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MONO

Miles Davis

Kind Of Blue - The Mono & Stereo Versions

    The complete 1959 Miles Davis album 'Kind of Blue', one of the most influential Jazz albums of all time, presented here as a 2LP set in its original mono and stereo versions.

    TRACK LISTING

    1. So What
    2. Freddie Freeloader
    3. Blue In Green
    4. All Blues
    5. Flamenco Sketches
    6. So What
    7. Freddie Freeloader
    8. Blue In Green
    9. All Blues
    10. Flamenco Sketches

    Mono

    You Are There - 2023 Repress

      Throughout their career, MONO has ascended consistently in both popularity and critical acclaim, with record sales and live show attendance corresponding. But still elusive to the Japanese quartet has been the successful translation of their powerful and violently beautiful live performances to their recordings. Despite their albums' masterful subtleties and majestic walls of noise, the consensus has remained that their transcendent live show is simply incomparable. If there is any chance of breaking that spell, it lies in You Are There, without a doubt the prime contender to unite the live and recorded worlds of MONO. Once again captured to tape by Steve Albini at his Electrical Audio studios in Chicago, IL, the album extends the cinematic drama of 2003's Walking Cloud and Deep Red Sky, Flag Fluttered and the Sun Shined (also recorded by Albini), while surpassing the sinister heaviness of 2002's lauded One Step More and You Die. If Walking Cloud was a nuclear winter, then You Are There is the post-war rebirth; steeped in an ominous creation-via-destruction atmosphere not heard since Neurosis' landmark Enemy of the Sun defined the sound more than a decade ago. You Are There disproves the myth that an increased focus on intricate song structures and string arrangements comes at the expense of youthful energy and inspired aggression. With You Are There, MONO's representation of tragedy comes with an inherent joy, delivered with the hope that in all dark there is equal parts light. They're not heavy like Black Sabbath, they're heavy like Beethoven.

      Dr. John

      Gris Gris (Original MONO Mix) - 2023 Repress

        1968 Debut Record, this is the Original MONO mix. The first time this has been reissued and its on Limited Green Vinyl. 1968 Debut album from the king of the psychedelic bayou – the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians like Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing.

        While “Gris Gris” contains moments that make it a type stamped symbol of its era, it might have well been made in outer space. Recorded in its own psychic and stylistic vacuum, the album borrows as heavily from the New Orleans’ musical culture in which he grew up as it does the looming continuous pulse of war, heavy drugs, and the end of the free love/hippie movement. The album was taken under the wing of a small percentage of the “underground” upon its release in 1968 and did not find a true following for years. 

        TRACK LISTING

        1. Gris-Gris Gumbo Ya Ya
        2. Danse Kalinda Ba Doom
        3. Mama Roux
        4. Danse Fambeaux
        5. Croker Courtbullion
        6. Jump Sturdy
        7. I Walk On Guilded Splinters

        MONO

        My Story, The Buraku Story (An Original Soundtrack)

          MONO’s first-ever feature-length motion picture soundtrack.

          My Story, The Buraku Story is a new feature-length documentary film that explores the discrimination against a group of people – commonly called “the burakumin” who were classed into lowly groups and segregated from the rest of Japanese society. This discrimination is not by race or ethnicity, but rather by place of residence and bloodline, and has existed for centuries – albeit very rarely acknowledged or discussed in Japan. When director Yusaku Mitsuwaka imagined the exemplary score for such a culturally sensitive and significant subject, he idealized MONO to help tell this story through their legendarily cinematic music.

          Following their recent experiments with electronic textures infused into their trademark dynamic rock compositions, My Story, The Buraku Story finds MONO at their most understated and elegiac. The songs that make up My Story, The Buraku Story are largely built around piano, strings, synths, and choral vocal loops. As one might expect from MONO, the arrangements are masterworks of understated execution with oversized emotional resonance. By far MONO’s most delicate album, it is a fitting document of the band’s first-ever full-length film soundtrack.

          TRACK LISTING

          1. Doumyaku (4:33)
          2. Watashi (3:31)
          3. Kokyo (2:31)
          4. Yurameki (2:36)
          5. Gohon No Yubi (3:34)
          6. Kioku (3:27)
          7. Kattou (3:48)
          8. Chinmoku (3:39)
          9. Himitsu (4:28)
          10. Songen (5:47)
          11. The Place (4:28)

          Raúl Monsalve Y Los Forajidos

          Calipso Time / Deo E' Mono

          Commissioned for Fela Day in Amsterdam Paradiso Noord, Raul Monsalve y Los Forajidos celebrates the legacy of the father of Afrobeat, Fela Anikolapu Kuti, with this new 10’’ vinyl on Super Sonic Jazz Records, where Nigerian rhythms travel the Atlantic ocean to meet Venezuelan Calipso, sangueos, and more.

          First in Venezuela, Monsalve played with a number of bands before forming the first incarnation of his Forajidos band. A move to Paris, via London, led to opportunities to share stages with a vast array of musical giants, not least of all the legendary Nigerian saxophonist Orlando Julius, as well as the Heliocentrics, Venezuelan master percussionist Orlando Poleo and members of Fela Kuti’s legendary bands, Afrika 70 and Egypt 80.

          “Calipso Time” is none other than a cover of Fela’s Koola Lobitos’ “Highlife Time”. Taking the original track to the region of El Callao in Venezuela, where the population from Trinidad & Tobago and other islands in the Caribbean settled themselves at the end of the 19th century when they started to work in mineral exploitation. As a result, this region of Venezuela has a particular language, mixing English and Spanish elements, and of course the celebration of the Carnival and the birth of Venezuelan calypso.

          Side B brings the Afrobeat madness of “Deo e’ Mono”, the very first track Monsalve did for the project back in the day. As Raul says ‘I just took the opportunity to celebrate Fela’s anniversary by recording this track as I dreamed it should sound when I was starting the project, learning Afrobeat only through records’. For this Monsalve called Chief Uduh Essiet, the original percussionist of the Egypt 80 and with the Forajidos’ Mario Orsinet on drums the rhythm section was without doubt cooking immediately. As on their last record, “Bichos” on Olindo Records, these two tracks are full of psychedelia, rough electronics, powerful vocals and tons of traditional Venezuelan percussion.

          Line up:

          Raul Monsalve - bass, guitar, percussion
          Lya Bonilla - vocals
          Edgar Bonilla- keys, FX
          Nando Guerrero - guitar
          Julien Matrot - trumpet
          Andres Vela- tenor sax
          Christine Roch- barytone sax
          Yves Prudhomme- cumaco, campanas
          Chief Udoh Essiet - congas
          Dionis Bahamonde- bumbac
          Mario Orsinet - drums

          STAFF COMMENTS

          Matt says: Afrobeat meets calypso! Guided by Fela Kuti's inspiration we get two fiery hot renditions full of Venezuelan charm.

          TRACK LISTING

          Calipso Time
          Deo E Mono

          The Courettes

          Back In Mono (B-Sides & Outtakes)

            10” Mini LP featuring outtakes and re-recorded B-sides from the 'Back In Mono' sessions!!! Back in Mono, The Courettes´ third album, was critically acclaimed worldwide and made it onto numerous best -of -the-year lists in 2021. If, like us, you can’t get enough of Back in Mono, here's some good news! Back in Mono - B-sides & Outtakes is coming out at the end of May, just in time for the band's UK tour! Bringing some more “spit ´n´ snarl garage-meets-Phil Spector pop” (Mojo) in three brand new unreleased tracks.

            Look forward to hearing the three new smash tunes 'Daydream', 'Tough Like That' and 'Talking About My Baby', all wrapped in a new mix by Wall of Sound aficionado Seiki Sato (Japan) and produced by the hit wizards Søren Christensen & C.T. Levine. Also included are the three non-album B-sides from the band's most recent singles. These B-sides have been newly spruced up with extra instrumentation.

            Making up the eight tracks is the inclusion of a Courettes rarity - 'So What' was previously only available on a split single with The Jackets released on Chaputa Records back in January.

            TRACK LISTING

            1. Daydream
            2. Tough Like That
            3. Talking About My Baby
            4. Last Dance With You
            5. Only Happy When You're Gone
            6. Killer Eyes
            7. The Boy I Love
            8. So What

            Pink Floyd

            A Saucerful Of Secrets - Mono Vinyl Edition

              Released as a limited edition for Record Store Day in 2019, the original mono mix of Pink Floyd’s A Saucerful of Secrets has been remastered by James Guthrie, Joel Plante, and Bernie Grundman from the 1968 analog tapes. Pressed on 180 gram vinyl, it will be presented inside a reproduction of the original LP sleeve.

              With classics like "Set the Controls For The Heart Of The Sun", "Remember a Day" and "Jugband Blues", A Saucerful Of Secrets is the only album to feature the five band members: Roger Waters on bass and vocals, Richard Wright on keyboards and vocals, Nick Mason on drums, Syd Barrett and David Gilmour on guitar and vocals.

              TRACK LISTING

              Side 1:
              Let There Be More Light
              Remember A Day
              Set The Controls For The Heart Of The Sun
              Corporal Clegg
              Side 2:
              A Saucerful Of Secrets
              See-Saw
              Jugband Blues

              Pink Floyd

              The Piper At The Gates Of Dawn - 2022 Mono Reissue

                The Piper At The Gates Of Dawn. The classic 1967 album remastered in 2017 from the original MONO analogue tapes by James Guthrie, Joel Plante and Bernie Grundman, issued on heavyweight 180 gram vinyl.

                Sue Lynne

                Don't Pity Me / Don't Pity Me (Mono)

                  Classic 1969 blue-eyed soul monster that was the flipside of Sue Lynne’s ‘You’ single on RCA.

                  Huge at Wigan Casino back in the day.

                  Original copies now go for a huge £700 apiece.

                  A brass-powered stomper with a funky rhythm and backbeat that leads to a euphoric chorus and instrumental break.

                  Expertly remastered from the original sound source.

                  Two stellar versions; both mono and stereo for maximum dancefloor impact.

                  Written by Chris Andrews, who also penned Chris Farlowe’s mod anthem ‘Out Of Time’.

                  Sue Lynne (AKA Sue Vanner) quit the music business after the single’s failure to chart and ended up in the Bond movie ‘The Spy Who Love Me’, as well as a host of TV shows.

                  TRACK LISTING

                  Sue Lynne - Don’t Pity Me
                  Sue Lynne - Don’t Pity Me (Mono Version)

                  Following Brutalism (2017) and Joy as an Act of Resistance (2018), two releases that garnered global critical acclaim, IDLES return with their highly anticipated third album – Ultra Mono. Sonically constructed to capture the feeling of a hip-hop record (including production contribution from Kenny Beats), the album doubles down on the vitriolic sneer and blunt social commentary of their past work. Not far beneath the surface of their self-admitted sloganeering lies a deeply complex and brutally relevant album that chews up clichés and spits them out as high art for the masses. This is momentary acceptance of the self. This is Ultra Mono.

                  STAFF COMMENTS

                  Darryl says: Including guest performances from David Yow, Jenny Beth, and Warren Ellis, their third album is an exhilarating punk tour-de-force. Bludgeoning drums, pummelling bass and searing guitars combine with wry social commentary for their most assured album to date.

                  TRACK LISTING

                  1. War
                  2. Grounds
                  3. Mr. Motivator
                  4. Anxiety
                  5. Kill Them With Kindness
                  6. Model Village
                  7. Ne Touche Pas Moi
                  8. Carcinogenic
                  9. Reigns
                  10. The Lover
                  11. A Hymn
                  12. Danke

                  Mono

                  Before The Past - Live From Electrical Audio

                    Brand new recordings of some classic early MONO songs that have become fan favorites and live staples. MONO formed in Tokyo, Japan in the closing winter weeks of December, 1999. They played their first live shows at the top of the new millennium, and released their first album, Under The Pipal Tree, in 2001. Recorded live in one day on a razor-thin budget, Pipal Tree was an earnest introduction to the curious magic of a band that would eventually become synonymous with monstrously dynamic, contemporary classical rock music. To commemorate those austere beginnings - and celebrate their remarkable longevity - MONO revisit three of their earliest songs, and retrofit them with speaker-destroying upgrades.

                    Anchored by the towering 16-minute noise opus, "Com(?)", Before The Past - Live From Electrical Audio shows the evolution of MONO's execution, stripping away the strings and layers of guitar overdubs to show just how massive this band can be at their most instrumentally austere. Newly recorded in one day in 2019 with longtime collaborator, Steve Albini - and mixed by Albini with Temporary Residence founder, Jeremy deVine - Before The Past is as much a declaration of the present as it is a document of the past. These songs, which are now 20 years old, feel more powerful and profound than ever; a testament to MONO's enduring dedication to their craft, and their dogged exploration of maximum minimalism

                    STAFF COMMENTS

                    Barry says: One of the most legendary post-rock bands return with a stunning set of all-encompassing fuzz and tentative instrumental guitar play from those early years, recorded anew with Albini at the helm. Superb.

                    TRACK LISTING

                    1. Com(?) (Live From Electrical Audio) (16:11)
                    2. L’America (Live From Electrical Audio) (4:55)
                    3. Halo (Live From Electrical Audio) (8:23)

                    It is not too often that we come along something sent to us that really has this much of an impact. Coming off the back of an email, opened on a frosty winter morning, with the comparatively toasty shop air warming my fingers, and the tinkling reverbed piano of 'Turn' warming my cold, cold heart. 

                    Simeon Walker crafts gorgous, plaintive piano pieces whose strength lies not in their complexity (though there is layer upon layer of complexity to even the simplest sounding outcomes), but in their absolute, trasportative wonder. 

                    The aforementioned 'Turn' obviously owes some dues to the dull hammers and dampened grace notes of Nils Frahm (though the comparison feels a little lazy, there are few modern pianists that cover the wide emotional range that Frahm does without it feeling overwrought), but with a wintery tentative unease coming in waves before being hushed again through the ambient echoes of creaking wood and paddling keys. 

                    Pieces like 'Drift' pull things back down to earth with infrequent harmonic clashes and slowly unfurling blossoms, redolent and fragile. There is a recurring juxtaposition of terse, semi-melodic intervals leaving a question in the air before being answered by overwhelming beauty. The sadness is overcome by a wealth of melody like the thaw of the winter is culled by the rich, warming progressions. 

                    The flipside sees a more plaintive beginning, with the held notes and echoing shadows of 'Froze' slowly increasing intensity (and tempo) into a more visceral but no less mournful requiem, the minor keys producing overlapping notes until the the established notes stumble over themselves into an intentionally jarring key change.  

                    Throughout 'Mono', walker display an innate knowledge of melody, an impeccable ear for progression, and an undeniably human outlook. Beautifully designed (aesthetically and thematically), and impeccably produced. Walker is a true, undiluted talent. 

                    STAFF COMMENTS

                    Barry says: Completely beautiful minimalist piano pieces, swimming in icy ambience and warm, fireside euphoria. Recommended for fans of Frahm, Johannsson, Richter et. al, but reducing it's appeal to that may be doing a mis-service. This is stunning on it's own merits and manages to do that rare thing of giving nods to the greats without mindless emulation. Stunning.

                    TRACK LISTING

                    1. Turn 06:12
                    2. Lull 04:19
                    3. Drift 03:38
                    4. Hush 07:01
                    5. Froze 06:13
                    6. Lilt 04:33
                    7. Breathe 07:02
                    8. Letters 04:08
                    9. Coda 02:13

                    John Coltrane

                    Giant Steps (Mono Edition)

                    John Coltrane’s landmark Atlantic album in glorious mono.

                    Saying farewell to bebop, "Giant Steps" was Coltrane's second album to be recorded for the Atlantic label, and marked the first time that all of the pieces on a recording had been composed by him. The recording exemplifies Coltrane's melodic phrasing that came to be known as 'sheets of sound', and features the use of a new harmonic concept later to be known as 'Coltrane changes'. The set features early versionss of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute".

                    Mono

                    Under The Pipal Tree

                      Under The Pipal Tree is the debut album by now-legendary Japanese experimental rock band, MONO. Released in 2001 on avant-garde icon John Zorn's Tzadik label, Under The Pipal Tree showcased a young Japanese quartet whose wide range of influences - most notably Sonic Youth, Mogwai, The Velvet Underground, and Neil Young's Crazy Horse - were on ferocious and ambitious display.

                      Though MONO would eventually become known for their expert marriage of metal and classical genres, Under The Pipal Tree highlights the band's psychedelic roots. Long stretches of hypnotic, melodic washes give way to scorching guitar freakouts that evaporate into haunting silence. It's remarkable not just for its earnest exploration, but for its startling execution. Fifteen years and eight albums later, Under The Pipal Tree stands as one of the great debut albums by a seminal underground band. Finally released on vinyl for the first time ever, Under The Pipal Tree has been remastered for vinyl by longt ime friend and tour mate, Bob Weston at Chicago Mastering Service. The double album is packaged in all new artwork, and is pressed onto audiophile-quality 100% virgin vinyl. This stunning album has never looked, sounded, or felt better.

                      TRACK LISTING

                      1. Karelia (12:31)
                      2. The Kidnapper Bell (10:00)
                      3. Jackie Says (7:31)
                      4. OP Beach (5:49)
                      5. Holy (1:41)
                      6. Error #9 (12:34)
                      7. L’America (4:38)
                      8. Human Highway (9:06) 

                      Johnny Foreigner

                      Mono No Aware

                        Johnny Foreigner are back with their long awaited 5th album sounding more visceral and vital than ever before – it's unmistakably Johnny Foreigner, but there's a deep subtlety imbued within that twin barrel vocal barrage and something defiantly delicate within those churning riffs… This is tragic pop.

                        But tragic pop that zips and fizzes as if everything depends upon it. Who knows? It probably does.

                        "a powerful message put to a signature style that's beginning to seem defiantly timeless" – The Line of Best Fit

                        "How they top this is beyond me." – Drowned In Sound

                        "You Can Do Better is a perfect execution of a well thought out plan." – DIY

                        "Johnny Foreigner are, thankfully, still showing no desire to slow down." - Clash

                        TRACK LISTING

                        Mounts Everest
                        Undevastator
                        I Can Show You The Way To Grand Central
                        The X And The O
                        Don’t, Just Don’t
                        Our Lifestyles Incandescent
                        The Worst Of Us
                        Into The Veldt
                        If You Can’t Be Honest, Be Awesome
                        CliffJumper
                        Decants The Atlantic

                        The Beach Boys

                        Pet Sounds - 50th Anniversary Mono Edition

                          The best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times."

                          TRACK LISTING

                          1. Wouldn't It Be Nice
                          2. You Still Believe In Me
                          3. That's Not Me
                          4. Don't Talk (Put Your Head On My Shoulder)
                          5. I'm Waiting For The Day
                          6. Let's Go Away For Awhile
                          7. Sloop John B
                          8. God Only Knows
                          9. I Know There's An Answer
                          10. Here Today
                          11. I Just Wasn't Made For These Times
                          12. Pet Sounds
                          13. Caroline, No

                          Sweden’s Mono Stereo return with new single "Me And My Machine" on Minty Highway. The lead track will be backed by a brand new, acoustically led track - "You Gotta Take Me Home".

                          "Me And My Machine" has been produced by Kramer, the man behind the legendary Galaxie 500 canon and the discovery of Low, and is the first glimpse into the Malmö band’s debut album – due for release spring 2011. His stamp on the bands addictively melodic take on psychedelia works perfectly, with the single cementing Mono Stereo as one of the finest purveyors of the revivalist sound in Europe today.

                          The B-side, recorded by the band themselves, finds the band in a more introspective mood, and brings a new rawness and diversity to their sound.

                          Having received welcome support from Steve Lamacq and Tom Ravenscroft on BBC 6music for previous single ‘On and On’, as well as comparisons to the likes of Brian Jonestown Massacre, Black Angels and BRMC from a variety of online music critics, the timing seems ideal for Mono Stereo’s brand of psychedelic rock to be brought to a wider social consciousness.


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