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LORAINE JAMES

Loraine James

Gentle Confrontation

    ‘Gentle Confrontation’, Loraine James's third Hyperdub album, opens a new chapter of her real and sonic life in which she examines her past and present. It's a positively languid, enjoyably disjointed set made while listening to her teenage favourites; math rock and emo-electronic such as DNTEL, Lusine and Telefon Tel Aviv. The album also features an ever more diverse set of peers, placing them in her unusual musical settings and drawing out sensitive and reflexive performances. At other times the album stretches out into a drifting ambience as if seeking a sense of bliss in the everyday. ‘Gentle Confrontation’ is about relationships (especially familial), understanding, and giving back a little grace and care, while the tone of the record criss-crosses watery ambience with denatured rhythm and asmr beats. These 16 tracks are Loraine's best work yet, and a personal and musical leap forward, delivering a totally unique vision of electronic pop music.

    STAFF COMMENTS

    Barry says: The inimitable Loraine James effortlessly mixes languid lounge jazz, scattered electronics and woozy downbeat on her third album for veteran electronic superlabel, Hyperdub. It's full of melodic hooks, submerged under a wash of beautifully produced electronic soup, and it's my favourite thing she's done by far. Brilliant.

    TRACK LISTING

    A1. Gentle Confrontation
    A2. 2003
    A3. Let U Go Ft. KeiyaA
    A4. Déjà Vu Ft. RiTchie
    B1. Prelude Of Tired Of Me
    B2. Glitch The System (Glitch Bitch 2)
    B3. I DM U
    B4. One Way Ticket To The Midwest (Emo) Ft. Corey Mastrangelo
    C1. Cards With The Grandparents
    C2. While They Were Singing Ft. Marina Herlop
    C3. Try For Me Ft. Eden Samara
    C4. Tired Of Me
    D1. Speechless Ft. George Riley
    D2. Disjointed (Feeling Like A Kid Again)
    D3. I’m Trying To Love Myself
    D4. Saying Goodbye Ft. Contour

    (CD BONUS TRACK : Scepticism With Joy Ft. Mouse On The Keys)

    Loraine James

    Building Something Beautiful For Me

      Celebrated UK producer Loraine James joins Phantom Limb for breathtaking homage to vital NYC composer Julius Eastman, reinterpreting, reimagining and responding to key works for a brand new album.

      In 1990, the composer Julius Eastman quietly passed away, out of the spotlight, a young man. By his death substance-addicted, homeless and broke, he was unforgivably overlooked in his lifetime. Still, the legacy of creative work he leaves is far more befitting to celebration than destitution. Only a portion of his music remains - a deeply regrettable sidenote to an already heartbreaking story - but this work represents a glorious and beautifully hued depiction of a composer totally in step with any modern great we could name.

      Phantom Limb are long-term fans of both Eastman and Loraine James. Using their rare, fortuitous connection with Julius’ surviving brother Gerry, the label began this new project in summer 2021, hoping to continue the current tide of efforts to reinstate Eastman’s rightful place in 20th-century composition. Loraine was offered a zip drive of Eastman originals (courtesy of Gerry Eastman), Renee Levine-Packer & Mary Jane Leach’s illuminating biography Gay Guerilla (University of Rochester Press, 2015), and transcribed MIDI stems (courtesy of Phantom Limb A&R James Vella), and the resulting album Building Something Beautiful For Me carries the Eastman torch with finesse and sensitivity. Loraine employs samples, melodic motifs, themes and imagery, and inspiration from Eastman’s canon, slicing, editing, pulling apart and playing samples like instruments to craft a stunning album that venerates Eastman’s genius while adhering to her own.

      Speaking in similar tongues as young, gay, Black, independent creatives in a challenging environment, the two musicians are bound closely together, despite a six-year gap between their lives ever intersecting. James includes the original Eastman title in many of her tracks, appending the source material in parentheses to mark the lineage of the work - a clear, traceable thread from the heavenly to the sublime.

      Album opener “Maybe If I” riffs on Eastman staple Stay On It. Its arrestingly pretty central melody is reshaped into a living, undulating canvas on which James’ IDM-inspired beat production flickers and swirls. A repeated vocal line pulls Eastman’s towering work of modern minimalism towards reclassification as a “song”. Next follows “The Perception of Me (Crazy N–)”, channelling Eastman’s righteous anger and knowing reclamation of the brutally charged N-word into a quasi-ambient exploration of Eastman piano samples set to skittering beats. Elsewhere, opening side B, “Enfield, Always” acts as a creative response to our past master. While Eastman purposefully, slyly intermingled Uptown NY’s stuffy professionalism with Downtown’s loose fervour, Loraine is a London artist, bound into her locale with the same honour and justified sentimentality as Eastman was with his. And like Eastman, the track’s heady percussion and ecstatic arpeggios contrast intentionally with its austere backdrop.

      In keeping with key Eastman codes, Phantom Limb engaged Black creatives to complete the record, including acclaimed designer Dennis McInnes for the album packaging, which is inspired by Eastman’s marginalia on his own (surviving) manuscript pages: “we sought to visually convey the complexity of what we may see as beautiful, how beauty is misunderstood and often lies beneath the surface.”

      TRACK LISTING

      A1 Maybe If I (Stay On It)
      A2 The Perception Of Me (Crazy Nigger)
      A3 Choose To Be Gay (Femenine)
      A4 Building Something Beautiful For Me (Holy Presence Of Joan D'Arc)
      B1 Enfield, Always
      B2 My Take
      B3 Black Excellence (Stay On It)
      B4 What Now? (Prelude To The Holy Presence Of Joan D’Arc) 

      Kelly Lee Owens

      Inner Song Remix Series: Part 1 Feat. Loraine James / Breaka / Coby Sey Remixes

      Form an orderly queue! It's another limited edition 12" from Kelly Lee Owens with remixes for the critically acclaimed album “Inner Song”. Part 1 features remixes from Loraine James, Breaka and Coby Sey.

      James tackles the stems of "Wake Up" with a gross intensity, utilizing the latest cut-up software to re-mangle, stretch and skew the track into a punctuated, holographic refraction of its former self.

      Breaka adds gliding subs, hi-tek breaks and lashings of electricity as he remixes "Re-Wild" into a club-ready future-garage beast destined for the big rooms.

      Finally leftfield weirdo Coby Sey adds some black magick to "Corner Of My Sky"; a sonic cauldron of strange sounds seeping over tuned tribal toms and John Cale's haunting vocal part. Another excellent addition to Kelly’s multi-dimensional discography. Top stuff. 


      TRACK LISTING

      Side A
      1. Wake Up (Loraine James Remix)
      2. Re-Wild (Breaka Remix)

      Side B
      1. Corner Of My Sky Ft. John Cale (Coby Sey Remix)

      Loraine James

      Reflection

        Made during summer 2020, Loraine James’ second Hyperdub album, ‘Reflection’, is a turbulent expression of inner-space, laid out in unflinching honesty, offering gentle empathy and bitter-sweet hope. ‘Reflection’ further develops a unique pop sensibility realised on last year’s ‘Nothing EP’, while tones of Drill and R&B seep through into this collection too. In contrast to the brash splashes of 2019’s ‘For You And I’ LP and the grimey anger of ‘Nothing’, ‘Reflection’ is pared-down and confident, taking the listener through how last year felt as a young black queer woman in a world that has suddenly stopped moving, the arc of the album peppered with Loraine's diaristic confessions.

        Starting positively with the gentle pop-trap of ‘Built To Last’ ft Xzavier Stone, into the bumpy instrumental of ‘Let's Go’, the album switches tone with ‘Simple Stuff’, followed by regular collaborator Le3 bLACK amplifying Loraine's vulnerability on the downcast drill of ‘Black Ting’, then ‘Insecure Behaviour And Fuckery’ is a techno glide which pairs Nova's confrontational plea for respect, delivered in monotone autotune, against deep Drexciyan chords. With Baths on vocals, the weightlessness of ‘On The Lake Outside’ soothes numb feelings, and Eden Samara explores the shadow world of anxious dreams on the airy R&B of ‘Running Like That’. Closing track ‘We're Building Something New’ with Manchester rapper Iceboy Violet brings the album together, confidently suggesting a new world is in reach. ‘Reflection’ is a brave step forward for a unique and creative 21st century musician

        TRACK LISTING

        A1. Built To Last (ft Xzavier Stone)
        A2. Let's Go
        A3. Simple Stuff
        A4. Black Ting (ft Le3 BLack)
        A5. Insecure Behaviour And Fuckery (ft Nova)
        A6. Self Doubt (Leaving The Club Early)

        B1. On The Lake Outside (ft Baths)
        B2. Reflection B3. Change
        B4. Running Like That (ft Eden Samara)
        B5. We're Building Something New (ft Iceboy Violet)

        Loraine James

        For You And I

          Raised in the multicultural and mind-broadening London borough of Enfield, Loraine James grew up hearing everything from steel pan music to Metallica, from jazz and electronica to drill and grime, and the results of this exposure can be heard on ‘For You And I’. In part the album explores the complexities of being in a queer relationship in London - “I’m in love and wanted to share that in some way … to make songs that reflect layers of my relationship.” – and as a whole ‘For You and I’ is rhythmically free flowing and sprawling, with melodies that evolve into rippling keys, feeling like a live jam session with a jazz mentality, contrasting the delicate and abrasive. Opener ‘Glitch Bitch’ is a warm ear-worm, brandishing swirling textures with undulating keys and compressed percussion, with an introspective theme revisited soon after on third track ‘So Scared’, whose glitched percussion and syncopated dub bassline build to a frantic meltdown melody.

          On ‘London Ting // Dark As Fuck’, inspired by Dizzee Rascals's ‘Boy In Da Corner', James explores the darker side of her production with her frequent collaborator Le3 BLACK laying verses over the skeletal track. ‘Hand Drops’ is an instrumental, about public displays of affection in a queer relationship. ‘Sensual’ reflects on intimacy with vocals by UK singer Theo, whose lyrics capture love and gentleness over a soft, minimal production of ethereal keys and scattered glitches. The albums’ title track is also the most colourful, it’s ecstatic and effusive chaos driven by fervent synths expressing elation and the joyful side of her relationship, while ‘My Future’ is a more reflective moment, where warping synths wash in and out with compressed kicks, as the artist considers the dangers that may come with her relationship : “I wanna tie the knot / But the rope is dangerous”. ‘For You And I’ is a deeply intimate and personal offering, expressing happiness, anxiety, joy, sensuality and fear through a vivid sound palette and an experimental sense of rhythm.


          TRACK LISTING

          A1. Glitch Bitch
          A2. London Ting // Dark As Fuck
          A3. So Scared
          A4. Hand Drops
          A5. Sensual
          B1. For You And I
          B2. My Future
          B3. Scraping My Feet
          B4. Sick 9
          B5. Vowel // Consonant 


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