage Jr. on Bass. Kicking things off we have 'World Peace', which starts with an almost baroque- esque melody, leading to an eruption in sound, it then ends in the same manner it began. The beautiful 'Your Child' is the jewel in the crown, skirting modal, deep jazz and introducing elements of free jazz. 'For Fats' with its bow bass and piano intro takes you on a journey, dropping into, at times dark, stormy melodies and developing a driving energy as the composition progresses.

TRACK LISTING

1. World Peace
2. Your Child
3. For Fats

Kendrick Lamar releases his first album in 5 years, 'Mr. Morale & The Big Steppers'. The prolific and political rapper has fast become a spokesperson for an entire generation; highlighting injustice, institutional racism, misogyny and a whole lot more whilst also reflecting on his own failures, weaknesses and insecurities - a poignant bard who searches for truth and change with almost every lyric.

Adorned in a diamond crown of thorns, Kendrick's reference to Jesus is supposedly a challenge for us all to live better, more moralistic lives. You could argue Lamar is dangerously idolized; his cult fan base taking every word as (excuse me) Gospel. But you feel, as we traverse an age of discontentment, that his timing and relevance couldn't be greater. They might cut deep, but Kendrick's messages NEED to be heard, more urgently than ever. As much as his scathing political dissections; his self musings on sex addiction, fake feminism, man's exploitation of woman & the exploitation of Black culture are painfully stark and honest.

Numero said that the album is comparable to a Greek tragedy. And by the end of the second disc you'll feel your psyche has certainly been tested. A mental cross country run navigating the failings and entrappings of modern society. Thankfully the rapper's unique drawl / flow and razor sharp production offer enough mellifluous elements as to save it being a chore to listen to. The unease is juxtaposed by some hefty, Jeep-bumpin beats and luxurious musical passages which I have to say, equal Little Simz recent (and as-imperative) album also released this year. A masterpiece. 

STAFF COMMENTS

Matt says: The prolific and political rapper has fast become a spokesperson for an entire generation; highlighting injustice, institutional racism, misogyny and a whole lot more whilst also reflecting on his own failures, weaknesses and insecurities - a poignant bard who searches for truth and change with almost every lyric.

TRACK LISTING

Big Steppers
1. United In Grief
2. N95
3. Worldwide Steppers
4. Die Hard Ft. Blxst & Amanda Reifer
5. Father Time Ft. Sampha
6. Rich (Interlude)
7. Rich Spirit
8. We Cry Together Ft. Taylour Paige
9. Purple Hearts Ft. Summer Walker & Ghostface Killah
Mr. Morale
1. Count Me Out
2. Crown
3. Silent Hill Ft. Kodak Black
4. Savior (Interlude)
5. Savior Ft. Baby Keem & Sam Dew
6. Auntie Diaries
7. Mr. Morale Ft. Tanna Leone
8. Mother I Sober Ft. Beth Gibbons Of Portishead
9. Mirror

38 years since they formed in Yeovil, Somerset, and 28 years since their last record release, The Chesterfields are back with a new single "Our Songbird Has Gone", a song that founder member Simon Barber has written about his original co-conspirator in the band Dave Goldsworthy, who was tragically killed in a hit and run accident in 2003.

Sometimes the best things take time to come into fruition, and here we are, ready to finally unleash Brazil45 number 88 - the missing 7"! Featuring two Mr Bongo favourites that we have been longing to share with the world

First up is a lesser-known Brazilian Boys track titled 'Super Herois'. This slightly trippy and quirky funk-rock groove is taken off an obscure 7" on CID records and was originally released in 1975. 'Super Herois' is super catchy, addictive and a guaranteed complete earworm. It's a muti genre, crossover nugget that will branch scenes and tick all sorts of boxes.

On the flip is the driving, jazz-rock-samba dancefloor joint 'Tudo Ai', a cut taken from Rubinho E Mauro Assumpcao's highly sought after 1972 album 'Perfeitamente, Justamente Quando Cheguei'. Originally released on Tapecar Records, this short in stature track packs a real punch!

TRACK LISTING

Brazilian Boys - Super Herois
Rubinho E Mauro Assumpcao -Tudo Ai

Born in Japan in 1947, Ryo had a long and stellar career recording and releasing music up until his passing on 13 April 2020, in Tallinn, Estonia. Ryo is one of the pioneers of the jazz fusion genre, with the Japanese jazz fusion / funk sound becoming extremely influential within the 80s UK club scene and amongst its DJs. His track 'Trinkets & Things' became a bonafide underground classic. In the US he worked with some of the greats of jazz, such as Elvin Jones, Chico Hamilton and Bobbi Humphrey, to name but a few. A forward-thinking and ever-evolving musician,

Ryo collaborated with the Roland Corporation and Korg on the 'guitar synthesizer' and later wrote music software for computers. Later in life he relocated to Estonia and worked there, as well as Finland, Sweden, and the Baltic states.

'Juice' has become a much-loved album for crate diggers and jazz-funk enthusiasts, with its tracks frequently being sampled and re-imagined in hip-hop. The smoky, beat- down, spiritual funk jam 'Bamboo Child' has been flipped by Diamond D, Puff Daddy, and Kool G Rap. The album was released in 1976 on RCA Records and features the musicians' drummer Jimmy Young, rhythm guitarist Hugh McCracken, and bassist Stu

Woods amongst other luminaries. A solid album throughout that incorporates a heavy dose of tripped-out synths alongside the emerging disco sound of the time. Tracks such as the opener 'Raisins', with its drum beat intro and bubbling bass-line, rivals The Headhunters at their finest. A superb album from an underground legend.

TRACK LISTING

1. Raisins
2. Sometime
3. The Breeze And I
4. East Side Boogie
5. El Toro
6. Bamboo Child
7. Andes

MR. M is Lambchop’s eleventh album on City Slang and documents the band at its best, it encapsulates one of the most profound moments in Lambchop history. Kurt Wagner turned away from music and picked up his brushes to paint his way out of a funk that followed the premature death of friend Vic Chesnutt, who the band backed on 1998’s The Salesman and Bernadette. Incidentally the paintings, thickly layered black and white portraits forming a series called Beautillion Millitaire 2000, feature on the album sleeve and throughout the full artwork-

“As I worked, I was approached by Mark Nevers (former full time band member & producer for the likes of Andrew Bird and Will Oldham) with the idea of making another Lambchop record. He had a concept of a sound and a method that worked with the tone of my writing. His idea was a kind of ‘psycha-Sinatra’ sound, one that involved the arranging of strings and other sounds in a more open and yet complex way. It was a studio creation, not a type of recording based on band performance, and this was a radical approach for us. I felt Lambchop had one more good record in us, and this time I was going to do things as directly and true to my desires as possible.”

The resulting album stretches out as sonically as promised. It was recorded at Nevers’s Nashville Beech House studio cum bungalow with the usual core of musicians- Scott Martin (drums), Matt Swanson (bass), Ryan Norris (guitar, organ), Tony Crow (piano), William Tyler (guitar). Guests include original cofounder Jonathan Marx, Cortney Tidwell (who shared vocals on 2010’s KORT project) and fiddler Billy Contreras (who has worked with all from Charlie Louvin to Laura Cantrell) - spectacular string arrangements shared between Peter Stopschinski and Mason Neely.

TRACK LISTING

1. If Not I'll Just Die
2. 2B2
3. Gone Tomorrow
4. Mr. Met
5. Gar
6. Nice Without Mercy
7. Buttons
8. The Good Life (is Wasted)
9. Kind Of
10. Betty's Overture
11. Never My Love

Sunny Ozuna is a living legend and a man worthy of praise on many levels. In the Texas and Latin Music pantheon, few have been at it longer and are more revered by their fans and peers than Sunny is. He became a star right out of high school in the late ‘50s and hasn’t looked back in the seven decades since. Among countless other honors and notable achievements, Sunny was the ­rst Latino artist to appear on Dick Clark’s “American Bandstand” (in 1963). He penned "Smile Now, Cry Later," a hit for him and The Sunliners, which along with the theater masks that grace the album's cover, became staples in the Chicano Soul and Lowrider Soul cultures. We have been fans of Sunny & The Sunliners' music for a long time. We fi­rst got in touch with Sunny to try to reissue some of his records in 2013 but we didn't sign a deal until 2015.

It took a trip to San Antonio and then two years of steady phone calls before they decided "if you have been chasing us for this long, you must be serious." With Sunny's blessing we started getting everything mastered, scanned, and planned. First we released 2017's Mr Brown Eyed Soul Vol. 1 compilation that put rare 7" sides next to some of his biggest hits and mixed in some choice album cuts for good measure. In the wake of that, we released three of Sunny's full lengths with their original track lists and art: Smile Now, Cry Later, Little Brown Eyed Soul, and The Missing Link all of which were Record Store Day releases that raised money for the victims of 2017's Hurricane Harvey. For the 7" collectors, we reissued ­ve 45s, making some very hard to come by sides widely available again and pressing some tunes on the format for the ­rst time. In 2020, as an homage to Sunny, we released Dear Sunny... a compilation of Big Crown artists covering Sunny & The Sunliners songs.

Through all of this we were able to do what we set out to do: get Sunny's music to a new audience of people and make it all accessible and available again to his existing fanbase. Sunny still keeps a busy schedule and loves performing as much as he did as a teenager. His music and the music that it directly in‑uenced are seeing a resurgence in popularity in the last few years.

With any luck at all, our efforts played some small part in that, and on that note, we present Mr Brown Eyed Soul Vol. 2 – another compilation curated by us, where we dig a little deeper into Sunny's catalog and pull some lesser known gems that hold court with his hits. Hats off again to Mr Brown Eyed Soul himself, San Antonio's own, Sunny Ozuna, we are sure you will enjoy the music

TRACK LISTING

1 I Can Remember
2 Sitting In The Park
3 Give Me Time
4 Should I Take You Home (Keyloc Version)
5 If I Could See You Now
6 Come Back Baby
7 Viva Mi Triestesa 
8 Runaway
9 Sharing You
10 I’ve Never Found A Girl
11 Together
12 I’m No Stranger
13 Best Of Both Worlds
14 Baby, I Apologize

Thirty years after its original release, Main Source's debut album Breaking Atoms has lost none of its capacity to surprise or delight

It remains a prime example of a classically styled hip-hop LP - two DJs, one MC, 11 tracks, no flab or filler. It wasn't a slow burner - it was adored on release and hasn't left the top ten of any serious rap fan ever since.What makes it so special? Perhaps it's in the group's ear for a hook and sample, with Large Professor mounting a whole, celebrated career off the back of this gem. Perhaps it's in the way he manages to balance bragging with more political, thematic tracks such as 'Just a Friendly Game of Baseball' and 'Peace is not the Word to Play' without ever coming across as preachy.

Few albums of this length are able to spawn four singles - all of them must-haves - while still having material galore on the album that could have been pressed as a 12". 'Snake Eyes' 'Vamos a Rapiar' and 'He Got So Much Soul (He Don't Need No Music) could have been singles in their own rights, an embarrassment of riches.

Sample-wise, it's all about the skillfully woven mixture of the obvious and the obscure, with a tapestry of samples approach that's just not legally possible anymore. So while you might recognise a snatch of Donald Byrd's 'Think Twice' on the timeless 'Looking at the Front Door', it's layered with elements from Ken Lazarus, Detroit Emeralds, The Third Guitar and more. It's an approach that pays constant dividends and rewards repeated listens. Presented in its original format, this is the essence of Breaking Atoms, one of the best albums in the long history of this genre.

TRACK LISTING

Snake Eyes
Just Hangin' Out
Lookin' At The Front Door
Large Professor
Just A Friendly Game Of Baseball
Scratch & Kut
Peace Is Not The Word To Play
Vamos A Rapiar
He Got So Much Soul (He Don't Need No Music)
Live At The Barbeque
Watch Roger Do His Thing

It was originally released only in South Africa on Gallo / CBS Records, although a 12" featuring the track 'I Hate Telling A Lie' was previously released on Plum Records in 1983. It has now become a sought-after item due to its addictive and original-sounding Balearic disco / cosmic boogie-esque nature. Stimela were a popular and successful Mbaquanga / fusion outfit led by the guitarist, vocalist, songwriter, producer and arranger Ray Phiri; who was previously a member of the legendary band The Cannibals. The musicians would go on to gain global fame after featuring on Paul Simon's iconic 'Graceland' album and the mega tour that followed.

Kicking off the EP is a magical track that floored us from the first moment we heard it and one that has since become a Mr Bongo firm favourite. 'I Hate Telling A Lie' is a slow, infectious building groove that sits somewhere between lowdown jazz-funk, soul, reggae and gospel with shades of new wave pop and Balearic. It's a truly stunning track that is hard to pigeonhole and all the better for it. Another highlight from the EP is the monster instrumental, synth-boogie sound of 'I Love You'; championed by DJs such as Jeremy Spellacey (Crown Ruler). This hypnotic groove bubbles to perfection and is a slo-mo chugger extraordinaire. We hope you dig it as much as we do. Much sought-after South African gem. Led by Ray Phiri, previously of The Cannibals. Balearic disco, boogie, pop crossover.

TRACK LISTING

1. I Hate Telling A Lie
2. Where Did We Go Wrong
3. I Love You
4. Shaka Doo Ba

It comes as no surprise to discover we are massive fans of Marcos Valle here at Piccadilly Records but this forgotten and obscure gem from the Brazilian maestro has proven to remain elusive to us until very recently

'Girassol' is a lost Brazilian-boogie stunner from 1983. It was originally released as an ultra-rare promo only 7". Composed by Marcos Valle, Paulo Sergio Valle and Ribeiro José Francisco, this all-too-short nugget (under 2 minutes) was recorded and pressed on the Valle, Ribeiro & Associados Ltda. imprint for Rede CB De Supermercados. It was a promotional item to be distributed to customers of a supermarket chain as a gift. Due to not having any conventional distribution channels this resulted in the 7" becoming a slippery customer to find.

It's a smooth AOR / Brazilian boogie joint with an uplifting chorus. The vibe is reminiscent of the much loved 'Estrelar' era of Marcos Valle's glorious recording career, and certainly one for fans of the Lincoln Olivetti, Robson Jorge production sound.

Ultra-rare Brazilian boogie from Marcos Valle.

Reminiscent of 'Estrelar' era Valle.

For fans of Lincoln Olivetti productions.

STAFF COMMENTS

Matt says: Thought you had dug all the Marcos Valle from the seams? Mr. Bongo have unearthed a supremely rare offering from a free supermarket promo! The stuff of Balearic legend until now and thankfully matching its unquestionable rarity with high musicality.

TRACK LISTING

Girassol
Girassol (playback)

We can't think of many other performers like the singer/songwriter/ dancer/actress Asha Puthli who have excelled in such a broad range of genres.

From 60s psych, Classical Indian music, Free Jazz, Pop, Soul, Disco, to Rock, the list goes on. A 'best- of' or an 'essential collection' is always going to be a subjective thing, but for what is unbelievably the frst ofcial compilation covering the full breadth of Asha's illustrious career, we aimed to provide a snapshot into her ever- evolving musical journey and a tribute to the vast richness of her catalogue. Some singers want to be famous, others are pop star icons, and some are artists; Asha is the latter. Asha is a true force of nature, regardless of the genre she explores, she fully commits, moves on, and reinvents herself, always progressing.

Looking back on Asha's career, it is evident what a trail-blazer she was, opening doors for her contemporaries and those who came later to step through. Whether it was conscious or not, you can recognise Asha’s infuence in aspects of Kate Bush's ethereal image and performance, in Donna Summer’s high-smooth vocal sound and disco stylings, and in the gumption and power of Grace Jones. Kick-starting the compilation is ‘Pain’, the Indian psychedelic garage rock sounds of The Savages featuring Asha. We have to admit, we had to strongarm Asha into letting us include this track at frst; also due to its rare nature (and lack of any master tapes) the recording we present here is raw and low-f. However, we felt its inclusion was important to fully represent the journey of Asha's career, the same consideration was also applied to two of the Asha & The Surfers’ songs that we have included in this collection.

Asha saw a link between jazz and classical Indian music "the improvisation, the minor chords, the free form, the liberalness of the art" we showcase her love of jazz here with seminal works with the legendary Ornette Coleman, taken from the revered 'Science Fiction’ album. Asha's 'CBS years' are represented here, how could we not include 'Space Talk' on this collection, and how these years progressed into her amazing disco offerings such as 'I'm Gonna Dance' & 'Music Machine'. The bizarre 'We're Gonna Bury The Rock With The Roll Tonight' from 1980 has also won us over. A pseudo-50s throw- back song that sounds not un- similar to the post-modern, leftfeld, pop of an MIA production to come years later. Rounding off the compilation we have Asha's interpretation of a Michael Jackson classic that sat lost on a cassette-only released in India.

STAFF COMMENTS

Barry says: Mr Bongo bring us another top release, this time from all-round legend, Asha Puthli. With her influence stretching so far, and there being so many releases to cover, the best way to do this is definitely a career-spanning best of, and Mr. Bongo are ALWAYS to be trusted with a good comp. Win / win.

TRACK LISTING

W/ The Savages – Pain
W/ The Surfers – Sound Of Silence
W/ The Surfers – Sunny
W/ The Surfers – Fever
W/ Ornette Coleman – What Reason Could I Give
W/ Ornette Coleman – All My Life
W/ Charlie Mariano – Mirror
Right Down Here
Lies
Devil Is Loose
Space Talk
One Night Affair
I’m Gonna Dance
Music Machine (dedication To Studio 54)
Peek A Boo Boogie
Mister Moonlight
Prism Of The Sun (song For Dieter)
1001 Nights Of Love (reprise)
We’re Gonna Bury The Rock With The Roll Tonight
Asha Puthli - Chipko Chipko

Compiled by Sean Marquand and Greg Caz, 2 DJs well-known for their epic parties at Williamsburg’s legendary Black Betty club, that sadly closed in 2009.

The duo played a deep variety of strictly vintage samba, samba-rock, Tropicalia, and Brazilian funk under the banner of ‘Brazilian Beats Brooklyn’.Sean is known as half of Embassy Sound Productions. He took his team to Brazil to help resurrect Black Rio legends Uniao Black for a new release. Greg has DJ'd at some of the hottest Brazilian parties around the globe and presents a monthly radio show ‘Warm Wave’ on Soho Radio NYC.Featuring Noriel Vilela’s singular “16 Toneladas,” a sublime cover of the Tennessee Ernie Ford smash “16 Tons” with a spare samba groove and unbelievable baritone vocals and hot jams from Tim Maia, Erasmo Carlos, Joao Bosco, Toni Tornado.

Included in this compilation of original 60's and 70's Brazilian gems are some of Greg and Sean's favourite tracks that have been flling dancefoors for years.

Long-awaited repress of a classic Mr Bongo compilation.
A selection of the fnest Brazilian music (via Brooklyn).
Featuring Rita Lee, Erasmo Carlos, Robson Jorge & Lincoln Olivetti, Toni Tornado and many more.

STAFF COMMENTS

Martin says: Some of the hottest Brazilian jams here from Sean Marquand and Greg Caz, with both originals and recent productions featuring in the lineup. A veritable Smörgåsbord of hip-unlocking grooves.

TRACK LISTING

Nonato Y Su Conjunto - Cafua
Os Novos Crioulos - Mar Afunda
Jose Roberto - Crioula Multicolorida
Rita Lee & Tutti Frutti - Agora E Moda
Trio Esperanca - Nao Aguento Voce
Noriel Vilela - 16 Toneladas
Chocolate Da Bahia - Ele Guenta
Tim Maia - E Necessario
Joao Bosco - Cobra Criada
Som Tres - Tanga
Os Incriveis - Uma Rosa Pra Dita
Robson Jorge & Lincoln Olivetti -aleluia
Erasmo Carlos - Jeep
Chalo Eduardo - Beija-flor Suite
Ely Camargo -taieiras
Silvio Cesar - A Festa
Edson Frederico - Tava Mas Nao Tava
Helio Matheus - Mais Kriola
Toni Tornado - O Jornaleiro
Miguel De Deus - Black Soul Brother
Ana Rosely - Skim Dum Dum Dum
Quarteto Uai - Marcas

Mr Maserati showcases two decades of Baxter Dury’s idiosyncratically louche music, a universe of late-night London meet-ups, shuffling basslines and comedown disco tunes, all run through with a wry bleakness and sweet love of humanity. Mr Maserati collects tracks from across Dury’s six albums, plus a new song D.O.A.

Baxter Dury on new track: “It’s a kind of provincial nod to the music I got into during lockdown because my son Kosmo was playing it – Frank Ocean, Tyler the Creator and Kendrick Lamar. I became obsessed. They’re embracing everything – sexuality, politics, all of it – and I find that inspiring”

STAFF COMMENTS

Barry says: Not a week goes by where we don't get asked for a Baxter Dury record so it's with some relief that I see this collection is finally hitting the shelves. Some of the greatest riffs, most distinctive vocals and beautifully rich songwriting make Dury and this collection in particular a no-brainer.

TRACK LISTING

Side A:
1 Miami
2 I'm Not Your Dog
3 Leak At The Disco
4 Cocaine Man
5 Palm Trees
6 Oi
Side B:
1 Oscar Brown
2 Claire
3 Other Men's Girls
4 Carla's Got A Boyfriend
5 Prince Of Tears
6 D.O.A.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo' clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse.

Originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his 'best of genre' focussed radio show, 'The 20 - South African Jazz'. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes 'This is the LP that every jazz fan has been waiting for' and Ray was not wrong, it's a stone-cold timeless jazz classic.

Half-speed mastering at Abbey Road Studios.

TRACK LISTING

1. Yakhal Inkomo
2. Dedication (To Daddy Trane And Brother Silver)
3. Doodlin'
4. Bessie's Blues

Wild Style remains the most seminal soundtrack in hip-hop history, a snapshot of the scene as it evolved from the streets to the recording studio. But it's not just a vital document, it's also a damn good listen. The line-up is a who's who of those who stood out from hip- hop's nascent block party days. The Double Trouble pairing of Rodney Cee and KK Rockwell, The Chief Rocker himself, Busy Bee, the mighty line-ups of both The Cold Crush Brothers and The Fantastic Freaks. The music captures the free-form, roaming nature of the film – it's rough at the edges, it's occasionally amateurish, but it's completely, utterly glorious. The original Animal tracklisting, of which this is a reissue, is full of recurring sounds and motifs, all of them co-produced by Chris Stein and Fab Five Freddy, stepping away from breakbeats to produce a sound that reminds you of them, while being totally unique. The epic drums are courtesy of Lenny 'Ferrari' Ferraro, a Vietnam vet and punk drummer whose career spanned stints backing Aretha Franklin and Lou Reed. Over time, those sounds – the Charlie Chase and Grand Wizard Theodore scratches, the indelible lyrics - have become hip- hop touchstones, endlessly sampled and referenced, the bedrock of so much music to follow. That's because the soundtrack perfectly encapsulated the essence of the film, the scene and hiphop's emergence from The Bronx to the attention of the wider world. Presented in this reissue with the original artwork, it remains the blueprint.

TRACK LISTING

A1. Wild Style Theme
A2. MC Battle
A3. Basketball Throwdown
A4. Fantastic Freaks At The Dixie
A5. Military Cut (Scratch Mix)
A6. Cold Crush Bros At The Dixie
B1. Stoop Rap
B2. Double Trouble At The Amphitheatre
B3. Wild Style Subway Rap
B4. The Chief Rocker Busy Bee, DJ AJ At The Amphitheatre
B5. Gangbusters (Scratch Mix)
B6. Rammellzee & Shock Dell At The Amphitheatre

Chicago house royalty Mr. Fingers returns on his own Alleviated Records imprint with a brand new album!!! Larry Heard continues on the path he's set with "Cerebral Hemispheres" in 2018, encasing his luxurious deep house workouts with influences from jazz, gospel and ambient.

The delicate percussion lines that have become synonymous with the producer, especially on his "Electric Blue" series have reach a higher level of clarity and propulsion; effortlessly ushering you through fluffy crowds and dreamy horizons. Lead lines and chord progressions to melt hearts flow through the ten tracks like emotive butter; there's few that engage machines in such a spiritual and communicative way as Mr. Fingers.

Vast, expansive arrangements, perfectly plotted through this imaginary soundscape; the LP takes you on a deep, vivid journey rich with exotic nuances as Larry explores Eastern scales and far-away timbres. There's even some moments of Balearic island bliss; lolloping waves and drifting vocals adding to an air of coastal decadence.

In short, a beautifully realized, sophisticated and picturesque long player from one of house music's longest serving and charismatic players. Highly recommended! 

STAFF COMMENTS

Matt says: Another stunning album from the Chicago house godfather. Maturing nicely, this might be his most musical and diverse offering yet. Containing plenty of 'proper' songs - with writting vocal parts, musings into downtempo and Balearic are fully realized showing the vast breadth of musicality contained within this singular producer. Languid and relaxed, it's a noticeable divergence from the urgency and energy of the dancefloor and will make superb living room listening.

TRACK LISTING

Around The Sun
Dryve
Touch The Sky
Coastline Paradox
Electrostatic Levitation
Somethings Going On
Like The Dawn
Pressureize
Marrakesh
Shimmer

Curating these compilations, where Mr Bongo share their latest musical discoveries and old favourites from the global stage, is always a labour of love. This selection is less dancefloor driven than their previous volumes, as fewer opportunities for live events drove them to explore other paths and styles in the musical spectrum. But, whether you're DJing for a kitchen or a club, there is still a generous serving of spicy dancefloor magic.

For Volume 5, Mr Bongo looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. They pulled songs from the 70s up to the present day and feature a stellar cast of artists. There's an exclusive track from Sven Wunder which was recorded solely for this compilation. There's also a track from Admin which was released as a private press 7" at the start of 2021 and one they felt was far too good to only be available for the lucky few. You'll also discover one of their most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus!

TRACK LISTING

1. John Barry-Moore - Abertura De "Os Inocentes”
2. Willy Chirino - Sing A Song (Canten Mi Canción)
3. Malouma – Nebine
4. Yasuaki Shimizu - Karachi
5. Mariah - Shinzo No Tobira
6. Mave & Dave - You Are Delicious
7. Mark Capanni - I Believe In Miracles
8. Admin - Step Into Light
9. Phillip Malela – Tiba Kamo
10. Gyedu Blay Ambolley - Let's Be Happy (Disco Mix)
11. Tyrone Evans - Rise Up (Discomix)
12. Stimela – I Hate Telling A Lie
13. Eamon - Ready For War
14. Sven Wunder – Mosaic
15. Hiroshi Suzuki – Romance
16. Tetê Da Bahia – Duplo Sentido
17. Malouma – Yarab

2021 saw the release of 'The Globefower Masters Vol.1' An album released on Mr Bongo and born from the fruitful collaboration between Glenn Fallows (The Impellers / Andres y Xavi) and Mark Treffel (Blue States / The Soul Steppers).Taking inspiration from classic 60s and 70s soundtrack and cinematic composers such as Axelrod, Morricone, Gainsbourg, Jean- Claude Vannier and Piero Umiliani, the album was very well received upon its release and struck a chord with the scene's connoisseurs.

The next logical step was to make their music available on 45 too. The release features an album track 'Fear Me Now' on the A-side and is paired on the B-side with two new tracks that channel the sound of library music giants such as Hawkshaw and Bennett. Three lush, warm and timeless productions.Inspired by classic 60s and 70s soundtrack composers such as Axelrod and Morricone, and library music giants including Hawkshaw and Bennett.

TRACK LISTING

Fear Me Now
All So Simple
Slurred And Blurred

A cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio' was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. The album draws on iconic classics such as the masterful cinematic funk of Lalo Schifrin's 'Dirty Harry', Ennio Morricone's 'Vergogna Schifosi' and Luis Bacalov's 'The Summertime Killer', to name but a few.

You can also hear the folk sounds of Mark Fry's iconic 'Dreaming With Alice', the Britsh folk-jazz of The Pentangle and the David Axelrod-produced 'Release Of An Oath' by The Electric Prunes, woven into the cultural tapestry of this gem. The influence of these vintage productions of the 60s and 70s is evident; however, it could be argued that there's also echoes of the funkier psychedelic moments of bands such as The Stones Roses and The Charlatans, alongside contemporaries such as The Heliocentrics and Little Barrie, thus giving the album a broader crossover potential beyond the world of crate digging and vintage soundtracks. We are delighted to be releasing this slowly- brewed timeless classic that manages to achieve that rare feat of keeping one foot firmly in the past whilst still sounding totally contemporary.

TRACK LISTING

1. The Children Of Scorpio
2. The Road Through The Hills
3. Path Through The Forest
4. Searching For June (Interlude)
5. June
6. Scorpio's Waltz
7. The Invitation (interlude)
8. The Ritual '70
9. Scorpio's Garden
10. The Turning
11. Plan Your Escape
12. The Deserted Compound (interlude)
13. Buried In The Woods
14. Closing Theme

Two tracks from the album were featured on our 2017 compilation 'The Original Sound Of Mali' (MRBLP135, still available), and we subsequently released the track 'Nissodia' on its own 12" (MRB12053 & MRB12053NO, both still available) in 2020, complete with a blistering dancefloor re-edit by Mike D of The Beastie Boys. 'Le Tioko-Tioko' is one of the rarest vinyl albums from the already scarce Malian vinyl discography, partly as the album was never released commercially, only independently distributed via the Malian Association for the Blind in Bamako. Though recorded at Radio Mali under the aegis of master engineer Boubacar Traoré; the album was originally released in East Germany.

The tapes had been taken by some Malian students to East Berlin as part of a student exchange program. It was then manufactured and released on the East German state owned label Eterna with only a few boxes of records being shipped back to Bamako. A true masterpiece, this legendary LP offers some devastating songs such as 'Djama' (society), 'Nissodia' (joy of optimism), and 'Fama Allah' (an ode to god). Hypnotic organ riffs and breakbeats convey an unknown funk quality in Malian music, it now stands as a loving tribute to an unsung Malian golden age. Sadly, like many of the other now desired and prized vinyl rarities, at the time of release, it almost immediately disappeared without a trace due to a lack of promotion, and distribution. So, it feels fitting to share this gem of a record again, and hopefully it with reach the wider audience it deserved over 45 years ago. A funky masterpiece packed with organ-driven riffs and incredible drum breakbeats. A sought-after rarity from the Malian golden age.

TRACK LISTING

1. Fama Allah
2. Djama
3. Beni Inikanko
4. Nissodia
5. Ben
6. Bimoko

With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of "E-Soul Cultura".

It's best described by Luke himself, who writes: "As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33BPM pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again." For anyone who has enjoyed his epic 5 hour shows on Worldwide FM, you know what to expect from the man who is Luke Una. Variety and quality all the way. 

STAFF COMMENTS

Barry says: One of Manchester's most well known DJ's and personalities brings his impeccable music taste and curation skills to stalwart label, Mr Bongo for a silky-smooth collection of crepuscular serenades, hazy dancefloor grooves and tropical bliss. A seamless, nuanced musical journey.

TRACK LISTING

1. Robson Jorge & Lincoln Olivetti – Eva
2. Chene Noir - Le Train
3. Metropolis - Every Time I See Him
4. The Brand New Heavies Featuring N'Dea Davenport – Stay This Way (The Lunar Dub)
5. Typesun - The P.L. (Extended Edit)
6. King Errisson - Space Queen
7. Yusef Lateef - Robot Man
8. Daniel Humair, Francois Jeanneau, Henri Texier - Le Cyclope
9. Airto Moreira - O Galho Da Roseira (The Branches Of The Rose Tree)
10. Francisco – Wache
11. Nar'Chiveol - Apocalypse Now Ho
12. On - Southern Freeez
13. Soylent Green - After All

As pieces of musical curation go, Kenny Dope's reimagining and reediting of the Wild Style breakbeats is outstanding.

While the music from the 'Wild Style' OST is truly seminal, the story behind it is even more fascinating.Underneath the voices of important rappers from hip-hop's first wave – Cold Crush Brothers, Double Trouble, Rammellzee, Busy Bee and more – were a selection of backing beats that have underpinned and influenced a whole lot of hip- hop ever since. It would be easy to mistake them for genuine breakbeats dug out of crates, but they're not. Overseen by hip- hop impresario Freddie Braithwaite – better known as Fab 5 Freddy – in collaboration with Blondie's Chris Stein – the songs from the Wild Style soundtrack are all unique creations intended as a homage to the early breakbeats.Drummer Lenny Ferrari – who had played for Aretha Franklin before emerging on the punk scene – and bassist David Harper played many of the iconic grooves, two somewhat forgotten participants in shaping a legendary sound. They – and Chris Stein – weren't even in the same studio at the same time.Kenny Dope, a long-time fan of the music, later acquired the original reel- to- reel tapes from Charlie Ahearn, the film's director. Using the Wild Style breakbeats – many just a minute or so long – he transformed them into longer edits that give them more room to breathe. 'Down by Law' and 'Subway Beat' are two of the most famous, breakdance classics that summon up visions of graffiti'd trains speeding through the South Bronx.

From the legendary hip hop movie 'Wild Style'.

Kenny Dope edits using the original reel-to-reel tapes from Charlie Ahern, the film's director.

TRACK LISTING

Down By Law (Kenny Dope Edit)
Subway Beat (Kenny Dope Edit)

Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969.

The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger.

Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe its crown-jewel 'Poema Ritmico Do Malandro'. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at its finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.

The fact the record was released in 1969 meant it was probably a bit out of step with its contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since its release, the work can finally be judged on its own merit; and what a beauty it is.

TRACK LISTING

Poema Ritmico Do Malandro
Somos Todos Irmãos
Once In A While
Birimbau
Primeira Conjugacao
Bye Bye
Love Is Here To Stay
Isnt' A Dream
Sou Feliz Aqui
Adeus Amor
Alvorada
Hert

When it comes to the pantheon of hip-hop movies, ‘Wild Style’ is number one.

While the actual plot carries about as much weight as ‘Beat Street’ or even the Fat Boys vehicle ‘Disorderlies’ – and the acting is also nothing to write home about – the soundtrack is an indelible classic.What the film and its soundtrack caught was a moment in time and some key performances from genuine pioneers instrumental in the nascent hip- hop scene. And the influence has passed down through the ages, with rhyming couplets from the ‘Wild Style’ album still cited today, and Nas drawing on a snippet of the film for the opening track of his one true classic album, ‘Illmatic’.What’s unusual about the soundtrack – and evidenced on the tracks showcased here, available for the time on 7” since a 1983 Japanese release – is that it didn’t draw on the tried-and-tested breakbeats that many of the artists featured on it would have cut their chops on. Charlie Chase, whose slithery scratches adorn both sides of this record, would have been used to going back to back on the records captured later on the ‘Ultimate Breaks & Beats’ compilations. Instead, the music is produced by Chris Stein of Blondie in collaboration with Fab 5 Freddy, drawing inspiration from those earlier breakbeats, with drums provided by one Lenny Ferrari. Here, Grandmaster Caz of the legendary Cold Crush Brothers is at ease over both sides, the music evoking the sound he would have rhymed over at the block parties where he built his reputation. It’s a moment trapped in amber – you can’t listen to this 7” without imagining a graffiti strewn subway car in New York.

From the legendary hip hop movie ‘Wild Style’.

Produced by Chris Stein of Blondie in collaboration with Fab 5 Freddy.

Available for the time on 7” since a 1983 Japanese release.

TRACK LISTING

Wild Style Theme Rap 1
Wild Style Theme Rap 2

The original Wild Style soundtrack is such a landmark that it has spread its DNA throughout hip-hop ever since.

So many artists found inspiration in it, so many producers fished for samples among its choppy waves. If you haven’t played it for a while, it still has the power to surprise – hook after hook that fed into hip-hop history. That countdown from Public Enemy’s ‘Louder than a Bomb’? The chorus from Cypress Hill’s ‘A to the K’, vocal samples that underpin MF Doom classics and A Tribe Called Quest gems? All here.Phat Kev – aka Kev Luckhurst – teases out some of those notable moments in his superb cut- up from the 2007 reissue. The Brighton- born DJ subjects the Wild Style OST to a classic ‘Lesson-style’ cut and paste, teasing out some of the most classic moments, taking you on a whirlwind tour of the finest beats and most indelible rhymes. Here you’ll find ‘Stoop Rap’ interwoven with ‘Basketball Throwdown’ and ‘Fantastic Freaks at the Dixie’.The temptation to overcomplicate matters is wisely resisted – Phat Kev lets the guitar of Chris Stein, the drums of Lenny Ferrari and the lyrics of legends such as Grand Master Caz, Busy Bee and Rammellzee shine in their own right. Available for the first time on 7”, this is an outstanding tribute to one of the key records in hip-hop history.

TRACK LISTING

Lesson Part 1
Lesson Part 2

Originally released on the Vertigo label, complete with collectable 'swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70's. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano s axophones, alto and bamboo flutes), legendary guitarist Allan Holdsworth, Dave MacRae (Fender electric piano), and bassist Roy Babbington, to name but a few. Seen as a benchmark point in Ian Carr's career, 'Belladonna' is awash with atmospheric excursions and ethereal qualities, as well as a darker fusion aesthetic and prog-rock sensibility from Holdsworth's exceptional guitar playing. The moody, yet funky, vibe of the album has echoes of Miles Davis' electronic era à la 'In A Silent Way'.

The album is best enjoyed played in its entirety. There are ebbs and flows with certain tracks shining along the way. Standouts include the beautiful down-tempo track 'Summer Rain', which has a soundtrack / library style brilliance and emotional electric piano soloing. Though recorded in the 70's, the track has a timeless sound, a melancholic funk so often used in hip-hop and beat tape productions to this day. 'Mayday's Shaft-like long extended intro builds the drama until the percussive release when the drums drop at over three minutes in. To give a record of such quality the treatment it deserves, we have once again been lucky to enlist the service of mastering and lacquer cutting engineering don Miles Showell at Abbey Road Studios, to cut a brand-new half-speed master and let the music speak for itself.

TRACK LISTING

1. Belladonna
2. Summer Rain
3. Remadione
4. Mayday
5. Suspension
6. Hector’s House

Nico Gomez, a Belgian orchestra leader of Dutch roots, has long been a favourite with Latin fans, record diggers, DJs, and collectors alike

His blend of bossanova, latin jazz, and easy listening always turns up a few choice nuggets and surprises; what is perhaps most remarkable is that it was recorded in Europe. Back in 2013, Mr Bongo re-issued Nico Gomez's sought-after 'Ritual' album from 1971, and now we follow it up with another jewel from his catalogue his 1972 album 'Soul Of Samba'. For this re- issue, we have opted to present it with the cover art originally used on the Trio Records version released in Japan. In the Netherlands and Belgium, the album was released with different cover art under the title 'Bossa Nova’, on Omega International and International Bestseller Company records, respectively. We loved the beautiful psychedelic design of the Japanese version and wanted to use it for this re- issue. 'Soul Of Samba' features several euro-bossa-jazz favourites such as the catchy 'Rio'; which was a firm DJ choice cut at jazz dance nights, including Brighton's 'Jazz Rooms' in the 90s. It also featured in Rainer Trüby's classic ‘Glücklich' compilation series which explored European-Brazilian-inspired music. The beguiling ‘Aquarela', with its engaging latin shuffle, entices feet to the dancefloor and is not one to miss. 'Agua’ has a lazy-quirky latin-funk feel with breathy-stoned vocals floating in the background. The album additionally features numerous breezy latin, Brazilian, and easy listening joints, some of which are ripe for sampling.

TRACK LISTING

Aquarela
Tristeza
Desafinado
Agua
Orpheu Negro
The Girl From Ipanema
One