Italian singer songwriter Marta Del Grandi returns with ‘Selva’, her most intricate and shimmering effort yet, a refined devotional suite of astute pop that flows effortlessly, uniting emotional complexity, divine organic arrangements with a sci-fi finish.
If her debut ‘Until We Fossilize’ showed all the qualities of Marta’s unique approach, tip-toeing between Laurel Canyon dust, Lynchian etherealism and dramatic Morricone scores, ‘Selva’ delves deeper into the undergrowth, showcasing an ambition to deliver a whole new universe, her own ecosystem, where the strength of her voice alone is the pillar to build on.
Beams of choral light radiate and permeate each track, with layered vocal drones creating a cathartic collision of sharp and soft textures, as almost to guide us hand in hand across Marta Del Grandi’s enchanted universe. The ambition is blinding and the outcome is here to prove it: 12 songs of sprawling ethereal pop that is vivid, immense and fully illuminated.
“Ultimately compels with its detached, lynchian ambience.” ALLMUSIC
“Bucolic yet often emotionally complex, her songwriting – patching electronic synths against ambient elements, with a touch of modern classical – taps into areas that go beyond words.” CLASH.
If her debut ‘Until We Fossilize’ showed all the qualities of Marta’s unique approach, tip-toeing between Laurel Canyon dust, Lynchian etherealism and dramatic Morricone scores, ‘Selva’ delves deeper into the undergrowth, showcasing an ambition to deliver a whole new universe, her own ecosystem, where the strength of her voice alone is the pillar to build on.
Beams of choral light radiate and permeate each track, with layered vocal drones creating a cathartic collision of sharp and soft textures, as almost to guide us hand in hand across Marta Del Grandi’s enchanted universe. The ambition is blinding and the outcome is here to prove it: 12 songs of sprawling ethereal pop that is vivid, immense and fully illuminated.
“Ultimately compels with its detached, lynchian ambience.” ALLMUSIC
“Bucolic yet often emotionally complex, her songwriting – patching electronic synths against ambient elements, with a touch of modern classical – taps into areas that go beyond words.” CLASH.
TRACK LISTING
Side A
A1 Mata Hari
A2 Eye Of The Day
A3 Chameleon Eyes
A4 Snapdragon
A5 Marble Season
A6 End Of The World Pt.1
Side B
B1 Two Halves
B2 Polar Bear Village
B3 Good Story
B4 Selva
B5 Stay
B6 End Of The World Pt.2