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MIQUELA

Miquela E Lei Chapacans

Miquela E Lei Chapacans

    The first progressive girl group of the French Occitan language pop scene bring you folk funk, sun-baked bossa, Coltrane jazz and their own brand of punky ‘Dizco Rural’ against an untouched French Balearic backdrop spanning the late 70s and 80s.

    If even the most assiduous of European record collectors consider the Occitan language music scene to be France’s best-kept secret then it’s as fair to say that the incredible multifaceted recordings of langue d’oc prog girl group Lei Chapacans have spent the last four decades hiding in plain sight. In all fairness this overlooked treasure chest of minority language excursions into folk funk, Balearic, bossa, John Coltrane-penned jazz, baroque psych, Palestinian poetry, comedic synth skits (and even the rawest form of femme-fronted multilingual punky disco) has been stowed away in inconspicuous photographic record sleeves, falsely evoking something closer to contemporary C&W while oft-misplaced in record shop cassette racks alongside ‘traditional’ spoken-word and scholastic albums.

    So, for the uninitiated, don’t be too hard on yourself. The fun starts here. For those who are familiar with the rare and sought-after one-off solo album by Occitan singer Miquela and have craved for more, then you’ve come to exactly the right place. Lei Chapacans (a name that roughly translates to The Vagabonds) is the all-girl vocal group assembled by Miquela herself just two years after her debut release, having toured the word and snubbed major label record deal offers with a steadfast allegiance to the protection of the Occitan language in which this album is primarily penned and performed (minus a small amount of German and sarcastic English in one rebellious instance).

    For European collectors with a penchant for French savoir faire, but have further yearnings for folkloric femme funk, then it’s time to look towards the Occitan sunset where you will meet Lolo, Miquela, Sophie, Irena and Denise.

    These amazing, and undeniably culturally important recordings might have taken some time to find a wider audience, but for music lovers, crate diggers and vinyl vultures alike there are still a lot of tasty morsels out there to be scavenged and devoured, ask any self-respecting Chapacan and they’ll concur wholeheartedly.

    TRACK LISTING

    Au Jardin
    Siau Pas Poeta
    Tu E Ieu
    A Cantar
    Dizco Rural
    Basta (Naima)
    La Pub
    Tais-toi
    Dialogue
    Airplane
    Leberon
    Me Demandes Pa
    A La Guerra

    Miquela

    I A De Sars

      Mesmerising minority language acid folk and wayfaring world music forges a river of revolution between langue doc and Côte d’Azur with this stunning seldom spoken 1978 intimate community pressing. Weaving a fragile thread through collectible outsider genres such as acid folk, French jazz, Braziliana and world music it is virtually incomprehensible that this incredible one-off solo album by mononymous Occitan language singer, songwriter and activist Miquela has managed to evade notoriety and wider affection zover five decades.

      Captured via a humble makeshift studio setup in a classroom in 1977, this startlingly crystalline recording is one of the best examples you are likely to hear, not shying from ambitious small string arrangements and intimate Gallic jazz infusions this album represents the quiet storm erupting from the pride and protection of the ancient ‘romance’ language known as Occitan, as spoken by less than 1.5 million people in Southern France (as well as parts of Italy and Spain). Naturally combining a wide range of influences and fuelled by the same impassioned fervour found in privately pressed minority language records from Britanny, Catalonia and Wales, Miquela’s first and only solo record was recorded by request of poet Ives Roqueta for his exclusively Occitan language label Ventadorn.

      Including players from Miquela’s surrounding area of Toulon the album also enlisted arrangements from important musicians such as co-author Jean- Michel Mariou, jazz contrabass player Didier Capeille (later affiliate of Marseilles’ Etron Fou Leloublan), and guitarist Gilles Cardon, who would regularly play for Britanny based label Nevenoe (knotting the ties between both French language rehabilitation movements). Released and well-received by a supportive and emotional Occitan fan base, this would be Miquela’s only ever solo album (preceded by a 7” picture sleeve EP, drawing similarities to Welsh label Sain) and laid the foundations for future releases with her folk rock girl group Lei Chapacans (The Vagabonds) which led to tours as far as Sardinia, Yemen and Moscow. As a vital forerunner of a maligned genre of Occitan femme-folk singers such as Estela, Nicòla, Jacmelina, Rosina De Peira E Martina and Claudia Galibert, this release marks the start of a journey that would eventually find its beloved protagonist at the heart of the galvanised Occitan language media.

      TRACK LISTING

      Tu E Leu
      I A De Sers
      Me Demandes Pas
      Lo Baranguet
      La Targa
      Palunaia
      Les Colonies
      Lei Filairas
      De Bon Matin
      Magali
      Retorn


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