Search Results for:

MISSISSIPPI RECORDS

Alick Nkhata

Radio Lusaka

    Vocalist, guitarist, and bandleader Alick Nkhata moved eff ortlessly between lonesome country slide, big band pop, and air-tight vocal harmonies, all with roots in Bemba and other African traditional songs and rhythms. It’s a dizzying, inclusive, expansive blend from an artist and music archivist who became the voice of his nation’s fi ght for freedom. The lyrics and music represent the times - lonesome country laments like 'Nafwaya Fwaya' and 'Fosta Kayi' drift along the railways to urban centers and copper mines. 'Nalikwebele Sonka (I Told You Sonka)', sung in “deep-Bemba” pairs honey-soaked yodels with a warning about the downward spiral of unemployment in townships, while 'Mayo Na Bwalya’ (Mother of Bwalya) is a mother’s plea to a traditional songbird for guidance of her wayward son. Songs like 'Shalapo', 'Kalindawalo Na Mfumwa', and his biggest hit, 'Imbote', infuse piano, big band horns, and even early electronic instruments into stunning syncretic pop masterpieces.

    TRACK LISTING

    1. Nafwaya Fwaya
    2. Kalindawlo Ni Mfumu
    3. Elena
    4. Fosta Kayi
    5. Nalikwebele Sonka
    6. Shalapo
    7. Kapata Mukaya
    8. Bambi Balefi Sa Kumwabo
    9. Imbote
    10. Fodya
    11. Mayo Na Bwalya
    12. Tuli Beni Calo

    Arvo Pärt

    Silentium

      The album centers around a never-before-released rendition of 'Silentium', the second movement of Pärt's most famous concerto, Tabula Rasa, performed by Boston-based chamber orchestra A Far Cry. The group plays 'Silentium' at nearly half the speed of the best-known version, released on ECM in 1984. The piece, known for its healing properties for the dying and often used in palliative care facilities (one patient famously called it "angel music"), is breathtaking at half speed, seemingly stilling time itself.

      The album compiles some of the most stunning renditions of Pärt's music ever recorded. 'Vater Unser (Arr. for trombone & string ensemble)' is somehow warm and austere at once. A miniature epic. Pianist Marcel Worm's solo version of 'Variationen zur Gesundung von Arinuschka' is as beautiful as anything we've ever heard. 'Fratres for Strings and Percussion' is one of Arvo Pärt's most celebrated works.

      The Hungarian State Opera Orchestra's version is iconic, filled with emotional playing right on the verge of overly romantic, but never tipping over. Pärt's approach to both music and life is as sparse as the compositions he creates. He once said, "I have nothing to say... Music says what I need to say. And it is dangerous to say anything, because if I've said it already in words there might be nothing left for my music."

      STAFF COMMENTS

      Barry says: A stunning rendition of Silentium that's simmering with unease from the outset, but resolves slowly and through much dissonance and process, that's only one piece of this four-part epic, a stunning collection of pieces that people including and entirely limited to me are calling 'The Best Of Arvo Pärt'. Lovely.

      TRACK LISTING

      1. Vater Unser (Arr. For Trombone & String Ensemble)
      2. Variationen Zur Gesundung Von Arinuschka
      3. Fratres For Strings And Percussion
      4. Silentium

      Yo La Tengo

      Old Joy

        “Sorrow is nothing but worn-out joy…”

        For the first time on vinyl, Yo La Tengo’s understated, lonesome score to Kelly Reichardt’s classic 'Old Joy'.

        Recorded in a single afternoon at YLT’s studio in Hoboken, 'Old Joy' is a drifting, improvisatory journey, born out of years-long friendship between the band and the film’s director.

        The six instrumental tracks, created in collaboration with legendary guitarist Smokey Hormel, carry that unmistakable YLT sound, but delivered in service of another great work of art. The music, like so much of Reichardt’s film work, is low-key yet arresting, stripped down to the essentials, warm and unpretentious. The record includes two variations on the beloved “Leaving Home” theme, released for the first time on vinyl after years traveling in YLT fan circles.

        This music is a balm, remarkably full of emotion despite (or maybe because of) its restraint and minimalism.

        Originally released on 'They Shoot, We Score', a CD compiling several of the band’s soundtracks, 'Old Joy' stands as a cohesive whole here, blooming and rewarding repeat listens.

        Sliding reverbed guitars, muted piano and percussion, the hum of an old amp - the blurry memory of an afternoon in the studio, or a short-lived road trip through the backwoods of Oregon.

        TRACK LISTING

        1. Leaving Home
        2. Getting Lost
        3. Path To Springs
        4. Driving Home
        5. End Credits
        6. Leaving Home - Alternate Version

        Emahoy Tsege Mariam Gebru

        Souvenirs

          “Crows of the sky, please tell me What is found above the clouds? Emahoy Tsege Mariam Gebru, “Tell Me”.

          The first vocal album by beloved Ethiopian nun, composer, and pianist Emahoy Tsege Mariam Gebru - profound and deeply moving home cassette recordings made amidst political upheaval and turmoil. These are songs of wisdom, loss, mourning, and exile, sung directly into a boombox and accompanied by Emahoy’s unmistakable piano. Though written and recorded while still living at her family’s home in Addis Ababa, Emahoy sings of the heartache of being far from home, a reflection on the 1974 revolution and Red Terror in Ethiopia, and a presentiment of her future exile in Jerusalem.

          In the 21st century, Emahoy has become known worldwide for her utterly unique melodic and rhythmic style. Commonly misinterpreted as “jazzy” or “honky tonk,” Emahoy’s music actually comes from a deep engagement with the Western classical tradition, mixed with her background in Ethiopian traditional and Orthodox music.

          These songs, recorded between 1977-1985, are different from anything previously released by the artist. Rich with the sound of birds outside the window, the creak of the piano bench, the thump of Emahoy’s finger on the record button, they create a sense of place, of being near the artist while she records.

          Emahoy’s lyrics, sung in Amharic, are poetic and heavy with the weight of exile. “When I looked out / past the clouds / I couldn’t see my country’s sky / Have I really gone so far?” she asks in “Is It Sunny or Cloudy in the Land You Live?” Her vocals are delicate and heartfelt, tracing the melodic contours of her piano on songs like “Where Is the Highway of Thought?”

          “Tenkou! Why Feel Sorry?,” a career highlight that closes out her self-titled Mississippi album (MRP-099), is revisited here with vocals. Originally composed for her niece, Tenkou, the lyrics clarify the song title we’ve wondered about for so many years. “Don’t cry / Childhood won’t come back / Let it go with love.”

          Emahoy dreamt of releasing this music to a larger audience before her passing in March of 2023. We are proud to release this music, in collaboration with her family, now, in what would have been her 100th year.

          STAFF COMMENTS

          Barry says: A perfect mix of the rhythmic inconsistency of free-jazz and traditional Ethiopian folk music, Gebru's music is both hypnotic and fluid. Full of atmosphere but with a firm touch on classic folk and traditional musicianship.

          TRACK LISTING

          1. Clouds Moving On The Sky
          2. Ready To Leave
          3. Is It Sunny Or Cloudy In The
          4. Tenkou! Why Feel Sorry?
          5. Ethiopia My Motherland
          6. Where Is The Highway Of Thought?
          7. Don’t Forget Your Country
          8. Like The Sun Shines On Meadows 


          Latest Pre-Sales

          241 NEW ITEMS

          E-newsletter —
          Sign up
          Back to top